CHAPTER 1 at His Station, Poste 9, in the Lab Where Students Mixed
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the scent post A MONTHLY UPDATE ON THE LATEST FRAGRANCE NEWS new launches top new videos poison girl roller pearl | DIOR les merveilleuses ladurée arizona coco mademoiselle intense english fields LADURÉE PROENZA SCHOULER CHANEL JO MALONE NEW FRAGRANCE NEW FRAGRANCE RANGE EXTENSION LIMITED EDITION news arizona | PROENZA SCHOULER elevator music hermè s creates a sense of miller harris’ concept meta cacti the fragrance created by ritual around its scents store heightens the by chiaozza byredo and off-white senses in canary wharf x régime des fleurs x | brrch floral coco mademoiselle edp intense CHANEL FRAGRANCE NEWS hermessence Hermès creates a sense of ritual around its scents Fashion house Hermès is expanding its perfume offering with a new range consisting of eaux de toilette and essences de parfum scents. Part of its Hermessence collection, the oil-based essences de parfum mark a departure for the brand, which has until now only created the lighter eaux de toilette. Intended to be worn either as a base for other fragrances or on their own, the fragrances add an additional layer to the ritual of putting on perfume, an idea explored in the Multisensory Beauty microtrend. The musk-based scent profiles, Cardamusc and Musc Pallida, draw on cardamom and iris oils, both of which are known for their wellness properties, including use as a decongestant. In line with Psychoactive Scents, as the wellness and beauty sectors become increasingly entwined, brands are exploring new ways to combine the properties of essential oils with high-end scents. FRAGRANCE NEWS miller harris’ concept store heightens the senses A very vibrant force has landed in Cabot Place, Canary Wharf. -
According to Said Regulation, the Presence of 26 Potential Fragrance
The perfume industry profoundly changed with the advent According to said regulation, the presence of 26 potential of modern synthetic organic chemistry. A turning point was fragrance allergens must be indicated in the label (list of the discovery of the vanillin synthesis from coniferin in 1874 ingredients), if concentration exceeds 0.001% in leave-on (the Reimer-Tiemann chemical reaction), which led to the product. Substances classified as carcinogenic, mutagenic or foundation in Germany of what is today one of the world’s toxic for reproduction are prohibited and will be reviewed by largest fragrance suppliers (Symrise). the Scientific Committee on Consumer Safety (SCCS) before In 1889, Aimé Guerlain used synthetic vanillin as the “base use is granted. note” of his commercial perfume Jicky introducing the To date, for example, the SCCS consider data insufficient concept of a perfume with a top note, a middle note to ban diethyl phthalates (DEP) and 4-hydroxybenzoic acid and a bottom note. Recognized immediately upon derivatives (parabens) from cosmetics (14), even though the application of the perfume, the top notes of a fragrance European Commission on Endocrine Disruption has listed DEP are generally comprised of the most volatile molecules such as a Category 1 priority substance, based on evidence that as d-limonene in citrus (lemon, orange zest, bergamot). they interfere with hormone function, decrease sperm counts Abundant in lavender and jasmine, the middle notes are in man, inducing early puberty in girls, and reproductive those -
Perfume Engineering Perfume Engineering Design, Performance & Classification
Perfume Engineering Perfume Engineering Design, Performance & Classification Miguel A. Teixeira, Oscar Rodríguez, Paula Gomes, Vera Mata, Alírio E. Rodrigues Laboratory of Separation and Reaction Engineering (LSRE) Associate Laboratory Department of Chemical Engineering Faculty of Engineering of University of Porto Porto, Portugal P. Gomes and V. Mata are currently at i-sensis company S. João da Madeira, Portugal AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Butterworth-Heinemann is an imprint of Elsevier Butterworth-Heinemann is an imprint of Elsevier The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK 225 Wyman Street, Waltham, MA 02451, USA First published 2013 Copyright r 2013 Elsevier Ltd. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangement with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
Fragonard Magazine N°9 - 2021 a Year of PUBLICATION DIRECTOR and CHIEF EDITOR New Charlotte Urbain Assisted By, Beginnings Joséphine Pichard Et Ilona Dubois !
MAGAZINE 2021 9 ENGLISH EDITORIAL STAFF directed by, 2021, Table of Contents Agnès Costa Fragonard magazine n°9 - 2021 a year of PUBLICATION DIRECTOR AND CHIEF EDITOR new Charlotte Urbain assisted by, beginnings Joséphine Pichard et Ilona Dubois ! ART DIRECTOR Claudie Dubost assisted by, Maria Zak BREATHE SHARE P04 Passion flower P82 Audrey’s little house in Picardy AUTHORS Louise Andrier P10 News P92 Passion on the plate recipes Jean Huèges P14 Laura Daniel, a 100%-connected by Jacques Chibois Joséphine Pichard new talent! P96 Jean Flores & Théâtre de Grasse P16 Les Fleurs du Parfumeur Charlotte Urbain 2020 will remain etched in our minds as the in which we all take more care of our planet, CELEBRATE CONTRIBUTORS year that upturned our lives. Yet, even though our behavior and our fellow men and women. MEET P98 Ten years of acquisitions at the Céline Principiano, Carole Blumenfeld we’ve all suffered from the pandemic, it has And especially, let’s pledge to turn those words P22 Musée Jean-Honoré Fragonard leading the way Eva Lorenzini taught us how to adapt and behave differently. into actions! P106 A-Z of a Centenary P24 Gérard-Noel Delansay, Clément Trouche As many of you know, Maison Fragonard is a Although uncertainty remains as to the Homage to Jean-François Costa a familly affair small, 100% family-owned French house. We reopening of social venues, and we continue P114 Provence lifestyle PHOTOGRAPHERS enjoy a very close relationship with our teams to feel the way in terms of what tomorrow will in the age of Fragonard ESCAPE Olivier Capp and customers alike, so we deeply appreciate bring, we are over the moon to bring you these P118 The art of wearing perfume P26 Viva România! Eva Lorenzini your loyalty. -
The Senses in Early Modern England, 1558–1660
5 Seeing smell Holly Dugan In January 2013, the Institute for Art and Olfaction commissioned graphic artist Micah Hahn and his design studio AutumnSeventy to create a series of prints on perfumery to commemorate its opening in Los Angeles.1 The result was Molecules, Series 1, which depicts three of the most influential molecules that defined twentieth-century perfumery – aldehyde C12, Iso E Super®, and Galaxolide.2 Gilded and embossed, the prints emphasize the chemical structure of these molecules, even as it renders them as fine art. That the prints are also lightly scented with each aromachemical depicted on it emphasizes the broader, and one might say synaesthetic, take on the mission of the institute: to connect fineart with olfaction. Although it is a visual representation of molecules that define modern perfumery, Molecules, Series 1 thus joins a long art historical tradition of cross-modal representations of sensation, particularly smell. Can a molecule be considered fine art? And, if so, which representation of that molecule best captures its olfactory beauty and renders it ‘visible’? Consider, for example, Hahn’s Galaxolide (Figure 3). It playfully invokes a wide variety of sensory modes to capture the aesthetic of Galaxolide. The print highlights both its chemical formula – C18H26 O – and its structural formula. Both are linked to its cultural associations with perfumery and public health. Galaxolide is a second-generation polycyclic synthetic musk, discovered in the 1960s, meant to synthesize the natural scent of deer musk. Translated into the language of public health, it is a hydrophobic but lipophilic ‘toxin’: it won’t wash off in water and is easily stored in human fat.3 Rendered into the language of commercial perfumery, however, it smells ‘clean’, a ‘musky, flowery, woody odor’ with a ‘sweet, powdery nuance’.4 Both its scent and its structure made it ideal for use in laundry detergents and soaps. -
A Materialidade Das Práticas Culturais Nas Embalagens De Perfume Do Século XVIII Aos Anos 1920
Fragrâncias visíveis: a materialidade das práticas culturais nas embalagens de perfume do século XVIII aos anos 1920 Maureen Schaefer França* Marilda Lopes Pinheiro Queluz** Resumo O objetivo deste artigo é pontuar historicamente algumas imbricações entre o design de embalagens de perfume, as relações sócio-culturais e a tecnologia, do século XVIII aos anos 1920. A delimitação deste período deve-se à tentativa de pensar a produção dos fragrantes a partir daquilo que Don Slater chama de início da sociedade de consumo, até o período do final da primeira guerra mundial, quando a indústria segue outros rumos. Buscou-se estudar os envoltórios, em sua materialidade, o modo como constituem e são constituídos por discursos sócio-culturais, questionando ou reproduzindo estereótipos, tradições, convenções sociais e relações de poder. cultura material medeia as atividades humanas, sendo capaz também de proporcionar uma herança cultural palpável às sociedades, contextualizada em determinado período e lugar. Palavras Chave: perfumes, design de embalagens, cultura material, história Abstract The aim of this article is to point historically some imbrication between the perfume bottles design, culture and technology, from the XVIIIth to the 1920 decade. The delimitation of this period is the attempt to think the production of fragrant from what Don Slater calls the beginning of the consumer society until the end of World War I, when the industry follows a different course. We sought to study the perfume bottles on its materiality, the way how they dialog with socio-cultural discourse, questioning or reproducing stereotypes, traditions, social conventions and power relationships. Material culture mediates human activities, and may also provide a tangible cultural heritage to societies, contextualized in a given period and place. -
ESQ Junjul20
Portfolio Portfolio Feature Feature NOTES FROM THE PERFUME INDUSTRY Olivier Pescheux Givaudan perfumer A Creations: 34 boulevard Saint Germain Diptyque, Amber Sky Ex Nihilo, Arpege Pour Homme Lanvin, 1 Million Paco Rabanne, Balmain Homme Pierre Balmain, Higher Christan Dior ESQ: In hindsight, do you find that trends, current events or cultural movements have an impact on your creations? OLIVIER PESCHEUX: It’s hard to answer with certainty. Nevertheless, perfumers are like sponges absorbing the air of time (Nina Ricci’s L’Air du Temps is one of the most accurate names you can find). Hence every societal movement leaves its mark on creations, in a more or less obvious way. It’s still too early to know in IN what ways the current health crisis will leave its mark in perfume, but it will leave its mark, that’s for sure. ESQ: Do you attribute gender to certain notes and raw materials? OLIVIER PESCHEUX : Not really, but it’s true that I perceive rose as rather feminine simply because it has been used a lot THE and in significant quantities in women’s fragrances in the West. That’s less true in the Middle East, where the rose also perfumes men. Lavender is rather masculine as it’s used a lot in fougère, the favourite family of men’s fragrances. It’s interesting to note that in Brazil, lavender is also feminine. So it’s more of a cultural affair. Yann Vasnier I’m trying to fight against this natural and cultural leaning, and on Givaudan perfumer the contrary, I use this challenge to fuel my creativity. -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE GEOGRAPHIES OF KNOWLEDGE IN THE INTERNATIONAL FRAGRANCE INDUSTRY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By BODO KUBARTZ Norman, Oklahoma 2009 GEOGRAPHIES OF KNOWLEDGE IN THE INTERNATIONAL FRAGRANCE INDUSTRY A DISSERTATION APPROVED FOR THE DEPARTMENT OF GEOGRAPHY BY ___________________________ Dr. Fred Shelley, Co-Chair ___________________________ Dr. Bret Wallach, Co-Chair ___________________________ Dr. Robert Cox ___________________________ Dr. Karl Offen ___________________________ Dr. Darren Purcell ___________________________ Dr. Laurel Smith ___________________________ Dr. Andrew Wood © Copyright by BODO KUBARTZ 2009 All Rights Reserved. ACKNOWLEDGEMENTS The ‘discovery of the world’ has been a stereotypical focus of human geography. However, the research helped me to discover a new world for myself. The fragrance industry delineates a rich landscape of sensorial stimulations. I appreciated not only the experience of smelling perfumes in different environments and the ‘look behind the scenes’ but the diversity of approaches to perfumery in this artistic industry. Therefore, my first ‘thank you’ goes to the industry experts that spend their precious time with me and opened their doors for me in France, Germany, and the United States. Thank you very much for introducing me to a world that you experience, develop, and change every day. Second, a dissertation is a long journey. This one has seen different companions until it came into being. It developed quite a bit over time. My friends in the United States and in Germany contributed through their critique, mental support, active interest, questions, guidance, and feedback. Thus, the second ‘thank you’ goes to all companions. -
Nez, La Revue Olfactive
5/15/2017 The Art and Olfaction Awards à Berlin, les nouveaux horizons de l'art olfactif - Nez, la revue olfactive The Art and Olfaction Awards in Berlin, the new horizons of art olfactory Jeanne Doré 2 reviews (http://www.nez-larevue.fr/notre-actu/the-art-and-olfaction-awards-a-berlin-nouveaux-horizons-de-lart-olfactif/#comments) 12 May 2017 Berlin is a human, warm and inspiring city. It is for this reason that Saskia Wilson-Brown, founder of the (http://artandolfaction.com/) Los Angeles-based Institute of Art & Olfaction (http://artandolfaction.com/) , and Awards (http://www.artandolfactionawards.org/2017awards/) of the same name, decided that the fourth award ceremony will be held this year in this city. Because an event that declares itself international and which wishes to bring together the authors of artistic perfumery from all over the world could not really be conned to the west coast of the United States and we were the rst to be delighted to be able to attend rst time. Thursday 4 May Our ight Paris Orly-Berlin Schönefeld is already olfactory, invaded by the body uids swollen with hormones of a class of high school students as excited and noisy as it is sparkling. On the Alexander Platz U-Bahn quay, it is a currywurst aroma that welcomes us, and reminds us that in Berlin one can calm its hunger at any time, anywhere. On arrival in Mitte, the city is bathed by a cold, tight drizzle, which does not prevent us from going to dinner in a Vietnamese canteen of the district with the scents of phở, frankincense and urinal. -
Arranging Fine Perfume Compositions the Fougere & Lavender’S
Arranging Fine Perfume Compositions The Fougere & Lavender’s Glen O. Brechbill Fragrance Books Inc. www.perfumerbook.com New Jersey - USA 2011 Fragrance Books Inc. @www.perfumerbook.com Glen O. Brechbill “To my late father and beloved mother without them non of this work would have been possible” II ARRANTING FINE PERFUME COMPOSITIONS - THE FOUGERE LAVENDER’S © This book is a work of non-fiction. No part of the book may be used or reproduced in any manner whatsoever without written permission from the author except in the case of brief quotations embodied in critical articles and reviews. Please note the enclosed book is based on Fragrance Ingredients by House ©. Designed by Glen O. Brechbill Library of Congress Brechbill, Glen O. Arranging Fine Perfume Compositions - The Fougere Lavender’s / Glen O. Brechbill P. cm. 626 pgs. 1. Fragrance Ingredients Non Fiction. 2. Written odor descriptions to facillitate the understanding of the olfactory language. 1. Essential Oils. 2. Aromas. 3. Chemicals. 4. Classification. 5. Source. 6. Art. 7. Twenty one thousand fragrances. 8. Science. 9. Creativity. I. Title. Certificate Registry # TXu1 - 364 - 187 Copyright © 2006 by Glen O. Brechbill All Rights Reserved PRINTED IN THE UNITED STATES OF AMERICA 10 9 8 7 6 5 4 3 2 1 First Edition Fragrance Books Inc. @www.perfumerbook.com Arranging Fine Perfume Compositions - THE FOUGÈRE & LAVENDER’S About the Book The fougère & lavender's is another favorite fragrance family. Originally this concept was intended for Women. However due to the strength of lavender a major component of this family it ended up as a masculine fragrance concept. -
Diapositive 1
Fragrant People Focus on Perfumers and Creation wfn 35 sept 11 ■ Focus on Serge Majoullier (Mane) Serge Majoullier comes from the South of France where he learned his craft from his Perfumer Father. Serge Majoullier decided to become a perfumer too. He has worked in marketing, evaluation and R&D departments in the USA and in Paris. Among his creations, L'huile prodigieuse by Nuxe, and more recently, Verdon by L'Occitane, Womanity by Thierry Mugler (co-signed with other Mane perfumers) and La femme bleue by Armani Privé. All are very different and eclectic fragrances ! Serge really likes materials and, above all, naturals. He is in charge, within Mane R&D, of new raw materials and new olfactory facets. Fruit, vanilla, aromatics, spices : he dives deeply into them…to extract their olfactory soul. “Jungle Essences” TM are the result of his research. Serge Majoullier remains dedicated to the development of new scented substances, dedicated to the passion for creation. ■ Focus on Delphine Thierry (Inspiration Libre) New talent in perfumery, Delphine Thierry was exhibitor at Beyond Beauty Paris in sept 11, inviting visitors to stroll among her “Pousses de Style” nursery, pure and free inspired olfactive creations. After a training in ISIPCA, L’Oréal and Chanel, she first joined ‘prestige fragrance division’ in IFF for 6 years in Paris, NY and Mexico, then in Mane for 5 years. She established her own Creation Studio near Grasse with a partnership with Charabot – Robertet. She has created for Evidens de Parfums, Chantelle, Cloon Keen brands, etc. For more info : www.inspirationlibre.fr Contact Delphine Thierry: [email protected] ■ Focus on Aurélien Guichard (Givaudan) Diane von Furstenberg, Gucci Guilty Woman, Madly Kenzo!, Davidoff Champion Energy, Trussardi Uomo, Narciso in Color, .. -
Olfactory Workshops by Osmothèque
Olfactory Workshops By Osmothèque Designed for fragrance industry professionals Fougère Royale (1884) HOUBIGANT, Le Fruit Défendu (1914) ROSINE, Chypre (1917) COTY, Crêpe de Chine (1925) MILLOT, Iris Gris (1947) FATH,… Osmothèque: the beginnings From the Greek osme - odor and thêkê - place, the Osmothèque was inaugurated over 20 years ago, in 1990. It has since become the one-of-a- kind olfactory archives that to this day remains unique in the world. The idea of a “Maison des Parfums” (Home of Perfumes) was under evaluation by the technical commission of the Société Française des Parfumeurs for years. The aim was to create a place where professionals and fragrance lovers could rediscover the perfumes they had once known and loved. In addition, the institution was to devote itself to scents long forgotten, to become the only place where lost or discontinued fragrances could be reproduced, classified and archived. In order to realize such an ambitious project, several passionate perfumers, members of the commission, had to show a great deal of commitment and determination. Together they set to revive lost perfumes, creating their records and thus protecting the heritage of the fragrance industry. Those pioneers collected some 400 fragrances, of which 70 were already at the time discontinued. Two institutions have been enthusiastically and determinedly supporting the project: the Comité Français du Parfum (CFP) and the Chambre de Commerce et d’Industrie de Versailles Val d’Oise-Yvelines (CCIV). Thanks to their financial support, the Osmothèque has grown over the years... Jean Kerléo, Osmothèque’s Funder Osmothèque Our nowadays most popular The only place in the world where you can scent lost fragrances WORKSHOPS that once embodied an era.