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History of Hardin County, Illinois, 1939
http://stores.ebay.com/Ancestry-Found http://stores.ebay.com/Ancestry-Found UNIV jf\ ILLINOIS \*$Kfi , AI CHAMPAIGN- (JR. ANA ILLINOIS HISTORICAL SURVEY RKWHBHffi http://stores.ebay.com/Ancestry-Found STB* HISTORY OF HARDIN COUNTY, ILLINOIS WRITTEN BY The Historical Committee for the Centennial 19 3 9 PREFACE HARDIN County has contributed Largely to Illinois history' and we cannot fully comprehend the story of our beloved county unless we know someuYng of the trials and triumphs of the people who have given to Hardin County its prominence in the state and national affairs. It is the aim jf the authors to present the important facts in the history of Hardin County in chronological or- der and in a brief and tangible shape without making any attempt at rhetorical display. Grateful acknowledgements are due the Historical committee composed of the following persons: E. N. Hall, R. F. Taylor, A. A. Miles, Robert Gustin and Sidney Hainan for their untiring efforts in assembling and preparing the material and facts here presented. The history of Hardin County has been written as a part of the Centennial celebration which was observed on Thursday, March 2nd, 1939 by the opening of court in regular session with Circuit Judges Roy Pearce, W. Joe Hill and Blaine Huffman sitting in a body with County Judge James G. Gullett. The early history of the county from the date of organization up to July 4, 1876 as had been prepared by L. F. Twitchell, Franklin Dimick, John Vinyard, Elihu Oxford, Edward Shearer and John Mitch- ell was read and ordered to be made a permanent record of the Circuit Court and of the County Court of Hardin County that it might be preserved for succeeding gener- ations. -
When James Ford and Jas Shaw Met at Manchester University in the Late 1990S, They Never Imagined They'd End up Creating a Human Synthesiser
When James Ford and Jas Shaw met at Manchester University in the late 1990s, they never imagined they'd end up creating a human synthesiser. But in their very earliest musical experiments together, something was set in motion which would lead to one of the most unusual careers in British music: one which has seen their creative mission transform again and again, inventing entirely new formats for music-making along the way. So perhaps the weaving of rich layers of human vocal tonalities sung by The Deep Throat Choir into the techno framework of their fifth studio album Murmurations isn't quite such an unexpected turn of events. In fact, they've been connecting the human voice with electronic sound since they first founded the band Simian with Simon Lord and Alex McNaughten. Simian was, in Jas's words, about “trying to show you could make band music with songs and harmonies but be into Autechre too". Named after "Simeon", the home-made early synth rig of early electronic experimentalists The Silver Apples, the band combined Crosby, Stills & Nash harmonies with hypnotic Krautrock rhythms, cosmic analogue synthesiser swooshes and an unmistakeable clubber's sense of groove - and somehow in the middle of all that managed to find something extraordinarily accessible. They were signed to a major label subsidiary in 2000, and made two albums that stand up in their own right now. But, Jas continues, it was "just at the moment the world was into the Strokes and White Stripes and straight-ahead rock music," and their rich, baroque tapestries of song and sound didn't reach the audience their ambition and beauty deserved. -
Anniversary Meetings H S S Chicago 1924 December 27-28-29-30 1984
AHA Anniversary Meetings H S S 1884 Chicago 1924 1984 December 27-28-29-30 1984 r. I J -- The United Statei Hotel, Saratop Spring. Founding ike of the American Histoncal Anociation AMERICA JjSTORY AND LIFE HjcItl An invaluable resource for I1.RJC 11’, Sfl ‘. “J ) U the professional 1< lUCEBt5,y and I for the I student • It helps /thej beginning researcher.., by puttmq basic information at his or her fingertips, and it helps the mature scholar to he sttre he or she hasn ‘t missed anything.” Wilbur R. Jacobs Department of History University of California, Santa Barbara students tote /itj The indexing is so thorough they can tell what an article is about before they even took up the abstract Kristi Greenfield ReferencelHistory Librarian University of Washington, Seattle an incomparable way of viewing the results of publication by the experts.” Aubrey C. Land Department of History University of Georgia, Athens AMERICA: HISTORY AND LIFE is a basic resource that belongs on your library shelves. Write for a complimentary sample copy and price quotation. ‘ ABC-Clio Information Services ABC Riviera Park, Box 4397 /,\ Santa Barbara, CA 93103 CLIO SAN:301-5467 AMERICAN HISTORICAL ASSOCIATION Ninety-Ninth Annual Meeting A I { A HISTORY OF SCIENCE SOCIETY Sixtieth Annual Meeting December 27—30, 1984 CHICAGO Pho1tg aph qf t/u’ Umted States Hotel are can the caller turn of (a urge S. B airier, phato a1bher Saratoga Sprzng, V) 1 ARTHUR S. LINK GEORGE H. DAVIS PROFESSOR Of AMERICAN HISTORY PRINCETON UNIVERSITY PRESIDENT OF THE AMERICAN HISTORICAL ASSOCIATION AMERICAN HISTORICAL ASSOCIATION 4t)f) A Street SE, Washington, DC 20003 1984 OFfICERS President: ARTHUR S. -
Old Ships and Ship-Building Days of Medford 1630-1873
OLD SHIPS AND SHIP-BUILDING DAYS OF MEDFORD 1630-1873 By HALL GLEASON WEST MEDFORD, MASS. 1936 -oV Q. co U © O0 •old o 3 § =a « § S5 O T3». Sks? r '■ " ¥ 5 s<3 H " as< -,-S.s« «.,; H u « CxJ S Qm § -°^ fc. u§i G rt I Uh This book was reproduced by the Medford Co-operative Bank. January 1998 Officers Robert H. Surabian, President & CEO Ralph W. Dunham, Executive Vice President Henry T. Sampson, Jr., Senior Vice President Thomas Burke, Senior Vice President Deborah McNeill, Senior Vice President John O’Donnell, Vice President John Line, Vice President Annette Hunt, Vice President Sherry Ambrose, Assistant Vice President Pauline L. Sampson, Marketing & Compliance Officer Patricia lozza, Mortgage Servicing Officer Directors John J. McGlynn, Chairman of the Board Julie Bemardin John A. Hackett Richard M. Kazanjian Dennis Raimo Lorraine P. Silva Robert H. Surabian CONTENTS. Chapter Pagf. I. Early Ships 7 II. 1800-1812 . 10 III. War of 1812 19 IV. 1815-1850 25 V. The Pepper Trade 30 VI. The California Clipper Ship Era . 33 VII. Storms and Shipwrecks . 37 VIII. Development of the American Merchant Vessel 48 IX. Later Clipper Ships 52 X. Medford-Built Vessels . 55 Index 81 LIST OF ILLUSTRATIONS. Page Clipper Ship Thatcher Magoun Frontispiece Medford Ship-Builders 7 Yankee Privateer 12 Mary Pollock Subtitle from Kipling’s “Derelict *’ 13 Heave to 20 The Squall . 20 A Whaler 21 Little White Brig 21 Little Convoy 28 Head Seas 28 Ship Lucilla 28 Brig Magoun 29 Clipper Ship Ocean Express 32 Ship Paul Jones” 32 Clipper Ship “Phantom” 32 Bark Rebecca Goddard” 33 Clipper Ship Ringleader” 36 Ship Rubicon 36 Ship Bazaar 36 Ship Cashmere 37 Clipper Ship Herald of the Morning” 44 Bark Jones 44 Clipper Ship Sancho Panza 44 Clipper Ship “Shooting Star 45 Ship “Sunbeam” . -
Gorillaz: Il Nuovo Album "The Now Now" Esce Il 29 Giugno
VENERDì 1 GIUGNO 2018 A pochi mesi dalla vittoria del loro primo Brit Award come Miglior Gruppo, i Gorillaz, la band virtuale di maggiore successo al mondo, annunciano il nuovo album The Now Now, in uscita il 29 giugno. Gorillaz: il nuovo album "The Now Prodotto dagli stessi Gorillaz, con James Ford e Remi Kabaka, è stato Now" esce il 29 giugno registrato interamente allo Studio 13 di Londra a febbraio di quest'anno. Online il video di "Humility" Nella registrazione di THE NOW NOW la band ha evitato le collaborazioni con delle guest star, preferendo riportare il tutto al gruppo creativo originale: alla voce il tenero sognatore dai capelli blu, 2D; alla chitarra la sfrontata ed insolente giapponesina, NOODLE; alla batteria il filosofo di CRISTIAN PEDRAZZINI Brooklyn e inventore di suoni RUSSEL HOBBS. E con Murdoc Niccals momentaneamente fuori gioco, nel nuovo album il basso è stato affidato al membro della Gangreen Gang ACE (la Gangreen Gang è un gruppo di attacca-briga dalla pelle verde, rivali delle Superchicche). Il video della prima traccia "Humility", che vede 2D andare in giro sui pattini e Jack Black suonare agli angoli di strada, è stato diretto da Jamie [email protected] Hewlett e girato interamente a Venice Beach il mese scorso. SPETTACOLINEWS.IT I Gorillaz saranno in tour quest'estate nei principali festival europei, e saranno anche per la prima volta in Italia con l'unica data nel nostro Paese al Lucca Summer Festival il 12 luglio. Il DEMON DAYS FESTIVAL, il celebre festival dei Gorillaz - "la gioiosa apocalisse?il festival carnevalesco delle grandi esibizioni" (The Guardian) curato da Damon Albarn e Jamie Hewlett - quest'anno sarà alla Pico Rivera Arena di Los Angeles il 20 ottobre The Now Now è disponibile in CD, LP e download, oltre ad una speciale edizione da collezionisti in cofanetto da doppio LP deluxe. -
1. Walk the Moon
Label Copy CD1 1. WALK THE MOON - Shut Up And Dance (Petricca / Ray / Waugaman / Maiman / Berger / McMahon) Published by W B Music Corp / Warner/Chappell North America Limited / Ryan McMahon Publishing Produced by Tim Pagnotta (P) 2014 RCA Records, a division of Sony Music Entertainment USRC11401949 3.17 2. Bastille – Pompeii (Smith) Published by Universal Music Publishing Ltd Produced by Mark Crew (P) 2013 Virgin Records Ltd. Licensed courtesy of Universal Music Group GBAAA1200795 3.34 3. Metro Station - Shake It (Cyrus / Musso / Healy / Improgo) Published by EMI Music Publishing Limited (MCPS/BIEM) Produced by S*A*M / Sluggo (P) 2007 Columbia Records, a division of Sony Music Entertainment USSM10800776 3.02 4. Sam Sparro - Black & Gold (Falson / Rogg) Published by EMI Music Publishing Ltd. Produced by Jesse Rogg & Sam Sparro (P) 2007 Universal Island Records Ltd. A Universal Music Company. Licensed courtesy of Universal Music Group GBUM70800413 3.30 5. Owl City - Fireflies (Young) Published by Ocean City Park (Universal Music Corp.) ASCAP / Universal/MCA Music Limited Produced by Adam Young (P) 2009 Universal Republic Records, a division of UMG Recordings, Inc. Licensed courtesy of Universal Music Group USUM70916628 3.14 6. Orson - No Tomorrow (Rachild / Astasio / Cano / Pebworth / Jen / Roentgen) Published by Universal Music Publishing Ltd. Produced by Noah Shain, Orson and Chad Rachild (P) 2006 Mercury Records Limited Licensed courtesy of Universal Music Group GBUM70500865 2.48 7. Just Jack - Starz In Their Eyes (Allsopp) Published by Just Jack Ltd./Universal Music Publishing Ltd Produced by Jack Allsopp & Jay Reynolds (P) 2006 Mercury Records Limited Licensed courtesy of Universal Music Group GBUM70604909 3.10 8. -
ALEXANDER VON HUMBOLDT and TRANSCULTURAL MEMORY By
Alexander von Humboldt and Transcultural Memory Item Type text; Electronic Dissertation Authors Howell, James Ford Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 16:19:39 Link to Item http://hdl.handle.net/10150/625454 ALEXANDER VON HUMBOLDT AND TRANSCULTURAL MEMORY by James Ford Howell __________________________ Copyright © James Ford Howell 2017 A Dissertation Submitted to the Faculty of the GRADUATE INTERDISCIPLINARY PROGRAM IN TRANSCULTURAL GERMAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by James Ford Howell, titled Alexander von Humboldt and Transcultural Memory and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: 4/21/2017 Steven D. Martinson _______________________________________________________________________ Date: 4/21/2017 Susan Crane _______________________________________________________________________ Date: 4/21/2017 Thomas Kovach _______________________________________________________________________ Date: 4/21/2017 David J. Gramling Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
A Critical Analysis of the Black President in Film and Television
“WELL, IT IS BECAUSE HE’S BLACK”: A CRITICAL ANALYSIS OF THE BLACK PRESIDENT IN FILM AND TELEVISION Phillip Lamarr Cunningham A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Committee: Dr. Angela M. Nelson, Advisor Dr. Ashutosh Sohoni Graduate Faculty Representative Dr. Michael Butterworth Dr. Susana Peña Dr. Maisha Wester © 2011 Phillip Lamarr Cunningham All Rights Reserved iii ABSTRACT Angela Nelson, Ph.D., Advisor With the election of the United States’ first black president Barack Obama, scholars have begun to examine the myriad of ways Obama has been represented in popular culture. However, before Obama’s election, a black American president had already appeared in popular culture, especially in comedic and sci-fi/disaster films and television series. Thus far, scholars have tread lightly on fictional black presidents in popular culture; however, those who have tend to suggest that these presidents—and the apparent unimportance of their race in these films—are evidence of the post-racial nature of these texts. However, this dissertation argues the contrary. This study’s contention is that, though the black president appears in films and televisions series in which his presidency is presented as evidence of a post-racial America, he actually fails to transcend race. Instead, these black cinematic presidents reaffirm race’s primacy in American culture through consistent portrayals and continued involvement in comedies and disasters. In order to support these assertions, this study first constructs a critical history of the fears of a black presidency, tracing those fears from this nation’s formative years to the present. -
Gorillaz Tillbaka Med Nytt Album – ”The Now Now” 29 Juni – Nya Låten ”Humility” Ute Nu!
2018-06-01 07:48 CEST Gorillaz tillbaka med nytt album – ”The Now Now” 29 juni – Nya låten ”Humility” ute nu! Den brittiska virtuella gruppen Gorillaz är tillbaka med nytt album! ”The Now Now” består av elva nya låtar och spelades in i februari tidigare i år på välkända Studio 13 i London. Albumet har Gorillaz producerat tillsammans med James Ford och Remi Kabaka. ”The Now Now” präglas starkt av Gorillaz ursprung och endast ett fåtal gästartister syns i låtlistan. Gruppen består av de tidigare karaktärerna 2D (sång), Noodle (gitarr) och Russel Hobbs (trummor) med ett undantag från Murdoc Niccals (bas)somsitter fängslad, på bas syns istället den nya karaktären Ace från Gangreen Gang. “Humility” är den första låten från det kommande albumet och släpps samtidigt som musikvideon, i den medverkar Jack Black och en rullskridskoåkande 2D. Musikvideon är regisserad av Jamie Hewlett och filmades på Venice Beach i Kalifornien. Gorillaz skapades av Damon Albarn och Jamie Hewlett och albumdebuterade 2001. Sedan dess har de vunnit några av de mest prestigefulla priserna, bland andra BRIT Awards och the Grammys. The Guinness Book Of World Records har även utnämnt Gorillaz till “The planet’s Most Succesful Virtual Act”. I sommar åker Gorillaz ut på en omfattande turné och gör ett flertal stopp på olika festivaler i Europa och avslutas med Gorillaz egna Demon Days Festival i Los Angeles. Lyssna på ”Humility” här Se videon till ”Humility” här Låtlista – ”The Now Now” 1.Humility - feat George Benson 2.Tranz 3.Hollywood - feat Snoop Dogg + Jamie Principle -
John Ford's Theatre of Ceremony: a Formal Study of His Five Major Plays
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1982 John Ford's Theatre of Ceremony: A Formal Study of His Five Major Plays Chikako D. Kumamoto Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Kumamoto, Chikako D., "John Ford's Theatre of Ceremony: A Formal Study of His Five Major Plays" (1982). Dissertations. 2075. https://ecommons.luc.edu/luc_diss/2075 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1982 Chikako D. Kumamoto JOHN FORD'S THEATRE OF CEREMONY: A FORMAL STUDY OF HIS FIVE MAJOR PLAYS By Chikako D. Kumamoto A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy April 1982 ACKNOWLEDGMENTS I wish to thank the members of my dissertation committee, Professors Anthony LaBranche, Suzanne Gossett, Bernard McElroy, and James Rocks, whose wisdom, knowledge, and goodwill were an invaluable help, and whose dedication to scholarship was a constant source of inspiration to me. They supported my efforts, on and off the campus, with patience, understanding, and intellectual precision which mark the core of their professional and humanistic concerns. I respectfully extend to them my permanent and deepest gratitude. -
Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S
University of South Carolina Scholar Commons Theses and Dissertations 2018 Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S. Frontier Literature Samuel M. Lackey University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lackey, S. M.(2018). Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S. Frontier Literature. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4656 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S. Frontier Literature by Samuel M. Lackey Bachelor of Arts University of South Carolina, 2006 Bachelor of Arts University of South Carolina, 2006 Master of Arts College of Charleston, 2009 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2018 Accepted by: Gretchen Woertendyke, Major Professor David Greven, Committee Member David Shields, Committee Member Keri Holt, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Samuel M. Lackey, 2018 All Rights Reserved. ii Acknowledgements First, I would like to thank my parents for all of their belief and support. They have always pushed me forward when I have been stuck in place. To my dissertation committee – Dr. -
Film and History in Kansas and the Great Plains Edited and Introduced by Thomas Prasch
INSURGENTS AND GUERILLAS , COWBOYS AND INDIANS , LIONS AND TIGERS AND BEARS Film and History in Kansas and the Great Plains edited and introduced by Thomas Prasch or anyone wondering how committed Hollywood is today to the historical film, this year’s Oscars provided ample evidence: four of the five pictures nominated for Best Picture (Frost/Nixon, Milk, The Reader, and The Curious Case of Benjamin Button; indeed, all but the winning Slumdog Millionaire) were rooted in historical situations; add in a few stray nominations in other categories (Foreign Language Film, Costume Design), and it is ample testimony to the continued fascination of Hollywood with the historical past. And if none of the films reviewed in this year’s selection for FKansas History quite made that grade (two of the films under review, 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, did garner nominations in 2008, but not for Best Picture), it is nevertheless clear that, as long as filmmak- ers continue to find in historical events a framework for understanding, Kansas and the Great Plains are bound to figure in the mix. Why? Just ask Bob Dylan. Dylan, interviewed by the London Times about our new president, had this to say about Barack Obama and Kansas: “He’s got an interesting background. He’s like a fictional character, but he’s real. First off, his mother was a Kansas girl. Never lived in Kansas though, but with deep roots. You know, like Kansas bloody Kansas. John Brown the insurrectionist. Jesse James and Quantrill.