Making the Palace Machine Work Palace Machine the Making
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Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939
Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939 William M. Coleman, IV Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2014 © 2013 William M. Coleman, IV All rights reserved Abstract Making the State on the Sino-Tibetan Frontier: Chinese Expansion and Local Power in Batang, 1842-1939 William M. Coleman, IV This dissertation analyzes the process of state building by Qing imperial representatives and Republican state officials in Batang, a predominantly ethnic Tibetan region located in southwestern Sichuan Province. Utilizing Chinese provincial and national level archival materials and Tibetan language works, as well as French and American missionary records and publications, it explores how Chinese state expansion evolved in response to local power and has three primary arguments. First, by the mid-nineteenth century, Batang had developed an identifiable structure of local governance in which native chieftains, monastic leaders, and imperial officials shared power and successfully fostered peace in the region for over a century. Second, the arrival of French missionaries in Batang precipitated a gradual expansion of imperial authority in the region, culminating in radical Qing military intervention that permanently altered local understandings of power. While short-lived, centrally-mandated reforms initiated soon thereafter further integrated Batang into the Qing Empire, thereby -
Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
The Jesuit Role As “Experts” in High Qing Cartography and Technology∗
臺大歷史學報第31期 BIBLID1012-8514(2003)31p.223-250 2003年6月,頁223~250 2003.1.7收稿,2003.5.29通過刊登 The Jesuit Role as “Experts” in High Qing Cartography and Technology∗ Benjamin A. Elman∗∗ Abstract Earlier accounts have generally overvalued or undervalued the role of the Jesu- its in Ming-Qing intellectual life. In many cases the Jesuits were less relevant in the ongoing changes occurring in literati learning. In the medical field, for example, before the nineteenth century few Qing physicians (ruyi 儒醫) took early modern European “Galenic” medicine seriously as a threat to native remedies. On the other hand, the Kangxi revival of interest in mathematics was closely tied to the introduc- tion of Jesuit algebra (jiegen fang 借根方), trigonometry (sanjiao xue 三角學), and logarithyms (duishu 對數). In the midst of the relatively “closed door” policies of the Yongzheng emperor and his successors, a large-scale effort to recover and col- late the treasures of ancient Chinese mathematics were prioritized in the late eight- eenth and early nineteenth century. Despite setbacks during the early eighteenth century Rites Controversy, the Jesuits in China remained important “experts” (專家) in the Astro-Calendric Bureau (欽天監) and supervisors in the Qing dynasty’s imperial workshops. Earlier Adam Schall (1592-1666) and Ferdinand Verbiest (1623-1688) had not only championed the role of mathematics in Christianizing literati elites, but they also produced in- struments and weapons at the behest of both the Ming and Qing dynasties. The tech- nical expertise of the Jesuits in the China mission during the eighteenth century also ranged from translating Western texts and maps, introducing surveying methods to producing cannon, pulley systems, sundials, telescopes, water-pumps, musical in- struments, clocks, and other mechanical devices. -
Information to Users
"No more interference": The response of Chinese intellectuals to United States China policy, 1945-1950. Item Type text; Dissertation-Reproduction (electronic) Authors Zhang, Hong. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 06:36:10 Link to Item http://hdl.handle.net/10150/187365 INFORMATION TO USERS This manuscript ,has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is depeDdent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedtbrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with smaIl overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2016 Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian Studies Commons, East Asian Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, Gender and Sexuality Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Lu, Chun-Yu, "Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945" (2016). Arts & Sciences Electronic Theses and Dissertations. 800. https://openscholarship.wustl.edu/art_sci_etds/800 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Committee on Comparative Literature Dissertation Examination Committee: Lingchei Letty Chen, Chair Robert E Hegel, Co-Chair Rebecca Copeland Diane Lewis Zhao Ma Marvin Marcus Make Love and War: Chinese Popular Romance in “Greater East Asia,” 1937-1945 by Chun-yu Lu A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2016 St. Louis, Missouri © 2016, Chun-yu Lu Table of Content Acknowledgments ................................................................................................. -
An Empirical Study of Chinese Name Matching and Applications
An Empirical Study of Chinese Name Matching and Applications Nanyun Peng1 and Mo Yu2 and Mark Dredze1 1Human Language Technology Center of Excellence Center for Language and Speech Processing Johns Hopkins University, Baltimore, MD, 21218 2Machine Intelligence and Translation Lab Harbin Institute of Technology, Harbin, China [email protected], [email protected], [email protected] Abstract or morpheme, the most popular being Chinese which uses hanzi (IW). This presents challenges Methods for name matching, an important for name matching: a small number of hanzi repre- component to support downstream tasks sent an entire name and there are tens of thousands such as entity linking and entity clustering, of hanzi in use. Current methods remain largely have focused on alphabetic languages, pri- untested in this setting, despite downstream tasks marily English. In contrast, logogram lan- in Chinese that rely on name matching (Chen et guages such as Chinese remain untested. al., 2010; Cassidy et al., 2011). Martschat et al. We evaluate methods for name matching (2012) point out errors in coreference resolution in Chinese, including both string match- due to Chinese name matching errors, which sug- ing and learning approaches. Our ap- gests that downstream tasks can benefit from im- proach, based on new representations for provements in Chinese name matching techniques. Chinese, improves both name matching This paper presents an analysis of new and ex- and a downstream entity clustering task. isting approaches to name matching in Chinese. The goal is to determine whether two Chinese 1 Introduction strings can refer to the same entity (person, orga- A key technique in entity disambiguation is name nization, location) based on the strings alone. -
Haoyang Zhao Art Historical and Provenance Research in a Case Study of Huangchao Liqi Tushi
ISSN: 2511–7602 Journal for Art Market Studies 2 (2020) Haoyang Zhao Art Historical and Provenance Research in a Case Study of Huangchao Liqi Tushi ABSTRACT hold pages of the coloured version of the HCLQTS. In Europe, the Victoria & Albert Using an illustrated album of the Qing im- Museum, the National Museum of Scot- perial court of the eighteenth century as a land, the National Museum of Ireland, and case study, the article explores the specific the British Library all have incomplete sec- challenges presented for provenance re- tions of the HCLQTS in their collections. In search by this type of object, as well as the North America, the Mactaggart Collection reciprocal benefits of interlinking research of the University of Alberta Museums also in provenance with that of traditional holds an incomplete section. As research art history. The Huangchao Liqi Tushi on this project is ongoing, a comprehen- (HCLQTS), or the Illustrations of Imperial sive report on the album’s provenance will Ritual Paraphernalia, is an illustrated en- not yet be outlined. Instead, the author cyclopedic album of Qing imperial regula- shares his experience on how disregarded tions and codes. The album discussed here marks on the back of each page, together was potentially looted from the Qing impe- with the materials typically categorised as rial garden, the Yuanming yuan, in 1860 by art historical, provided essential support Anglo-French troops. Today, seven public for provenance investigation in a case institutions across the world are known to where limited records were available. https://www.fokum-jams.org; https://creativecommons.org/licenses/by-nc/4.0/; DOI 10.23690/jams.v4i2.128 Journal for Art Market Studies 2 (2020) Haoyang Zhao Art Historical and Provenance Research in a Case Study of Huangchao Liqi Tushi Introduction In the last two decades, provenance research has become an integral part of academ- ia. -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title You Are Whom You Eat: Cannibalism in Contemporary Chinese Fiction and Film Permalink https://escholarship.org/uc/item/7nk4v18m Author Tsai, Yun-Chu Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE You Are Whom You Eat: Cannibalism in Contemporary Chinese Fiction and Film DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in East Asian Languages and Literatures by Yun-Chu Tsai Dissertation Committee: Professor Bert Scruggs, Chair Professor Hu Ying Professor Chungmoo Choi Professor Gabriele Schwab 2016 © 2016 Yun-Chu Tsai DEDICATION To my family, for their unconditional love and support ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vi INTRODUCTION 1 CHAPTER 1: 25 Unconventional “Classical Love”: Breaking of Traditions in Yu Hua’s Writing of Haunting and Cannibalism CHAPTER 2: 62 A Consuming Identity’s Melancholic Consumption of the Object: Gourmet Cannibalism in a Market Economy in Mo Yan’s The Republic of Wine CHAPTER 3: 110 A Delicacy to Rejuvenate the Nation: Fetus Consumption in Lillian Lee and Fruit Chan’s Dumplings CONCLUSION 150 BIBLIOGRAPHY 157 GLOSSARY 170 iii ACKNOWLEDGMENTS I would like to express the deepest gratitude to my committee members, Professors Bert Scruggs, Hu Ying, Chungmoo Choi, and Gabriele Schwab. Their guidance and encouragement -
8 Days Beijing / Chengde Tour Day 1: Singapore – Beijing
HEARTLINK HOLIDAYS PTE LTD 32 Seletar Terrace, Singapore 806933, Tel: 65-68755563, Fax: 65-68812302 www.heartlinkholidays.com Registration No: 201100061N TA02039 8 Days Beijing / Chengde Tour Day 1: Singapore – Beijing. Assemble at Changi Airport for your flight to Beijing. Upon arrival, meet the local representative and transfer to hotel for check-in. After that, free at your leisure time. Day 2: Beijing (B/L) Visit the Tiananmen Square- the largest square in the world. Where you can visit Tiananmen Tower, Monument to the People's Heroes, and Great Hall of the People, Mao Zedong Memorial Hall and see the national flag raising ceremony. Thousands of people come to the Square every day. It is the must place to visit in Beijing City. Then proceed to the Forbidden City, residence of the Emperors of Ming and Qing Dynasties. There are 6 main places and many small buildings, containing over 9000 rooms. After lunch process to Temple of Heaven, a place of prayer for Ming, Qing Emperors and a masterpiece of 15th century architecture. The Temple of Heaven is the most holy of Beijing's Imperial temples. For this is where the Emperor came every winter solstice to worship heaven and to solemnly pray for a good harvest. Since his rule was legitimised by a mandate from heaven, a bad harvest could be interpreted as his fall from heaven's favour and threaten the stability of his reign. So, it was not without a measure of self-interest that the Emperor fervently prayed for a very good crop. Day 3: Beijing (B/L) Morning highlight is the Great Wall - Mutianyu. -
Gates Chili School District on Dec. 8Th, CIAU Faculty Juan
NOVEMBER-DECEMBER 2016 Gates Chili School District On Dec. 13th, Rita Xu started a On Dec. 8th, CIAU faculty Juan weekly Chinese culture class with (Rita) Xu started a Mandarin Club at the third grade students at Paul Road the Florence Brasser Elementary Elementary School. The students School. The club meets every are very curious about historical Thursday after school, and nineteen sites in China, such as the Great third grade students have joined. Wall, the Terra Cotta Army in the They learned Chinese culture and tomb of the first emperor of the Qin did some crafts such as paper dynasty, the Forbidden City, the cutting. They showed strong interest Summer Palace, and the Temple of in this club. One said, “I wish every Heaven. They have learned some of day was Thursday!” and another the geography of China, such as the replied, “Me, too!” highest mountain, the longest river, and the biggest city. Students showing their paper-cutting work Instructor Xu teaching class In November and December, Rita Development Program. They found Xu continued teaching 6th, 7th, and the training to be very beneficial. 8th grade students at Gates Chili On the 15th of November, the Middle school, and 3rd grade Chinese director of the Confucius students at Walt Disney and Institute of Alfred University Florence Brasser Elementary (CIAU), Dr. Jijun (Andy) Yu, came Schools greetings, country names, to Geneva to observe the Mandarin numbers, family, body parts, etc. classes and gave the Mandarin The children learned the Chinese teachers great support. The Chinese gestures of 1 to 10 and learned how teachers also exchanged ideas and to count from 1 to 99, tried using suggestions about their work. -
Issue 13 Final Version
RHETORICAL SPACE Culture of Curiosity in Yangcai under Emperor Qianlong’s Reign Chih-En Chen Department of the History of Art and Archaeology PhD Candidate ABSTRACT This research is arranged into three sections in order to elaborate on the hybrid innovation in yangcai. Firstly, the usage of pictorial techniques on porcelain will be discussed, followed by the argument that the modelling technique in the Qianlong period could be the revival of Buddhist tradition combined with European pictoriality. The second section continues the discussion of non-traditional attributes in terms of the ontology of porcelain patterns. Although it has been widely accepted that Western-style decorations were applied to the production of the Qing porcelain, the other possibility will be purported here by stating that the decorative pattern is a Chinese version of the multicultural product. The last section explores style and identity. By reviewing the history of Chinese painting technique, art historians can realise the difference between knowing and performing. Artworks produced in the Emperor Qianlong’s reign were more about Emperor Qianlong’s preference than the capability of the artists. This political reason differentiated the theory and practice in Chinese history of art. This essay argues that the design of yangcai is substantially part of the Emperor Qianlong’s portrait, which represents his multicultural background, authority over various civilisations, and transcendental identity as an emperor bridging the East and the West. ABOUT THE AUTHOR Chih-En Chen is a PhD Candidate at the Department of the History of Art and Archaeology at SOAS, University of London. Before he arrived his current position, he worked for Christie’s Toronto Office (2013-2014) and Waddington’s Auctioneers in Canada (2014-2018). -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).