Stephen Neal Senior Thesis Anthropomorphism and Zoomorphism
Stephen Neal Senior Thesis Anthropomorphism and Zoomorphism: The Philosophy and Prevalence in Pop Culture and in the History of Man Men are visual creatures. The eyes of man are designed to view the world in all its complexity and beauty. Human beings need to see things and give them a name before the object, animal, mineral, vegetable, et cetera, can be considered a reality. The ancients used to worship fierce deities and monsters that looked much like their human creators. Men today do the same thing with our deities and creatures of imagination, but today it is done with art, music, video, literature, and electronics. The philosophy of anthropomorphism is the application of human characteristics or feelings to an inhuman object (e.g. a car, desk, or pen) or organism (animal or a plant). It is philosophy that is still used today whether consciously or not. John McGraw says it best by stating, “we get „mad‟ at our cars (as if that could coerce the machine to perform) and infer every accident and every chance event in our lives as divinely sanctioned events. We punch the soda machine if it does not give us what we paid for, like we might punch a person who cheated us. The soda machine neither intends insult nor feels our injury” (24). Zoomorphism, however, is the application of lesser animal traits to a deity or a god-head. This is the more visual of the two philosophies, at least to begin with, as evidenced most strongly by the art of the ancients, especially in civilized cultures such as the Aztecs, the Romans and the Greeks, and the Egyptians.
[Show full text]