STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 Sts) Row 1: Knit
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Beginning to Knit
Beginning To Knit This Lesson is reprinted by permission Pull down on both ends of the yarn to tighten the knot. of TNNA and contains portions of the Diagram 21. “How to Knit” book published by The Diagram 21 National NeedleArts Association (www. TNNA.org). Find full details for the new knitter in the complete “How to Knit” book available at your local yarn shop. Casting On - Double Cast On Method Measure off a length of yarn allowing one inch for each stitch you will cast on. Your pattern instructions will To cast on the second stitch, and all subsequent stitches, indicate this number. Make a slip-knot, it will be your hold the needle with the slip-knot in your right hand. first stitch. To make a slip-knot, make a pretzel shape Drape the short end of yarn over the thumb and the with the yarn and slip the needle into the pretzel as yarn from the ball over the index finger. Gently pull the shown. Diagrams 19 & 20. two ends of yarn apart to tighten the loop. Take care not to tighten it too much. The stitch should glide easily over the needle. Both strands of yarn should rest Diagram 19 in the palm of the left hand, with the last two fingers holding them down. Diagram 22. Diagram 22 Diagram 20 How To Knit Pull the needle downward, then insert the point of the Drop the thumb loop, then pull on the short end of needle up through the loop that is on your thumb. yarn with your thumb. -
Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
Free Knitting Pattern Lion Brand® Woolease® Tonal Grape Jam
Free Knitting Pattern Lion Brand® WoolEase® Tonal Grape Jam Wristers Pattern Number: L50323 Free Knitting Pattern from Lion Brand Yarn Lion Brand® WoolEase® Tonal Grape Jam Wristers Pattern Number: L50323 SKILL LEVEL: Beginner (Level 1) SIZE: One Size Finished Circumference About 7 in. (18 cm) Finished Length About 8 in. (20.5 cm) CORRECTIONS: (applied Mar 10, 2016) MATERIALS 635145 WoolEase Tonal: Plum 635144 WoolEase Tonal: Amethyst MATERIALS *WoolEase Tonal (Article #635). 80% Acrylic, 20% Wool; package size: 4.00oz/113.00 gr. (124yds/113m) pull skeins • 635144 Lion Brand Wool Ease Tonal: Amethyst 1 Ball • Lion Brand Knitting Needles Size 11 [8 mm] • Lion Brand LargeEye Blunt Needles (Set of 6) GAUGE: 13 sts = about 4 in. (10 cm) over Rows 7 and 8 of pattern. When you match the gauge in a pattern, your project will be the size specified in the pattern and the materials specified in the pattern will be sufficient. The needle or hook size called for in the pattern is based on what the designer used, but it is not unusual for gauge to vary from person to person. If it takes you fewer stitches and rows to make your swatch, try using a smaller size hook or needles; if more stitches and rows, try a larger size hook or needles. Making a Gauge Swatch NOTES: 1. Wristers are worked in one piece with ribbing at both edges. 2. Wristers are seamed, leaving openings for thumbs. WRISTERS (make 2) Cast on 23 sts. Row 1 (RS): P1, *k1, p1; repeat from * across. -
Pick up an Extra Copy for a Friend ,M[QOVMLJa3I\Pa/ZIPIU VISIT This Pattern Is Free for You to Use
Available across the U.S.A. & Canada Your Regional Guide to Specialty Shopping & Fun Events FREE!FREE! COLORADOCOLORADO && NEWNEW MEXICOMEXICO •• MAY/JUNEMAY/JUNE 20212021 PickPick upup anan ExtraExtra CopyCopy forfor aa FriendFriend The Castle Rock • Centennial • Colorado Springs • Denver CountryRegister Fountain • Littleton • Monument • Parker • Pueblo of Colorado & New Mexico 719-866-8570 Jan & John Keller, Publishers 11250 Glen Canyon Dr., Peyton, CO 80831 EMAIL: [email protected] www.CountryRegisterCO.com • www.CountryRegisterNM.com The Country Register Publisher Contact List The Country Register began in Arizona, in the Fall of 1988, to provide effective, affordable advertising for shops, shows, and other experiences enjoyed by a kindred readership. Since then the paper has flourished and spread. Look for the paper in your travels. Barbara Floyd, founder • [email protected] • 602-321-6511 PUBLICATIONS ALL ACROSS THE UNITED STATES & CANADA To receive a sample paper from another area, mail $3.00 in U.S.A. or $4.00 in Canada to that area’s editor. USA New Hampshire: Robin Levison, 518-752-6399 Arizona: Barb Stillman & Lolly Konecky, 602-942-8950 New Jersey: Merle & Gail Taylor, 888-616-8319 Arkansas: Richard and Lenda Brown, 405-470-2597 New Mexico: Jan & John Keller, 719-749-9797 California: Barb Stillman & Lolly Konecky, 602-942-8950 New York: Mike & Wendy Rothfuss, 502-468-3938 Colorado: Jan & John Keller, 719-866-8570 North Carolina: Barb Stillman & Lolly Konecky, 888-942-8950 Connecticut: Dave & Amy Carter, 866-825-9217 -
Behind the Scenes Behind the Scenes
A Noro aficionado for more than twenty-five years, designer Cornelia Tuttle Hamilton took the trip of a BehindBehind lifetime, traveling to Japan from her home in Sweden thethe ScenesScenes to meet the man by Cornelia Tuttle Hamilton behind the yarn. y relationship with all that is Noro began in the early 1980s. It is obvious that every new day still brings new discoveries of color and I had just returned from a train trip around Europe that I form based largely on an acute observation of nature and its rhythms, M undertook to find direction in my professional life. The outcome seasons, textures and colors. Mr. Noro’s calm dignity and humor were was an ambitious decision to pursue careers in both photography and evident even though we needed an interpreter to communicate. hand-knit design. As fate would have it, the design part of my decision quickly developed and pushed out the photography—at least for the time The Company being. Eisaku Noro was raised in the town of Ichinomiya in Central Japan, a Upon my return to Manhattan I took a sales job at Fiberworks, which region known for its yarn and textile production. Impatient with school, was probably the most avant-garde yarn shop in New York at the time. Noro began working in the yarn industry after his basic education in Owned by crochet designer Judith Copeland, Fiberworks was more a spinning and dyeing was completed. He quickly learned the ropes. gallery than a yarn shop, where handcrafted yarns from Noro lit up the An innovator with an artistic eye even back then, Noro soon became shelves and were featured in artfully displayed handknit garments. -
To See a Master List of Abbreviations and Techniques
Master List of Abbreviations and Techniques (updated 11/11/14) ABBREVIATIONS: approx approximate(ly) beg begin(ning) brk brioche knit: knit the stitch with its yarn over(s) BO Bind Off CC Contrasting Color ch chain CO Cast On cn cable needle cont continue(s) / continuing dec decrease(s) / decreased / decreasing dpn(s) double-pointed needle(s) est established foll follows / following inc increase(s) / increased / increasing k knit k2tog knit 2 stitches together (decreases 1 stitch) k2tog wyo knit the next knit stitch together with its paired yarnover k3tog knit 3 stitches together kfb knit into the front and back loop of stitch (increases 1 stitch) MC Main Color M1 Make 1 stitch (increases 1 stitch) M1L & M1R (for RS of One Hank Tiara Shawl): To work the M1L before the center stitch do the following: Knit the YO without dropping it off the needle (= k1), then knit into the left leg (back loop) of the YO (= M1L). To work the M1R after the center stitch do the following: Reorient the YO, so that the right leg is at the back of the needle, and the left leg is at the front of the needle. Knit into the left “front” leg (= M1R) and drop it off the needle, then knit into the yarnover bar (= k1). M1L Make One Left - Using Left Hand needle, pick up bar between stitches on needles from front to back and using Right Hand needle, Knit one stitch through the back loop (increases 1 stitch). M1R Make One Right - Using Left Hand needle, pick up bar between stitches on needles from Back to Front and using Right Hand needle, Knit one stitch through the front loop (increases 1 stitch). -
Rug Buying Guide Find the Perfect Rug for Any Space
Rug Buying Guide Find the perfect rug for any space. Learn more about rug construction, sizes, material, style, and care. The right rug can do more than just help define a space. It can protect your floors from wear and tear while adding to a visually appealing aesthetic with its colors and patterns. However, purchasing a rug is no easy task. You must consider your lifestyle, placement of the rug, design of the rug, and what you will need from a rug. We’ve compiled the ultimate guide to help you find the exact rug that will fulfill the needs of your space. Rug Weaves The weave of a rug can determine the feel, look, and durability overtime. Although rugs can now be made more efficiently, there are still many craftsmen who tediously weave rugs by hand. Hand-Knotted Hand-knotted rugs are very labor intensive with lasting results. They are very durable and can last for over 20 years with minimal shedding. The most common fiber used is wool. Because hand-knotted rugs are very labor intensive to create, they can take on average 5-7 months to be completed, sometimes even longer. The time and labor put into creating a hand-knotted rug does make it considerably pricier than other. Weavers will begin by hand tying knots onto warps before tying tufts of wool around the warp creating knots. The end of knots create the pile. Wefts are then threaded through in order to tighten the knots. This creates the foundation of the rug. The more knots per inch, the more intricate the pattern, and usually the more durable the knots will be. -
19. Principles of Yarn Requirements for Knitting
19. Principles of Yarn Requirements for Knitting Errol Wood Learning objectives On completion of this lecture you should be able to: • Describe the general methods of forming textile fabrics; • Outline the fibre and yarn requirements for machine knitwear • Describe the steps in manufacturing and preparing yarn for knitting Key terms and concepts Weft knitting, warp knitting, fibres, fibre diameter, worsted system, yarn count, steaming, clearing, winding, lubrication, needle loop, sinker loop, courses, wales, latch needle, bearded needle Introduction Knitting as a method of converting yarn into fabric begins with the bending of the yarn into either weft or warp loops. These loops are then intermeshed with other loops of the same open or closed configuration in either a horizontal or vertical direction. These directions correspond respectively to the two basic forms of knitting technology – weft and warp knitting. In recent decades few sectors of the textile industry have grown as rapidly as the machine knitting industry. Advances in knitting technologies and fibres have led to a diverse range of products on the market, from high quality apparel to industrial textiles. The knitting industry can be divided into four groups – fully fashioned, flat knitting, circular knitting and warp knitting. Within the wool industry both fully fashioned and flat knitting are widely used. Circular knitting is limited to certain markets and warp knitting is seldom used for wool. This lecture covers the fibre and yarn requirements for knitting, and explains the formation of knitted structures. A number of texts are useful as general references for this lecture; (Wignall, 1964), (Gohl and Vilensky, 1985) and (Spencer, 1986). -
August 2021 Class Descriptions
4436 Indianola Ave. Columbus, OH 43214 614-670-5629 August 2021 Class Schedule www.614knitstudio.com Beginning Crochet: Crochet is hotter than ever! Whether you have never picked up a hook or are a knitter looking to expand your skill set, this class is for you. Learn the basics, in this two- part class, such as the slip knot cast on, chain stitch, and single crochet; different hook styles and which will work best for you; the slip stitch, half-double crochet, and double crochet. You will also learn how to read a crochet pattern by getting to know stitch abbreviations and following a pattern, you will make a granny square. No Pre-requisite Skills Required! • Wednesdays, August 11 & 18 from 1- 3 p.m. with Terri • $60 plus supplies Beginning Knit: Knitting is now more popular than ever, and you can learn too! In this 2-part class, students will learn how to cast on, the knit & purl stitch, knit and purl combination stitches in the same row, and how to read a pattern. During the second class, you will learn how to shop for and start your first project, the Wheat Scarf by Tin Can Knits. No Pre-requisite Skills Required! • Mondays, August 16 & 23 from 3-5 p.m. with Susan • $60 plus supplies Beginning Knit Socks: There is nothing cozier than wearing hand knit socks. In this three-week class, you will learn all the techniques needed to knit top-down socks, including knitting in the round on double pointed needles, working a heel flap, short rows, picking up stitches and the Kitchener (grafting) stitch. -
Bobble Beret
Bobble Beret by Beth Lutz LEVEL OF EXPERIENCE: Intermediate FINISHED MEASUREMENTS: One Size – Adult YARN: ASTRAL by The Alpaca Yarn Company, 50% Tencel, 30% Alpaca, 20% Wool, (100g = 197 yds) 1 Hank NEEDLES: US # 5 (3.75 mm) & #6 (4 mm) DP and or 16” circular NOTIONS: Tapestry needle & stitch markers. GAUGE : 5 st = 1” in st st on larger needles. TAKE TIME TO CHECK YOUR GAUGE. Bobble Beret B 43 41 39 B B 37 35 ABBREVIATIONS 33 31 dpn double point needle 29 k knit 27 k2tog knit 2 together 25 lh left hand 23 p purl 21 pm place marker 19 rh right hand B 17 rs right side 15 sl slip 13 ssk slip 2 sts individually, insert LH needle 11 into RH needle from L to R and k the sts 9 together 7 st(s) stitch(es) 5 ws wrong side 3 yo yarn over 1 Beret Legend Cast on 96 sts with smaller needles using a provisional cast on. Join work and place a marker. Work k1, p1 rib Knit for 8 rounds. Next round, k2tog, yo around. Work 8 Yarn Over more rounds in k1, p1 rib. Remove the provisional cast on, placing sts on spare needles. Hold the cast on sts Knit 2 tog behind the stitches just worked and k 1 from front needle SSK and 1 from back needle together. This will invisibly join No Stitch the cast on edge to the top of the ribbed band. K one B Bobble more round. Sl 2 tog as if to K, k1 Begin working chart, knitting all sts on even rows. -
Clothing, Needlework and Quilt Quest
CLOTHING, NEEDLEWORK AND QUILT QUEST All entries in the STEAM Clothing Projects, Shopping in Style, Quilt Quest, Knitting and Crocheting are judged at Conference Judging - Fashion Show Day, Thursday, July 16. These exhibits will not be judged on entry day, Tuesday, July 21. Please bring all wearable exhibits on wire hangers or hangers with a swivel hook ONLY. All exhibits that are not suitable for hanging should be entered in a plastic bag. Wool garments and garments with narrow straps hang better on other hangers, i.e. wooden or notched plastic hangers. As you look at the garment place the hook of the hanger pointing to the left. Use safety pins to fasten skirts, shorts and pants to hangers. Each piece is to be entered on its own hanger. If more than one hanger is used for an entry, fasten hangers belonging to one exhibit together with twist ties or rubber bands. Entry tag placement: as you look at the garment place the entry tag on the right side of the garment and the hook of the hanger to the left. Garments as listed may be made for self or another person. All clothing exhibits must be exhibited at the fair to receive premium. 4-H’ers enrolled in clothing projects should continue their skill development. Once you have exhibited in a higher level, you are not eligible to exhibit in a lower level. Ex: Once you exhibit in STEAM Clothing 2, you are not eligible to exhibit in STEAM Clothing 1. You may enter up to two items per class but must use different patterns. -
Spinning Yarns, Telling Tales About Textiles
News for Schools from the Smithsonian Institution, Office of Elementary and Secondary Education, Washington, D.C. 20560 SEPTEMBER 1980 Spinning Yarns, Telling Tales about Textiles Textiles Tell Stories: The "Age of Homespun" and in regard to spinning, weaving, and other aspects of Other Tales textile making. This exchange of ideas led to a great Consider, for example, the piece of cloth shown in many improvements and innovations in all the various figure 1. This piece of hand-loomed, plaid linen is aspects of textile making over time. Some of the most from the Age of Homespun-a period of American important of these developments are explained in the history lasting from colonial times up until the Civil next section of this article. Bull mummy-wrapping (from Egypt) War. During the Age of Homespun many of the necessi ties of life-including textiles-were made in the Textiles From Scratch: Fiber to Cloth home. This was especially true in remote rural areas, Traditionally the making of a piece of cloth involved .7l",;;;,;i1_ where practically every farm had its own plot of flax first the selection of an appropriate natural fiber. (For i.liIi!i,~;':;\';_-- a discussion of natural fibers, see the article on page (as well as its own flock of sheep) and there was a m1i'<!Si~ 4.) The fiber was then harvested and made ready for 1\ wool wheel and a flax wheel in every kitchen. -iW:Mii\ii\_ spinning into thread or yarn. After spinning, the yarn en@! The making of cloth for clothing and bedding de manded an enormous amount of time and energy was usually either knitted or woven into cloth.