Observatory at Dholavira
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Volume-04 ISSN: 2455-3085 (Online) Issue-05 RESEARCH REVIEW International Journal of Multidisciplinary May-2019 www.rrjournals.com[UGC Listed Journal] Shakti Worship, Shaktipithas and Seats of Solanki Period in Gujarat Dr. Vanrajsinh Chavada (M.A , Ph.D.) ________________________________________________________________________________________________________ 1. Introduction The copperplate inscriptions of the Maitraka period When archaeological material was available only to a contain references to serveral temples of Goddesses such as small extent, the early scholars in Gujarat tried to trace Pandura and Kottammahika at Trisangamaka, the earliest antiquity of the prevalence of Shakti-worship in Gujarat mainly references belonging to the reign of King Dronsinha (circa 500 based on the traditional accounts. Many of them were given in to 520 A.D.). the purans or puran-khandas of late origin, while some others were transmited orally through generations. Thus, epographic references allude to the prevalence, of th goddess-temples in Gujarat since 6 cent.A.D. The prevalence of shakti-worship in Gujarat probably received an impetus from Devi-mahatmya given in The evidence of sculptural remains in the form of Markandeya Puran. The origin of the worship of the Goddeess goddesses leads us to trace the antiquity of Shakti worship in in Gujarat can be traced to the primitive tribe of the Bhils and Gujarat still earlier. Excavations at Amerli have yielded two nd that it received further impetus through the Nagars and Jadeja icons of goddesses. The earlier one dated to 2 cent.A.D., is a Rajputs. However, he could not trace any evidence for its fragmentary stone-bust of a goddess holdinga spear in her prevalence in Gujarat before 1000 A.D. -
1 Arthur M. Sackler Colloquium of the National Academy Of
1 Arthur M. Sackler Colloquium of the National Academy of Sciences Early Cities: New Perspectives on Pre-Industrial Urbanism Final Revisions: Oct. 1, 2005 Indus Urbanism: New Perspectives on its Origin and Character Jonathan Mark Kenoyer, Department of Anthropology, University of Wisconsin, Madison During the past two decades a variety of archaeological research projects focused on the Indus civilization have made it possible to refine earlier models regarding the origin and character of this distinctive urban society. Excavations at the major city of Harappa have revealed a long developmental sequence from its origins to its eventual decline and subsequent transformation. Recent excavations at the large urban centers of Dholavira and Rakhigarhi, along with reexamination of the largest city of Mohenjo-daro have shown that the development of urbanism was not uniform throughout the greater Indus region (Kenoyer 1998). Detailed studies within each city have revealed many shared characteristics as well as some unique features relating to the dynamic process of city growth and decline. In addition to the excavations of larger urban centers, regional surveys and extensive excavations at smaller settlements have provided a new perspective on the nature of interaction between large and small urban centers and even rural settlements. The increase in radiocarbon dates from well-documented contexts in stratigraphic excavations has helped to refine the chronology of settlements in both core areas and rural areas (Meadow and Kenoyer 2005b; Possehl 2002a; Possehl 2002c). On the basis of a more refined chronology and comparisons of the material culture, it appears that some rural settlements may have been directly linked to the major cities, while others appear to have had relatively little direct contact during some time periods (Meadow and Kenoyer 2005b). -
ICONS and SIGNS from the ANCIENT HARAPPA Amelia Sparavigna ∗ Dipartimento Di Fisica, Politecnico Di Torino C.So Duca Degli Abruzzi 24, Torino, Italy
ICONS AND SIGNS FROM THE ANCIENT HARAPPA Amelia Sparavigna ∗ Dipartimento di Fisica, Politecnico di Torino C.so Duca degli Abruzzi 24, Torino, Italy Abstract Written words probably developed independently at least in three places: Egypt, Mesopotamia and Harappa. In these densely populated areas, signs, icons and symbols were eventually used to create a writing system. It is interesting to see how sometimes remote populations are using the same icons and symbols. Here, we discuss examples and some results obtained by researchers investigating the signs of Harappan civilization. 1. Introduction The debate about where and when the written words were originated is still open. Probably, writing systems developed independently in at least three places, Egypt, Mesopotamia and Harappa. In places where an agricultural civilization flourished, the passage from the use of symbols to a true writing system was early accomplished. It means that, at certain period in some densely populated area, signs and symbols were eventually used to create a writing system, the more complex society requiring an increase in recording and communication media. Signs, symbols and icons were always used by human beings, when they started carving wood or cutting stones and painting caves. We find signs on drums, textiles and pottery, and on the body itself, with tattooing. To figure what symbols used the human population when it was mainly composed by small groups of hunter-gatherers, we could analyse the signs of Native Americans. Our intuition is able to understand many of these old signs, because they immediately represent the shapes of objects and animals. It is then quite natural that signs and icons, born among people in a certain region, turn out to be used by other remote populations. -
3-Art-Of-Indus-Valley.Pdf
Harappan civilization 2 Architecture 2 Drainage System 3 The planning of the residential houses were also meticulous. 4 Town Planning 4 Urban Culture 4 Occupation 5 Export import product of 5 Clothing 5 Important centres 6 Religious beliefs 6 Script 7 Authority and governance 7 Technology 8 Architecture Of Indus Valley Civilisation 9 The GAP 9 ARTS OF THE INDUS VALLEY 11 Stone Statues 12 MALE TORSO 12 Bust of a bearded priest 13 Male Dancer 14 Bronze Casting 14 DANCING GIRL 15 BULL 16 Terracotta 16 MOTHER GODDESS 17 Seals 18 Pashupati Seal 19 Copper tablets 19 Bull Seal 20 Pottery 21 PAINTED EARTHEN JAR 22 Beads and Ornaments 22 Toy Animal with moveable head 24 Page !1 of !26 Harappan civilization India has a continuous history covering a very long period. Evidence of neolithic habitation dating as far back as 7000 BC has been found in Mehrgarh in Baluchistan. However, the first notable civilization flourished in India around 2700 BC in the north western part of the Indian subcontinent, covering a large area. The civilization is referred to as the Harappan civilization. Most of the sites of this civilization developed on the banks of Indus, Ghaggar and its tributaries. Architecture The excavations at Harappa and Mohenjodaro and several other sites of the Indus Valley Civilisation revealed the existence of a very modern urban civilisation with expert town planning and engineering skills. The very advanced drainage system along with well planned roads and houses show that a sophisticated and highly evolved culture existed in India before the coming of the Aryans. -
Indus Valley Civilization
Name: edHelper Indus Valley Civilization A long, long time ago, there was a group of people called the Aryans. The Aryans were possibly from southern Russia and Central Asia. As nomads, they never liked to linger in one place. Instead, they much preferred to herd their animals by moving them from one spot to another. About 3,600 years ago, the Aryans decided to change their lifestyle. They wanted to give up endless wandering. They wanted to have a permanent settlement that they could call home. When they arrived in India, they did exactly that. As the Aryans learned to adapt to their new environment, they brought with them their religion and customs. Their culture later became the foundation of the Indian culture and led people to believe that it was India's oldest civilization. That notion changed completely in 1921! In 1921, archaeologists unearthed two ancient cities - Harappa and Mohenjo-daro - near the Indus River. Both sites predated the Aryans' settlement by about 1,000 years. The discovery, undoubtedly, was a surprise to everybody. Right away, it pushed the Indian history back even further than it already was. Scholars around the world termed the newly found culture "the Indus valley civilization." Some also called it "the Harappan civilization" because Harappa was the first city the archaeologists dug out. The Indus River lies on the western side of the Indian subcontinent. Today, both the river itself and the two ancient cities fall within the confines of Pakistan. The excavations indicated that people of this ancient culture were excellent city planners. -
Arts of the Indus Valley
2 ARTS OF THE INDUS VALLEY HE arts of the Indus Valley Civilisation emerged during Tthe second half of the third millennium BCE. The forms of art found from various sites of the civilisation include sculptures, seals, pottery, jewellery, terracotta figures, etc. The artists of that time surely had fine artistic sensibilities and a vivid imagination. Their delineation of human and animal figures was highly realistic in nature, since the anatomical details included in them were unique, and, in the case of terracotta art, the modelling of animal figures was done in an extremely careful manner. The two major sites of the Indus Valley Civilisation, along the Indus river—the cities of Harappa in the north and Mohenjodaro in the south—showcase one of earliest examples of civic planning. Other markers were houses, markets, storage facilities, offices, public baths, etc., arranged in a grid-like pattern. There was also a highly developed drainage system. While Harappa and Mohenjodaro are situated in Pakistan, the important sites excavated in India are Lothal and Dholavira in Gujarat, Rakhigarhi in Haryana, Bust of a bearded priest Ropar in Punjab, Kalibangan in Rajasthan, etc. Stone Statues Statues whether in stone, bronze or terracotta found in Harappan sites are not abundant, but refined. The stone statuaries found at Harappa and Mohenjodaro are excellent examples of handling three-dimensional volumes. In stone are two male figures—one is a torso in red sandstone and the other is a bust of a bearded man in soapstone—which are extensively discussed. The figure of the bearded man, interpreted as a priest, is draped in a shawl coming under the right arm and covering the left shoulder. -
Geometric Knowledge of the Indus Civilization
C 27 In Square Circle: Geometric Knowledge of the Indus Civilization Sitabhra Sinha∗, Nisha Yadav∗∗ and Mayank Vahia∗∗ *The Institute of Mathematical Sciences, CIT Campus, Taramani, Chennai 600 113, India. e-mail: [email protected] **Tata Institute of Fundamental Research, Homi Bhabha Road, Mumbai 400 005, India. 1 Introduction The geometric principles expounded in the Sulbasutras (800-500 BCE) have often been considered to mark the beginning of mathematics in the Indian subcontinent (Seidenberg, 1975; Staal, 2008). This collection of su- tras codify directions for constructing sacrificial fires, including rules for the complex configuration of ritual altars. The bird-shaped Agnicayan al- tar, consisting of five layers of two hundred bricks each, with the bricks being of square, rectangular or triangular shapes of various sizes, is con- sidered by F. Staal to signal the beginning of geometry proper in South Asia (Staal, 2008). It has been dated by him to about 1000 BCE as some of the mantras that are concerned with the consecration of bricks occur in the earliest Yajurveda Samhita, the Maitrayani. The absence of any 442 Math Unlimited recorded tradition of geometric knowledge predating these sutras have led some scholars to suggest a West Asian origin for the onset of mathematical thinking in India. However, the discovery of the archaeological remnants of the Indus Valley civilization in parts of Pakistan and northwestern India over the course of last century has revealed a culture having a sophisticated understanding of geometry which predated the Sulbasutras by more than a thousand years. It is difficult to ascertain whether there was any continu- ity between the geometry practised by the Indus civilization and that used by the later Vedic culture; however, it is not impossible that some of the earlier knowledge persisted among the local population and influenced the sulbakaras (authors of the Sulbasutras) of the first millennium BCE. -
Painting Reckoner Session: 2020-21
SALWAN PUBLIC SCHOOL MAYUR VIHAR PAINTING RECKONER SESSION: 2020-21 NAME: CLASS: XI SECTION: Preface The course in Painting at Senior Secondary stage as an elective subject is aimed to develop aesthetic sense of the students through the understanding of various important well known aspects and modes of visual art expression in India’s rich cultural heritage from the period of Indus valley to the present time. It also encompasses practical exercises in drawing and painting to develop their mental faculties of observation, imagination, creation and physical skills required for its expressions. The Ready Reckoner for Class XI has been prepared in conformity with the National Curriculum Framework and latest CBSE syllabus and pattern. We believe, this text will make apparent the content and scope of the Subject and provide the foundation for further learning. With necessary assignments within each part, chapters are devoted to the subtopics, and the assignments are designed according to the lower and higher order thinking skills. Chapter- opening summary is intended to capture the reader's interest in preparation for the subject matter that follows. In short, every effort has been made to gain and retain student attention— the essential first step in the learning process. INDEX 1. Objectives 2. Important Art Terminologies 3. Syllabus and Division of Marks 4. Prehistoric Rock Paintings 5. Indus Valley Civilization 6. Mauryan Period 7. Art of Ajanta 8. Temple Architecture 9. Bronze Sculptures 10. Some Aspects of Indo-Islamic Architecture 11. Sample Papers Objectives A) Theory (History of Indian Art) The objective of including the history of Indian Art for the students is to familiarize them with the various styles and modes of art expressions from different parts of India. -
Languages of Harappa
•§ Michael Witzel Feb. 17, 2000 135 k The Languages of Harappa § 1. The riddle of the Indus script and language Each year, or as it seems, by now every other month, we see a new decipherment of the Indus script. Beyond G. Possehl's fifty-odd examples (Possehl 1996), there must be some dozens more, by now frequently found on the internet. However, as is well known, neither is the script itself well understood nor do we know on which language it is based and for which languages it has been used. In this paper, I am not going to add myself to the long list of failures of decipherment of the script. Instead, I think we should first prepare the ground for such undertaking by investigating the peculiarities of the script itself, a task that has not been carried systematically enough (Wells 1998). Secondly, we should take a much closer look at the various sources which may indicate which languages were spoken in the core areas of the Indus civilization, in the Greater Panjab and in Sindh-Baluchistan. During the past few decades, the language underlying the Indus script has almost universally been taken as Proto-Dravidian (leaving aside such unlikely explanations as Sanskrit, Sumerian, etc., see Possehl 1996). This means a form of reconstructed, early Dravidian that precedes --by some two thousand years or more-- that of the Sangam (Cakam) texts which were composed in archaic Tamil around the beginning of our era. The tacit presupposition has been that the by and large South Indian Dravidian languages preceded the various dialects of Old Indo-Aryan (OIA) in the Panjab and Sindh. -
Ancient Civilizations
1 Chapter – 1 Ancient Civilizations Introduction - The study of ancient history is very interesting. Through it we know how the origin and evolution of human civilization, which the cultures prevailed in different times, how different empires rose uplifted and declined how the social and economic system developed and what were their characteristics what was the nature and effect of religion, what literary, scientific and artistic achievements occrued and thease elements influenced human civilization. Since the initial presence of the human community, many civilizations have developed and declined in the world till date. The history of these civilizations is a history of humanity in a way, so the study of these ancient developed civilizations for an advanced social life. Objective - After teaching this lesson you will be able to: Get information about the ancient civilizations of the world. Know the causes of development along the bank of rivers of ancient civilizations. Describe the features of social and political life in ancient civilizations. Mention the achievements of the religious and cultural life of ancient civilizations. Know the reasons for the decline of various civilizations. Meaning of civilization The resources and art skills from which man fulfills all the necessities of his life, are called civilization. I.e. the various activities of the human being that provide opportunities for sustenance and safe living. The word 'civilization' literally means the rules of those discipline or discipline of those human behaviors which lead to collective life in human society. So civilization may be called a social discipline by which man fulfills all his human needs. -
A Study of Burial Patterns and Symbolism with Reference to Harappan Sites in India
Cultural and Religious Studies, October 2017, Vol. 5, No. 10, 599-606 doi: 10.17265/2328-2177/2017.10.003 D DAVID PUBLISHING A Study of Burial Patterns and Symbolism With Reference to Harappan Sites in India Satarupa Bal Antiquity and Museums Section, Archaeological Survey of India, New Delhi, India Since time and beyond, when humans first developed the understanding of staying in communities, a sense of affection and adoration grew towards fellow beings. The law of nature of the cycle of life gave rise to the belief in life after death and a sense of intimidation for the same, gave way to supernatural beliefs. Such beliefs gave rise to multifarious customary activities. A study to understand them on the basis of symbolism has paved the way for simplification of the complex rituals, and hence, perceive the prevalent socio-cultural aspects of those times. Keywords: Burial patterns, Harappa, Harappan burials in India, Burial analysis, Mortuary practices, Pre/Early Harappan Burial, Mature Harappan Burial, Social aspects of Harappan Burials Introduction Burial may be defined as “to bury,” “grave or tomb,” “the act or process of burying,” “the act or ceremony of burying” etc., while a burial ground is defined in different terms, such as, burying ground, graveyard, necropolis etc. in the archaeological context. Since the earliest times, the disposal of the dead has been given much importance by the humans. Often, the dead ones were accompanied with food and personal belongings indicating a belief of life after death. The humans attempted to relive the memory of the departed souls and tried to erect a tomb or a memorial stone to remember their close relatives, kith and kin, etc. -
Sculptures-Indus Period
UNITl SCULPTURES-INDUS PERIOD Structure 1.1 Introduction 1.2 Objectives 1.3 The Indus Valley Civilization - Background 1.4 Sculptural Art Engraving - Seals Rounded Sculptures 1.5 Stylistic Features 1.6 Representational Examples 1.7 Summary 1.8 Self-Assessment Questions 1.9 Terminal Questions. 1.10 Answers to Terminal Questions 1.1 INTRODUCTION In the previous unit you have studied the different techniques followed by Indian sculptors during historical times. In every period the sculptures are created in different styles. This shows the artistic achievements of the respective period. In this unit we shall discuss the sculpture as developed in the Indus Valley civilization. 1.2 OBJECTIVES After reading this unit you will be able to: • describe the Indus civilization and the sculptures of the period; • discuss about the subjects chosen for sculptures; • explain the types of sculptures; and • discuss about the trends and approaches in sculpture of Indus period. 1.3 INDUS VALLEYCIVILIZATION -BACKGROUND The Indus Valley civilization, which flourished from 3000 BC, marked the beginning of a great civilization in the sub-continent. It was situated on the banks of the Indus and Saraswati rivers and their tributaries initially. Later it extended into Ganges- Yamuna Doab region and also into Afghanistan. Among the settlements were the major urban centres ofHarappa and Mohenjodaro located in Pakistan, Lothal, Rangpur, Surkothada, Kalibangan, Rakhigarhi, Dholavira, Daimabad, Kunal and many other places located .in India. The famous archaeologists who have discovered many of these sites and conducting research on various aspects are John Marshcll, a.B.Lal, S.R.Rao, Bhist, and others.