FINE CHINESE ART Thursday 12 May 2016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Art: Authenticity, Restoration, Forgery
UCLA Cotsen Institute of Archaeology Press Title Art: Authenticity, Restoration, Forgery Permalink https://escholarship.org/uc/item/5xf6b5zd ISBN 978-1-938770-08-1 Author Scott, David A. Publication Date 2016-12-01 Data Availability The data associated with this publication are within the manuscript. Peer reviewed eScholarship.org Powered by the California Digital Library University of California READ ONLY/NO DOWNLOADS Art: Art: Authenticity, Restoration, ForgeryRestoration, Authenticity, Art: Forgery Authenticity, Restoration, Forgery David A. Scott his book presents a detailed account of authenticity in the visual arts from the Palaeolithic to the postmodern. The restoration of works Tof art can alter the perception of authenticity, and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of what “authenticity” means, and the philosophical background. Included are several case studies that discuss conceptual, aesthetic, and material authenticity of ancient and modern art in the context of restoration and forgery. • Scott Above: An artwork created by the author as a conceptual appropriation of the original Egyptian faience objects. Do these copies possess the same intangible authenticity as the originals? Photograph by David A. Scott On front cover: Cast of author’s hand with Roman mask. Photograph by David A. Scott MLKRJBKQ> AO@E>BLILDF@> 35 MLKRJBKQ> AO@E>BLILDF@> 35 CLQPBK IKPQFQRQB LC AO@E>BLILDV POBPP CLQPBK IKPQFQRQB LC AO@E>BLILDV POBPP CIoA Press READ ONLY/NO DOWNLOADS Art: Authenticity, Restoration, Forgery READ ONLY/NO DOWNLOADS READ ONLY/NO DOWNLOADS Art: Authenticity, Restoration, Forgery David A. -
The Paradigm of Hakka Women in History
DOI: 10.4312/as.2021.9.1.31-64 31 The Paradigm of Hakka Women in History Sabrina ARDIZZONI* Abstract Hakka studies rely strongly on history and historiography. However, despite the fact that in rural Hakka communities women play a central role, in the main historical sources women are almost absent. They do not appear in genealogy books, if not for their being mothers or wives, although they do appear in some legends, as founders of villages or heroines who distinguished themselves in defending the villages in the absence of men. They appear in modern Hakka historiography—Hakka historiography is a very recent discipline, beginning at the end of the 19th century—for their moral value, not only for adhering to Confucian traditional values, but also for their endorsement of specifically Hakka cultural values. In this paper we will analyse the cultural paradigm that allows women to become part of Hakka history. We will show how ethical values are reflected in Hakka historiography through the reading of the earliest Hakka historians as they depict- ed Hakka women. Grounded on these sources, we will see how the narration of women in Hakka history has developed until the present day. In doing so, it is necessary to deal with some relevant historical features in the construc- tion of Hakka group awareness, namely migration, education, and women narratives, as a pivotal foundation of Hakka collective social and individual consciousness. Keywords: Hakka studies, Hakka woman, women practices, West Fujian Paradigma žensk Hakka v zgodovini Izvleček Študije skupnosti Hakka se močno opirajo na zgodovino in zgodovinopisje. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics. -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
FINE CHINESE ART Thursday 9 November 2017 a Selection from the Sze Yuan Tang Collection, Lots 1-40
FINE CHINESE ART Thursday 9 November 2017 A selection from the Sze Yuan Tang Collection, Lots 1-40 INTERNATIONAL CHINESE CERAMICS AND WORKS OF ART TEAM Colin Sheaf Dessa Goddard Asaph Hyman ASIA AND AUSTRALIA Xibo Wang Gigi Yu Edward Wilkinson* Yvett Klein Hong Kong Hong Kong Hong Kong Sydney EUROPE Benedetta Mottino Sing Yan Choy Edward Luper Rachel Hyman Rosangela Assennato Ben Law Smith Ian Glennie Asha Edwards London, London, London, London, London, London, Edinburgh Edinburgh New Bond Street New Bond Street New Bond Street Knightsbridge Knightsbridge Knightsbridge USA Bruce MacLaren Ming Hua Harold Yeo Mark Rasmussen* Doris Jin Huang* New York New York New York New York New York Henry Kleinhenz Daniel Herskee Ling Shang San Francisco San Francisco San Francisco ASIA REPRESENTATIVES Jessica Zhang Summer Fang Bernadette Rankine Beijing Taipei Singapore * Indian, Himalayan & Southeast Asian Art FINE CHINESE ART Thursday 9 November 2017 at 10.30am 101 New Bond Street, London VIEWING INTERNATIONAL HEAD, CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 5 November CHINESE CERAMICS AND Monday to Friday 8.30am - 6pm LOTS IN THIS AUCTION 11am - 5pm WORKS OF ART, +44 (0) 20 7447 7447 Monday 6 November ASIA AND EUROPE PLEASE NOTE THAT THERE IS 9am - 7.30pm Asaph Hyman Please see page 4 for bidder NO REFERENCE IN THIS (limited viewing 5pm - 7.30pm) information including after-sale CATALOGUE TO THE PHYSICAL Tuesday 7 November ENQUIRIES collection and shipment CONDITION OF ANY LOT. 9am - 4.30pm Colin Sheaf INTENDING BIDDERS MUST Wednesday 8 November 拍賣品之狀況 SATISFY THEMSELVES AS TO 9am - 4.30pm +44 (0) 20 7468 8237 [email protected] 請注意: 本目錄並無說明任何拍賣 THE CONDITION OF ANY LOT 品 之 狀 況。按 照 本目錄 後 部 份 所 載 AS SPECIFIED IN CLAUSE 15 SALE NUMBER Asaph Hyman 之「 競 投 人 通 告 第 15條」,準買家 OF THE NOTICE TO BIDDERS 24101 +44 (0) 20 7468 5888 必須拍賣前親自確定拍賣品之狀 CONTAINED AT THE END OF [email protected] 況。 THIS CATALOGUE. -
Annual Conference Washington, D.C
Association for Asian Studies ANNUAL CONFERENCE WASHINGTON, D.C. MARCH 22-25 2018 Spatial Data Center & China Data Center UNIVERSITY OF MICHIGAN 330 Packard St, Ann Arbor, MI 48106-1248, USA TEL: (734)647-9610 / FAX: (734)763-0335 / EMAIL: [email protected] Please join the following workshop organized by China Data Center: “Recent Development and New Features of China Data Online” Time: 3:00pm - 5:30pm, Thursday, March 22, 2018 Site: Roosevelt 3, Marriott Wardman Park Hotel, Washington, D.C. New Data and Features of China Data Online The following new databases have been added to China Statistics Database and Census Database: Statistical Datasheets provides about 270,000 statistical tables from all provincial yearbooks and some other sources with full text search function and metadata, including citation information and unique table ID for direct access. Census Maps covers more than 7 million census maps with data by province, city, county or even township, including population census 2000 and 2010, economic census 2004 and 2008, basic unit census 2001, and industrial census 1995. Statistical Charts provides a rich collection of statistical charts for those monthly and yearly statistics at country, province, prefecture city and county levels with full text search function and metadata, including citation information and unique chart ID for direct access. New Features of China Geo-Explorer and US Geo-Explorer: Chinese Version of “China Map Library” is part of China Geo-Explorer. It offers about 8 million maps for the demographic and business data of China. Those maps provide comprehensive information of China at province, prefecture cities, county, and township levels. -
The Commercialization of Beijing Hutongs
Journal of Geography and Geology; Vol. 10, No. 4; 2018 ISSN 1916-9779 E-ISSN 1916-9787 Published by Canadian Center of Science and Education The Commercialization of Beijing Hutongs Ruoxuan Mao1 1 Beijing National Day School, Beijing, China Correspondence: Ruoxuan Mao, Beijing National Day School, Beijing, No. 66, Yuquan Road, China. Tel: 86-182- 1035-1519. E-mail: [email protected] Received: August 3, 2018 Accepted: September 10, 2018 Online Published: November 27, 2018 doi:10.5539/jgg.v10n4p39 URL: http://dx.doi.org/10.5539/jgg.v10n4p39 Abstract This paper addresses the transition of Hutongs from alleys connecting the main streets to fully commercialized districts. Hutongs are narrow streets formed by rows of Siheyuans (quadrangle dwellings), a traditional type of Chinese architecture consists of four houses surrounding a courtyard. The architectural layout of Siheyuan is four houses surrounding a courtyard. There are several types of Siheyuans, including the Beijing Siheyuan. Along with the development of Beijing since 1949, numerous Siheyuans were demolished. However, since the 1980s, many Hutongs were brought under national and local protection. Some of the best preserved Hutongs, especially those in the center areas of Beijing, are now more commercialized than they were prior to the ‘80s. This paper discusses the causes as well as consequences of such commercialization. Literature concerning the Hutongs frequently discusses the Hutongs' history and the shift in their architectural design, as well as other aspects that have changed over time. By contrast, this paper discusses a special phenomenon of Hutongs in Beijing — commercialization — and focuses on the causes and results of it. -
Tasting the Good and the Beautiful 67
TASTING THE GOOD AND THE BEAUTIFUL 67 Tasting the Good and the Beautiful: The Aestheticization of Eating and Drinking in Traditional Chinese Culture Da’an Pan California State Polytechnic University, Pomona Exploring traditional Chinese gastronomic culture in terms of its interdisciplinary expression and values, this article argues that eating and drinking, as sources of creative imagination and aesthetic pleasure, are integral to the creative process in Chinese literature and art, and possess a double value integrating the good with the beautiful. Gastronomic and artistic creations are mutually enhancing and mutually inspiring in their common pursuit of beauty. While exemplifying the holistic values of Chinese culture, the aestheticization of eating and drinking contributes to finer, richer gastronomic experiences. An investigation into this phenomenon opens a window to understanding the development of Chinese gastronomy, thus shedding cross-cultural light on the study of contemporary gastronomy. Beauty and Taste Discussing the semiotics of contemporary food consumption, Barthes (1915-1980) wrote, “One could say that an entire ‘world’ (social environment) is present in and signified by food.... To eat is a behavior that develops beyond its own ends, replacing, summing up, and signalizing other behaviors, and it is precisely for these reasons that it is a sign” (1997, pp. 23; 25). In traditional Chinese society the importance of eating and drinking as cultural and aesthetic signs goes beyond people’s physical existence. For many Chinese individuals food and drink are themselves aesthetic objects, and cooking, eating, and drinking are aesthetic pursuits. The notion of mei-shi (lit., beautiful food; i.e., gourmet food) is almost a household word. -
With the Empress Dowager of China
RSITY OF CALIFORNIA SAN DIEGO 1822 02727 9462 TH THE EMPRESS DOWAGER OF CHINAH V KATHARINE A. CARL WITH THE EMPRESS DOWAGER OF CHINA PORTRAIT OF THE EMPRESS DOWAGER This is the portrait which was exhibited at the St. Louis Exposition, is now owned by the United States Government, and is in the National Museum at Washington With the Empress Dowager of China By Katharine A. Carl - U Illustrated by the Author and with Photographs New York The Century Co. 1907 Copyright, 1905, by THE CENTURY Co. Published November, 1905, TO SIB ROBERT HART To whose helpful encouragement I owe so much, I affectionately dedicate this account of my experiences at the Court of the coun- try he has so long and faithfully served. KATHARINE A. CARL. New York, May, 1905. Contents PAGE CHAPTER I. MY PRESENTATION AND FIRST DAY AT THE CHINESE COURT 3 Drive Out to the Summer Palace Presentation Be- ginning the Portrait Luncheon The Palace Theater My Pavilion within the Precincts. CHAPTER II. PERSONAL APPEARANCE OP HER MAJESTY A CHINESE REPAST BOATING . 18 Second Sitting The Siesta Her Majesty's Barge A Promenade on the Lake. CHAPTER III. THE PALACE OF THE EMPEROR'S FATHER 27 A Chinese Palace Gardens The Chinese Poem- Tombstones of Pets The Highway from Peking to the Summer Palace Chinese Modes of Locomotion The Seventh Prince. CHAPTER IV. HER MAJESTY'S THRONE-ROOM . 34 Clocks Third Sitting A Promenade in the Gar- dens The Orchard The Empress Dowager's Love of Flowers Customs as to Fruits and Flowers. CHAPTER V. THE YOUNG EMPRESS AND LADIES OF THE COURT 42 The Young Empress The Secondary Wife The Princesses Children by Adoption Chinese Widows vii Contents PAGE The Princess Imperial The Relationships of the Princesses of the Blood The Maids and Tiring- women Women of the Eighth Banner The Chinese Woman at Court Slaves. -
Fine Chinese Art ᷕ 喅埻普䍵
AUCTION SEPTEMBER, 29TH 2018 Fine Chinese Art ᷕ⚳喅埻普䍵 Japanese and Buddhist Art 㙐㖍㛔⍲ἃ㔁喅 AUCTION Fine Chinese Artġ FRONT COVER Lot 114 ᷕ⚳喅埻普䍵 A ZANABAZAR 18TH CENTURY GILT BRONZE FIGURE OF BUDDHA Japanese and Buddhist Art BACK COVER 㙐㖍㛔⍲ἃ㔁喅埻⑩ Lot 167 A FINE AND RARE JAPANESE LACQUER TRAY SUPPORTED BY TWO KARAKO September, 29th 2018 at 2.30pm CET CATALOG CA0918 VIEWING www.zacke.at IN OUR GALLERY September 24st - 29th Monday - Friday 10am - 6pm Saturday, Sept. 29th 10am - 1pm and by appointment GALERIE ZACKE MARIAHILFERSTRASSE 112 Lot 55 A SUPERB AND VERY LARGE CELADON AND RUSSET ‘SEVEN 1070 VIENNA AUSTRIA IMMORTALS’ JADE MOUNTAIN, 17 TH – 18TH CENTURY Tel +43 1 532 04 52 Fax +20 E-mail offi[email protected] 1 IMPORTANT INFORMATION ABSENTEE BIDDING FORM (According to the general terms and conditions of business Gallery Zacke Vienna) FOR THE AUCTION FINE CHINESE ART JAPANESE AND BUDDHIST ART CA0918 ON DATE September, 29th 2018 at 2.30pm CET NO. TITLE BID IN EURO Endangered Species / CITES Information Some items in this catalogue may consist of material such as for example ivory, rhinoceros horn, tortoise shell, coral or any rare types of tropical wood, and are therefore subject to the Convention on International Trade in Endangered Species of Wild Fauna and Flora [CITES]. Such items may only be exported outside the European Union after an export permit in accordance with CITES has been granted by the Austrian authorities. Zacke Gallery cannot and does not guarantee that such export permit may or will be obtained, but will by order of the winning bidder, once and exclusively after the item in question has been paid in full, apply to obtain such a permit at a fixed administrative fee of euro 500, - per application. -
The Role of Astronomy and Feng Shui in the Planning of Ming Beijing
Nexus Network Journal https://doi.org/10.1007/s00004-021-00555-y RESEARCH The Role of Astronomy and Feng Shui in the Planning of Ming Beijing Norma Camilla Baratta1 · Giulio Magli2 Accepted: 19 April 2021 © The Author(s) 2021 Abstract Present day Beijing developed on the urban layout of the Ming capital, founded in 1420 over the former city of Dadu, the Yuan dynasty capital. The planning of Ming Beijing aimed at conveying a key political message, namely that the ruling dynasty was in charge of the Mandate of Heaven, so that Beijing was the true cosmic centre of the world. We explore here, using satellite imagery and palaeomagnetic data analysys, symbolic aspects of the planning of the city related to astronomical alignments and to the feng shui doctrine, both in its “form” and “compass” schools. In particular, we show that orientations of the axes of the “cosmic” temples and of the Forbidden City were most likely magnetic, while astronomy was used in topographical connections between the temples and in the plan of the Forbidden City in itself. Keywords Archaeoastronomy of Ming Beijing · Forbidden City · Form feng shui · Compass feng shui · Ancient Chinese urban planning · Temple design Introduction In the second half of the fourteenth century, China sat in rebellion against the foreign rule of the Mongols, the Yuan dynasty. Among the rebels, an outstanding personage emerged: Zhu Yuanzhang, who succeeded in expelling the foreigners, proclaiming in 1368 the beginning of a new era: the Ming dynasty (Paludan 1998). Zhu took the reign title of Hongwu and made his capital Nanjing.