Lisa Zane Sag-Aftra Equity

Total Page：16

File Type：pdf, Size：1020Kb

LISA ZANE SAG-AFTRA EQUITY THEATER As I Like It The Opera Singer Dir. John Alan Simon (The Macha Theatre) BARS: The Girl on the Piano The Singer Dir. Alison Henderson (The O.P. Village Players) Orphans Cleo Dir. Daniel Sullivan (Seattle Rep) The Rover Helena Dir. Kyle Donnelly (Goodman Theatre) Tamara Tamara The Los Angeles Company Prelude to a Kiss Rita Dir. Norman Rene (Southcoast Rep) The Cherry Orchard Varya Dir. Gregory Moser (Goodman Theatre) FILM Game Day Supporting Dir. John Susman The Girl From Nagasaki Supporting Dir. Michel Compte Cruel But Necessary Supporting Dir. Saul Rubinek The Secret Pact Lead Dir. Rodney Gibbons Monkeybone Supporting Dir. Henry Selik Table for One Lead Dir. Ron Senkowski The Nurse Lead Dir. Rob Malenfant Terrified Lead Dir. James Merendino Baby Face Nelson Lead Dir. Scott P. Levy Unveiled Lead Dir. William Cole Floundering Supporting Dir. Peter McCarthy Femme Fatale Lead Dir. Andre R. Guttfreund Freddy’s Dead: The Final Nightmare Lead Dir. Rachel Talalay Gross Anatomy Supporting Thom E. Eberhardt Bad Influence Lead Dir. Curtis Hanson Heart of Dixie Supporting Dir. Martin Davidson SHORT FILM Daisy Lead Dir. Alicia Estes The Kidnapping of Chris Burden Supporting Dir. Jason Sklaver Nervous Breakdown of Phillip K. Dick Lead Dir. Judy Bee The Lovely Leave Lead Dir. Claire Stansfield Phaedra Lead Dir. Lisa Zane The Passion of Martin Lead Dir. Alexander Payne The Age of Insects Lead Dir. Eric Marciano EPISODIC TELEVISION Chicago Justice Guest Star NBC Southland Guest Star NBC Point Pleasant Recurring Fox Law and Order Guest Star NBC The Division Guest Star Lifetime L.A. Dragnet Guest Star ABC Judging Amy Guest Star CBS Dinotopia Series Regular ABC Roar Series Regular Fox Profit Series Regular Fox The Outer Limits Guest Star Showtime Middle Ages Recurring CBS ER Recurring NBC The Great Defender Guest Star Fox Diagnosis Murder Guest Star CBS LA Law Series Regular NBC My Life and Times Guest Star ABC Gideon Oliver Guest Star ABC Ohara Guest Star ABC TV MOVIES Murder In My House Lead Lance Entertainment Stolen From The Heart Lead CBS Missing Pieces Lead CBS Her Deadly Rival Lead CBS Babe Ruth Lead CBS Natural Selection Lead Fox XXX's & OOO's Supporting CBS ANIMATED SERIES Biker Mice from Mars Recurring Criterion Limited The Incredible Hulk Guest Star BKN Iron Man Guest Star BKN AGENCY Gray Talent (312) 663-1659 MANAGEMENT ATN (323) 230-5360 VOICE OVER AGENCY Innovative Artists (310) 656 5172 .

Copy Link

Recommended publications

Is the Three-Hour Rule Living up to Its Potential? an Analysis of Educational Television for Children in the 1999/2000 Broadcast Season
THE ANNENBERG PUBLIC POLICY CENTER OF THE UNIVERSITY OF PENNSYLVANIA Is the Three-Hour Rule Living Up to Its Potential? An Analysis of Educational Television for Children in the 1999/2000 Broadcast Season By Amy B. Jordan, Ph.D. The Annenberg Public Policy Center of the University of Pennsylvania EXECUTIVE SUMMARY 3 INTRODUCTION 5 PART ONE: E/I PROGRAM SCHEDULES 11 PART TWO: E/I PROGRAM CONTENT 16 PART THREE: A WEEK’S WORTH OF E/I PROGRAMS AIRING IN PHILADELPHIA 23 SUMMARY 25 CONCLUSIONS 27 REFERENCES 34 Copyright © 2000 The Annenberg Public Policy Center appcpenn.org 1 Is the Three-Hour Rule Living up to Its Potential? Amy B. Jordan is Senior Research Investigator for the Annenberg Public Policy Center of the University of Pennsylvania. She holds a Ph.D. from the Annenberg School for Communication, University of Pennsylvania. _______________ Kathleen Hall Jamieson directed this research. Jamieson is Professor of Communication and Dean of the Annenberg School for Communication, and Director of the Annenberg Public Policy Center of the University of Pennsylvania. _______________ RESEARCHERS Amy Jordan, Ph.D. Kelly Schmitt, Ph.D. Cory Allen Lubianska Espinosa David Park John Sindoni ACKNOWLEDGEMENTS Laura Duff Lorie Slass Emory H. Woodard, IV, Ph.D. ABOUT THE ANNENBERG PUBLIC POLICY CENTER The Annenberg Public Policy Center was established by publisher and philanthropist Walter Annenberg in 1994 to create a community of scholars within the University of Pennsylvania that would address public policy issues at the local, state, and federal levels. Consistent with the mission of the Annenberg School for Communication, the Center has four ongoing foci: Information and Society; Media and the Developing Mind; Media and the Dialogue of Democracy; and Health Communication.
[Show full text]
Stephen Neal Senior Thesis Anthropomorphism and Zoomorphism
Stephen Neal Senior Thesis Anthropomorphism and Zoomorphism: The Philosophy and Prevalence in Pop Culture and in the History of Man Men are visual creatures. The eyes of man are designed to view the world in all its complexity and beauty. Human beings need to see things and give them a name before the object, animal, mineral, vegetable, et cetera, can be considered a reality. The ancients used to worship fierce deities and monsters that looked much like their human creators. Men today do the same thing with our deities and creatures of imagination, but today it is done with art, music, video, literature, and electronics. The philosophy of anthropomorphism is the application of human characteristics or feelings to an inhuman object (e.g. a car, desk, or pen) or organism (animal or a plant). It is philosophy that is still used today whether consciously or not. John McGraw says it best by stating, “we get „mad‟ at our cars (as if that could coerce the machine to perform) and infer every accident and every chance event in our lives as divinely sanctioned events. We punch the soda machine if it does not give us what we paid for, like we might punch a person who cheated us. The soda machine neither intends insult nor feels our injury” (24). Zoomorphism, however, is the application of lesser animal traits to a deity or a god-head. This is the more visual of the two philosophies, at least to begin with, as evidenced most strongly by the art of the ancients, especially in civilized cultures such as the Aztecs, the Romans and the Greeks, and the Egyptians.
[Show full text]
Season One Wrap Episode Nerdin’ About Podcast Transcript, Season 1 Episode 16
@NerdNiteYVR vancouver.nerdnite.com Season One Wrap Episode Nerdin’ About Podcast Transcript, Season 1 Episode 16 Michael Hey everyone, welcome to Nerdin' About! I'm Space Michael, and with me as always is someone who has joined me on stage every month for the past seven years, and this year, we've only joined virtually, but I still love her dearly, and that is Dr. Kaylee Byers. How's it going Kaylee? Kaylee I'm well, thanks, that's so sweet. I really miss those stage events. Michael Well, it's certainly been an interesting, and weird year. So, this episode, we don't have a guest, we're just going to nerd out, me and you for a bit, and sort of wrap up our season, our first podcast! This is something that we've always wanted to do, and it took a pandemic to make us do it. Kaylee Opportunities, how they present themselves. Yeah, it's something that we had talked about, but we also originally had a different idea of what a podcast might be when it was running in tandem with actually having events. This allowed us to think about, "what would this event look like, if it became a podcast? What things do we want to talk about? What's the format we want to do?" That's been a huge learning experience, I learned how to edit audio, which is something I never thought that I would do. Is there anything about making this that's been surprising to you? Michael Well, you know, I think certainly, I've learned to listen better.
[Show full text]
Stijdenincorporating Jail R Magazine Britain's Biggest Weekly Student Newspaper April 26, 1996
26 APR 1!:":i'j They think it's all over HOW DID MIR TEAM WORE OVER THE EASIER VOW CUISSIFIED RESULTS SERVICE: TOTAL FOOTSAEL. PAGE 17 STIJDENIncorporating jail r magazine Britain's biggest weekly student newspaper April 26, 1996 THEY TREATED ME LIKE A TERRORIST' SAYS JAILED STUDENT Thrown in solitary for losing passport B MARTIN ARNOLD. CHIEF REPORTER A SPANISH field trip turned into a r nightmare for student Mark Vinton when RADIO DAYS ARE HERE AGAIN airport police refused him entry and threw him in solitary confinement. Heavy-handed officials bundled Mark into a cell because he could not produce his passport - it had been lost in the post. Yet hours before the trip Mark had received a special fax from Spanish immigration officials authorising his entry to the country. Airport police dismissed it and locked Mark away, while tutors pleaded in vain for his release, Mark was stopped as he arrived with a group of 60 other Leeds University students and four lecturers. -They thought I was a terrorist.," said Mark. tried to reason v.ith them but they juvi wouldn't listen." Astonished Spanish police detained the astonished student in solitary confinement for more than seven hours as they sought to deport him back to Britain. It was only after an intervention by the Home Office that he was filially released and allowed to rejoin the Leeds $roup. University staff who attempted to intervene through their travel agent had been told nobody would be allowed to speak to Mark as he ramd immediate di:potation.
[Show full text]
Full Arcade List OVER 2700 ARCADE CLASSICS 1
Full Arcade List OVER 2700 ARCADE CLASSICS 1. 005 54. Air Inferno 111. Arm Wrestling 2. 1 on 1 Government 55. Air Rescue 112. Armed Formation 3. 1000 Miglia: Great 1000 Miles 56. Airwolf 113. Armed Police Batrider Rally 57. Ajax 114. Armor Attack 4. 10-Yard Fight 58. Aladdin 115. Armored Car 5. 18 Holes Pro Golf 59. Alcon/SlaP Fight 116. Armored Warriors 6. 1941: Counter Attack 60. Alex Kidd: The Lost Stars 117. Art of Fighting / Ryuuko no 7. 1942 61. Ali Baba and 40 Thieves Ken 8. 1943 Kai: Midway Kaisen 62. Alien Arena 118. Art of Fighting 2 / Ryuuko no 9. 1943: The Battle of Midway 63. Alien Challenge Ken 2 10. 1944: The LooP Master 64. Alien Crush 119. Art of Fighting 3 - The Path of 11. 1945k III 65. Alien Invaders the Warrior / Art of Fighting - 12. 19XX: The War Against Destiny 66. Alien Sector Ryuuko no Ken Gaiden 13. 2 On 2 OPen Ice Challenge 67. Alien Storm 120. Ashura Blaster 14. 2020 SuPer Baseball 68. Alien Syndrome 121. ASO - Armored Scrum Object 15. 280-ZZZAP 69. Alien vs. Predator 122. Assault 16. 3 Count Bout / Fire SuPlex 70. Alien3: The Gun 123. Asterix 17. 30 Test 71. Aliens 124. Asteroids 18. 3-D Bowling 72. All American Football 125. Asteroids Deluxe 19. 4 En Raya 73. Alley Master 126. Astra SuPerStars 20. 4 Fun in 1 74. Alligator Hunt 127. Astro Blaster 21. 4-D Warriors 75. AlPha Fighter / Head On 128. Astro Chase 22. 64th. Street - A Detective Story 76.
[Show full text]
Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC
Retro: Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC (and some CTV) * 20 WXON-Ind * 50 WKBD-Ind * 56 WTVS-PBS [The News didn't list TVO, Global or CBEFT] Morning 6:05 7 News 6:19 2 Town & Country Almanac 6:25 7 TV College 6:30 2 Summer Semester 4 Classroom 56 Varieties of Man & Society 6:55 7 Take Kerr 7:00 2 News (Frank Mankiewicz) 4 Today (Barbara Walters/Jim Hartz; Today in Detroit at 7:25 and 8:25) 7 AM America (Bill Beutel) 56 Instructional TV 7:30 9 Cartoon Playhouse 8:00 2 Captain Kangaroo 9 Uncle Bobby 8:30 9 Bozo's Big Top 9:00 2 New Price is Right 4 Concentration 7 Rita Bell "Miracle of the Bells" (pt 2) 9:30 2 Tattletales 4 Jackpot 9 Mr. Piper 50 Jack LaLanne 9:55 4 Carol Duvall 10:00 2 Spin-Off 4 Celebrity Sweepstakes 9 Mon Ami 50 Detroit Today 56 Sesame Street 10:15 9 Friendly Giant 10:30 2 Gambit 4 Wheel of Fortune 7 AM Detroit 9 Mr. Dressup 50 Not for Women Only 11:00 2 Phil Donahue 4 High Rollers 9 Take 30 from Ottawa 50 New Zoo Revue 56 Electric Company 11:30 4 Hollywood Squares 7 Brady Bunch 9 Family Court 50 Bugs Bunny 56 Villa Alegre Afternoon Noon 2 News (Vic Caputo/Beverly Payne) 4 Magnificent Marble Machine 7 Showoffs 9 Galloping Gourmet 50 Underdog 56 Mister Rogers' Neighborhood 12:30 2 Search for Tomorrow 4 News (Robert Blair) 7 All My Children 9 That Girl! 50 Lucy 56 Erica-Theonie 1:00 2 Love of Life (with local news at 1:25) 4 What's My Line? 7 Ryan's Hope 9 Showtime "The Last Chance" 50 Bill Kennedy "Hell's Kitchen" 56 Antiques VIII 1:30 2 As the World Turns 4
[Show full text]
Future of Childrens Television
An independent report on The Future of Children’s Television Programming Deliberative research summary Prepared by Opinion Leader Publication date: 2nd October 2007 1 Contents 1. Executive summary 2. Introduction 3. The role of children's television 4. Satisfaction with children’s television 5. Public Service Broadcasting 6. Availability of children's programmes and channels 7. Range of children’s programme genres 8. New programmes and repeats 9. Country of origin of children’s programmes 10. Ideal futures for the provision of children’s programmes 11. Appendices 2 Executive summary Background Ofcom initiated the review of children’s television programming in response to a number of consumer and market changes. These include an increase in the range of media available to many children and a growing number of dedicated children’s channels, as well as changes in the way children consume media. As a result, traditional commercial public service broadcasters are facing significant pressures on their ability to fund original programming for children. These changes are occurring in the context of a new framework for the regulation of children’s programming, set out in the Communications Act 2003. Since the Act, ITV1, which had historically played a role in delivering a strong alternative voice to the BBC in terms of children’s programmes, has significantly reduced its commitments to children’s programming. This development, together with the other consumer and market changes outlined above, has led many to ask how public service children’s programming can continue to be delivered in the future. The Communications Act requires Ofcom to report on the fulfilment of the public service broadcasters’ public service remit at least once every five years and to make recommendations with a view to maintaining and strengthening the quality of public service broadcasting in the future.
[Show full text]
2005 Minigame Multicart 32 in 1 Game Cartridge 3-D Tic-Tac-Toe Acid Drop Actionauts Activision Decathlon, the Adventure A
2005 Minigame Multicart 32 in 1 Game Cartridge 3-D Tic-Tac-Toe Acid Drop Actionauts Activision Decathlon, The Adventure Adventures of TRON Air Raid Air Raiders Airlock Air-Sea Battle Alfred Challenge (France) (Unl) Alien Alien Greed Alien Greed 2 Alien Greed 3 Allia Quest (France) (Unl) Alligator People, The Alpha Beam with Ernie Amidar Aquaventure Armor Ambush Artillery Duel AStar Asterix Asteroid Fire Asteroids Astroblast Astrowar Atari Video Cube A-Team, The Atlantis Atlantis II Atom Smasher A-VCS-tec Challenge AVGN K.O. Boxing Bachelor Party Bachelorette Party Backfire Backgammon Bank Heist Barnstorming Base Attack Basic Math BASIC Programming Basketball Battlezone Beamrider Beany Bopper Beat 'Em & Eat 'Em Bee-Ball Berenstain Bears Bermuda Triangle Berzerk Big Bird's Egg Catch Bionic Breakthrough Blackjack BLiP Football Bloody Human Freeway Blueprint BMX Air Master Bobby Is Going Home Boggle Boing! Boulder Dash Bowling Boxing Brain Games Breakout Bridge Buck Rogers - Planet of Zoom Bugs Bugs Bunny Bump 'n' Jump Bumper Bash BurgerTime Burning Desire (Australia) Cabbage Patch Kids - Adventures in the Park Cakewalk California Games Canyon Bomber Carnival Casino Cat Trax Cathouse Blues Cave In Centipede Challenge Challenge of.... Nexar, The Championship Soccer Chase the Chuckwagon Checkers Cheese China Syndrome Chopper Command Chuck Norris Superkicks Circus Atari Climber 5 Coco Nuts Codebreaker Colony 7 Combat Combat Two Commando Commando Raid Communist Mutants from Space CompuMate Computer Chess Condor Attack Confrontation Congo Bongo
[Show full text]
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES WINNERS for the 36Th ANNUAL DAYTIME ENTERTAINMENT CREATIVE
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES WINNERS FOR THE 36th ANNUAL DAYTIME ENTERTAINMENT CREATIVE ARTS EMMY® AWARDS Award Ceremony and Grand After-Party at Westin Bonaventure New York – August 29th, 2009 – The National Academy of Television Arts & Sciences (NATAS) today announced the winners of the 36th Annual Daytime Entertainment Creative Arts Emmy® Awards at a grand gala in the California Ballroom of the Westin Bonaventure Hotel in Los Angeles. The evening was hosted by Emmy-Winning Game Show Host Alex Trebek, and included presenters such as Susan Flannery, star of The Bold and the Beautiful, Cristina Perez of Cristina’s Court, Ming Tsai, of Simply Ming on American Public Television, Wendy Williams, host of The Wendy Williams Show on FOX, Nancy Cartwright, the voice of Bart and others on The Simpsons, Bindi Irwin of Bindi, the Jungle Girl, and Elmo and Chris (Kevin Clash and Chris Knowings), and Telly Monster and Luis (Martin Robinson and Emilio Delgado) from PBS’ Sesame Street. LA’s own Hector Delgado, noted DJ and R& B, Hip-Hop and Gospel producer for many artists such as Babyface, Onyx, The Fugees, Missy Elliot, and Jay-Z, performed at the ceremony and provided music for the Creative Arts after-party that immediately followed. Pre-ceremony music was provided by Roberto Granados. The awards recognize outstanding achievement in all creative fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m. during the 2008 calendar year. All balloting for the 36th Annual Daytime Entertainment Emmy® Awards was tabulated by the independent certified public accounting firm of Deloitte & Touche LLP.
[Show full text]
Special Report: Journalists Face Arrests, Attacks, and Threats by Police Amidst Protests Over the Death of George Floyd N May 2020, Protests in Minneapolis, Minn
A PUBLICATION OF THE SILHA CENTER FOR THE STUDY OF MEDIA ETHICS AND LAW | WINTER/SPRING 2020 A Message from the Director This issue of the Silha Bulletin, produced by our graduate student research assistants, includes a special roundup examining how the COVID-19 pandemic has affected newsgathering and reporting. But as if our world has not been rocked enough by COVID-19, the civil unrest in the Twin Cities following the death of George Floyd on May 25 prompted us to pivot just as we were wrapping up this issue of the Bulletin. Please visit our website to see our running list of clashes between the press and law enforcement. Our website is available at: https://hsjmc.umn.edu/news/2020-06-02-list-incidents-involving-police-and-journalists-during-civil-unrest-minneapolis-mn. We haven’t neglected our usual analysis of significant media law and media ethics developments from around the country. We’ve continued to provide timely research assistance and commentary on issues affecting freedom of the press and the public’s right to know. Elaine Hargrove, Silha Program Assistant, has almost completed a massive migration of Silha Center content — including past issues of the Bulletin, research materials, and photographs and recordings of many Silha events — to our new web site: https://hsjmc. umn.edu/research-centers/centers/silha-center-study-media-ethics-and-law. Silha Center programming and outreach also continue. On June 3, we participated in the first of a series of Town Hall webinars hosted by the Hubbard School of Journalism and Mass Communication examining legal and ethical issues surrounding reporting on the civil unrest in the Twin Cities.
[Show full text]
View and Expert Focus Group 25
i WHAT DID YOU DO TO MY BRAND? THE MODERATING EFFECT OF BRAND NOSTALGIA ON CONSUMER RESPONSES TO CHANGED BRANDS A dissertation submitted to the Kent State University College of Business in partial fulfillment of the requirements for the degree of Doctor of Philosophy By Alison B. Shields April 2012 ii iii Abstract Marketers often make changes to brands to make the brand seem current or exciting. Some updates are successful while others are spectacular failures. This dissertation establishes a connection between consumer acceptance or rejection of updated brands and the consumer’s reported brand nostalgia. In this dissertation, I refine the current marketing definitions of nostalgia to develop a more specific construct of brand nostalgia, develop a scale to measure the construct of brand nostalgia, examine the differences between schemas for nostalgic brands and non-nostalgic brands, and show that consumers’ affective and attitudinal responses to changes in a brand are moderated by brand nostalgia. Nostalgia has been defined as “a positively toned evocation of a lived past” (Davis 1979), and “a fondness for possessions and activities associated with days of yore” (Holbrook 1993). Consumers have been observed to engage in nostalgic behaviors, from re-watching favorite old movies (Holbrook, 1993) to reminiscing about favorite cars from their youth (Brown, Kozinets and Sherry 2003) to consuming specific foods as a way to reconnect with the past (Loveland, Smeesters and Mandel, 2010). Consumers have also reported nostalgic feelings for particular brands or items (Holbrook and Schindler 2003). When individuals recall nostalgic memories, they recall affect and brand information stored in their schema for the target brand (Collins and Loftus 1975).
[Show full text]
The Distance Is More Than an Ocean Chris Wiewiora Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2014 The distance is more than an ocean Chris Wiewiora Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Eastern European Studies Commons, European Languages and Societies Commons, Fine Arts Commons, Religion Commons, and the Slavic Languages and Societies Commons Recommended Citation Wiewiora, Chris, "The distance is more than an ocean" (2014). Graduate Theses and Dissertations. 13797. https://lib.dr.iastate.edu/etd/13797 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The distance is more than an ocean by Chris Wiewiora A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS Major: Creative Writing and Environment Program of Study Committee: Mary Swander, Major Professor Deb Marquart Charissa Menefee Richard Ben Crosby Dennis Chamberlin Iowa State University Ames, Iowa 2014 Copyright © Chris Wiewiora, 2014. All rights reserved. ii For my grandmothers: Lois Flanagan Almond & Anna Wilczynska Dumas iii TABLE OF CONTENTS ACKNOWLEDGEMENTS iv ABSTRACT v PART I: 1 Matryoshka 2 M-I-S-S-I-S-S-I-P-P-I 5 Exchange 14 Powsin
[Show full text]