DOCSLIB.ORG

American Folklife

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
American Folklife 1992 Festival of American Folklife SMITHSONIAN INSTITUTION FOR CARMEN Smithsonian Undersecretary Carmen lamer greets Vice President Dan Quayle at the 1991 Festival ofAmerican Folklife. At home in official and unofficial roles. Carmen enjoyed and supported theFestival. She liked to visit with her family, and last year, as in previous years, she brought her granddaughters. Carmen's support continues to sustain us. SMITHSONIAN INSTITUTION 1992 Festival of American Folklife June 25-June 29 July 2-July 5 Complimentary Copy Co-sponsored by the National Park Service Contents INTRODUCTORY STATEMENTS Cultural Diversity and Dialogue: The Role of Museums 4 Robert McC. Adams, Secretary, Smithsonian Institution The Quincentenary: Understanding America's Cultural Heritage 6 Manuel Lujan, Jr., Secretary oj the Interior Festival <>l American Folklife: Not Just a Festival Unkind Kurin 7 Thinking Back a Bit IIiws Lomax Halves 12 NEW MEXICO The Great Loom: Weaving the Cultural Landscape of New Mexico Andrew Wiget 15 The Virgin <>l Guadalupe Andrew Wiget 17 The Klobase Festival ofDeming, New Mexico: A Time to Celebrate and Remember Stephan Moore 20 Blackdom Philippa Jackson 21 Seeking Life Tito Naranjo 23 The Sephardic Legac) in New Mexico: The Story of the Cryptojews Stanley M. Hordes 25 El gran telar: Tejiendo el paisaje ( ultural de Nuevo Mexico Translated by Jose Griego 29 The Indo-Hispano Legacy oi New Mexico Enrique />. Lamadrid 30 La Music a de los Viejitc >s: I he Hispano Folk Music ol the Rio Grande del Norte //nl; Loeffler 33 Religion in Communit) Celebration Jose Griego 37 La Vida Buena ) Sana: Curanderas y Curanderos Tomds Atencio 39 Adobe Alberto 1). Parra 4(1 Acequias Patricia D'Andrea 42 Mining Folklore Patricia Musi( 43 The Folklore <>l the Oil Industry Jim Harris 44 UFOs and Nuclear Folklore Pete) White 45 Preserving Traditional Culture in New Mexico Claude Stephenson 46 Pueblo Pottery: Continuing a Tradition Tessie Naranjo 48 Ganados: Revitalization ol Rural Life in Northern New Mexico Maria Varela 49 The Santa Fe Railway and Tourism in New Mexico Peter White 50 Cultural Tourism and Self-Representation Tedjojola 51 Language and Storytelling Jose Griego 53 MAROON CULTURE IN THE AMERICAS Creativity and Resistance: Maroon Culture in the Americas Kenneth Bill>\ and Diana Band N'Diaye 54 Maroons: Rebel Slaves in the Americas Richard Price 62 The Political Organization of Maroon Communities in Suriname H.R.M. Libretto 65 Arts of the Suriname Maroons Sally Price 67 Maroon Societies and Creole Languages Ian Hancock 70 The Maroons and Moore Town Colonel C.L.G. Harris 73 The Accompong Town Maroons: Past and Present Colonel M.L. Wright 74 Statement by Gaanman Joachim-Joseph Adochini, Paramount Chief of the Aluku (Boni) People 75 Statement by Gaanman Gazon Matodja, Paramount Chief of the Ndjuka (Aukaner) People 76 Statement by Gaama Songo, Paramount Chief of the Saramaka People 77 Maroon Struggle in Colombia Gabino Hernandez Palomino 78 Texas Seminole Scouts Charles Emily Wilson 80 NATIVE AMERICAN MUSIC The Changing Soundscape in Indian Country Thomas Vennum, Jr. 81 A Hopi in Two Musical Worlds Jacob Coin 93 Cherokee Hymn Singing in Oklahoma Charlotte Heth 95 WHITE HOUSE WORKERS Making the White House Work Marjorie A. Hunt 98 Workers at the White House ,4 Photo Essay by Roland Freeman 104 Festival of American Folklife Front cover photo: Each December in many New Mexico com- © 1992 by the Smithsonian Institution munities, worshipers celebrate the Feast of Our Lady of Editor: Peter Seitel Guadalupe. In Tortugas, participants gather at the tiny cap/7- la where the Virgin's image is kept. Photo by Russell Bamert Style Editor: Arlene Reiniger Coordinator: Franceses McLean Back cover photo: Friends and kin of a Ndjuka Maroon Designer: |oan Wolbiei woman help prepare her garden for planting rice near Assnltiiii Designers: Rebecca Lepkowski, Aim I lansen Diitabiki, Suriname. The garden is in a section of Amazonian Typesetter: Harl< twe rainforest that has been cleared by burning. Printer: Schneidereith & S. ins Photo by Diana Baird N'Diaye Typeface: New Baskerville Paper.LOE Dull Insert: ( Irossepointe Genesis Husk Cultural Diversity and Dialogue: The Role of Museums Robert McC. Adams Secretary, Smithsonian Institution An important challenge before museums life in the Americas. The programs on New Mexi- today is to find ways to address themselves to the c c i. Marc ic >ns in the Americas and the ( Changing increasing diversity, and at the same time the Soundseape in Indian Country illustrate impor- growing interdependence and vulnerability, <>I tant historical and ongoing processes through soi ial life everywhere. Museums need to be pub- whie h c nullities establish cultural identities in licly in ognized as important institutional means complex and dynamic social circumstances. by which groups in our very pluralistic so< iety < an Ihe Spanish Conquest established [he West- define themselves and find plans within the ern Hemisphere's European presence and us i hanging dynamics oi contemporary life. most widely spoken language. While' the original All museum visitors benefit from carefully conquerors' c iilture did not value- the Native cul- resean lied and innovatively presented exhibi- tures it encountered, ovei the < enturies segments ts his m which individual social groups define a\\i\ ol I lispanic and Native American and later Eng- represent themselves through dialogue with lish-speaking and othei populations have, ol si e holars, urators and the public . Broad educa- nee essitv . engaged one another in ways that have tional goals are served by dire( ting public atten- given rise- to today's lie h arrav of c ultural identi- tion to constituent groups of this culturally ties. New Mexico's distinctive ( ultural landsi ape- divei se Mil iety a\\<\ to die complex variet) ol ways has taken shape in this way, and today is c om- they combine to < reate so< ial life. Sua esslnl exhi- posed ol some peoples who sustain cultural iden- bitions ol this sort should enable us to review, tities through centuries-old combinations ol Indi- revise .aid broaden public discourse. an and European forms of thought and a< lion, The festival ol American Folklife has always and ol others whose basis ol identity lies in reaf- been guided by this set of concerns and, indeed, firming the wisdom and relevance ol ancestral lias pioneered the type ol dialogue now i e< og- ways, lint in all New Mexicans, as in people every- nized as basic not only to the health ol out muse- where, e ultural ide-ntitv rellec ts the- c hanges dial ums bin also lo the health ol our soe ictv as a continue to be wrought from the- varieties of their whole. And ii is in this perspei tive thai I find die SO< ial ene i ninlei s. constellation ol groups assembled ai this Festival Nowhere is the connection between i nativity quite remarkable. and self-definition more clear than in ihe- c ultural The Columbus Quincentenary we mark ihis identities ol contemporary Maroon peoples, year gives us pause to reflect on the forces thai whose ane esiors esc aped plantation slavery in the ovei die past 500 years have shaped today's social Americas and founded independent societies. Faced with the task of constructing and defend- symbol, executive office and conference center, ing their positions. Maroons creatively defined < eremonial setting, museum, tourist attraction themselves from a variety of sources. While their and family residence. At the Festival we recognize political institutions, expressive arts, religions and the culture of White House workers, who have other social forms were predominantly African in supported this broad array of functions over a origin, they drew from a broad range of African span of history shaped bv remarkable events, peo- cultures, and from European and Native Ameri- ple and social change. White House workers have can cultures as well. Much of the aesthetic com- been part of this history, and with their labor and ponent of Maroon cultures — their vibrant tradi- dedication have made the White House work. We tions of verbal and visual arts — encourages the honor White House workers and their venerable cohesiveness of their society and voices themes workplace with a living exhibition that presents that embody common experience and interest. some of the skills, experiences and values "The Changing SoundScape in Indian Coun- through which they give shape to their occupa- try," produced jointly with the National Museum tional identities and call our attention to an of the American Indian, explores ways that Indi- important human component ol the 200 year an musicians and their communities have cre- institutional history atively adapted elements from the musical tradi- Pausing to mark these anniversaries, muse- tions brought to this continent from Europe, ums should consider self-representations of cul- Africa and elsewhere. Although many of the ture such as these for what they tell their audi- forms of this Indian music are non-Indian in ori- ences about our changing social life, for what gin, the themes and performance styles clearly they can leach us about creative adaptation and address Indian experience and aesthetic expecta- self-definition, and especially for what they con- tions. In their creative hands, external musical tribute to the role of museums as forums for cul- influences become part of the self-definition of tural dialogues. If museums, like the Festival, can Indian identity and trenchant commentary of provide models for public discourse, raise cultur- what has been happening in "Indian Country" al issues to national and international conscious- over the past 500 years. ness, and enable cross-cultural communication This year also marks the 200th anniversary of and understanding, if not respect, they will then the White House, it too a legacy of our complex have helped in guiding all of us forward to the past.
Load more

Recommended publications
  • Women's Suffrage and Arizona's Quest for Statehood
    TT T T TERRITORIAL Prescott Arizona Corral TIMES of Westerners International TT T T A publication of the Prescott Corral of Westerners International Volume V, Number 1 TT T T The TERRITORIAL TIMES is a publication of the Prescott Corral of Westerners International, Prescott, Arizona, a non-profit organization dedicated to the study, preservation, promotion and dissemination of information with respect to the real history of the American West. Price per copy is $7.50 ($10.00 by mail). Back copies of available issues may be ordered by mail. CORRAL OFFICERS AND DIRECTORS Sheriff Cindy Gresser Byteslinger Russ Sherwin Trail Boss Mike Piacenza Symposium Coord. Fred Veil Keeper of the Chips Jack Hoeft WI Liaison Al Bates Co-Swamper Patti Moore Co-Swamper Colleen Pena Brands Recorder Mike Piacenza Historian Bruce Fee Immediate Past Sheriffs: Roland Michaelis, Don Shaffer and Mike Shepard. PUBLICATIONS COMMITTEE The Corral members responsible for this publication are: Al Bates, Jay Eby, Bruce Fee, Russ Sherwin, Fred Veil and Andy Wallace. PHOTO AND ILLUSTRATION CREDITS Photographs and illustrations in this publication were obtained from the following institutions and individuals: Sharlot Hall Museum (pages 20 and 27); Arizona Historical Society, Tucson (page1); Frank M. Murphy III (page 2); Robert Spude collection (page 12); Arizona Sate Archives and Public Records (front cover photograph); Library of Congress, George Grantham Bain Collection (page 24). John Huff Designs prepared the front cover layout. Cover Photo: On February 14, 1912, Phoenix was the site for a statehood celebratory parade along Washington Avenue from midtown to the Capitol building. The reviewing stand was located near midtown with the old Phoenix City Hall seen in the background left.
    [Show full text]
  • Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
    Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en
    [Show full text]
  • Fulbright Scholars Directory
    FULBRIG HT SCHOLAR PROGRAM 2002-2003 Visiting Scholar Directory Directory of Visiting Fulbright Scholars and Occasional Lecturers V i s i t i n g F u l b r i g h t S c h o l a r P r o g r a m S t a f f To obtain U.S. contact information fo r a scholar listed in this directory, pleaseC IE S speaks ta ff member with the responsible fo r the scholar s home country. A fr ic a (S ub -S aharan ) T he M id d le E ast, N orth A frica and S outh A sia Debra Egan,Assistant Director Tracy Morrison,Senior Program Coordinator 202.686.6230 [email protected] 202.686.4013 [email protected] M ichelle Grant,Senior Program Coordinator Amy Rustic,Program Associate 202.686.4029 [email protected] 202.686.4022 [email protected] W estern H emisphere E ast A sia and the P acific Carol Robles,Senior Program Officer Susan McPeek,Senior Program Coordinator 202.686.6238 [email protected] 202.686.4020 [email protected] U.S.-Korea International Education Administrators ProgramMichelle Grant,Senior Program Coordinator 202.686.4029 [email protected] Am elia Saunders,Senior Program Associate 202.686.6233 [email protected] S pecial P rograms E urope and the N ew I ndependent S tates Micaela S. Iovine,Senior Program Officer 202.686.6253 [email protected] Sone Loh,Senior Program Coordinator New Century Scholars Program 202.686.4011 [email protected] Dana Hamilton,Senior Program Associate Erika Schmierer,Program Associate 202.686.6252 [email protected] 202.686.6255 [email protected] New Century Scholars
    [Show full text]
  • Immigration Discourses in the U.S. and in Japan Chie Torigoe
    University of New Mexico UNM Digital Repository Communication ETDs Electronic Theses and Dissertations 7-1-2011 Immigration Discourses in the U.S. and in Japan Chie Torigoe Follow this and additional works at: https://digitalrepository.unm.edu/cj_etds Recommended Citation Torigoe, Chie. "Immigration Discourses in the U.S. and in Japan." (2011). https://digitalrepository.unm.edu/cj_etds/25 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Communication ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i IMMIGRATION DISCOURSES IN THE U.S. AND IN JAPA by CHIE TORIGOE B.A., Linguistics, Seinan Gakuin University, 2003 M.A., Communication Studies, Seinan Gakuin University, 2005 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Communication The University of New Mexico Albuquerque, New Mexico July, 2011 ii DEDICATION I dedicate this dissertation to the memory of Dr. Tadasu Todd Imahori, a passionate scholar, educator, and mentor who encouraged me to pursue this path. iii ACKNOWLEDGMENTS I would like to express my sincere gratitude to those who made this challenging journey possible, memorable and even enjoyable. First and foremost, I would like to thank my advisor, Dr. Mary Jane Collier. Mary Jane, without your constant guidance and positive support, I could not make it this far. Throughout this journey, you have been an amazing mentor to me. Your intelligence, keen insight and passion have always inspired me, and your warm, nurturing nature and patience helped me get through stressful times.
    [Show full text]
  • May 2016 Newsletter
    May 12, 2016 The Civil War: April 12, 1861 - May 9, 1865 “Arlington National Cemetery — Garden of Stone” astronauts, Joe Louis, Audie Murphy and many other well known Americans. Memorials to the Shuttle Challenger Astronauts, the Confederate Monument, the Memorial Amphitheatre, the Nurses Memorial, war memorials and the great dignity of the Tomb of the Unknowns, along with others, will be discussed in this presentation. Bob Russo is the Vice President of Old Baldy Civil War Round Table and can also be found most Saturday morn- ings volunteering for the National Park Service at Indepen- dence National Historical Park. While there he conducts tours of Independence Hall, Congress Hall and offers Bob Russo interpretation at the Liberty Bell and other sites within the Park. Bob has a vast interest in American history that Join us at 7:15 PM on Thursday, May 12th, at Camden dates back to his teen years. Bob has been a member County College in the Connector Building, Room 101. of numerous historical organizations over the years that This month’s topic is "Arlington National Cemetery — include the Gettysburg Foundation, Surratt Society, Ford’s Garden of Stone" presented by Bob Russo. Theater Society, Civil War Trust, National Constitution Center and others. Bob also received the Certificate of Over many years Bob Russo made numerous trips to Ar- Completion from the Civil War Institute at Manor College in lington National Cemetery to better understand the history Pennsylvania. In his employment Bob works as the Senior and sites of this National treasure, hallowed ground and Vice President of a local structural steel and miscellaneous final resting place of over 400,000 veterans and their family iron fabricator and erector.
    [Show full text]
  • Afro-Mexicans and the Struggle for Recognition Kimberly Medina
    University of South Carolina Scholar Commons Senior Theses Honors College 5-2017 Afro-Mexicans and the Struggle for Recognition Kimberly Medina Follow this and additional works at: https://scholarcommons.sc.edu/senior_theses Part of the Ethnic Studies Commons, and the Political Science Commons Recommended Citation Medina, Kimberly, "Afro-Mexicans and the Struggle for Recognition" (2017). Senior Theses. 212. https://scholarcommons.sc.edu/senior_theses/212 This Thesis is brought to you by the Honors College at Scholar Commons. It has been accepted for inclusion in Senior Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. AFRO-MEXICANS AND THE STRUGGLE FOR RECOGNITION By Kimberly Medina Submitted in Partial Fulfillment of the Requirements for Graduation with Honors from the South Carolina Honors College May 2017 Approved: Kimberly Simmons Director of Thesis Terrance Weik Second Reader Steve Lynn, Dean For South Carolina Honors College Table of Contents Summary........................................................................................................................................................3 Introduction..................................................................................................................................................5 Afro-MeXicans..............................................................................................................................................7 Who are Afro-MeXicans? ................................................................................................................7
    [Show full text]
  • Righting an Injustice Or American Taliban? the Removal Of
    Southern New Hampshire University Righting an Injustice or American Taliban? The Removal of Confederate Statues A Capstone Project Submitted to the College of Online and Continuing Education in Partial Fulfillment of the Master of Arts in History By Andreas Wolfgang Reif Manchester, New Hampshire July 2018 Copyright © 2018 by Andreas Wolfgang Reif All Rights Reserved ii Student: Andreas Wolfgang Reif I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. July 12, 2018 __________________________________________ _______________ Southern New Hampshire University Date College of Online and Continuing Education iii Abstract In recent years, several racial instances have occurred in the United States that have reinvigorated and demanded action concerning Confederate flags, statues and symbology. The Charleston massacre in 2015 prompted South Carolina to finally remove the Confederate battle flag from state grounds. The Charlottesville riots in 2017 accelerated the removal of Confederate statues from the public square. However, the controversy has broadened the discussion of how the Civil War monuments are to be viewed, especially in the public square. Many of the monuments were not built immediately following the Civil War, but later, during the era of Jim Crow and the disenfranchisement of African Americans during segregation in the South. Are they tributes to heroes or are they relics of a racist past that sought not to remember as much as to intimidate and bolster white supremacy? This work seeks to break up the eras of Confederate monument building and demonstrate that different monuments were built at different times (and are still being built).
    [Show full text]
  • The Negritude Movements in Colombia
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses October 2018 THE NEGRITUDE MOVEMENTS IN COLOMBIA Carlos Valderrama University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Folklore Commons, Other Political Science Commons, and the Sociology Commons Recommended Citation Valderrama, Carlos, "THE NEGRITUDE MOVEMENTS IN COLOMBIA" (2018). Doctoral Dissertations. 1408. https://doi.org/10.7275/11944316.0 https://scholarworks.umass.edu/dissertations_2/1408 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE NEGRITUDE MOVEMENTS IN COLOMBIA A Dissertation Presented by CARLOS ALBERTO VALDERRAMA RENTERÍA Submitted to the Graduate School of the University of Massachusetts-Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY SEPTEMBER 2018 Sociology © Copyright by Carlos Alberto Valderrama Rentería 2018 All Rights Reserved THE NEGRITUDE MOVEMENTS IN COLOMBIA A Dissertation Presented by CARLOS ALBERTO VALDERRAMA RENTERÍA Approved as to style and content by __________________________________________ Agustin Laó-Móntes, Chair __________________________________________ Enobong Hannah Branch, Member __________________________________________ Millie Thayer, Member _________________________________ John Bracey Jr., outside Member ______________________________ Anthony Paik, Department Head Department of Sociology DEDICATION To my wife, son (R.I.P), mother and siblings ACKNOWLEDGMENTS I could not have finished this dissertation without the guidance and help of so many people. My mentor and friend Agustin Lao Montes. My beloved committee members, Millie Thayer, Enobong Hannah Branch and John Bracey.
    [Show full text]
  • Spirit 58 English.Indd
    NDU SPIRIT ISSUE 58 JUNE 2013 Whether big or small, civil or religious, transgressions abound in incarnate. But, we tend to forget that what goes around comes every community, in every confession, and in every institution. around. Yet, we make no attempt to stop these wrongdoings, because By viewing others as mere shadows, we become our own worst some of us are slaves to our daily bread and others are slaves enemy. Why then do we fight shadows? to positions, slaves to fear, and slaves to intimidation while the We judge others based on our own model, and see them foolish are slaves to the illusion that they are free! through our own mirrors. These plague-like types of slavery infect our very roots and infect It is high time to stop this masquerade. Let us repent and repeat our stems and lofty branches, devouring us from within. with David: „Create in me a clean heart, O God, and renew a Unless we change from the inside, nothing on the outside will right spirit within me.‰ (Ps.51:10) ever change. We, as individuals and communities, must be born again to Self-deification is a murderous form of narcissism. What is deserve the Kingdom of Lebanon« this precious spiritual jewel, crueler is the way we judge others and revile them as the devil which we have transformed into a fiery hell. NDU Spirit: A periodical about campus life at Notre Dame University - Louaize. Telephone: (09) 208994/6 - Telefax: (09) 214205 w:: www.ndu.edu.lb/research/ndupress/spirit Editor-in-Chief Georges Mghames English Editor Mario Najm Arabic Typing Lydia Zgheïb Photographers A.
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • De Florida a Coahuila: El Grupo Mascogo Y La Presencia De Una Cultura Afrocriolla
    Humania del Sur. Año 2, Nº 3. Julio-diciembre, 2007. Gabriel Izard Martínez. De Florida a Coahuila: El grupo Mascogo y la presencia de una cultura afrocriolla... pp. 13-24. De Florida a Coahuila: El grupo Mascogo y la presencia de una cultura afrocriolla en el norte de México Gabriel Izard Martínez UNIVERSIDAD AUTÓNOMA DEL ESTADO DE MORELOS CUERNAVACA - MÉXICO [email protected] Resumen Este artículo describe la historia de los mascogo, conocidos en EEUU como negros seminoles, y analiza su cultura en el contexto afro-americano. Nacidos de la asociación entre negros e indígenas fugitivos en la península de Florida, los mascogo llegaron a México a mediados del siglo XIX tras sufrir guerras y deportaciones. Hoy en día se encuentran en el norte del estado de Coahuila y en el sur de Texas, y mantienen los rasgos que los conectan con los afro-americanos del Sur estadounidense. Tienen también muchas cosas en común con otras culturas afro-indígenas del continente, como la garífuna del litoral atlántico centroamericano. Palabras Clave: Mascogo, seminole, afroamericanos, cimarrones. From Florida to Coahuila: The Mascogo group and the presence of an African-Creole culture in northern Mexico Abstract This article describes the story of the Mascogo, known in the US as Black Seminole, and analyzes their culture in the African-American context. Born from the association between runaway blacks and Indians in Florida, the Mascogo arrived in Mexico at the end of the nineteenth century after suffering war and deportation. Nowadays they are found in northern Coahuila and southern Texas, and they maintain the cultural elements that connect them with the African-Americans of the South of the US.
    [Show full text]
  • Challenge of Japanese-Peruvian Descendent Families in the XXI Century
    Challenge of Japanese-Peruvian descendent families in the XXI century, Peruvian dekasegi in Japan: Overview of Socio Economic Issues of Nikkei by LAGONES VALDEZ Pilar Jakeline DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in International Development Doctor of Philosophy GRADUATE SCHOOL OF INTERNATIONAL DEVELOPMENT NAGOYA UNIVERSITY Approved by the Dissertation Committee: Naoko SHINKAI (Chairperson) Sanae ITO Hideto NISHIMURA Tetsuo UMEMURA Approved by the GSID Committee: March 07, 2016 1 Acknowledgements First, I would like to give my gratefulness to Professor SHINKAI Naoko, my academic advisor, for her priceless academic guidance throughout my research term at the Graduate School of International Development in Nagoya University. I achieved my goals as a graduate student with her useful and professional advices. She also gave me an invaluable guidance for my social life in Japan. She encouraged and supported me warmly. I would also like to deeply thank Professor ITO Sanae and Professor NISHIMURA Hideto, who supported me with valuable comments. I would like to appreciate Professor FRANCIS Peddie for important comments in my dissertation. I also thank to all my seminar members, who helped me with their experience and knowledge. In Japan, they became my family members. I felt so happy to meet them in my life. I appreciate the Peruvian Consul in Japan, who gave me the permission to do my interview survey to Peruvian Nikkei. I also thank to the Peruvian Nikkei community, they permitted me to enter their home to observe and interview with questions regarding to my research during my field work.
    [Show full text]