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Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance
Graduate School ETD Form 9 (Revised 12/07) PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Angela C. Ghionea Entitled RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD Doctor of Philosophy For the degree of Is approved by the final examining committee: James R. Farr Chair Myrdene Anderson Anthony T. Grafton To the best of my knowledge and as understood by the student in the Research Integrity and Copyright Disclaimer (Graduate School Form 20), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy on Integrity in Research” and the use of copyrighted material. Approved by Major Professor(s): ____________________________________James R. Farr ____________________________________ Approved by: Douglas R. Hurt 04/16/2013 Head of the Graduate Program Date RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD A Dissertation Submitted to the Faculty of Purdue University by Angela Catalina Ghionea In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 Purdue University West Lafayette, Indiana UMI Number: 3591220 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3591220 Published by ProQuest LLC (2013). -
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES NUMBER 7 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrolog- ical and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) was supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Meta- physics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 Number 6: Donald J. Mastronarde, Preliminary Studies on the Scholia to Euripides, 2017 Early Greek Alchemy, Patronage and Innovation in Late Antiquity Olivier Dufault CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2019 by Olivier Dufault. -
Final Copy 2020 05 12 Leen
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Leendertz-Ford, Anna S T Title: Anatomy of Seventeenth-Century Alchemy and Chemistry General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. ANATOMY OF SEVENTEENTH-CENTURY ALCHEMY AND CHEMISTRY ANNA STELLA THEODORA LEENDERTZ-FORD A dissertation submitted to the University of Bristol in accordance with the requirements for the degree of Doctor of Philosophy in the Faculty of Arts, School of Philosophy. -
Visualization in Medieval Alchemy
Visualization in Medieval Alchemy by Barbara Obrist 1. Introduction Visualization in medieval alchemy is a relatively late phenomenon. Documents dating from the introduction of alchemy into the Latin West around 1140 up to the mid-thirteenth century are almost devoid of pictorial elements.[1] During the next century and a half, the primary mode of representation remained linguistic and propositional; pictorial forms developed neither rapidly nor in any continuous way. This state of affairs changed in the early fifteenth century when illustrations no longer merely punctuated alchemical texts but were organized into whole series and into synthetic pictorial representations of the principles governing the discipline. The rapidly growing number of illustrations made texts recede to 1 the point where they were reduced to picture labels, as is the case with the Scrowle by the very successful alchemist George Ripley (d. about 1490). The Silent Book (Mutus Liber, La Rochelle, 1677) is entirely composed of pictures. However, medieval alchemical literature was not monolithic. Differing literary genres and types of illustrations coexisted, and texts dealing with the transformation of metals and other substances were indebted to diverging philosophical traditions. Therefore, rather than attempting to establish an exhaustive inventory of visual forms in medieval alchemy or a premature synthesis, the purpose of this article is to sketch major trends in visualization and to exemplify them by their earliest appearance so far known. The notion of visualization includes a large spectrum of possible pictorial forms, both verbal and non-verbal. On the level of verbal expression, all derivations from discursive language may be considered to fall into the category of pictorial representation insofar as the setting apart of groups of linguistic signs corresponds to a specific intention at formalization. -
Alchemy Endnotes(1)
A C A P P E L L A Title: ALCHEMY Artists: Kamilla Bischof, Hélène Fauquet, Till Megerle, Evelyn Plaschg curated by: Melanie Ohnemus Venue: Acappella Vico Santa Maria a Cappella Vecchia 8/A, Naples Opening: October 11, 2018 Till: December 8, 2018 www.museoapparente.eu [email protected] \\ +39 3396134112 Alchemy (from Arabic “al-kīmiyā”) is a philosophical and protoscientific tradition practiced throughout Europe, Africa, and Asia. It aims to purify, mature, and perfect certain objects (1). Common aims were crysopoeia (2), the transmutation of “base metals” (e.g., lead) into “noble metals” (particularly gold); the creation of an elixir of immortality; the creation of panaceas (3) enabling to cure any disease; and the development of an alkahest, a universal solvent. The perfection of the human body and soul was thought to permit or result from the alchemical magnus opus and, in the Hellenistic and western tradition, the achievement of gnosis (5).(6) In Europe, the creation of a philosopher’s stone was variously connected with all of these projects. In English, the term is often limited to descriptions of European alchemy, but similar practices existed in the Far East, the Indian subcontinent, and the Muslim world. In Europe, following the 12th-century Renaissance, produced by the translation of Islamic works on science and the Recovery of Aristotle, alchemists played a significant role in early modern science (particularly chemistry and medicine). Islamic and European alchemists developed a structure of basic laboratory techniques, theory, terminology, and experimental method, some of which are still in use today. However, they continued with the ancient belief in four elements and guarded their work in secrecy including cyphers and cryptic symbolism. -
Hitherto Unnoticed Coptic Papyrological Evidence for Early Arabic Alchemy*
chapter 10 The Master Spoke: “Take One of ‘the Sun’ and One Unit of Almulgam.” Hitherto Unnoticed Coptic Papyrological Evidence for Early Arabic Alchemy* Tonio Sebastian Richter Dedicated to the memory of Holger Preissler(1943–2006), in gratitude, admi- ration, and affection for an eminent Arabist, a truly humanistic scholar, and a teacher in the best sense! ∵ Prolegomena: A Brief Account of Earlier Approaches to Coptic Alchemical Manuscripts A legend transmitted in the Kitāb al-fihrist of Abū al-Faraj Muḥammad ibn Isḥāq al-Nadīm tells the story of the first translation of alchemical writings into Arabic, focusing on the figure of the Umayyad prince Khālid ibn Yazīd ibn Muʿāwiya, “who used to be called the ḥakīm of the Marwān family. Being noble-minded and deeply enamoured of the sciences, particularly the alchem- ical arts, he ordered a number of Greek philosophers living in the town of Miṣr, * During my work on Coptic alchemical texts, I enjoyed the aid of a number of colleagues. It is a pleasant duty to express my gratitude to Susanne Beck, Charles Burnett, Stephen Emmel, Bink Hallum, Thomas Hofmeier, Wilferd Madelung, James Montgomery, Peter Nagel, Holger Preißler †, Fuat Sezgin, Emilie Savage-Smith, Petra Sijpesteijn, and Manfred Ullmann for their advice. A number of lectures helped me to develop and improve my thoughts on the topic as a whole, and on particular aspects of it. The talk presented at the 3rd conference of the International Society for Arabic Papyrology in Alexandria (March 2006) was the first occasion to receive questions and comments from a larger audience. -
Download the Alchemy Reader: from Hermes Trismegistus to Isaac
THE ALCHEMY READER: FROM HERMES TRISMEGISTUS TO ISAAC NEWTON DOWNLOAD FREE BOOK Stanton J. Linden | 288 pages | 04 Jan 2016 | CAMBRIDGE UNIVERSITY PRESS | 9780521796620 | English | Cambridge, United Kingdom The Alchemy Reader: From Hermes Trismegistus to Isaac Newton / Edition 1 New arrivals. Refresh and try again. For the Creator conceived that a being which was self-sufficient would be far more excellent than one which lacked anything The obscurity of this word's meaning brought forth many interpretations. Retrieved March 4, He tells his readers that he discovered the text in a vault below a statue of Hermes in Tyanaand that, inside the vault, an old corpse on a golden throne held the emerald tablet. Paul rated it liked it Oct 22, Average rating 3. George StarkeyEirenaeus Philalethes ? William R. Friend Reviews. If you haven't heard of record- smashing singer and songwriter Mariah Carey, is there any hope for you? Khalid ibn Yazid: from Secreta Alchymiae; Sign in to Purchase Instantly. Robert Fludd From the Mosaicall Philosophy. Enlarge cover. Flowing text, Google-generated PDF. Trivia About The Alchemy Reader. Vis eius integra est, si versa fuerit in terram. Other editions. Susan Phillips rated it it was amazing Aug 08, Linden, Introduction, ]. Robert Kaufman rated it it was amazing Oct 06, Jessica rated it really liked it Jan 03, Cornell University Press, Organized chronologically, it includes around thirty selections in authoritative but lightly-modernized versions. Antonie; Et sicut res omnes fuerunt ab uno, meditatione [ sic ] unius, sic omnes res natae ab hac una re, adaptatione. This book edited by Linden introduces the reader to ancient works on alchemy, starting from the founder of alchemy, Hermes Trismegistus, and finishing with Isaac Newton. -
The Transmission of Secret Knowledge: Three Arabic Dialogues on Alchemy
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2016 The Transmission of Secret Knowledge: Three Arabic Dialogues on Alchemy Forster, Regula DOI: https://doi.org/10.3989/alqantara.2016.013 Other titles: La transferencia del conocimiento secreto: tres diálogos árabes de alquimia Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-142109 Journal Article Published Version The following work is licensed under a Creative Commons: Attribution 3.0 Unported (CC BY 3.0) License. Originally published at: Forster, Regula (2016). The Transmission of Secret Knowledge: Three Arabic Dialogues on Alchemy. Al-Qantara, 37(2):399-422. DOI: https://doi.org/10.3989/alqantara.2016.013 Alcantara Vol XXXVII-2 (segundas)_Maquetación 1 17/02/17 14:06 Página 399 AL-QANTARA XXXVII 2, julio-diciembre 2016 pp. 399-422 ISSN 0211-3589 doi: 10.3989/alqantara.2016.013 The Transmission of Secret Knowledge: Three Arabic Dialogues on Alchemy La transferencia del conocimiento secreto: tres diálogos árabes de alquimia Regula Forster Freie Universität Berlin and University of Zürich Arabo-Islamic alchemy enjoyed considerable La alquimia arabo-islámica gozó de conside- popularity until well into the 19th and 20th cen- rable popularidad hasta los siglos XIX y XX. turies. It can be considered both as a predeces- Puede ser considerada como una precursora sor of modern chemistry and as a natural de la química moderna y como una filosofía philosophy whose purpose is to explain the natural cuyo objetivo es explicar el mundo. -
Wicked Angels and the Good Demon: the Origins of Alchemy According to the Physica of Hermes
Gnosis: Journal of Gnostic Studies 3 (2018) 3–33 brill.com/gnos Wicked Angels and the Good Demon: The Origins of Alchemy According to the Physica of Hermes Christian H. Bull University of Oslo and Princeton University [email protected] Abstract The alchemist Zosimus of Panopolis, writing around 300 CE, is our only source for a series of treatises by Hermes called the Physica, which reportedly spoke about angels who had intercourse with women, as in 1 Enoch, and which credited the revelation of alchemy to an enigmatic figure called Chemeu. The present contribution aims to show that Zosimus has in fact harmonized the account of 1 Enoch with the Physica of Hermes, identifying the Watchers of the former treatise with wicked angels who perverted the authentic art of alchemy, originally revealed to Hermes by Chemeu, who should be identified with Agathodaimon. It is further argued that the Physica likely served as a source for the Hermetic treatises the Perfect Discourse (Ascl. = NHC VI,8) and Kore Kosmou (Stob. herm. 23). This indicates that the literary relationship be- tween the technical and theoretical Hermetica is tighter than hitherto assumed. Keywords hermetism – Zosimus of Panopolis – alchemy – perfect discourse – Kore Kosmou – letter of Isis The corpus of Hermetic literature is conventionally divided into two groups. By far the most well-known group is called the philosophical, or theoretical. This group consists of the Corpus Hermeticum, the Hermetic excerpts from Stobaeus, the Latin Asclepius, the three Coptic Nag Hammadi Hermetica (NHC VI,6–8), the Greek and Armenian Definitions of Hermes to Asclepius, as well as a number of fragments and excerpts. -
ALCHEMICAL GNOSIS in BĀBĪ-BAHĀ'ī SCRIPTURE: SOME PRELIMINARY NOTES Stephen N
ALCHEMICAL GNOSIS IN BĀBĪ-BAHĀ'Ī SCRIPTURE: SOME PRELIMINARY NOTES Stephen N. Lambden (1984) FIRST READ AT A POST-GRADUATE SEMINAR AT THE UNIVERSITY OF NEWCASTLE UPON TYNE, 1984. BEING UPDATED AND CORRECTED 2009-10 As a "science" or "art" which has been practiced and written about for more than two millennia by a plethora of individuals from the most varied religious, philosophical and other backgrounds with diverse aims, intentions and world views, it is hardly possible to define what is alchemy. Anyone who takes the trouble to read alchemical texts and treatises representative of Greco-Roman, Jewish, Christian, Islamic or other dimensions of alchemy will readily come to realize that alchemy has long been much more than a mere `prelude to chemistry' indulged in by credulous souls whose main aim was to get rich quick by the making of much gold. In generalized and simplistic terms `exoteric alchemy' has to do with the attempt to prepare the `philosophers stone', the `elixir' or `tincture' which was (and is by some) believed to be endowed with the power to `perfect everything in its own nature'. It could, for example, transmute such "base" metals as lead, tin, copper, iron or mercury into precious silver or gold. Closely related historically to medicine and pharmacology the `exoteric' alchemical task could also be viewed as the attempt to restore or `perfect' human health and prolong life. `Esoteric alchemy', often thought to be part and parcel of `exoteric alchemy', may include the mystic experience and contemplation of alchemical processes and secrets in terms of the receipt of true gnosis and the attainment of inner realization, spiritual progress and eternal life. -
Translating Ancient Alchemy: Fragments of Graeco-Egyptian Alchemy in Arabic Compendia
Ambix ISSN: 0002-6980 (Print) 1745-8234 (Online) Journal homepage: https://www.tandfonline.com/loi/yamb20 Translating Ancient Alchemy: Fragments of Graeco-Egyptian Alchemy in Arabic Compendia Matteo Martelli To cite this article: Matteo Martelli (2017) Translating Ancient Alchemy: Fragments of Graeco-Egyptian Alchemy in Arabic Compendia, Ambix, 64:4, 326-342, DOI: 10.1080/00026980.2017.1412137 To link to this article: https://doi.org/10.1080/00026980.2017.1412137 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 17 Jan 2018. Submit your article to this journal Article views: 861 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=yamb20 ambix, Vol. 64 No. 4, November 2017, 326–342 Translating Ancient Alchemy: Fragments of Graeco-Egyptian Alchemy in Arabic Compendia Matteo Martelli University of Bologna, Italy Translation played a vital role in the development and transfer of alchemy in Antiquity and the Early Middle Ages. Since its origins in Graeco-Roman Egypt, alchemy was encapsulated in Greek texts which allegedly relied on Persian or Egyptian sources. Later, a variety of Greek and Byzantine writings were translated into Syriac and Arabic, and these translations were in turn frag- mented and disseminated in later Arabic compendia. This paper will first review the main phases of this historical process of transmission of alchemy from one language and culture to another. Second, this process will be examined using two significant case studies: a close analysis of various quotations from Graeco-Egyptian authors (Pseudo-Democritus, Zosimus of Panopolis, and Synesius) as presented in two Arabic dialogues on alchemy, The Tome of Images and The Dialogue between Āras and the King Caesar.