Translating Ancient Alchemy: Fragments of Graeco-Egyptian Alchemy in Arabic Compendia
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Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
Book Reviews
Bull. Hist. Chem., VOLUME 35, Number 2 (2010) 125 BOOK REVIEWS Rediscovery of the Elements. James I. and Virginia Here you can find mini-biographies of scientists, R. Marshall. JMC Services, Denton TX. DVD, Web detailed geographic routes to each of the element discov- Page Format, accessible by web browsers and current ery sites, cities connected to discoveries, maps (354 of programs on PC and Macintosh, 2010, ISBN 978-0- them) and photos (6,500 from a base of 25,000), a time 615-30793-0. [email protected] $60.00 line of discoveries, 33 background articles published by ($50.00 for nonprofit organizations {schools}, $40.00 the authors in The Hexagon, and finally a link to “Tables at workshops.) and Text Files,” a compilation probably containing more information than all the rest of the DVD. I will discuss this later, except for one file in it: “Background Before the launching of this review it needs to be and Scope.” Here the authors point out that the whole stated that DVDs are not viewable unless your computer project of visiting the sources, mines, quarries, museums, is equipped with a DVD reader. I own a 2002 Microsoft laboratories connected with each element, only became Word XP computer, but it failed. I learned that I needed possible very recently. Four recent developments opened a piece of hardware, a DVD reader. It can be installed the door: first, the fall of the Iron Curtain allowing easy inside the computer or attached externally. The former is access to Eastern Europe including Russia; second, the cheaper, in fact quite inexpensive, unless you have to pay universality of email and internet communication; third, for the installation. -
A Lexicon of Alchemy
A Lexicon of Alchemy by Martin Rulandus the Elder Translated by Arthur E. Waite John M. Watkins London 1893 / 1964 (250 Copies) A Lexicon of Alchemy or Alchemical Dictionary Containing a full and plain explanation of all obscure words, Hermetic subjects, and arcane phrases of Paracelsus. by Martin Rulandus Philosopher, Doctor, and Private Physician to the August Person of the Emperor. [With the Privilege of His majesty the Emperor for the space of ten years] By the care and expense of Zachariah Palthenus, Bookseller, in the Free Republic of Frankfurt. 1612 PREFACE To the Most Reverend and Most Serene Prince and Lord, The Lord Henry JULIUS, Bishop of Halberstadt, Duke of Brunswick, and Burgrave of Luna; His Lordship’s mos devout and humble servant wishes Health and Peace. In the deep considerations of the Hermetic and Paracelsian writings, that has well-nigh come to pass which of old overtook the Sons of Shem at the building of the Tower of Babel. For these, carried away by vainglory, with audacious foolhardiness to rear up a vast pile into heaven, so to secure unto themselves an immortal name, but, disordered by a confusion and multiplicity of barbarous tongues, were ingloriously forced. In like manner, the searchers of Hermetic works, deterred by the obscurity of the terms which are met with in so many places, and by the difficulty of interpreting the hieroglyphs, hold the most noble art in contempt; while others, desiring to penetrate by main force into the mysteries of the terms and subjects, endeavour to tear away the concealed truth from the folds of its coverings, but bestow all their trouble in vain, and have only the reward of the children of Shem for their incredible pain and labour. -
Ethan Allen Hitchcock Alchemy Collection in the St
A Guide to the Ethan Allen Hitchcock Alchemy Collection in the St. Louis Mercantile Library The St. Louis Mercantile Library Association Major-General Ethan Allen Hitchcock (1798 - 1870) A GUIDE TO THE ETHAN ALLEN HITCHCOCK COLLECTION OF THE ST. LOUIS MERCANTILE LIBRARY ASSOCIATION A collective effort produced by the NEH Project Staff of the St. Louis Mercantile Library Copyright (c) 1989 St. Louis Mercantile Library Association St. Louis, Missouri TABLE OF CONTENTS Project Staff................................ i Foreword and Acknowledgments................. 1 A Guide to the Ethan Allen Hitchcock Collection. .. 6 Aoppendix. 109 NEH PROJECT STAFF Project Director: John Neal Hoover* Archivist: Ann Morris, 1987-1989 Archivist: Betsy B. Stoll, 1989 Consultant: Louisa Bowen Typist: ' Betsy B. Stoll This project was made possible by a grant from the National Endowment for the Humanities * Charles F. Bryan, Jr. Ph.D., Executive Director of the Mercantile Library 1986-1988; Jerrold L. Brooks, Ph.D. Executive Director of the Mercantile Library, 1989; John Neal Hoover, MA, MLS, Acting Librarian, 1988, 1989, during the period funded by NEH as Project Director -i- FOREWORD & ACKNOWLEDGEMENTS: For over one thousand years, the field of alchemy gathered to it strands of religion, the occult, chemistry, pure sciences, astrology and magic into a broad general philosophical world view which was, quite apart from the stereotypical view of the charlatan gold maker, concerned with the forming of a basis of knowledge on all aspects of life's mysteries. As late as the early nineteenth century, when many of the modern fields of the true sciences of mind and matter were young and undeveloped, alchemy was a beacon for many people looking for a philosophical basis to the better understanding of life--to the basic religious and philosophical truths. -
Renaissance Man, Series One, Part 2
Renaissance Man, Series One, Part 2 RENAISSANCE MAN: THE RECONSTRUCTED LIBRARIES OF EUROPEAN SCHOLARS, 1450-1700 Series One: The Books and Manuscripts of John Dee, 1527-1608 Part 2: John Dee's Manuscripts from Corpus Christi College, Oxford Contents listing EDITORIAL PREFACE PUBLISHER'S NOTE CONTENTS OF REELS DETAILED LISTING Renaissance Man, Series One, Part 2 Editorial Preface by Dr Julian Roberts Research on John Dee (1527-1609) is gradually showing him to be one of the most interesting and complex figures of the late English renaissance. Although he was long regarded – for example in the Dictionary of National Biography – as alternately a charlatan and a dupe, he was revealed by E G R Taylor in 1930 as the teacher of the most important Elizabethan navigators. Research since then has underlined his role in the teaching of mathematics and astronomy, in astrology, alchemy, British antiquities, hermeticism, cabala and occultism, and, posthumously, in the Rosicrucian “movement” that swept Europe in the second and third decades of the seventeenth century. Dee thus stood, in the middle of the sixteenth century, at the watershed between magic and science, looking back at one and forward to the other. Central to all these interests was a great library, the largest that had ever been built up by one man in England. Dee’s omnivorous reading (demonstrated by his characteristic annotation) and the availability of his library to others fed many of the intellectual streams of Elizabethan England, and he was well known to Continental scholars, even before his ultimately disastrous visit to eastern Europe in 1583-89. -
Alchemy Archive Reference
Alchemy Archive Reference 080 (MARC-21) 001 856 245 100 264a 264b 264c 337 008 520 561 037/541 500 700 506 506/357 005 082/084 521/526 (RDA) 2.3.2 19.2 2.8.2 2.8.4 2.8.6 3.19.2 6.11 7.10 5.6.1 22.3/5.6.2 4.3 7.3 5.4 5.4 4.5 Ownership and Date of Alternative Target UDC Nr Filename Title Author Place Publisher Date File Lang. Summary of the content Custodial Source Rev. Description Note Contributor Access Notes on Access Entry UDC-IG Audience History 000 SCIENCE AND KNOWLEDGE. ORGANIZATION. INFORMATION. DOCUMENTATION. LIBRARIANSHIP. INSTITUTIONS. PUBLICATIONS 000.000 Prolegomena. Fundamentals of knowledge and culture. Propaedeutics 001.000 Science and knowledge in general. Organization of intellectual work 001.100 Concepts of science Alchemyand knowledge 001.101 Knowledge 001.102 Information 001102000_UniversalDecimalClassification1961 Universal Decimal Classification 1961 pdf en A complete outline of the Universal Decimal Classification 1961, third edition 1 This third edition of the UDC is the last version (as far as I know) that still includes alchemy in Moreh 2018-06-04 R 1961 its index. It is a useful reference documents when it comes to the folder structure of the 001102000_UniversalDecimalClassification2017 Universal Decimal Classification 2017 pdf en The English version of the UDC Online is a complete standard edition of the scheme on the Web http://www.udcc.org 1 ThisArchive. is not an official document but something that was compiled from the UDC online. Moreh 2018-06-04 R 2017 with over 70,000 classes extended with more than 11,000 records of historical UDC data (cancelled numbers). -
PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance
Graduate School ETD Form 9 (Revised 12/07) PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Angela C. Ghionea Entitled RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD Doctor of Philosophy For the degree of Is approved by the final examining committee: James R. Farr Chair Myrdene Anderson Anthony T. Grafton To the best of my knowledge and as understood by the student in the Research Integrity and Copyright Disclaimer (Graduate School Form 20), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy on Integrity in Research” and the use of copyrighted material. Approved by Major Professor(s): ____________________________________James R. Farr ____________________________________ Approved by: Douglas R. Hurt 04/16/2013 Head of the Graduate Program Date RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD A Dissertation Submitted to the Faculty of Purdue University by Angela Catalina Ghionea In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 Purdue University West Lafayette, Indiana UMI Number: 3591220 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3591220 Published by ProQuest LLC (2013). -
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES NUMBER 7 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrolog- ical and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) was supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Meta- physics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 Number 6: Donald J. Mastronarde, Preliminary Studies on the Scholia to Euripides, 2017 Early Greek Alchemy, Patronage and Innovation in Late Antiquity Olivier Dufault CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2019 by Olivier Dufault. -
Hypatia and Tsong Kha-Pa Giordano Bruno and Paracelsus
Hypatia and Tsong Kha-pa Giordano Bruno and Paracelsus The third “On The Path” Seminar Saturday 15th December 2018 from 3 to 6.15 pm “The public must be made acquainted with the efforts of many World-adepts, of initiated poets, writers, and classics of every age, to preserve in the records of Humanity the Knowledge of the existence, at least, of such a philosophy, if not actually of its tenets. The Initiates of 1888 would indeed remain incomprehensible and ever a seemingly impossible myth, were not like Initiates shown to have lived in every other age of history. This could be done only by naming Chapter and Verse where may be found mention of these great characters, who were preceded and followed by a long and interminable line of other famous Antediluvian and Postdiluvian Masters in the arts. Thus only could be shown, on semi-traditional and semi-historical authority, that knowledge of the Occult and the powers it confers on man, are not altogether fictions, but that they are as old as the world itself.” H. P. Blavatsky, “The Secret Doctrine” Vol. 1, Introductory, p. xlv The United Lodge of Theosophists 62 Queen’s Gardens London W2 3AH - 2 - Hypatia (b. 370) “Neo-platonism. Lit., “the new Platonism” or Platonic School. An eclectic pantheistic school of philosophy founded in Alexandria by Ammonius Saccas, . It sought to reconcile Platonic teachings and the Aristotelean system with oriental Theosophy. Its chief occupation was pure spiritual philosophy, metaphysics and mysticism. Theurgy was introduced towards its later years. It was the ultimate effort of high intelligences to check the ever-increasing ignorant superstition and blind faith of the times; the last product of Greek philosophy, which was finally crushed and put to death by brute force.” (“The Theosophical Glossary” H. -
The Ground of Artes — the Monas — Alchemy; 1558-1564) I
CHAPTER VI. NUMBERS — LOGISTICAL, FORMAL AND APPLIED. (THE GROUND OF ARTES — THE MONAS — ALCHEMY; 1558-1564) I. Accession of Elizabeth — Dee taken into favour — commences period of fame and success. II. Work on binomials and other lost mathematical writings — the revision of the Ground of Artes — Recorde and Dee — their similar views and interests — the popularity of this work — a text book for self instruction from the first elements onwards — its defence of mathematics and plea for wider instruction in it — this knowledge the distinguishing criterion between men and animals (n.21) — its utility — Dee's additions to the G.A. III. Dee journeys to Continent to print his books — letter to Cecil — copies out the Steganographia — Trithemius' mysticism and magic and their influence on Dee (n.35). IV. Publication of the Monas — Dee's perpetual high regard for this work — its contemporary and subsequent fame (n.39) — contrasted with Aphorisms — its intentional obscurity — the tradition of unfolding secret wisdom as obscurely as possible — the prefatory letter to Maximilian — geometrical figures the key to natural and spiritual truth — the signs of the planets — the forms of letters of the alphabet — the striking results Dee anticipates from this study. V. Its theme and underlying assumptions — the "Monad" as God — connections with neo- Platonic doctrines — reasons for choice of this particular hieroglyph — Mercury — Aries — relations of Monas to cabalistic theory — and the later search for a real character. VI. Analysis of the text — the point and the circle — generation of planetary signs and astronomy — the cross — the semi-circle — numerology of the figure and alchemical sections — Dee's work well within an accepted tradition. -
Magical Images Within Marsilio Ficino's De Vita Libri Tres
¨ VERBUM 2018 1–2 / p. 155 / October 6, 2018 © “NATURAM ARS IMITATUR”: MAGICAL IMAGES WITHIN MARSILIO FICINO’S DE VITA LIBRI TRES* Susanne K. Beiweis Sun Yat-Sen University [email protected] “… human arts make on their own whatever nature itself makes: it is as if we were not her slaves but her rivals.” (Marsilio Ficino: “Platonic Theology”, Lib.18.3,1) Between the fifteenth, sixteenth and early seventeenth centuries, a revival of magic took place in European intellectual history. Magic underwent a highly philosophical rebirth through Marsilio Ficino’s De Vita Libri Tres (‘Three Books ¨ ¨ on Life’ or simply De Vita)1 published in 1489. With more than twenty-six editions © © between 1489 and 1647, De Vita became a “bestseller” of its time.2 Followed by writings such as Heinrich Cornelius Agrippa’s De Occulta Philosophia Libri Tres (1531), Giambattista Della Porta’s Magia Naturalis (1558) and Tommaso Cam- panella’s De Sensu Rerum et Magia (1637).3 Under the pretext of “natural magic” (magia naturalis), Ficino and his successors were exploring, studying, and de- scribing nature’s invisible qualities (qualitates or virtutes occultae). Her hidden * I wish to thank Stephané Toussaint, Nicolas Weill-Parot, and Lauri Ockenström for their insightful comments and thought-provoking impulses. 1 M. Ficino: Three Books on Life. A Critical Edition and Translation with Introduction and Notes by Carol V.Kaske and John R. Clark, Binghamton/New York: The Renaissance Society of America, 1989. 2 Ibid.: Kaske’s Introduction to Ficino: 3. 3 A considerable amount of literature has been published on Renaissance magic in recent decades, amongst others: F.A. -
Seeing the Word : John Dee and Renaissance Occultism
Seeing the Word : John Dee and Renaissance Occultism Håkansson, Håkan 2001 Link to publication Citation for published version (APA): Håkansson, H. (2001). Seeing the Word : John Dee and Renaissance Occultism. Department of Cultural Sciences, Lund University. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Seeing the Word To Susan and Åse of course Seeing the Word John Dee and Renaissance Occultism Håkan Håkansson Lunds Universitet Ugglan Minervaserien 2 Cover illustration: detail from John Dee’s genealogical roll (British Library, MS Cotton Charter XIV, article 1), showing his self-portrait, the “Hieroglyphic Monad”, and the motto supercaelestes roretis aquae, et terra fructum dabit suum — “let the waters above the heavens fall, and the earth will yield its fruit”.