Voces Y Raíces De La Identidad
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Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en -
Bulletin Quotidien De L'onu Est Préparé Par La Section Des Services De L’Information Sur Internet Du Département De L’Information De L’ONU
Mises à jour et alertes emails sur le Bulletin quotidien de l’ONU Centre d'actualités de l'ONU: www.un.org/french/news Numéro PPQ/5682 mardi 16 novembre 2010 ACTUALITES EN BREF DU MARDI • Haïti : la MINUSTAH déplore des violences contre • Le repas gastronomique des Français sur la Liste les Casques bleus du patrimoine culturel immatériel • La Corée du Nord bientôt confrontée à un grave • Bénin : l'appel de fonds humanitaire financé à déficit alimentaire, selon l'ONU hauteur de 10% • UNESCO : une Pakistanaise lauréate d'un prix sur • Ban Ki-moon rappelle les vertus de la tolérance les droits de l'homme face aux politiques de polarisation • Le HCR réinstalle des réfugiés du Darfour dans une • L'actrice américaine Monique Coleman nommée zone plus sûre en Centrafrique championne de la jeunesse • Soudan : le Conseil de sécurité appelle à des • Eruption du Mont Mont Merapi en Indonésie : le référendums crédibles FNUAP assiste les femmes enceintes • BIT : cruciale pendant la crise, la sécurité sociale • Helen Clark salue les progrès du Bangladesh dans est absente dans beaucoup de pays la réalisation des Objectifs du millénaire • Myanmar : le cyclone Giri a fait plus de 100.000 • L'Ambassadeur de l'UNICEF Roger Moore plaide la sans abris cause des enfants handicapés au Kazakhstan Haïti : la MINUSTAH déplore des violences contre les Casques bleus 16 novembre - La Mission des Nations Unies pour la Stabilisation en Haïti (MINUSTAH) a déploré les actes de violence contre les forces de l'ordre haïtienne et onusienne survenus au cours des manifestations violentes au Cap-Haitien et à Hinche dans la journée de lundi et a appelé la population « à ne pas se laisser manipuler ». -
The Negritude Movements in Colombia
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses October 2018 THE NEGRITUDE MOVEMENTS IN COLOMBIA Carlos Valderrama University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Folklore Commons, Other Political Science Commons, and the Sociology Commons Recommended Citation Valderrama, Carlos, "THE NEGRITUDE MOVEMENTS IN COLOMBIA" (2018). Doctoral Dissertations. 1408. https://doi.org/10.7275/11944316.0 https://scholarworks.umass.edu/dissertations_2/1408 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE NEGRITUDE MOVEMENTS IN COLOMBIA A Dissertation Presented by CARLOS ALBERTO VALDERRAMA RENTERÍA Submitted to the Graduate School of the University of Massachusetts-Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY SEPTEMBER 2018 Sociology © Copyright by Carlos Alberto Valderrama Rentería 2018 All Rights Reserved THE NEGRITUDE MOVEMENTS IN COLOMBIA A Dissertation Presented by CARLOS ALBERTO VALDERRAMA RENTERÍA Approved as to style and content by __________________________________________ Agustin Laó-Móntes, Chair __________________________________________ Enobong Hannah Branch, Member __________________________________________ Millie Thayer, Member _________________________________ John Bracey Jr., outside Member ______________________________ Anthony Paik, Department Head Department of Sociology DEDICATION To my wife, son (R.I.P), mother and siblings ACKNOWLEDGMENTS I could not have finished this dissertation without the guidance and help of so many people. My mentor and friend Agustin Lao Montes. My beloved committee members, Millie Thayer, Enobong Hannah Branch and John Bracey. -
SEM 63 Annual Meeting
SEM 63rd Annual Meeting Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts SEM 2018 Abstracts Book – Note to Reader The SEM 2018 Abstracts Book is divided into two sections: 1) Individual Presentations, and 2) Organized Sessions. Individual Presentation abstracts are alphabetized by the presenter’s last name, while Organized Session abstracts are alphabetized by the session chair’s last name. Note that Organized Sessions are designated in the Program Book as “Panel,” “Roundtable,” or “Workshop.” Sessions designated as “Paper Session” do not have a session abstract. To determine the time and location of an Individual Presentation, consult the index of participants at the back of the Program Book. To determine the time and location of an Organized Session, see the session number (e.g., 1A) in the Abstracts Book and consult the program in the Program Book. Individual Presentation Abstracts Pages 1 – 76 Organized Session Abstracts Pages 77 – 90 Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts Ethiopian Reggae Artists Negotiating Proximity to Repatriated Rastafari American Dreams: Porgy and Bess, Roberto Leydi, and the Birth of Italian David Aarons, University of North Carolina, Greensboro Ethnomusicology Siel Agugliaro, University of Pennsylvania Although a growing number of Ethiopians have embraced reggae music since the late 1990s, many remain cautious about being too closely connected to the This paper puts in conversation two apparently irreconcilable worlds. The first is repatriated Rastafari community in Ethiopia whose members promote themselves that of George Gershwin’s Porgy and Bess (1935), a "folk opera" reminiscent of as reggae ambassadors. Since the 1960s, Rastafari from Jamaica and other black minstrelsy racial stereotypes, and indebted to the Romantic conception of countries have been migrating (‘repatriating’) to and settling in Ethiopia, believing Volk as it had been applied to the U.S. -
List of the 90 Masterpieces of the Oral and Intangible Heritage
Albania • Albanian Folk Iso-Polyphony (2005) Algeria • The Ahellil of Gourara (2005) Armenia • The Duduk and its Music (2005) Azerbaijan • Azerbaijani Mugham (2003) List of the 90 Masterpieces Bangladesh • Baul Songs (2005) of the Oral and Belgium • The Carnival of Binche (2003) Intangible Belgium, France Heritage of • Processional Giants and Dragons in Belgium and Humanity France (2005) proclaimed Belize, Guatemala, by UNESCO Honduras, Nicaragua • Language, Dance and Music of the Garifuna (2001) Benin, Nigeria and Tog o • The Oral Heritage of Gelede (2001) Bhutan • The Mask Dance of the Drums from Drametse (2005) Bolivia • The Carnival Oruro (2001) • The Andean Cosmovision of the Kallawaya (2003) Brazil • Oral and Graphic Expressions of the Wajapi (2003) • The Samba de Roda of Recôncavo of Bahia (2005) Bulgaria • The Bistritsa Babi – Archaic Polyphony, Dances and Rituals from the Shoplouk Region (2003) Cambodia • The Royal Ballet of Cambodia (2003) • Sbek Thom, Khmer Shadow Theatre (2005) Central African Republic • The Polyphonic Singing of the Aka Pygmies of Central Africa (2003) China • Kun Qu Opera (2001) • The Guqin and its Music (2003) • The Uyghur Muqam of Xinjiang (2005) Colombia • The Carnival of Barranquilla (2003) • The Cultural Space of Palenque de San Basilio (2005) Costa Rica • Oxherding and Oxcart Traditions in Costa Rica (2005) Côte d’Ivoire • The Gbofe of Afounkaha - the Music of the Transverse Trumps of the Tagbana Community (2001) Cuba • La Tumba Francesa (2003) Czech Republic • Slovácko Verbunk, Recruit Dances (2005) -
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Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Simón Calle All rights reserved ABSTRACT Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle This dissertation analyses identity formation through music among contemporary Colombian musicians. The work focuses on the emergence of musical fusions in Bogotá, which participant musicians and Colombian media have called “nueva música Colombiana” (new Colombian music). The term describes the work of bands that assimilate and transform North-American music genres such as jazz, rock, and hip-hop, and blend them with music historically associated with Afro-Colombian communities such as cumbia and currulao, to produce several popular and experimental musical styles. In the last decade, these new fusions have begun circulating outside Bogotá, becoming the distinctive sound of young Colombia domestically and internationally. The dissertation focuses on questions of musical circulation, affect, and taste as a means for articulating difference, working on the self, and generating attachments others and therefore social bonds and communities This dissertation considers musical fusion from an ontological perspective influenced by actor-network, non-representational, and assemblage theory. Such theories consider a fluid social world, which emerges from the web of associations between heterogeneous human and material entities. The dissertation traces the actions, interactions, and mediations between places, people, institutions, and recordings that enable the emergence of new Colombian music. In considering those associations, it places close attention to the affective relationships between people and music. -
Estudios Del Performance, Que Dieron Inicio En Raccorta 2013
TERCERA ÉPOCA ENERO-ABRIL DE 2015 6-7 campo diario Estudios del performance: quiebres e itinerarios 6-7 COORDINACIÓN NACIONAL DE ANTROPOLOGÍA / INSTITUTO NACIONAL DE ANTROPOLOGÍA E HISTORIA Consejo Nacional para la Cultura y las Artes Diario de Campo Rafael Tovar y de Teresa Tercera época, año 2, núms. 6-7, PRESIDENTE enero-abril de 2015 Instituto Nacional de Antropología e Historia DIRECTOR María Teresa Franco Diego Prieto Hernández DIRECTORA GENERAL CONSEJO EDITORIAL César Moheno Saúl Morales SECRETARIO TÉCNICO José Antonio Pompa Alfonso Barquín José Francisco Lujano Torres Cuauhtémoc Velasco SECRETARIO ADMINISTRATIVO Enrique Serrano Marco Antonio Rodríguez Diego Prieto Hernández José Luis Martínez Maldonado COORDINADOR NACIONAL DE ANTROPOLOGÍA COORDINACIÓN ACADÉMICA Leticia Perlasca Núñez Anne W. Johnson COORDINADORA NACIONAL DE DIFUSIÓN Adriana Guzmán Benigno Casas EDITORA SUBDIRECTOR DE PUBLICACIONES PERIÓDICAS, CND Alma Olguín Vázquez AGRADECIMIENTOS ASISTENTES DE EDICIÓN A la Universidad Autónoma Metropolitana, unidades Cuajimalpa Sergio Ramírez Caloca e Iztapalapa, a la Escuela Nacional de Antropología e Historia, a Marco Antonio Campos Zapata El Colegio de Michoacán y a las otras universidades y centros de investigación que hicieron posible la realización de los encuentros DISEÑO Y CUIDADO EDITORIAL del Seminario de Estudios del Performance, que dieron inicio en Raccorta 2013. A Lukas Avendaño, Eugenio Barba y Richard Schechner por facilitarnos material gráfico para el presente número, así como CORRECCIÓN DE ESTILO a las comunidades de Santiago Azajo, Michoacán, y de Teloloa- Sergio Pliego Fuentes pan, Guerrero, por permitirnos captar en imágenes la celebración Héctor Siever de sus tradiciones. COMUNICACIÓN VISUAL IMAGEN DE PORTADA Paola Ascencio © Jaime Rodríguez, “Lukas Avendaño”, de la serie Nahuales y tótem-zooantropología, 2014. -
Mappingfreedom
#MappingFreedom My thesis is #MappingFreedom - digitally documenting and interactively mapping all of the freedom colonies along the Western colonial pathways, as an effort for preservation, conservation, restoration and edu-tourism. Freedom colonies are the communities of people who immediately resisted Western colonialism, creating their own “safe spaces” to protect themselves from terrorism such as the resulting indigenous genocide, The Atlantic Slave Trade, plantation slavery, Black Codes, Jim Crow and other racialized human rights abuses. These places exist throughout the planet to this day, but because of our history, are endangered, and at risk of being lost due to migration, and other factors such as the failure of urban planning and gentrification to see the value in these sites. For my research I focused on Shankleville in Shankleville, TX - of which I’m a direct descendant of the founders, and keynoted the 150th anniversary celebration in 2017- the Raramuri, called the Tarahumara by the Spanish, and known as “those who run fast” in their native tongue, located in the Copper Canyons of the Sierra Madre mountain range in Northern Mexico, Weeksville, in the Bed-Stuy and Crown Heights neighborhood of Brooklyn, NY, and Nicodemus in Nicodemus, Kansas. 1. San Basilio de Palenque (or Palenque de San Basilio) 2. 5,000 in US a. 558+ in Texas b. with the first being founded in 1738, Ft. Mose, Florida. 3. Western colonial circuit a. Palenques in Colombia b. Quilombos/Mocambos in Brazil c. Maroons in Jamaica and the rest of Latin Americas and the Caribbean d. “Freedom country” Haiti e. "Freedmen settlements" throughout North America, Australia, Africa and Asia. -
Periodic Report (Convention)
Periodic Report (Convention) A. General information Name of State Party Colombia Date of Ratification 2008-03-19 Question A.1 Executive summary Please provide an executive summary of the report that will allow general readers to understand the overall status of legislative, regulatory and other measures taken at the national level to implement the Convention. This should follow the organizational structure of the form. Colombia adopted the Convention for the Safeguarding of the Intangible Cultural Heritage (2003) through Law 1037 of 2006, an instrument of ratification accepted by UNESCO in 2008. Since the adoption, Colombia issued Law 1185 of 2008, which introduces intangible cultural heritage into the national legislative framework and creates the Representative List of Intangible Cultural Heritage (LRPCI) at the national level, the main instrument of inventory and registration of intangible cultural heritage in Colombia, as well as establishing the obligation of identification and safeguarding of ICH, under the leadership of the Ministry of Culture. The List is aimed at promoting the construction of Special Safeguarding Plans (PES) for relevant or at-risk elements throughout the country as instruments built in a participatory manner by the communities. The Special Safeguarding Plans contain a broad characterization of the element, diagnosis of its viability and formulation of measures to guarantee its safeguarding, which is updated periodically through a participatory review and monitoring process every 5 years. This mechanisms is regulated by Decree 1080 of 2015, modified and added by Decree 2358 of 2019. Additionally, in 2009, Colombia adopted, in compliance with the mandates of the Convention, the Safeguarding Policy for Intangible Cultural Heritage. -
Representative List of the Intangible Cultural Heritage Of
RL cover [temp]:Layout 1 1/6/10 17:35 Page 2 2009 United Nations Intangible Educational, Scientific and Cultural Cultural Organization Heritage Representative List of the Intangible Cultural Heritage of Humanity RL cover [temp]:Layout 1 1/6/10 17:35 Page 5 Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 1 2009 Representative List of the Intangible Cultural Heritage of Humanity Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 2 © UNESCO/Michel Ravassard Foreword by Irina Bokova, Director-General of UNESCO UNESCO is proud to launch this much-awaited series of publications devoted to three key components of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage: the List of Intangible Cultural Heritage in Need of Urgent Safeguarding, the Representative List of the Intangible Cultural Heritage of Humanity, and the Register of Good Safeguarding Practices. The publication of these first three books attests to the fact that the 2003 Convention has now reached the crucial operational phase. The successful implementation of this ground-breaking legal instrument remains one of UNESCO’s priority actions, and one to which I am firmly committed. In 2008, before my election as Director-General of UNESCO, I had the privilege of chairing one of the sessions of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, in Sofia, Bulgaria. This enriching experience reinforced my personal convictions regarding the significance of intangible cultural heritage, its fragility, and the urgent need to safeguard it for future generations. Rep List 2009 2.15:Layout 1 26/5/10 09:25 Page 3 It is most encouraging to note that since the adoption of the Convention in 2003, the term ‘intangible cultural heritage’ has become more familiar thanks largely to the efforts of UNESCO and its partners worldwide. -
The Political Culture of Free People of African Descent in Eighteenth-Century New Granada (1750-1810)
THE POLITICAL CULTURE OF FREE PEOPLE OF AFRICAN DESCENT IN EIGHTEENTH-CENTURY NEW GRANADA (1750-1810) by Katherine Bonil Gómez A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland February, 2017 © _2017 Katherine Bonil Gómez All Rights Reserved ABSTRACT This dissertation is a study of the lives and political culture of free people of African descent in eighteenth-century Colombia. It explores the ways in which free people of African descent interacted with the Hispanic monarchy institutions and how these interactions shaped their conception of their membership in the body politic and constituted themselves as political subjects. I analyze the ways in which these subjects were incorporated to the Monarchy, how they understood, claimed and negotiated this membership, and how, in this process, they forged their own political notions. I pay attention to the different repertoires of actions of free people and analyze the different ways in which they manifested discontent and participated in politics. Chapter 1 offers an overview of the population of free people in eighteenth-century Colombia. Chapters 2, 3, and 4 delve into three different groups of free people, traders, fluvial workers, and urban and rural poor. Chapter 5 explores participation free people of African descent in one of the largest upheavals of the colonial era, the Comunero revolt. I argue that the corporative and jurisdictional nature of the composite Hispanic monarchy had enduring effects on the ways in which free people of African descent imagined and framed their relation to the state. Free vassals of African descent were not allowed a corporate existence as indigenous group. -
Entretextos, Es Una Publicación Semestral De Artículos De Reflexión
Entretextos, es una publicación semestral de artículos de reflexión, de creación artística y de resultados de investigaciones (en proceso y/o terminadas) Se autoriza la reproducción parcial o total de su contenido, citando la fuente Los conceptos expresados en Entretextos son responsabilidad de sus autores Esta revista es publicada gracias al apoyo académico de Aa’in “principio motor de vida” (en wayuunaiki) –núcleo para estudios multi e interculturales– y del SEEBI –Semillero de estudios en educación bilingüe intercultural– de la Facultad de ciencias de la educación, Universidad de La Guajira, Riohacha, La Guajira, Colombia. Su financiación proviene de fondos de la Universidad de La Guajira. FACULTAD DE CIENCIAS DE LA EDUCACIÓN Año 4, Nos. 6 y 7, enero a diciembre de 2010 Riohacha, La Guajira, Colombia UNIVERSIDAD DE LA GUAJIRA Carlos Arturo Robles Julio Rector Claribel Guadalupe Ochoa Romero Vice-rectora académica Boris Sandy Romero Mora Vice-rector administrativo y financiero Adaulfo López Atencio Director Centro de extensión Víctor Pinedo Guerra Director Centro de Investigaciones Nancy Josefa Ortíz Gámez Decana Facultad de Ciencias de la Educación Dirección académica Dirección general Francisco Justo Pérez van-Leenden Emilse Beatriz Sánchez Castellón Comité científico Comité editorial Maitena Etxebarria Arostegui, Universidad del país vasco, España Jorge Pocaterra Aapüshana, Ministerio de educación, Venezuela Félix Jiménez González, Universidad complutense, España Alix Pacheco Turizo, Universidad de Cartagena Olga Rosa Cabrera García,