Preliminary Program and Registration Information
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Read an Extract from Teacher by Gabbie Stroud
FREE JULY 2018 Read an extract from Teacher by Gabbie Stroud page 6 New books from Louis de Bernières, A.M. Homes, Anne Tyler, Roxane Gay, Shaun Tan and more BOOKS MUSIC FILM EVENTS LULUC page 22 SHAUN TAN page 18 OCCUPIED TRENT DALTON KON KARAPA- CHRISTIAN page 21 page 7 NAGIOTIDIS WHITE page 13 page 12 CARLTON 309 LYGON ST 9347 6633 KIDS 315 LYGON ST 9341 7730 DONCASTER WESTFIELD DONCASTER, 619 DONCASTER RD 9810 0891 HAWTHORN 701 GLENFERRIE RD 9819 1917 MALVERN 185 GLENFERRIE RD 9509 1952 ST KILDA 112 ACLAND ST 9525 3852 STATE LIBRARY VICTORIA 328 SWANSTON ST 8664 7540 | SEE SHOP OPENING HOURS, BROWSE AND BUY ONLINE AT WWW.READINGS.COM.AU READINGS MONTHLY 3 July 2018 by Kim Scott. The winning author will be ache, and I felt every sentence of it keenly’. The program also includes a fold-out map July announced on Sunday 26 August. The Women’s Prize for Fiction was launched developed in partnership with the Koorie in 1996 to celebrate the best novel written by Heritage Trust, featuring a contemporary a woman in the English language. It is widely Aboriginal design and architecture walking News Melbourne Writers Festival 2018 recognised as having had a huge impact on tour. You’ll find the program available The 2018 Melbourne Writers Festival the promotion of women’s writing worldwide, to purchase for $24.95 in all Readings runs from Friday 24 August to Sunday 2 including being one of the key inspirations shops and online from 1 July. Find out September. For more than three decades, for Australia’s very own Stella Prize. -
TEACHING NOTES by CARLY REGGARS ‘If I Was to Review This Collection for a Literary Magazine, I’D Say All Played Well.’ –Martin Flanagan, the Saturday Age
v TEACHING NOTES BY CARLY REGGARS ‘If I was to review this collection for a literary magazine, I’d say all played well.’ –Martin Flanagan, The Saturday Age ‘From the Outer is a timely reminder of what keeps us coming back to the oval.’ –Books+Publishing About Carly Reggars Carly Reggars is an experienced teacher and tutor of all things language and literature. When she’s not talking to young people about books and words, you can usually find her reading, staring at art or discussing her new-found passion for the sociology of Australian football culture. From the Outer: Footy Like You've Never Heard It Edited by Alicia Sometimes and Nicole Hayes Introduction to the Text “These stories are, for the most part, love letters to footy. But as with many love affairs, the sting of disappointment and betrayal can be more potent, more poignant, than the heady rush of love. For some, it was enough to drive them away. But for others, it’s more complicated. So we have tried to capture the moment or memory that has stayed with us, the spark that resonated most, from the perspective of those who love the game even when the game hasn’t always loved them.” (Taken from the introduction) “A celebration of our great game, From the Outer brings together 30 personal stories about Australian Rules from unexpected voices: those who are female, Indigenous or gay; those with a disability, a foreign accent or even – perhaps most dubious of all – literary leanings.” (Taken from blurb) From The Outer is a unique and exciting text for secondary students. -
Singing About Football
SINGING ABOUT FOOTBALL writing about music about sport by Andy Paine Mike Oldfield (of 70’s prog epic Tubular Bells fame) once said he didn’t like doing interviews because “talking about music is like singing about football”. Sorry Mike, but this little zine is going to contradict your saying on two fronts – I’m going to talk about music that is sung about football. You know what he means though – there is an ethereal quality to music that can’t just be quantified or categorised by words on a page. You can write down the entire notation of a song, recount the history of the artist and the making of the song, tell of its impact in terms of sales of cultural influence, and it would still never describe properly the feeling of hearing the song. But the thing is, though not many music aficionados would ever say this, sport is the same. An insane amount is written about sport, sure. Much of it is extraordinarily inane ghostwritten autobiography, or even worse, statistics (has there ever been a greater threat to what is actually good about sport than statistics?). This ocean of sports ephemera though is not why people like sport – just an unfortunate byproduct. The really great things about sport are harder to pin down - the skill and movement of the players, the way different individual talents and styles are integrated into a team environment, the way different cultures and ideologies play out on the field or in the stands. People choose the players and teams they identify with not because of the endless bloody statistics, but because there is something about that player or team that inspires or excites you. -
Thesis Final Draft 7 April 2015
The Colour of Dissonance Ethics, aesthetics, alterity and form in the cross-cultural novel Anne Elizabeth Lawrence Student No: 16928060 Thesis (dissertation and novel) Doctorate of Philosophy Writing and Society Research Centre University of Western Sydney 2014 Acknowledgements It has been an honour and a privilege to study for my Doctorate of Philosophy under the supervision of Associate Professor Anna Gibbs, Professor Nicholas Jose and Dr Maria Angel in the Writing and Society Research Centre at the University of Western Sydney. I thank them for their belief and support through all stages of writing this thesis. The Writing and Society Research Centre has provided a stimulating program of seminars, skills workshops, and a community of support by postgraduate colleagues. I am most grateful to Professor Anthony Uhlmann and the team of academic staff for their scholarly conversation, intellectual and academic brilliance and generosity of spirit. It has been invaluable to have such fantastic role models. I also thank Suzanne Gapps for her help and advice and give special thanks to Dr Melinda Jewell whose unwavering kindness, patience, and practical and emotional support have been critically important for completing my work. Felicity Castagna began this journey with me and has been loyal and encouraging throughout, as have many other fellow postgrads. I thank her and them for their wisdom, humour, advice and stimulating presence. I thank Murray Robertson for sharing his perceptions of ‘thinking in colours’. Thank you also to Dr Claire Scobie for her encouragement and moral support, and for reading and commenting on a draft of the novel. Ida Lawrence and Margo Moore read the novel and gave helpful comments.