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Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
When James Ford and Jas Shaw Met at Manchester University in the Late 1990S, They Never Imagined They'd End up Creating a Human Synthesiser
When James Ford and Jas Shaw met at Manchester University in the late 1990s, they never imagined they'd end up creating a human synthesiser. But in their very earliest musical experiments together, something was set in motion which would lead to one of the most unusual careers in British music: one which has seen their creative mission transform again and again, inventing entirely new formats for music-making along the way. So perhaps the weaving of rich layers of human vocal tonalities sung by The Deep Throat Choir into the techno framework of their fifth studio album Murmurations isn't quite such an unexpected turn of events. In fact, they've been connecting the human voice with electronic sound since they first founded the band Simian with Simon Lord and Alex McNaughten. Simian was, in Jas's words, about “trying to show you could make band music with songs and harmonies but be into Autechre too". Named after "Simeon", the home-made early synth rig of early electronic experimentalists The Silver Apples, the band combined Crosby, Stills & Nash harmonies with hypnotic Krautrock rhythms, cosmic analogue synthesiser swooshes and an unmistakeable clubber's sense of groove - and somehow in the middle of all that managed to find something extraordinarily accessible. They were signed to a major label subsidiary in 2000, and made two albums that stand up in their own right now. But, Jas continues, it was "just at the moment the world was into the Strokes and White Stripes and straight-ahead rock music," and their rich, baroque tapestries of song and sound didn't reach the audience their ambition and beauty deserved. -
Lykke Li Featured in Third Episode of Wetransfer's 'Work in Progress' Series
⏲ 17 October 2018, 16:00 (CEST) Lykke Li Featured in Third Episode of WeTransfer's 'Work In Progress' Series Lykke Li opens up for the first time about the death of her mother, the birth of her child and the end of her relationship in the third episode of WeTransfer’s documentary series. October 17, 2018 - The latest episode of WeTransfer’s new series about the creative process, Work In Progress, launches today. It focuses on iconic Swedish indie-pop artist Lykke Li and can be watched on WeTransfer’s editorial platform WePresent here. In the short film (just over 6 minutes), set to Lykke Li’s latest album so sad so sexy, the acclaimed singer-songwriter gives an intimate account of her own real-life struggles in recent years. Lykke Li talks about the loss of a parent, becoming a mother and having her heart broken - and how she emerged stronger and more empowered, both mentally and creatively. Produced by Pi Studios and directed by Kaj Jefferies and Alice Lewis on 16mm film, the episode is dreamlike and melancholic at times but always underlined with a unique, raw feminine beauty. The short film acts as a candid interview and offers viewers an intimate insight into Lykke Li’s life, with personal video camera recordings of her as a child and growing up. In the footage, Lykke Li express her views on love and pain and the therapeutic nature of the creative process. This is the third episode of Work In Progress - a documentary series which celebrates the spirit of creative collaboration which defines WeTransfer's products. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
2019 Economic and Political Overview in Brisbane
2019 Economic and Political Overview in Brisbane Thursday 14 February 2019, 10.00am to 2.00pm Brisbane Convention and Exhibition Centre EVENT MAJOR SPONSOR www.ceda.com.au morning agenda 10.00am Registration 10.15am Welcome Kyl Murphy State Director and Company Secretary, CEDA 10.25am Speaker address Michael Blythe Chief Economist and Managing Director, Economics, Commonwealth Bank of Australia 10.45am Speaker address Sara James, Journalist and author 11.00am Speaker address Peter van Onselen Journalist and Professor of Politics and Policy, Griffith Business School 11.15am Close of morning session Kyl Murphy State Director, CEDA . lunch agenda 11.55am Welcome (back) Kyl Murphy State Director and Company Secretary, CEDA 12.00pm Introduction Professor Nick James Executive Dean, Faculty of Law, Bond University 12.10pm Speaker address Professor Simon Jackman Chief Executive Officer, United States Studies Centre 12.25pm Speaker address Peter Varghese AO Chancellor, The University of Queensland 12.40pm Lunch 1.10pm Moderated discussion and questions Moderator: Melinda Cilento, Chief Executive, CEDA • Michael Blythe, Chief Economist and Managing Director, Economics, Commonwealth Bank of Australia • Professor Simon Jackman, Chief Executive Officer, United States Studies Centre • Sara James, Journalist and author • Peter van Onselen, Journalist and Professor of Politics and Policy, Griffith Business School • Peter Varghese AO, Chancellor, The University of Queensland 1.50pm Close Kyl Murphy CEDA will be tweeting from this State Director and Company Secretary, CEDA event using #EPO2019 Join the conversation and follow us on Twitter @ceda_news sponsor Event major sponsor Bond University A student experience powerfully focused on the individual. Our programs are geared towards inspiring students to achieve beyond their expectations - and to strive to pursue their dreams and aspirations. -
Public Leadership—Perspectives and Practices
Public Leadership Perspectives and Practices Public Leadership Perspectives and Practices Edited by Paul ‘t Hart and John Uhr Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/public_leadership _citation.html National Library of Australia Cataloguing-in-Publication entry Title: Public leadership pespectives and practices [electronic resource] / editors, Paul ‘t Hart, John Uhr. ISBN: 9781921536304 (pbk.) 9781921536311 (pdf) Series: ANZSOG series Subjects: Leadership Political leadership Civic leaders. Community leadership Other Authors/Contributors: Hart, Paul ‘t. Uhr, John, 1951- Dewey Number: 303.34 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by John Butcher Images comprising the cover graphic used by permission of: Victorian Department of Planning and Community Development Australian Associated Press Australian Broadcasting Corporation Scoop Media Group (www.scoop.co.nz) Cover graphic based on M. C. Escher’s Hand with Reflecting Sphere, 1935 (Lithograph). Printed by University Printing Services, ANU Funding for this monograph series has been provided by the Australia and New Zealand School of Government Research Program. This edition © 2008 ANU E Press John Wanna, Series Editor Professor John Wanna is the Sir John Bunting Chair of Public Administration at the Research School of Social Sciences at The Australian National University. He is the director of research for the Australian and New Zealand School of Government (ANZSOG). -
LYKKE LI RELEASES MUSIC VIDEO for “Hard Rain” from FORTHCOMING ALBUM So Sad So Sexy out JUNE 8TH VIA RCA RECORDS Watch “Hard Rain”
LYKKE LI RELEASES MUSIC VIDEO FOR “hard rain” FROM FORTHCOMING ALBUM so sad so sexy OUT JUNE 8TH VIA RCA RECORDS Watch “hard rain”: http://smarturl.it/hardrainV (New York – May 23, 2018) Los Angeles based, Swedish vocalist, producer, and songwriter Lykke Li released a seductive video over this past weekend via her story on Instagram for her single “deep end” shot entirely on an iPhone. Today, she releases part two of that love story with the cinematic video for album track “hard rain” directed by Anton Tammi. Click HERE to watch “deep end” and HERE to watch the video for “hard rain.” “hard rain” expands on the “deep end” music video, showing viewers the continuation of the wild relationship. The vertical iPhone-shot video for “deep end” was filmed during the making of the video for “hard rain,” both shot on location in Mexico City with actor Moley Talhaoui and directed by Anton Tammi. These two songs, plus the track “utopia” released by Lykke last week, mark the long-awaited coming of so sad so sexy, Lykke Li’s fourth full-length album and follow-up to 2014’s critically acclaimed I Never Learn, due June 8th via RCA Records, her first release with the label. so sad so sexy is available for pre- order now. The album’s lead single, “deep end” was produced by Jeff Bhasker, Malay, and T-Minus and album track “hard rain,” was produced by Rostam Batmanglij. This summer, Lykke will be performing at the BBC’s Biggest Weekend Festival in Belfast, All Points East in London, Chicago’s Lollapalooza and more. -
ABDC MEETING 8 November 2019
Agenda ABDC MEETING 8 November 2019 Location University of Sydney Business School, H70, Abercrombie Building, LT 1050 — see page 6 for campus map Contact Caroline Falshaw, ABDC Executive Officer, 0414 488 852 Introduction and 8:30am welcome Professor David Grant 8:40am Council session ABDC Executive Committee 9:15am Keynote Professor Peter van Onselen, Griffith University 10am Morning tea Panellists: Western Sydney University • Brianna Melville (Bachelor of Business, Advanced Business Leadership) • Julie Ngo (International Student) University of Wollongong • Maree Baulman (MBA program) • Sean Lu (MBA program) University of Sydney • Anne Dyhrberg Student experience • Nate Zettna Moderator: Professor • Miguel Loyola 10:15am Lorelle Frazer • James Bushell Panellists: International student • Professor Gregory Whitwell, Dean, University of experience Sydney Business School Moderator: Professor • Jonathan Chew, Principal, Nous Group 11am David Grant • Rebecca Hall, Austrade Using technology to improve the student experience Panellists: Moderator: Professor • David Kellerman, UNSW (Microsoft Teams) 11:45am Chris Styles • Beau Leese, Practera 1 12:30pm Lunch Panellists: Employability / Work • Dr Ricky Tunny, QUT, ACEL WIL project Integrated Learning • Courtney Wright, Director, AGSM Career Moderator: Professor Development Centre 1:30pm Keryn Chalmers • Professor Dawn Bennett, Curtin University Curriculum Panellists: Moderator: Professor • Juliet Andrews, Partner, EY 2:30pm David Grant • Rod Edge, AMP 3.30pm Meeting closes 2 About the speakers and panellists Peter is the political editor at Network Ten. He is also a professor of Keynote political science and foundation chair of Journalism at the University Peter van Onselen of Western Australia, as well as professor of politics and public policy at Griffith University. Peter is a contributing editor at The Australian newspaper where he writes a weekly column in the Weekend Australian, and is the Sunday Times’ political analyst, where he also writes a weekly column. -
Gorillaz: Il Nuovo Album "The Now Now" Esce Il 29 Giugno
VENERDì 1 GIUGNO 2018 A pochi mesi dalla vittoria del loro primo Brit Award come Miglior Gruppo, i Gorillaz, la band virtuale di maggiore successo al mondo, annunciano il nuovo album The Now Now, in uscita il 29 giugno. Gorillaz: il nuovo album "The Now Prodotto dagli stessi Gorillaz, con James Ford e Remi Kabaka, è stato Now" esce il 29 giugno registrato interamente allo Studio 13 di Londra a febbraio di quest'anno. Online il video di "Humility" Nella registrazione di THE NOW NOW la band ha evitato le collaborazioni con delle guest star, preferendo riportare il tutto al gruppo creativo originale: alla voce il tenero sognatore dai capelli blu, 2D; alla chitarra la sfrontata ed insolente giapponesina, NOODLE; alla batteria il filosofo di CRISTIAN PEDRAZZINI Brooklyn e inventore di suoni RUSSEL HOBBS. E con Murdoc Niccals momentaneamente fuori gioco, nel nuovo album il basso è stato affidato al membro della Gangreen Gang ACE (la Gangreen Gang è un gruppo di attacca-briga dalla pelle verde, rivali delle Superchicche). Il video della prima traccia "Humility", che vede 2D andare in giro sui pattini e Jack Black suonare agli angoli di strada, è stato diretto da Jamie [email protected] Hewlett e girato interamente a Venice Beach il mese scorso. SPETTACOLINEWS.IT I Gorillaz saranno in tour quest'estate nei principali festival europei, e saranno anche per la prima volta in Italia con l'unica data nel nostro Paese al Lucca Summer Festival il 12 luglio. Il DEMON DAYS FESTIVAL, il celebre festival dei Gorillaz - "la gioiosa apocalisse?il festival carnevalesco delle grandi esibizioni" (The Guardian) curato da Damon Albarn e Jamie Hewlett - quest'anno sarà alla Pico Rivera Arena di Los Angeles il 20 ottobre The Now Now è disponibile in CD, LP e download, oltre ad una speciale edizione da collezionisti in cofanetto da doppio LP deluxe. -
TEACHING NOTES by CARLY REGGARS ‘If I Was to Review This Collection for a Literary Magazine, I’D Say All Played Well.’ –Martin Flanagan, the Saturday Age
v TEACHING NOTES BY CARLY REGGARS ‘If I was to review this collection for a literary magazine, I’d say all played well.’ –Martin Flanagan, The Saturday Age ‘From the Outer is a timely reminder of what keeps us coming back to the oval.’ –Books+Publishing About Carly Reggars Carly Reggars is an experienced teacher and tutor of all things language and literature. When she’s not talking to young people about books and words, you can usually find her reading, staring at art or discussing her new-found passion for the sociology of Australian football culture. From the Outer: Footy Like You've Never Heard It Edited by Alicia Sometimes and Nicole Hayes Introduction to the Text “These stories are, for the most part, love letters to footy. But as with many love affairs, the sting of disappointment and betrayal can be more potent, more poignant, than the heady rush of love. For some, it was enough to drive them away. But for others, it’s more complicated. So we have tried to capture the moment or memory that has stayed with us, the spark that resonated most, from the perspective of those who love the game even when the game hasn’t always loved them.” (Taken from the introduction) “A celebration of our great game, From the Outer brings together 30 personal stories about Australian Rules from unexpected voices: those who are female, Indigenous or gay; those with a disability, a foreign accent or even – perhaps most dubious of all – literary leanings.” (Taken from blurb) From The Outer is a unique and exciting text for secondary students. -
Singing About Football
SINGING ABOUT FOOTBALL writing about music about sport by Andy Paine Mike Oldfield (of 70’s prog epic Tubular Bells fame) once said he didn’t like doing interviews because “talking about music is like singing about football”. Sorry Mike, but this little zine is going to contradict your saying on two fronts – I’m going to talk about music that is sung about football. You know what he means though – there is an ethereal quality to music that can’t just be quantified or categorised by words on a page. You can write down the entire notation of a song, recount the history of the artist and the making of the song, tell of its impact in terms of sales of cultural influence, and it would still never describe properly the feeling of hearing the song. But the thing is, though not many music aficionados would ever say this, sport is the same. An insane amount is written about sport, sure. Much of it is extraordinarily inane ghostwritten autobiography, or even worse, statistics (has there ever been a greater threat to what is actually good about sport than statistics?). This ocean of sports ephemera though is not why people like sport – just an unfortunate byproduct. The really great things about sport are harder to pin down - the skill and movement of the players, the way different individual talents and styles are integrated into a team environment, the way different cultures and ideologies play out on the field or in the stands. People choose the players and teams they identify with not because of the endless bloody statistics, but because there is something about that player or team that inspires or excites you. -
Weyes Blood Titanic Rising Cd / Lp / Digital Sp 1232 Release Date: April 5Th, 2019
WEYES BLOOD TITANIC RISING CD / LP / DIGITAL SP 1232 RELEASE DATE: APRIL 5TH, 2019 TRACKLISTING: 1. A Lot's Gonna Change 2. Andromeda 3. Everyday 4. Something to Believe 5. Titanic Rising 6. Movies 7. Mirror Forever 8. Wild Time 9. Picture Me Better 10. Nearer to Thee GENRE: Alternative Rock The phantom zone, the parallax, the upside down—there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood, a.k.a. Natalie Mering, has designed her own universe to soulfully navigate life’s mysteries. Maneuvering 0 9 8 7 8 7 1 2 3 2 2 709 8 7 8 7 1 2 3 2 1 0 through a space-time continuum, she plays the role of melodic, CD Packaging: LP Packaging: Single-pocket jacket sometimes melancholic, anthropologist. Gatefold jacket with with custom dust sleeve dust sleeve Includes mp3 coupon Tellingly, Mering classifies Titanic Rising – which was written and NON-RETURNABLE recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album’s willful expansiveness (“You can tell there’s not a guy pulling the strings in Enya’s studio,” she notes, admiringly). The former relays her imperative to connect with listeners. “The clarity of Bob Seger is unmistakable. I’m a big fan of conversational songwriting,” she adds. “I just try to do that in a way that uses 0 9 8 7 8 7 1 2 3 2 4 1 abstract imagery as well.” CS Packaging: Four-panel The Weyes Blood frontwoman grew up singing in gospel and madrigal J-card in clear case.