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Drug Action Program Starts
HAWAII MARINE Voluntary payment for delivery to MCAS housing /S I per four week period. VOL. I I NO. 3 'KANEOHE BAY, HAWAII, JAN. 20, 1982 EICHTEEN PAGES' Drug action program starts The first Navy Drug Safety in January and Jacksonville, Fla. estimated at $150. This figure is Dickerson said that most of the Action Program class at Marine in March. higher than the NASAP classes personnel in the NDSAP classes Corps Air Station, Kaneohe Bay The Navy Personnel Research due to start-up costs such as are referrals. "They are Marines started Jan. 11 in the Counseling and Development Center, San additional films, projectors, and sailors who were picked up for and Assistance Center. Diego conducted a study to printing, etc. one type of infraction or the other The aim of the NDSAP course is analyze the results of the NDSAP and the command had reason to Marine Reserve program to provide information to pilot program. Questionnaires NDSAP IS a 36-hour course believe the cause of the violation participants regarding the were distributed to the supervisors conducted by the University of was drugs other than alcohol," he HQMC, WASHINGTON - During the current fiscal year, specific effects of drugs and the of those who attended NDSAP Arizona. At the Air Station, it will said. , the Marine-Carps will pay out more than $2 million dollars in medical and legal consequences of classes and the results were be a four-week course. Initially bonus money to its reservists. use or abuse. "NDSAP is an evaluated in terms of program classes will be from 6:30 until 9:30 HE ADDED that there are four The bonuses will be paid for enlistments, reenlistments intervention and prevention strengths and weaknesses to p.m. -
Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
Der Kleine Horrorladen
DER KLEINE HORRORLADEN Buch und Liedtexte von Howard Ashman, Musik von Alan Menken Nach dem Film von Roger Corman, Drehbuch von Charles Griffith Inszenierung INGMAR OTTO 3 „Dann wächst mir Blatt um Blatt du pflegst mich spät und früh du düngst mich und du wässerst mich und freust dichwenn ich blüh‘ …“ FÖRDERVEREIN „FREUNDE DES KAMMERTHEATERS“ E.V. 5 DIE ERFOLGSMARKE ASHMAN & MENKEN Gerlinde Hämmerle Hannelore Kucich (Regierungspräsidentin a.D.) 1. Vorsitzende Schirmherrin v.l.n.r. colorierter Ausschnitt aus „Little Shop of Horrors“ von 1960, „Der kleine Horrorladen“ von 1986, „Arielle, die Meerjungfrau“ von 1989, FÖRDERVEREINAlan Menken (links) und Howard Ashman (rechts) nehmen den Oscar für „Under the Sea“ entgegen. FREUNDE DES KAMMERTHEATERS E.V. Der Texter Howard Ashman wurde als Howard Als Mitglied des Fördervereins sind auch Ihre Gedanken und Ideen gefragt. Elliott Gershman am 3. Mai 1950 in Baltimore, Werden Sie hautnah zum kritischen Beobachter der Theaterarbeit und zum Maryland, geboren. Er ging 1974 nach New sich als Soul-Bariton und Mushnicks Duett mit engagierten Mitstreiter für die Zukunft dieses Theaters. York City und begann dort, neben seiner Arbeit Seymour klingt nach osteuropäischer Klezmer- in einem Verlagshaus, Schauspiele zu schrei- Musik. Auch bei dem vier Jahre später (1986) Als Freund und Förderer des Kammertheaters kommen Sie dazu in den Genuss ben. 1977 wurde er künstlerischer Leiter des produzierten gleichnamigen Musicalfilm, in der besonderer Angebote und Einladungen, wie z.B.: neu eröffneten WPA Theatre, wo er den US- Regie von Frank Oz (bekannt als Muppets-Mit amerikanischen Komponisten Alan Menken „FREUNDE DES KAMMERTHEATERS“ E.V. erfinder), zeichneten sich Menken und Ashman • Bevorzugte Kartenbestellung kennen lernte. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Ben Barry & Associates Battle Plan Productions Bbc Worldwide Limited the Bedford Falls Company Belisarius Productions Bell-P
CEO BBC WORLDWIDE LIMITED Jeanne McHale Waite (Distribution & Production company.) COO Woodlands, 80 Wood Lane, London W12 OTT UK. Tom Farrell TEL: 44 (0) 20 8433 2000. FAX: 44 (0) 20 8749 0538. VICE PRESIDENT & CFO David Bowers BBC WORLDWIDE AMERICAS VICE PRESIDENT & DIRECTOR OF OPERATIONS NY: 747 3rd Ave., 7th Flr., New York, NY 10017. Linda Calabrese Kane TEL: (212) 705-9300. FAX: (212) 888-0576. DIRECTOR OF PROGRAMMING www.bbcamerica.com Chris Emmanouilides Ca: 2500 West Olive Ave.,Ste.110, Burbank, CA 91505. TEL: (818) 840-9770. FAX: (818) 840-9779. Credits: Hi-Jinks, A Makeover Story, Trading Spaces, A Wedding Story, Renovations, A Dating Story, Epicurious, Birth Day, Nice BBC WORLDWIDE CANADA, LTD. Package 130 Spadina Ave., Ste. 401 Toronto, ON M5V 2L4. TEL: (416) 362-3223. FAX: (416) 362-3553. BEN BARRY & ASSOCIATES DIRECTOR-GENERAL/EXECUTIVE BOARD (Distribution company.) CHAIR/CREATIVE BOARD 10246 Briarwood Dr., Los Angeles, CA 90077. TEL: (310) 274- Mark Thompson 1523. FAX: (310) 274-1523. email: [email protected] DIRECTOR, TELEVISION/EXECUTIVE BOARD PRESIDENT Jana Bennett DIRECTOR, BBC PEOPLE/EXECUTIVE BOARD Mimi Barry Stephen Dando CHAIRMAN DIRECTOR, MARKETING, COMMUNICATIONS & Ben Barry AUDIENCES/EXECUTIVE BOARD Classics: Samuel Fuller: Naked Kiss & Dead Pigeon on Tim Davie Beethoven Street, Shock Corridor. March of the Wooden BBC COO & CEO, BBC WORLDWIDE/EXECUTIVE BOARD Soldiers John Smith Action Dramas: Swiss Conspiracy, Shattered, Death Rage, The DIRECTOR, POLICY, STRATEGY, LEGAL & DISTRIBUTION Inheritance, Rachel's Man, The Con Artists, Kidnap Syndicate Caroline Thompson CREATIVE DIRECTOR & DIRECTOR, DRAMA, ENTERTAIN- Science Fiction: Eyes Behind the Stars MENT & CBBC/CREATIVE BOARD Family Classics: Laurel & Hardy features: The East Side Kids, Alan Yentob 'Neath the Brooklyn Bridge, That Gang of Mine, Mr. -
Why Film Scholars Should Stop Worrying About Citizen Kane and Learn to Love Bad Films
Dirty Movies, or: why film scholars should stop worrying about Citizen Kane and learn to love bad films Mike Chopra-Gant London Metropolitan University, UK Volume 7, Issue 2 (November 2010) Abstract This article presents an empirical case study of cinema exhibition at a small downtown cinema in an industrial city in the American midwest in the early 1940s. The case study is used to advance an argument that film scholars have too often based their selection of films for study on personal taste, and that film studies has thus evolved around a set of films that does not represent the films which ordinary moviegoers saw and enjoyed. The article argues for the need for film historians to pay greater attention to those films that demonstrably meant something to ordinary cinemagoers in order to produce a more reliable account of the cinema of the past. Keywords: Cinema, exhibition, audience, taste, canon, sex movies, popularity, moviegoing, film studies. In a lecture given in 1992, Colin MacCabe—borrowing an evocative phrase from Dante— spoke of the ‘eloquence of the vulgar [1].’ ‘Text and society are not separate categories’ argued MacCabe, ‘but ones which mutually illuminate each other’ [2], implicitly calling for an approach to the analysis of cultural ‘texts’ that pays attention to the most commonplace cultural texts and to the social contexts within which such ‘texts’ exist. While there are probably few scholars today working in film and cultural studies who would disagree strongly with this approach, it has more often than not been the case in practice that scholars have been drawn to the exemplary or exceptional in popular culture—auteur cinema, ‘quality’ Page 292 Volume 7, Issue 2 November 2010 television, cult movies etc.— leaving the most ‘vulgar’, mundane, everyday cultural forms and contexts relatively unexamined. -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
January Clearance Sale! Quantity on Hand Price Each ~ - -~· -··=~------,------Ostrich Troubles
" ,. ' ' ~ ' .• -~....:.r . ,; -~.. J • January 11951 JANUARY CLEARANCE SALE! QUANTITY ON HAND PRICE EACH ~ - -~· -··=~----------------,-------------------- OSTRICH TROUBLES. Brand new, 1-reel, 16mm. sound film in original cartons. ss.,s 16 Cr:st:e-Kiko the Ka .. garoo Cartoon. Original ptice, $17.50. WOLVES OF THE RANGE with Bob Living5ton s29 95 8 Good used 6-reel, 16mm. sound feature pici·ure, assembled on 2-1600' reels. e -~ ,..a:.;.;::::ii.:._.c __________________ ,________________ ,_,_ _ _,__ BORDER BUCKAROOS with Dave O'Brie11 and Jim Newill s29 95 7 Good used 6-reel, 16mm. sound feature picf·ure, assembled on 2-1600' reels. e AMERICAN LEGION CONVENTION, 1947. Rrcind new, 1-reel, 16mm. silent. SJ 98 32 Castle's film of the fun anc frivolity of 1h11 1947 convention in New York. Origi•al price, $8.75. • ------------~---~----~-·----·-----------~--- tOG ISLAND with Lionel Atwill, Jerome Cowan, George Zucco s39 95 5 Good used 7-reel, 16mm. sound faaf·ure pic~ure, assembled on 2-1600' reels. e SONGS OF LOVE. Brand new, 1-reel, 16mm. sound fiim in original cartons. S6 95 Castle Music Album with Gene G,-ounds, Syl-,ia Froos, Dove Schooler and his Swinghearts. • 47 Original price, $17.50. THE DRIFTER with Buster Crabbe and Al S·t. John s29 95 4 Good used 6-reel, 16mm. sound featura {'i :ture, assembled on 2-1600' reels. e FISH IS FOOD. Brand new, 1-reel, 16mm. s:u.,nd film in original cartons. S6 95 There's nothing fishy about the bargain quolit ) of this lilm on the Fulton Fish Market in New York. -
Glendale Police Department
If you have issues viewing or accessing this file contact us at NCJRS.gov. ClPY O!.F qL'J;9{'jJ.!JL[/E • Police 'Department 'Davit! J. tJ1iompson CfUt! of Police J.1s preparea 6y tfit. (jang Investigation Unit -. '. • 148396 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the National Institute of Justice. Permission to reproduce this copyrighted material has been g~Qted bY l' . Giend a e C1ty Po11ce Department • to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner. • TABLEOFCON1ENTS • DEFINITION OF A GANG 1 OVERVIEW 1 JUVENILE PROBLEMS/GANGS 3 Summary 3 Ages 6 Location of Gangs 7 Weapons Used 7 What Ethnic Groups 7 Asian Gangs 8 Chinese Gangs 8 Filipino Gangs 10 Korean Gangs 1 1 Indochinese Gangs 12 Black Gangs 12 Hispanic Gangs 13 Prison Gang Influence 14 What do Gangs do 1 8 Graffiti 19 • Tattoo',;; 19 Monikers 20 Weapons 21 Officer's Safety 21 Vehicles 21 Attitudes 21 Gang Slang 22 Hand Signals 22 PROFILE 22 Appearance 22 Headgear 22 Watchcap 22 Sweatband 23 Hat 23 Shirts 23 PencHetons 23 Undershirt 23 T-Shirt 23 • Pants 23 ------- ------------------------ Khaki pants 23 Blue Jeans 23 .• ' Shoes 23 COMMON FILIPINO GANG DRESS 24 COMMON ARMENIAN GANG DRESS 25 COrvtMON BLACK GANG DRESS 26 COMMON mSPANIC GANG DRESS 27 ASIAN GANGS 28 Expansion of the Asian Community 28 Characteristics of Asian Gangs 28 Methods of Operations 29 Recruitment 30 Gang vs Gang 3 1 OVERVIEW OF ASIAN COMMUNITIES 3 1 Narrative of Asian Communities 3 1 Potential for Violence 32 • VIETNAMESE COMMUNITY 33 Background 33 Population 33 Jobs 34 Politics 34 Crimes 34 Hangouts 35 Mobility 35 Gang Identification 35 VIETNAMESE YOUTH GANGS 39 Tattoo 40 Vietnamese Background 40 Crimes 40 M.O. -
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6. -
Page 1 BLACKHAWLES BARGAIN BULLETIN November 1950 PECIAL
November 1950 PECIAL FOR DOUEfflBER and DE[EfflBER ... Eomplete 100' 16mm. Sound lengths of Features, Serials, Shorts Ju past ) can. our stocks of these 100' 16mm. s01111d ll·n~ths lrom feature picture , " 'e terns. serials, comedies, tr:n el films, musicals, cl?cumcntary ,uhjccts, sport film:.. informational film:., ond other films of many types were gohhlcd up a, fa,1 as wt· offered them. Now we hnH· perhaps the big!!;est stock wc·vc c,·cr hccn ahlc to offer at one time. These lengths an.• incomplch.•) start all)\\ her<.· and encl anywlwrc. hut arc conscc•utivc in thcmselvc - not a lot of short o;ccncs spliced to~cther. They nre not identified either individuall) or a, to ubjcct ~rnupings. Thus, there is no way we can fill an order for so man) "\:Vcstcrn·· lengths, or ,o many ··traver· length,, or any certain quantity of any l) pe. All footage is regular imn!!c material (no H-1 ° Sound ~lmicah arc induclcd) and all j., in good nmablc condition. \Yhilc our '.'tto('k lasts, , ou mav huv an assorhn('nt of . thret.· 100' lengths of thc,c incom1ilctc l 61;1111. , ouncl films, po lagc extra. for only $2.9S Or. hy bu) ing twice .is many - an assortment of -.h: - ) 011 gel them, posta!.?;c extra, for but . $5.49 \ll<l. ii H>ll want to shoot the works ancl take a dozen. , 011 ~et t1,c best 1>rice ) t.:I. T" cl\'<' 100' lc11gth~ l·ost. postngc extra, only.. S0.98 Then. if) 011 "ant the ,upcr-dcluxc cleat incomplete I 00' 16 mm. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994.