Between Alchemy and Pietism Wilhelm Christoph Kriegsmann’S Philological Quest for Ancient Wisdom*
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Church History Church History and and Religious Culture 99 (2019) 465–484 Religious Culture brill.com/chrc A Two- and a Threefold Cord Martin Statius on Mixed Marriages and Interconfessional Relationships Johannes Müller Leiden University [email protected] Abstract Religious coexistence and even mixed marital unions were an undeniable reality in many parts of early modern Europe. Despite occasional harsh criticisms by the clergy, church authorities often had no choice than to silently accept religious diversity as an embarrassing fact of life. This article addresses the rare case of the Danzig Lutheran preacher Martin Statius (1589–1655), who tried to articulate well-balanced guidelines for the question of how to deal with religious diversity in public and private spaces. In order to create a theological framework for the discussion of this problem, Statius distinguished between three forms of human love: “natural, civic and spiritual.” Cat- egorizing love and friendship in this manner enabled Statius to bridge the deep gap between theological ideals and the unruly reality of everyday life and offers an illu- minating insight into confessional discourses and their relation to the social reality in multiconfessional cities. Keywords early modern religion – religious coexistence – Danzig – mixed marriages – preaching – Lutheranism – Baltic – religious diversity In many regions of early modern Europe, religious coexistence and marriages between adherents of different confessions were a fact of life, even though they were harshly criticized by church officials, as they challenged confessional identities and their reproduction in future generations. In cities of the seven- teenth and eighteenth century Dutch Republic, often cited as the prime exam- ple of religious diversity in Western Europe, intermarriage rates ranged from 1 percent to peaks of 8 percent, while marriages between different Protestant © johannes müller, 2019 | doi:10.1163/18712428-09903008 This is an open access article distributed under the terms of the CC-BY-NCDownloaded4.0 License. -
Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
Book Reviews
Bull. Hist. Chem., VOLUME 35, Number 2 (2010) 125 BOOK REVIEWS Rediscovery of the Elements. James I. and Virginia Here you can find mini-biographies of scientists, R. Marshall. JMC Services, Denton TX. DVD, Web detailed geographic routes to each of the element discov- Page Format, accessible by web browsers and current ery sites, cities connected to discoveries, maps (354 of programs on PC and Macintosh, 2010, ISBN 978-0- them) and photos (6,500 from a base of 25,000), a time 615-30793-0. [email protected] $60.00 line of discoveries, 33 background articles published by ($50.00 for nonprofit organizations {schools}, $40.00 the authors in The Hexagon, and finally a link to “Tables at workshops.) and Text Files,” a compilation probably containing more information than all the rest of the DVD. I will discuss this later, except for one file in it: “Background Before the launching of this review it needs to be and Scope.” Here the authors point out that the whole stated that DVDs are not viewable unless your computer project of visiting the sources, mines, quarries, museums, is equipped with a DVD reader. I own a 2002 Microsoft laboratories connected with each element, only became Word XP computer, but it failed. I learned that I needed possible very recently. Four recent developments opened a piece of hardware, a DVD reader. It can be installed the door: first, the fall of the Iron Curtain allowing easy inside the computer or attached externally. The former is access to Eastern Europe including Russia; second, the cheaper, in fact quite inexpensive, unless you have to pay universality of email and internet communication; third, for the installation. -
University of California, San Diego
UNIVERSITY OF CALIFORNIA, SAN DIEGO THE SCIENCE OF THE STARS IN DANZIG FROM RHETICUS TO HEVELIUS A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History (Science Studies) by Derek Jensen Committee in charge: Professor Robert S. Westman, Chair Professor Luce Giard Professor John Marino Professor Naomi Oreskes Professor Donald Rutherford 2006 The dissertation of Derek Jensen is approved, and it is acceptable in quality and form for publication on microfilm: _________________________________________ _________________________________________ _________________________________________ _________________________________________ _________________________________________ Chair University of California, San Diego 2006 iii FOR SARA iv TABLE OF CONTENTS Signature Page........................................................................................................... iii Dedication ................................................................................................................. iv Table of Contents ...................................................................................................... v List of Figures ........................................................................................................... vi Acknowledgments..................................................................................................... vii Vita, Publications and Fields of Study...................................................................... x A Note on Dating -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title The science of the stars in Danzig from Rheticus to Hevelius / Permalink https://escholarship.org/uc/item/7n41x7fd Author Jensen, Derek Publication Date 2006 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO THE SCIENCE OF THE STARS IN DANZIG FROM RHETICUS TO HEVELIUS A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History (Science Studies) by Derek Jensen Committee in charge: Professor Robert S. Westman, Chair Professor Luce Giard Professor John Marino Professor Naomi Oreskes Professor Donald Rutherford 2006 The dissertation of Derek Jensen is approved, and it is acceptable in quality and form for publication on microfilm: _________________________________________ _________________________________________ _________________________________________ _________________________________________ _________________________________________ Chair University of California, San Diego 2006 iii FOR SARA iv TABLE OF CONTENTS Signature Page........................................................................................................... iii Dedication ................................................................................................................. iv Table of Contents ...................................................................................................... v List of Figures .......................................................................................................... -
Gold and Silver: Perfection of Metals in Medieval and Early Modern Alchemy Citation: F
Firenze University Press www.fupress.com/substantia Gold and silver: perfection of metals in medieval and early modern alchemy Citation: F. Abbri (2019) Gold and sil- ver: perfection of metals in medieval and early modern alchemy. Substantia 3(1) Suppl.: 39-44. doi: 10.13128/Sub- Ferdinando Abbri stantia-603 DSFUCI –Università di Siena, viale L. Cittadini 33, Il Pionta, Arezzo, Italy Copyright: © 2019 F. Abbri. This is E-mail: [email protected] an open access, peer-reviewed article published by Firenze University Press (http://www.fupress.com/substantia) Abstract. For a long time alchemy has been considered a sort of intellectual and histo- and distributed under the terms of the riographical enigma, a locus classicus of the debates and controversies on the origin of Creative Commons Attribution License, modern chemistry. The present historiography of science has produced new approach- which permits unrestricted use, distri- es to the history of alchemy, and the alchemists’ roles have been clarified as regards the bution, and reproduction in any medi- vicissitudes of Western and Eastern cultures. The paper aims at presenting a synthetic um, provided the original author and profile of the Western alchemy. The focus is on the question of the transmutation of source are credited. metals, and the relationships among alchemists, chymists and artisans (goldsmiths, sil- Data Availability Statement: All rel- versmiths) are stressed. One wants to emphasise the specificity of the history of alche- evant data are within the paper and its my, without any priority concern about the origins of chemistry. Supporting Information files. Keywords. History of alchemy, precious metals, transmutation of metals. -
PETRUS BONUS, Pretiosa Margarita Novella [The Precious New Pearl] in Latin, Decorated Manuscript on Paper Spain (Catalonia), C
PETRUS BONUS, Pretiosa margarita novella [The Precious New Pearl] In Latin, decorated manuscript on paper Spain (Catalonia), c. 1450-1480 i (paper) + 92 + i (paper) folios on paper (watermarks, unidentified Oxhead, and Oxhead with eyes, nostrils, further features, above a crescent moon, similar to Briquet 14390, Montpellier 1458, Montpellier 1449-1466, and Clermont Ferrand 1460, and WIES, IBE 4435.02, Tortosa 1477), early foliation in faded ink, top outer corner recto, 1- 30, with f. 10 bis, modern foliation in pencil, top outer corner recto (cited), complete (collation, i-vii12 viii12 [-9 through 12, cancelled with no loss of text]), horizontal catchwords inner lower margin, no signatures, ruled very lightly in lead, with full length vertical bounding lines and with the top and bottom horizontal rules full across on a few folios (justification, 205-203 x 144-140 mm.), written below the top line in a stylized cursive gothic bookhand with no loops in two columns of thirty-eight lines, red rubrics, alternately red and blue paragraph marks and two-line initials, large three-line initial, f. 1, darkened silver (?) on a notched ground that follows the shape of the initial (color damaged, yellow?) with a short spray of leaves and small flowers with black ink sprays extending from the initial into the inner margin, trimmed, with loss of some marginalia, f. 73, large hole in the top inner portion of the leaf (loss of text), f. 24, small hole top margin, f. 1, initial damaged, water stains upper margins and top lines of text, (text remains legible, with some passages rewritten in darker ink), smaller, darker stains lower margins, but in sound and legible condition. -
PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance
Graduate School ETD Form 9 (Revised 12/07) PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Angela C. Ghionea Entitled RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD Doctor of Philosophy For the degree of Is approved by the final examining committee: James R. Farr Chair Myrdene Anderson Anthony T. Grafton To the best of my knowledge and as understood by the student in the Research Integrity and Copyright Disclaimer (Graduate School Form 20), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy on Integrity in Research” and the use of copyrighted material. Approved by Major Professor(s): ____________________________________James R. Farr ____________________________________ Approved by: Douglas R. Hurt 04/16/2013 Head of the Graduate Program Date RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD A Dissertation Submitted to the Faculty of Purdue University by Angela Catalina Ghionea In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 Purdue University West Lafayette, Indiana UMI Number: 3591220 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3591220 Published by ProQuest LLC (2013). -
Alchemylab Articles\374
Alchemical Theory The One Thing (or the Subtle Ether) Space, whether interplanetary, inner matter, or inter-organic, is filled with a subtle presence emanating from the One Thing of the universe. Later alchemists called it, as did the ancients, the subtle Ether. This primordial fluid or fabric of space pervades everything and all matter. Metal, mineral, tree, plant, animal, man; each is charged with the Ether in varying degrees. All life on the planet is charged in like manner; a world is built up in this fluid and move through a sea of it. Alchemical Ether, which some Hermeticists call the Astral Light, determines the constitution of bodies. Hardness and softness, solidity and liquidity, all depend on the relative proportion of ethereal and ponderable matter of which they me composed. The arbitrary division and classification of physical science, the whole range of physical phenomena, proceeds from the primary Ether, for science has reduced matter as we know it to nothing but Ether, which, although not solid matter, is still matter, the First Matter of the alchemists. When most of us speak of matter, of course, we usually visualize solid substance, but it has been proved by that matter is not actually solid, but merely a stress, a strain in the etheric field of time and space. The atom and the electrons and protons of which it is composed, all move in a sea of Ether, so, that in accordance with this theory of alchemy, the very air we breathe, the very bodies we inhabit, all things most likewise be moving in this sea of Ether, the parent element from which all manifestation has come. -
Alchemy, the Ancient Science
Alchemy, the Ancient Science by Neil Powell For centuries a number of men of science and Alchemy, learning spent their lives in the practice of the Ancient alchemy, searching for a way to change ordinary metals into gold. Why did they try? Science Did any of them succeed? We know that alchemists today continue the old tradition and the age-old quest. Will they succeed? Contents 1 The Meaning of Alchemy The basic ideas and processes of the traditional alchemists. 2 The Principles of Alchemy 24 The theoretical background to the work that the alchemists carried out. 3 Two Mysterious Frenchmen 40 Flamel, a medieval alchemist, and Fulcanelli, a modern writer on alchemy. 4 The Medieval Masters 54 Mysterious figures, half-veiled in legend, of alchemy's great period. 5 The Wandering Alchemists 80 The masters who traveled from city to city contacting other adepts. 6 What Happened to Alchemy? 96 The changes that occurred in alchemy as the infant sciences developed. 7 Sex and Symbolism 118 The course of Eastern alchemy, and how it influenced alchemy in the West. 8 Alchemy Lives On 130 The practice of alchemy in the 20th century. The Meaning of Alchemy It is late at night. In a room hidden away Absorbed in the long labor of a dual search—for the secret that from prying eyes, an old man bends over a will enable him to transmute base flask of bubbling colored liquid. All around metal into gold and to achieve spiritual perfection—the alchemist is a clutter of jars, bottles, and apparatus pursued his involved experiments, laying the foundations for the that looks somewhat like the equipment in a science, then still unborn, that modern school chemistry laboratory. -
The Emerald Tablet of Hermes
The Emerald Tablet of Hermes Multiple Translations The Emerald Tablet of Hermes Table of Contents The Emerald Tablet of Hermes.........................................................................................................................1 Multiple Translations...............................................................................................................................1 History of the Tablet................................................................................................................................1 Translations From Jabir ibn Hayyan.......................................................................................................2 Another Arabic Version (from the German of Ruska, translated by 'Anonymous')...............................3 Twelfth Century Latin..............................................................................................................................3 Translation from Aurelium Occultae Philosophorum..Georgio Beato...................................................4 Translation of Issac Newton c. 1680........................................................................................................5 Translation from Kriegsmann (?) alledgedly from the Phoenician........................................................6 From Sigismund Bacstrom (allegedly translated from Chaldean)..........................................................7 From Madame Blavatsky.........................................................................................................................8 -
Hermeticism in Sweden 189
Hermeticism in Sweden 189 Chapter 24 Hermeticism in Sweden Hermeticism in Sweden Susanna Åkerman The fragmentary sources for tracing Hermeticism in Sweden stem from the seventeenth and eighteenth centuries, when these texts still formed a basis for cosmological thinking. The Corpus Hermeticum was often associated with another Hermetic text, the Tabula smaragdina or Emerald Tablet. Translated into Latin from the Arabic in the twelfth century, the text was particularly pop- ular among German alchemists, who rarely read the Corpus Hermeticum but instead based their understanding of Hermeticism on the short sentences from the Emerald Tablet. The Emerald Tablet was furthermore used to present alchemy in a simple but enigmatic form. The Tablet formulated the kernel of Hermeticism in a widely spread maxim on the parallels between the cosmo- logical macrocosm and the human microcosm: “As above, so below”. This figure of thought had a great influence on Hermeticism in Sweden. Swedenborg, for example, reformulated it to treat of correspondences between the natural, the spiritual, and the heavenly realms. Hermetic philosophy likewise influenced three other currents: mysticism, alchemy, and Rosicrucianism. Seventeenth-Century Metaphysics Hermeticism began to be an important current in Sweden with Johan Skytte (1577–1645), who was the Chancellor of Uppsala University. In the 1640s Skytte delivered an oration in which he praised King Gustavus II Adolphus for having opened the doors for “Theophrastus [Paracelsus] and [Hermes] Trismegistos” to the Swedish universities. This was a clear signal that the older pagan phi- losophy was compatible with Christian beliefs. In the same spirit, the Finnish natural philosopher Sigfrid Aron Forsius (1560–1624) edited several almanacs to be used for astrological purposes.