Thesis Final Draft 7 April 2015
The Colour of Dissonance Ethics, aesthetics, alterity and form in the cross-cultural novel Anne Elizabeth Lawrence Student No: 16928060 Thesis (dissertation and novel) Doctorate of Philosophy Writing and Society Research Centre University of Western Sydney 2014 Acknowledgements It has been an honour and a privilege to study for my Doctorate of Philosophy under the supervision of Associate Professor Anna Gibbs, Professor Nicholas Jose and Dr Maria Angel in the Writing and Society Research Centre at the University of Western Sydney. I thank them for their belief and support through all stages of writing this thesis. The Writing and Society Research Centre has provided a stimulating program of seminars, skills workshops, and a community of support by postgraduate colleagues. I am most grateful to Professor Anthony Uhlmann and the team of academic staff for their scholarly conversation, intellectual and academic brilliance and generosity of spirit. It has been invaluable to have such fantastic role models. I also thank Suzanne Gapps for her help and advice and give special thanks to Dr Melinda Jewell whose unwavering kindness, patience, and practical and emotional support have been critically important for completing my work. Felicity Castagna began this journey with me and has been loyal and encouraging throughout, as have many other fellow postgrads. I thank her and them for their wisdom, humour, advice and stimulating presence. I thank Murray Robertson for sharing his perceptions of ‘thinking in colours’. Thank you also to Dr Claire Scobie for her encouragement and moral support, and for reading and commenting on a draft of the novel. Ida Lawrence and Margo Moore read the novel and gave helpful comments.
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