Page, Esquire, and Knight Presents the Best Stories of All Periods of Chivalry, from the Days of the Founding of 1
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Repatriating Romance: Politics of Textual Transmission in Early Modern France
Repatriating Romance: Politics of Textual Transmission in Early Modern France By Linda Danielle Louie A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Romance Languages and Literatures and the Designated Emphasis in Renaissance and Early Modern Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Timothy Hampton, Chair Professor Mairi McLaughlin Professor Victoria Kahn Fall 2017 Repatriating Romance: Politics of Textual Transmission in Early Modern France © 2018 by Linda Danielle Louie Abstract Repatriating Romance: Politics of Textual Transmission in Early Modern France by Linda Danielle Louie Doctor of Philosophy in Romance Languages and Literatures Designated Emphasis in Renaissance and Early Modern Studies University of California, Berkeley Professor Timothy Hampton, Chair This dissertation reveals the central role that transcultural literary exchange plays in the imagining of a continuous French literary history. The traditional narrative of French literary history describes the vernacular canon as built on the imitation of the ancients. However, this dissertation demonstrates that Early Modern French canon formation also depends, to a startling extent, on claims of inter-vernacular literary theft. Throughout the sixteenth and seventeenth centuries, a central preoccupation of French authors, translators, and literary theorists was the repatriation of the romance genre. Romance was portrayed as a cornerstone of French literary patrimony that Italian and Spanish authors had stolen. The repatriation of individual romance texts entailed a skillful co-opting of the language of humanist philology, alongside practices of translation and continuation usually associated with the medieval period. By looking at romance translation as part of a project of national canon formation, this dissertation sheds new light on the role that chivalric romance plays in national and international politics. -
Stories of Charlemagne
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DRAGON Magazine (ISSN 0279-6848) Is Pub- the Occasion, and It Is Now So Noted
DRAGON 1 Publisher: Mike Cook Editor-in-Chid: Kim Mohan Quiet celebration Editorial staff: Marilyn Favaro Roger Raupp Birthdays dont hold as much meaning Patrick L. Price Vol. VII, No. 12 June 1983 for us any more as they did when we were Mary Kirchoff younger. That statement is true for just Office staff: Sharon Walton SPECIAL ATTRACTION about all of us, of just about any age, and Pam Maloney its true of this old magazine, too. Layout designer: Kristine L. Bartyzel June 1983 is the seventh anniversary of The DRAGON Magazine Contributing editors: Roger Moore Combat Computer . .40 Ed Greenwood the first issue of DRAGON Magazine. A playing aid that cant miss National advertising representative: In one way or another, we made a pretty Robert Dewey big thing of birthdays one through five c/o Robert LaBudde & Associates, Inc. if you have those issues, you know what I 2640 Golf Road mean. Birthday number six came and OTHER FEATURES Glenview IL 60025 Phone (312) 724-5860 went without quite as much fanfare, and Landragons . 12 now, for number seven, weve decided on Wingless wonders This issues contributing artists: a quiet celebration. (Maybe well have a Jim Holloway Phil Foglio few friends over to the cave, but thats The electrum dragon . .17 Timothy Truman Dave Trampier about it.) Roger Raupp Last of the metallic monsters? This is as good a place as any to note Seven swords . 18 DRAGON Magazine (ISSN 0279-6848) is pub- the occasion, and it is now so noted. Have Blades youll find bearable lished monthly for a subscription price of $24 per a quiet celebration of your own on our year by Dragon Publishing, a division of TSR behalf, if youve a mind to, and I hope Hobbies, Inc. -
Xne Library of Alice Chaucer, Jducness of Suffolk? a Fifteenfk-Century Owner of a Jdoke Ot Le ^L/Itee De Juames
Misericordia International Xne Library of Alice Chaucer, JDucness of Suffolk? A Fifteenfk-Century Owner of a JDoke ot le ^L/itee de JUames Karen K. Jambeck At the end of the Treasury of the City of Ladies, Christine de Pizan writes, I thought that I would multiply this work throughout the world in various copies, whatever the cost might be, and present it in various places to queens, princesses, and noble ladies. Through their efforts, it will be... circulated among other women.... Seen and heard by many valiant ladies and women of authority, both at the present time and in times to come, they will pray to God on behalf of their faithful servant Christine, ...wishing they might have known her.1 As Charity Canon Willard observes, Christine accurately predicted her own subsequent fame and her audience which would span centuries.2 Indeed, the rolls of this readership reveal generations of women of achievement and distinction, many of whom Willard has identified as patrons and owners of Christine's work: Isabeau of Bavaria, Anne of France, Isabel of Portugal, and Margaret of 1 A Medieval Woman's Mirror of Honor. The Treasury of the City of Ladies, trans. Charity Canon Willard (New York: Bard Hall Press/Persea Books, 1989) 224. 2 Charity Canon Willard, Christine de Pizan. Her Life and Works (New York: Persea Books, 1984) 211-212. 106 The Profane Arts / Les Arts Profanes Austria, among them.3 These and many other women who owned works by Christine de Pizan, Willard points out, played a significant role in the social and political life of their time.4 To this list of distinguished women can be added the name of Alice Chaucer, a fifteenth-century English book owner who possessed a copy of at least one of Christine's works. -
Secours Aux Colons De Saint-Domingue. Indemnisation Des Colons Spoliés
Secours aux colons de Saint-Domingue. Indemnisation des colons spoliés Inventaire analytique (F/12/2740-F/12/2790, F/12/7627-F/12/7632/1) Par Ch. Douyère-Demeulenaere Archives nationales (France) Pierrefitte-sur-Seine 2002 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_000199 Cet instrument de recherche a été encodé en 2012 par l'entreprise Numen dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Archives nationales (France) Sommaire Secours aux colons de Saint-Domingue. Indemnisation des colons spoliés. 422 A 427 ABBADIE, voir : DABBADIE. 427 ABBAYE (de L'), voir : L'ABBAYE (de). 427 ABBAYE-QUENIOT (de L'), voir : L'ABBAYE-QUENIOT (de). 427 ABEILLE (François Louis Honoré Barthélémy) colon réfugié de Saint-Domingue. 427 ABEILLE (Honoré Jean Adolphe) né à La Ciotat (Bouches-du-Rhône). ayant droit 427 de colon de Saint-Domingue. (dossier ABEILLE Jean Antoine) ABEILLE (Jean Antoine) né vers 1770, à La Ciotat (Bouches-du-Rhône) ; décédé 427 le 27 août 1826, à Lausanne (Suisse). colon réfugié de Saint-Domingue. ABEILLE (Jean Joseph André) né le 23 août 1756, à La Ciotat (Bouches-du- 427 Rhône). colon réfugié de Saint-Domingue. ABEL (Jean Baptiste) né le 13 mars 1762, au Cap-Français (Saint-Domingue) ; 427 décédé le 15 février 1834, à Paris. colon réfugié de Saint-Domingue. ABNOUR, voir : RICHARD d'ABNOUR. 427 ABZAC (Mme d') ayant droit de colon de Saint-Domingue. -
^ I F T G L F T S I D
*• .V. A: 3 rTfy!'?f 'iW ft'-’' &&m h ^ iftglftsiDum An Independent Newspaper ©evoted to the Interests of the People of Hightstown and Vicinity 116TH YEAR-No. 36 HIGHTSTOWN GAZETTE, MERCER COUNTY, NEW JERSEY, THURSDAY, MARCH 4, 1965 PRICE-FIVE CENTS Westerlea Apartments GOP Meeting Require Outside Mirror Pool Plan Withdrawn Fooling With An application to build a private To Disclose On New Passenger Cars swimming pool at the Westerlea Knife Costs Apartments off South Main street Motor Vehicle Director June Stre- on the driver's side. However, if has been temporarily withdrawn, Bank Project lecki today reminded purchasers of the driver's view in the rear mirror Joseph Hoch, chairman of the Man His Life new passnger vehicles of the re is obstructed or obscured by con Borough Zoning Board of Ad quirement that all vehicles manufac struction design or by load, the ve justment, announced over the Director Coates Will tured and sold after January 1 be hicle must be equipped with an ex weekend. Find Migrant Laborer equipped with a rear view mirror terior mirror on the side of the ve Detail First Public and an exterior mirror on the driv hicle opposite the driver’s side. An attorney for the apartment toead in 2d Incident er’s side. owner told the board he would Airing of Project Miss Strelecki pointed out that submit an altered plan later. His On Cranbury Farm This new law also specifies that what the law simply says is if you original annlication was met with every commercial vehicle registered cannot observe the traffic pattern objections from neighbors at a The proposed face-lifting of the in this state, other than a trailer or through your rear view mirror, you session of the board last month. -
Bayard Taylor and His Transatlantic Representations of Germany: a Nineteenth- Century American Encounter John Kemp
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 7-12-2014 Bayard Taylor and his Transatlantic Representations of Germany: A Nineteenth- Century American Encounter John Kemp Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Kemp, John. "Bayard Taylor and his Transatlantic Representations of Germany: A Nineteenth-Century American Encounter." (2014). https://digitalrepository.unm.edu/hist_etds/38 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. John Stephan Kemp Candidate History Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Melissa Bokovoy , Chairperson Dr. Eliza Ferguson Dr. Margaret Connell-Szasz Dr. Peter White I BAYARD TAYLOR AND HIS TRANSATLANTIC REPRESENTATIONS OF GERMANY: A NINETEENTH-CENTURY AMERICAN ENCOUNTER BY JOHN STEPHAN KEMP B.A., History, University of New Mexico, 1987 M.A., Western World to 1500, University of New Mexico, 1992 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico May, 2014 II DEDICATION In memory of Chuck Preston, my UNM English 102 instructor, who passed away in 1985 - his confidence in my ability kept me in college when I considered dropping out To My parents, John and Hilde Kemp, without whose unwavering support and encouragement I would have faltered long ago To My daughters, Josefa, Amy, and Emily, who are the lights of my life. -
Or Est Baiars
HISTOIRE DES ARTS ARTS DU SON CHANSON DU XIIIème SIECLE : OR EST BAIARS PERIODE : MOYEN AGE 40 000 476 1492 1789 1900 De la Préhistoire l’Antiquité gallo- Le Moyen-âge Les Temps Le XIXe siècle Du XXe siècle romaine Modernes à nos jours Or est baiars PERIODE MOYEN AGE XIIIème siècle TITRE OR EST BAIARS AUTEUR Adam, de la Halle, appelé aussi: « Adam le Bossu », né vers le milieu du XIIIème siècle. Il était le fils de « Maistre Henri » commis à l'échevinat, autrement dit employé de mairie. Deux riches bourgeois d'Arras, les frères Lenormant, subvinrent à son éducation. En 1272, il dut quitter Arras et s'exiler à Douai. Il fut ménestrel à la Cour de Robert d'Artois puis à la Cour de Naples. Il composa le célèbre : jeu de Robin et Marion (1285). Il mourut à Naples en 1287. Un ménestrel était un musicien de métier attaché à un prince ou à un roi. INTERPRETES Ensemble AZIMAN direction musicale Anne AZEMA CD« le Tournoi de Chauvency » K617 FORME Chanson C’est un rondeau, forme qui alterne toujours des couplets et un refrain Le rondeau est lié au chant et à la danse et signifie danse en rond. SIGNIFICATION Baiars est le nom du cheval mythique des quatre fils Aymon. Les Quatre Fils Aymon : C'est la plus célèbre des légendes ardennaises, chanson de geste, connue dans toute l'Europe depuis le Moyen-âge, plus célèbre que la Chanson de Roland. Elle évoque les aventures des fils du Duc Aymon d'Ardenne poursuivis par la vengeance de l'empereur Charlemagne. -
Review Article Patricia Harris Stäblein Patterns of Textual Shift And
Review Article Patricia Harris Stäblein Patterns of Textual Shift and the Alien Hero: Ogier the Dane in the Europeanization of Old French Epic Fueled by numerous recent editions and studies of supposedly inferior Old French epics, and by increasing awareness o the value of Old French epic material in translation, the scholarly world is beginning to move away from an anchorage in the Oxford Roland, one shaped by the political design of nineteenth century France as much as by modern aesthetic preferences. The thrust of this effort is toward understanding how a multi-centered medieval heroic narrative framework expanded and shifted to bind several centuries of European culture. Rencesvals has generally been seen as the consummate form towards which all true Old French epics bend, just as all historical events focus on the supreme facta of the Incarnation and Crucifixion in medieval Christianity. The practice of Old French epic form, however, shows Rencesvals to be only one branch of a luxuriantly boughed tree. Some of that lush narrative braciation is traced in three recent volumes published with the patronage of the Danske Sprog-og- Literaturselskab: I. a facsimile of an incunabulum containing the prose romance Ogier le Dannoys; II. Ogier le Danois dans les littératures européennes by Knud Togeby; III. an edition, modern French translation, and analyses of Karlamagnús saga I, III, VII, and IX by Agnete Loth, Annette Patron-Godefroit, and Povl Skårup.1 First envisaged and partially carried out by Knud Togeby and Pierre Halleux, this trio of books is devoted to elucidating the literary and cultural dimensions of a figure long obscured by the nineteenth-century politicization of Charlemagne and Roland. -
Traftre DE NATURE ET Traptrfi OCCASIONNEL: LE CAS EUAIRANT DU «RENAUT DE MONTAUBAN»
TRAfTRE DE NATURE ET TRAPTRFi OCCASIONNEL: LE CAS EUAIRANT DU «RENAUT DE MONTAUBAN» Parmi les différents types de personnages épiques, le traitre occupe une place importante. 11 est présent des la Chanson de Rohd, oh il trouve dans la figure de Ganelon son incarnation la plus saisissante. Inutile de rappeler que son rsle a été examiné, commenté, analysé et disséqué par des générations de critiques, dont les conclusions sont parfois diamétralement opposées. Dans la mesure oh ils reconnaissent h Roland des défauts plus ou moins graves (la démesure, I'orgneil), certains n'hésitent pas A plaider la cause du traitre et A chercher Pexpli- cation de sa conduite dans les tensions familiales. D'autres insistent, au contraire, sur la sagesse du héros, personnage parfait par débition, et qui s'oppose au "traitre de nature", prédestiné faire le mal, et pour qui il serait vain de chercher des circonstances atténuantes l. 1. Citons, pami les défenseurs de Ganelon, Ruggero M. Ruggieri, 11 processo di Gano nelh "Chonson & Roland", Florence, Sansani, 1936, pp. 159 ss. (= chap. IV: "L'arte e Funith della Chanson de Roland: analisi e riabilitazione del personaggio di Gano"); Albert Pauphilet, Le l~gsde Moya" Ags, Melun, 1950, p. 80 ("Un sens Bton. narnent juste des convenances a fait Bviter 8. nohe vieux poete I'erreur d'un tralhe tout noir et parfaitement odieun..."); John A. Stranges, The charocter and th tilnl of Ganelon. A new am>rm'sol, "Romania", 96 (1975), pp. 333-67, ainsi que Frederick Gol- din, dans "Olifant", 6 (1978), pp. 83-6 (compte rendu tds négatif de i'article de J. -
Excerpt from the Song of Roland D
The Story of the Middle Ages Excerpt from The Song of Roland d 1 Carlon the King, our Emperor Charlemayn, Full seven years long has been abroad in Spain, He’s won the highlands as far as to the main; No castle more can stand before his face, City nor wall is left for him to break, Save Saragossa in its high mountain place; Marsilion holds it, the king who hates God’s name, Mahound he serves, and to Apollyon prays: He’ll not escape the ruin that awaits. AOI 2 Marsilion sat in Saragossa town, He sought an orchard where shade was to be found, On a bright dais of marble he lies down; By twenty thousand his vassals stand around. He calls before him all his dukes and his counts: “Listen, my lords, what affliction is ours! The Emperor Charles that wears fair France’s crown Invades our country our fortunes to confound. I have no host but before him gives ground, I find no force his forces for to flout; Wise men of wit, give counsel to me now, Save me from death and loss of my renown.” There’s ne’er a paynim utters a single sound, Till Blancandrin, Valfonda’s lord, speaks out. 3 Blancandrin’s wise amid the paynim horde;[24-46] He was for valour a mighty knight withal, And fit of wit for to counsel his lord. He tells the king; “Be you afeared for naught, But send to Charles in his pride and his wrath Your faithful service and your friendship henceforth. -
Henry II and Ganelon
Syracuse Scholar (1979-1991) Volume 4 Issue 1 Syracuse Scholar Spring 1983 Article 4 1983 Henry II and Ganelon Paul R. Hyams Follow this and additional works at: https://surface.syr.edu/suscholar Part of the Medieval History Commons Recommended Citation Hyams, Paul R. (1983) "Henry II and Ganelon," Syracuse Scholar (1979-1991): Vol. 4 : Iss. 1 , Article 4. Available at: https://surface.syr.edu/suscholar/vol4/iss1/4 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Syracuse Scholar (1979-1991) by an authorized editor of SURFACE. For more information, please contact [email protected]. Hyams: Henry II and Ganelon Henry II and Ganelon Paul R. Hyams nee upon a time, there was a king of Nantes, called Equitan, 0 a good and courteous ruler, filled with a proper enthusiasm for princely things: Equitan had a seneschal, a good knight, brave and loyal, who took care ofhis landfor him, governed and administered it. Unless the king was making war, he would never, no matter what the emergency, neglect his hunting, his hawking or other amusements. 1 [lines 21-28] In time Equitan fell in love with his seneschal's wife and seduced her, while the ''seneschal sat in court, trying pleas and accusations.'' Now these two illicit lovers came to a hot and sticky end. The wronged Paul R. Hyams was educated at Ox husband killed the couple by upending them in a tub of boiling water ford University and is now a fellow of Pembroke College, Oxford.