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Volume-04 ISSN: 2455-3085 (Online) Issue-05 RESEARCH REVIEW International Journal of Multidisciplinary May-2019 www.rrjournals.com[UGC Listed Journal] Shakti Worship, Shaktipithas and Seats of Solanki Period in Gujarat Dr. Vanrajsinh Chavada (M.A , Ph.D.) ________________________________________________________________________________________________________ 1. Introduction The copperplate inscriptions of the Maitraka period When archaeological material was available only to a contain references to serveral temples of Goddesses such as small extent, the early scholars in Gujarat tried to trace Pandura and Kottammahika at Trisangamaka, the earliest antiquity of the prevalence of Shakti-worship in Gujarat mainly references belonging to the reign of King Dronsinha (circa 500 based on the traditional accounts. Many of them were given in to 520 A.D.). the purans or puran-khandas of late origin, while some others were transmited orally through generations. Thus, epographic references allude to the prevalence, of th goddess-temples in Gujarat since 6 cent.A.D. The prevalence of shakti-worship in Gujarat probably received an impetus from Devi-mahatmya given in The evidence of sculptural remains in the form of Markandeya Puran. The origin of the worship of the Goddeess goddesses leads us to trace the antiquity of Shakti worship in in Gujarat can be traced to the primitive tribe of the Bhils and Gujarat still earlier. Excavations at Amerli have yielded two nd that it received further impetus through the Nagars and Jadeja icons of goddesses. The earlier one dated to 2 cent.A.D., is a Rajputs. However, he could not trace any evidence for its fragmentary stone-bust of a goddess holdinga spear in her prevalence in Gujarat before 1000 A.D. -
Indus Valley Civilization) Exercises 1
28/05/2020 Class-6 HISTORY & CIVICS Chapter -3 (Indus Valley Civilization) Exercises 1. Fill in the blanks: 1- The main river of the Harappan Civilization was Indus River. 2-The Great Bath is located in Mohenjodaro. 3- The rich wore ornaments made of gold, silver and ivory. 4- The main occupation of Harappans was agriculture. 5- The Harappan seals are made of clay, soapstone and copper. B) Match the following. 1. Kalibangan (b) Rajasthan 2. Houses (e) baked bricks 3. Toys (a) terracotta 4. Dancing girls (c) bronze 5. Lothal (d) dockyard C) Choose the correct answer: 1- The Harappan Civilization belongs to the Bronze Age . 2- Harappa was the first city to be discovered in the Indus Valley region. 3- The Assembly Hall is in Mohenjodaro. 4- Wheat was the staple diet of the Harappans. 5- The Pipal tree was probably regarded as sacred by the Harappans. D) State whether the followings are true or false. 1- The Harappan cities had an elaborate drainage system. [True] 2- Domestication of animals was the main occupation of the Harappans. [False] 3- The Harappans decorated their pottery with various designs. [True] 4- The Harappans built strong boats. [True] 5- Invasion by foreign tribes like the Aryans might have led to the collapse of the Indus Valley Civilization. [True] E) Answer the following questions in one or two words/sentences: 1 – What discovery proved that India had a 4,500-years-old urban civilization? Ans-The discovery of the Harappan Civilization proved that India had a 4500-year-old urban civilization. 2-Why is The Indus Valley Civilization also called the Harappan Civilization? Ans- The Indus Valley Civilization is also called Harappan Civilization because Harappa was the first site to be unearthed. -
(Uttar Haryana Bijli Vitran Nigam Limited, Haryana) Evening Session
Adv. No. 1/2019 Cat. No. 01, Junior Engineer (Electrical) (Uttar Haryana Bijli Vitran Nigam Limited, Haryana) Evening Session Q1. निम्ि शब्द का पर्ाार्वाची शब्द बताइर्ᴂ | िेत्रजल A. दाख B. विलोचन C. आँसू D. अंशू Q2. निम्ि शब्द का ववपरीत (ववलोम) अर्ा बताइर्ᴂ | भाव A. प्रभाि B. अभाि C. स्िभाि D. अहमभाि Q3. िीचे ललखᴂ गर्े शब्द का एकवचि बिार्ᴂ| आररर्ⴂ A. आरी B. अरर C. आरर D. आररर Q4. िीचे ललखᴂ गर्े शब्द का बहुवचि बिार्ᴂ। पत्र्र A. पत्थरौ B. पतथरⴂ C. पत्थरⴂ D. पतथ्रⴂ Q5. िीचे ददर्े गर्े मुहावरे का उचचत अर्ा बतार्ᴂ | दीि दनु िर्ा से जािा A. कही का न रहना B. मर जाना C. घर से भाग जाना D. दखु ी होना Q6. __________ is the synonym of "INSANE." A. Sensible B. Insecure C. Foolish D. Meaningless May 1, 2019 Page 1 of 24 Adv. No. 1/2019 Cat. No. 01, Junior Engineer (Electrical) (Uttar Haryana Bijli Vitran Nigam Limited, Haryana) Evening Session Q7. __________ is the antonym of "UNIQUE." A. Common B. Only one of a kind C. Dull D. Unusual Q8. Identify the meaning of the idiom in the sentence. "He ran off the stage at the drop of a hat." A. Instantly B. Happily C. Slowly D. Stylishly Q9. Sentence given below may contain one or more mistakes. Identify the correct sentence. "He always reach late for school." A. He always reaches late to school. B. He always do reach late for school. -
1 Arthur M. Sackler Colloquium of the National Academy Of
1 Arthur M. Sackler Colloquium of the National Academy of Sciences Early Cities: New Perspectives on Pre-Industrial Urbanism Final Revisions: Oct. 1, 2005 Indus Urbanism: New Perspectives on its Origin and Character Jonathan Mark Kenoyer, Department of Anthropology, University of Wisconsin, Madison During the past two decades a variety of archaeological research projects focused on the Indus civilization have made it possible to refine earlier models regarding the origin and character of this distinctive urban society. Excavations at the major city of Harappa have revealed a long developmental sequence from its origins to its eventual decline and subsequent transformation. Recent excavations at the large urban centers of Dholavira and Rakhigarhi, along with reexamination of the largest city of Mohenjo-daro have shown that the development of urbanism was not uniform throughout the greater Indus region (Kenoyer 1998). Detailed studies within each city have revealed many shared characteristics as well as some unique features relating to the dynamic process of city growth and decline. In addition to the excavations of larger urban centers, regional surveys and extensive excavations at smaller settlements have provided a new perspective on the nature of interaction between large and small urban centers and even rural settlements. The increase in radiocarbon dates from well-documented contexts in stratigraphic excavations has helped to refine the chronology of settlements in both core areas and rural areas (Meadow and Kenoyer 2005b; Possehl 2002a; Possehl 2002c). On the basis of a more refined chronology and comparisons of the material culture, it appears that some rural settlements may have been directly linked to the major cities, while others appear to have had relatively little direct contact during some time periods (Meadow and Kenoyer 2005b). -
A Brief Discussion on Cultural Heritage of the Harappan Civilization and Its Evaluation Through Anthropological and Ethnographical Methods
Ancient Punjab – Volume 4, 2016-2017 25 A BRIEF DISCUSSION ON CULTURAL HERITAGE OF THE HARAPPAN CIVILIZATION AND ITS EVALUATION THROUGH ANTHROPOLOGICAL AND ETHNOGRAPHICAL METHODS Yuzhang Yang, Muhammad Hameed, Muhammad Azam Sameer ABSTRACT Harappan or Indus Valley Civilization is one of the remarkable ancient societies of the ancient world. Significantly, the cultural heritage of this civilization portrays it as indigenous civilization. Its artifacts endorse its aboriginality and attract the scholars to ponder over its cultural heritage. For the assessment of its cultural heritage, anthropology, archaeology, and ethnology are the best tools to distinguish it appropriately. Being a renowned civilization in the world, much of the archaeological work has been done, but less in the field of anthropology and ethnography. The urban life of the people of this civilization refers the zenith of advance the metropolitan approach that presents social, administrative, and political understanding about its people. The focusing aims of this manuscript denominate the cultural heritage, anthropology, ethnography and to assess the social, political, religious, agricultural, art, architecture, rites and rituals, traditions, and norms of the ancient people of Harappan Civilization. Most prominently, the application of scientific methods of anthropology and their role for the assessment of cultural heritage, specifically Tangible and Intangible is also a chief aim of the manuscript. Keywords: Harappa, Indus Valley Civilization, Culture, Heritage, Anthropology, manuscript, Tangible INTRODUCTION Culture is a set of basic conventions and orientations to beliefs, behavior, and policies of life that formulates a group of people that sways their lives (Spencer-Oatey, 2008). In further, Tangible and Intangible Cultures are its divisions that portray the moveable and immoveable heritage of any community or society. -
ICONS and SIGNS from the ANCIENT HARAPPA Amelia Sparavigna ∗ Dipartimento Di Fisica, Politecnico Di Torino C.So Duca Degli Abruzzi 24, Torino, Italy
ICONS AND SIGNS FROM THE ANCIENT HARAPPA Amelia Sparavigna ∗ Dipartimento di Fisica, Politecnico di Torino C.so Duca degli Abruzzi 24, Torino, Italy Abstract Written words probably developed independently at least in three places: Egypt, Mesopotamia and Harappa. In these densely populated areas, signs, icons and symbols were eventually used to create a writing system. It is interesting to see how sometimes remote populations are using the same icons and symbols. Here, we discuss examples and some results obtained by researchers investigating the signs of Harappan civilization. 1. Introduction The debate about where and when the written words were originated is still open. Probably, writing systems developed independently in at least three places, Egypt, Mesopotamia and Harappa. In places where an agricultural civilization flourished, the passage from the use of symbols to a true writing system was early accomplished. It means that, at certain period in some densely populated area, signs and symbols were eventually used to create a writing system, the more complex society requiring an increase in recording and communication media. Signs, symbols and icons were always used by human beings, when they started carving wood or cutting stones and painting caves. We find signs on drums, textiles and pottery, and on the body itself, with tattooing. To figure what symbols used the human population when it was mainly composed by small groups of hunter-gatherers, we could analyse the signs of Native Americans. Our intuition is able to understand many of these old signs, because they immediately represent the shapes of objects and animals. It is then quite natural that signs and icons, born among people in a certain region, turn out to be used by other remote populations. -
Appendix: 3 a List of Museums in Gujarat
Appendix: 3 A List of Museums in Gujarat Sr. Year of Name of Museum Governing Bodies No. Establishment 1. Kutch Museum, Bhuj 1877 Govt, of Gujarat 2. Barton Museum, Bhavnagar 1882 Govt, of Gujarat 3. Watson Museum, Rajkot 1888 Govt, of Gujarat 4. Sardar Vallabhbhai Patel Museum, 1890 Muni. Corpo., Surat Surat 5. Baroda Museum and Picture Gallery, 1894 Govt of Gujarat Vadodara 6. Junagadh Museum, Junagadh 1901 Govt, of Gujarat 7. Lady Wilson Museum, Dharampur 1928 Govt, of Gujarat (Dist. Valsad) 8. Health Museum, Vadodara 1937 Municipal Corporation 9. Archaeological Museum, Jamnagar 1946 10. B. J. Medical College Museum, 1946 Ahmedabad 11. Calico Museum of Textile, 1948 Trust Ahmedabad 12. University Museum, 1949 University Vallabh Vidhyanagar 13. Gandhi Memorian Residential 1950 Trust Museum (Kirti Mandir), Porbandar 14. Prabhas Patan Museum, Prabhas 1951 Govt, of Gujarat Patan 303 15. Shri Girdharbhai Children Museum, 1955 Trust Museum Amreli 16. Museum Department of 1956 University Archaeology, M.S. University of Baroda 17. City Museum, Ahmedabad 1957 Municipal Corporation 18. Dhirajben Bal Sangrahalay, 1959 Trust Kapadvanj 19. N.C. Mehta Gallery, Ahmedabad 1960 Trust 20. Gandhi Smirti Museum, Bhavnagar 1960 Trust 21. B. J. Institute Museum, Ahmedabad 1993 Trust 22. Shri Rajnikant Parekh Art and KB. 1960 Trust Parekh Commerce College, Khambhat 23. Maharaja Fatesing Museum, 1961 Trust Vadodara 24. Tribal Museum, Gujarat Vidhyapith, 1963 University Ahmedabad 25. Gandhi Memorial Museum, 1963 Trust Ahmedabad 26. Shri Ambalal Ranchchoddas Sura 1965 Trust Museum, Modasa 27. Karamchand Gandhi Memorial, 1969 Trust Rajkot 28. Lothal Museum, Lothal 1970 Govt, of India 29. Saputara Museum, Saputara 1970 Govt, of Gujarat 30. -
Sarasvati Civilization, Script and Veda Culture Continuum of Tin-Bronze Revolution
Sarasvati Civilization, script and Veda culture continuum of Tin-Bronze Revolution The monograph is presented in the following sections: Introduction including Abstract Section 1. Tantra yukti deciphers Indus Script Section 2. Momentous discovery of Soma samsthā yāga on Vedic River Sarasvati Basin Section 3. Binjor seal Section 4. Bhāratīya itihāsa, Indus Script hypertexts signify metalwork wealth-creation by Nāga-s in paṭṭaḍa ‘smithy’ = phaḍa फड ‘manufactory, company, guild, public office, keeper of all accounts, registers’ Section 5. Gaṇeśa pratimā, Gardez, Afghanistan is an Indus Script hypertext to signify Superintendent of phaḍa ‘metala manufactory’ Section 6. Note on the cobra hoods of Daimabad chariot Section 7 Note on Mohenjo-daro seal m0304: phaḍā ‘metals manufactory’ Section 8. Conclusion Introduction The locus of Veda culture and Sarasvati Civilization is framed by the Himalayan ranges and the Indian Ocean. 1 The Himalayan range stretches from Hanoi, Vietnam to Teheran, Iran and defines the Ancient Maritime Tin Route of the Indian Ocean – āsetu himācalam, ‘from the Setu to Himalayaś. Over several millennia, the Great Water Tower of frozen glacial waters nurtures over 3 billion people. The rnge is still growing, is dynamic because of plate tectonics of Indian plate juttng into and pushing up the Eurasian plate. This dynamic explains river migrations and consequent desiccation of the Vedic River Sarasvati in northwestern Bhāratam. Intermediation of the maritime tin trade through the Indian Ocean and waterways of Rivers Mekong, Irrawaddy, Salween, Ganga, Sarasvati, Sindhu, Persian Gulf, Tigris-Euphrates, the Mediterranean is done by ancient Meluhha (mleccha) artisans and traders, the Bhāratam Janam celebrated by R̥ ṣi Viśvāmitra in R̥ gveda (RV 3.53.12). -
Adopt a Heritage Project - List of Adarsh Monuments
Adopt a Heritage Project - List of Adarsh Monuments Monument Mitras are invited under the Adopt a Heritage project for selecting/opting monuments from the below list of Adarsh Monuments under the protection of Archaeological Survey of India. As provided under the Adopta Heritage guidelines, a prospective Monument Mitra needs to opt for monuments under a package. i.e Green monument has to be accompanied with a monument from the Blue or Orange Category. For further details please refer to project guidelines at https://www.adoptaheritage.in/pdf/adopt-a-Heritage-Project-Guidelines.pdf Please put forth your EoI (Expression of Interest) for selected sites, as prescribed in the format available for download on the Adopt a Heritage website: https://adoptaheritage.in/ Sl.No Name of Monument Image Historical Information Category The Veerabhadra temple is in Lepakshi in the Anantapur district of the Indian state of Andhra Virabhadra Temple, Pradesh. Built in the 16th century, the architectural Lepakshi Dist. features of the temple are in the Vijayanagara style 1 Orange Anantpur, Andhra with profusion of carvings and paintings at almost Pradesh every exposed surface of the temple. It is one of the centrally protected monumemts of national importance. 1 | Page Nagarjunakonda is a historical town, now an island located near Nagarjuna Sagar in Guntur district of Nagarjunakonda, 2 the Indian state of Andhra Pradesh, near the state Orange Andhra Pradesh border with Telangana. It is 160 km west of another important historic site Amaravati Stupa. Salihundam, a historically important Buddhist Bhuddist Remains, monument and a major tourist attraction is a village 3 Salihundum, Andhra lying on top of the hill on the south bank of the Orange Pradesh Vamsadhara River. -
Unit 6 Material Characteristics
UNIT 6 MATERIAL CHARACTERISTICS Structure Objectives Introduction From Villages to Towns.and Cities Harappan Civilization : Sources Geographical Spread Important Centres 6.5.1 Harappa 6.5.2 Mohenjodaro 6.5.3 Kalibangan 6.5.4 Lothal 6.5.5 Sutkagen-Dor Material Characteristics 6.6.1 Town-Planning 6.6.2 Pottery 6.6.3 Tools and Implements- 6.6.4 Arts and Crafts 6.6.5 The Indus Script 6.6.6 Subsistence Pattern Let Us Sum Up Key Words Answers to Check Your Progress Exercises 6.0 OBJECTIVES This Unit deals with the geographical extent and the material features of the Harappan Civilization. It describes the main sites of Harappan Civilization as well as the material remains which characterised these sites. After reading this Unit you should be able to : understand that there was continuity of population and material traditions between the Early Harappan and Harappan Civilization. know about the geographical and climatic aspects of the settlement pattern of Harappan Civilization, describe the specific geographical, climatic and subsistence related characteristics of the important centres of Harappan Civilization. learn about the material features of the impoitant Harappan sites and specially the uniformities in the material features of these sites. 6.1 INTRODUCTION In this Unit we discuss the geographical spread and material characteristics of the Harappan Civilization which aroge on the foundation of pastoral and agricultuial communities and small townships. It refers to the continuity of the population and material traditions between Early Harappan and Harappan Civilization. The geographical spread of Harappan Civilization with special reference to some important centres has been highlighted. -
Indus Valley Civilization
Name: edHelper Indus Valley Civilization A long, long time ago, there was a group of people called the Aryans. The Aryans were possibly from southern Russia and Central Asia. As nomads, they never liked to linger in one place. Instead, they much preferred to herd their animals by moving them from one spot to another. About 3,600 years ago, the Aryans decided to change their lifestyle. They wanted to give up endless wandering. They wanted to have a permanent settlement that they could call home. When they arrived in India, they did exactly that. As the Aryans learned to adapt to their new environment, they brought with them their religion and customs. Their culture later became the foundation of the Indian culture and led people to believe that it was India's oldest civilization. That notion changed completely in 1921! In 1921, archaeologists unearthed two ancient cities - Harappa and Mohenjo-daro - near the Indus River. Both sites predated the Aryans' settlement by about 1,000 years. The discovery, undoubtedly, was a surprise to everybody. Right away, it pushed the Indian history back even further than it already was. Scholars around the world termed the newly found culture "the Indus valley civilization." Some also called it "the Harappan civilization" because Harappa was the first city the archaeologists dug out. The Indus River lies on the western side of the Indian subcontinent. Today, both the river itself and the two ancient cities fall within the confines of Pakistan. The excavations indicated that people of this ancient culture were excellent city planners. -
Arts of the Indus Valley
2 ARTS OF THE INDUS VALLEY HE arts of the Indus Valley Civilisation emerged during Tthe second half of the third millennium BCE. The forms of art found from various sites of the civilisation include sculptures, seals, pottery, jewellery, terracotta figures, etc. The artists of that time surely had fine artistic sensibilities and a vivid imagination. Their delineation of human and animal figures was highly realistic in nature, since the anatomical details included in them were unique, and, in the case of terracotta art, the modelling of animal figures was done in an extremely careful manner. The two major sites of the Indus Valley Civilisation, along the Indus river—the cities of Harappa in the north and Mohenjodaro in the south—showcase one of earliest examples of civic planning. Other markers were houses, markets, storage facilities, offices, public baths, etc., arranged in a grid-like pattern. There was also a highly developed drainage system. While Harappa and Mohenjodaro are situated in Pakistan, the important sites excavated in India are Lothal and Dholavira in Gujarat, Rakhigarhi in Haryana, Bust of a bearded priest Ropar in Punjab, Kalibangan in Rajasthan, etc. Stone Statues Statues whether in stone, bronze or terracotta found in Harappan sites are not abundant, but refined. The stone statuaries found at Harappa and Mohenjodaro are excellent examples of handling three-dimensional volumes. In stone are two male figures—one is a torso in red sandstone and the other is a bust of a bearded man in soapstone—which are extensively discussed. The figure of the bearded man, interpreted as a priest, is draped in a shawl coming under the right arm and covering the left shoulder.