RENAUD De MONTAUBAN La Chanson Des 4 Fils Aymon
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Tradition Et Renouvellement Dans La Chanson De Geste Tardive: Doon De Mayence Et Gaufrey
Tradition et renouvellement dans la chanson de geste tardive: Doon de Mayence et Gaufrey by MARINA LUSHCHENKO B.A., Simon Fraser University, 2004 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (French) THE UNIVERSITY OF BRITISH COLUMBIA April 2006 © Marina Lushchenko, 2006 11 ABSTRACT Written towards the close of the Middle Ages (late 13th - early 14th centuries) and rather neglected until now, the epic songs of Doon de Mayence and Gaufrey deserve nonetheless a study, because, in addition to their considerable literary value, they make it possible for us to understand the evolution of French medieval epic poetry. The object of the research is to evaluate the importance of tradition in these comparatively late works and, at the same time, to examine the innovations, laying particular emphasis on the authors' originality. To study intertextual references to other epic songs and Arthurian romances, to analyze versification and composition of the given songs, to take a look at epic rhetoric and the system of characters, - such are the stages of the present study. First conclusion : Doon de Mayence and Gaufrey are both at the junction of epic and romance traditions. Second conclusion : the epic songs in question borrow differently from these two genres. Third conclusion : realistic features add to the narration, making it, consequently, less archaistic. iii TABLE DES MATIERES Abstract • ii Table des matieres iii Remerciements -v CHAPITRE I Introduction ..: 1 CHAPITREII Genese de Doon de Mayence et de Gaufrey 5 2.1 Chansons de geste: formation de cycles 5 2.2 Emprunt d'episodes aux chansons de geste 14 2.3 Sources arthuriennes .". -
14 Pierrepont at a Crossroads of Literatures
14 Pierrepont at a crossroads of literatures An instructive parallel between the first branch of the Karlamagnús Saga, the Dutch Renout and the Dutch Flovent Abstract: In the French original of the first branch of the Karlamagnús Saga [= fKMSI], in the Dutch Renout and in the Dutch Flovent – three early 13th century texts from present-day Bel- gium – a toponym Pierrepont plays a conspicous part (absent, however, from the French models of Renout and Flovent); fKMSI and Renout even have in common a triangle ‘Aimon, vassal of Charlemagne – Aie, his wife – Pierrepont, their residence’. The toponym is shown to mean Pierrepont (Aisne) near Laon in all three texts. In fKMSI, it is due almost certainly to the intervention of one of two Bishops of Liège (1200−1238) from the Pierrepont family, and in the other two texts to a similar cause. Consequently, for fKMSI a date ‘before 1240’ is proposed. According to van den Berg,1 the Middle Dutch Flovent, of which only two frag- ments are preserved,2 was probably written by a Fleming (through copied by a Brabantian) and can very roughly be dated ‘around 1200’ on the basis of its verse technique and syntax. In this text, Pierrepont plays a conspicuous part without appearing in the French original.3 In the first fragment, we learn that King Clovis is being besieged in Laon by a huge pagan army (vv. 190 ss.). To protect their rear, the pagans build a castle at a distance of four [presumably French] miles [~18 km] from Laon. Its name will be Pierlepont (vv. -
Repatriating Romance: Politics of Textual Transmission in Early Modern France
Repatriating Romance: Politics of Textual Transmission in Early Modern France By Linda Danielle Louie A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Romance Languages and Literatures and the Designated Emphasis in Renaissance and Early Modern Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Timothy Hampton, Chair Professor Mairi McLaughlin Professor Victoria Kahn Fall 2017 Repatriating Romance: Politics of Textual Transmission in Early Modern France © 2018 by Linda Danielle Louie Abstract Repatriating Romance: Politics of Textual Transmission in Early Modern France by Linda Danielle Louie Doctor of Philosophy in Romance Languages and Literatures Designated Emphasis in Renaissance and Early Modern Studies University of California, Berkeley Professor Timothy Hampton, Chair This dissertation reveals the central role that transcultural literary exchange plays in the imagining of a continuous French literary history. The traditional narrative of French literary history describes the vernacular canon as built on the imitation of the ancients. However, this dissertation demonstrates that Early Modern French canon formation also depends, to a startling extent, on claims of inter-vernacular literary theft. Throughout the sixteenth and seventeenth centuries, a central preoccupation of French authors, translators, and literary theorists was the repatriation of the romance genre. Romance was portrayed as a cornerstone of French literary patrimony that Italian and Spanish authors had stolen. The repatriation of individual romance texts entailed a skillful co-opting of the language of humanist philology, alongside practices of translation and continuation usually associated with the medieval period. By looking at romance translation as part of a project of national canon formation, this dissertation sheds new light on the role that chivalric romance plays in national and international politics. -
La Chanson De Roland
LA CHANSON DE ROLAND Texte prhent6, traduit et comment6 Par Jean DUFOURNET GF Flammarion Ala mémoire de Jean-Claude Aubailly l'ami fidèle entre les fidèles. Maintenant j'ai plus d'amis Chez les morts que chez les vifs. Mais quel silence au pays Des croix, des dalles et des ifs! Compagnons, je vous en prie, Donnez-moi quelque nouvelle De vos farouches prairies Où cingle peu l'hirondelle. Norge Édition complétée d'un index, 2004. © 1993, Flammarion, pour cette édition. ISBN: 978-2-0814-0490-8 INTRODUCTIO N Roland sonne du cor C'est le temps des héros Qui renaît au Vercors. Aragon. Il te faudra franchir la mort pour que tu [vives. La plus pure présence est un sang [répandu. Yves Bonnefoy. Dopo la dolorosa rotta, quando Carlo Magno perdé la santa gesta, non sonô si terribilmente Orlando. Dante, L'Enfer, XXI. Avec La Chanson de Roland, poème inaugural de la littérature française, nous avons d'emblée un chef- d'oeuvre qui crée le genre épique, dans une sorte de désert poétique, à en juger du moins par ce qui nous reste des oeuvres de cette époque' dont la pauvreté de 1. Ce sont la Cantilène de sainte Eulalie, vers 882-883; la Passion, seconde moitié du xe siècle ; le Saint Léger, seconde moitié du X' siècle ; une aube bilingue, fin du Xe-début du Xle siècle ; le Boèce provençal, vers 1000; la Chanson- de sainte Foy, de 1040-1050 ( ?) ; le Saint Alexis, vers 1050; trois poèmes en limousin, 3e quart du xi' siècle ; un cantique bilingue latino-occitan ; un cantique à la Vierge. -
Dictionnaire Des Épées Célèbres
Dictionnaire des épées célèbres Laurent BONNOT, V3d 2016 'épée est un symbole de pouvoir, auquel on confère souvent une âme et donne un Lnom. e livret vous permettra peut-être de compléter vos savoirs sur l'histoire de célèbres épées (pas toujours) légendaires, telles que les indestructibles Durandal ou Excalibur, et de faire connaissance avec d'autres lames moins connues telles que Courtain, Flamberge ou l'imprononçable mais réelle Szczerbiec. vertissement: deux erreurs (enfin … au moins deux) se sont glissées parmi Aces définitions. Un grand merci à Caroline pour sa relecture et ses corrections éclairées. Publié sur http://bonnot.laurent.free.fr Un commentaire ? Une suggestion ? [email protected] ‹‹ Dictionnaire des épées célèbres – édition 3d déc. 2016 © LB - page 1 / 33 Le catalogue du râ telier 1ère partie : épées de légendes historiques............................................................................4 Le nom de certaines épées est suivi d'un code de trois caractères placé entre crochets: [ART] pour les épées citées dans le mythe arthurien [CEL] pour les épées citées dans la mythologie celtique [HIS] pour les épées ayant réellement existé [MAS] pour les épées citées dans la mythologie anglo-saxonne [MGE] pour la mythologie germanique [MNO] pour la mythologie nordique [ROL] pour les épées citées dans la chanson de Roland Al-Adb, Al-Battar, Al-Ma'thur, Al-Mikhdham, Al-Rasub, Al-Qadib [HIS].................................--)------- 4 Almace [ROL]...............................................................................................................................--)------- -
Stories of Charlemagne
Conditions and Terms of Use Copyright © Heritage History 2009 Some rights reserved This text was produced and distributed by Heritage History, an organization dedicated to the preservation of classical juvenile history books, and to the promotion of the works of traditional history authors. The books which Heritage History republishes are in the public domain and are no longer protected by the original copyright. They may therefore be reproduced within the United States without paying a royalty to the author. The text and pictures used to produce this version of the work, however, are the property of Heritage History and are licensed to individual users with some restrictions. These restrictions are imposed for the purpose of protecting the integrity of the work itself, for preventing plagiarism, and for helping to assure that compromised or incomplete versions of the work are not widely disseminated. In order to preserve information regarding the origin of this text, a copyright by the author, and a Heritage History distribution date are included at the foot of every page of text. We request all electronic and printed versions of this text include these markings and that users adhere to the following restrictions. 1) This text may be reproduced for personal or educational purposes as long as the original copyright and Heritage History version number are faithfully reproduced. 2) You may not alter this text or try to pass off all or any part of it as your own work. 3) You may not distribute copies of this text for commercial purposes unless you have the prior written consent of Heritage History. -
Estudios Sobre El Teatro De Lope De Vega. Crónicas Y Leyendas Dramáticas De España (Conclusión), Y Comedias Novelescas
Estudios sobre el teatro de Lope de Vega. Crónicas y leyendas dramáticas de España (conclusión), y comedias novelescas. T.4 Índice: CRÓNICAS Y LEYENDAS DRAMÁTICAS DE ESPAÑA (CONCLUSIÓN) LA PÉRDIDA HONROSA Y CABALLEROS DE SAN JUAN EL CERCO DE VIENA POR CARLOS V CARLOS V EN FRANCIA LA MAYOR DESGRACIA DE CARLOS V Y HECHICERÍAS DE ARGEL EL VALIENTE CÉSPEDES EL ALDEGÜELA EL VALOR DE M ALTA LA SANTA LIGA LOS ESPAÑOLES EN FLANDES DON JUAN DE AUSTRIA EN FLANDES EL ASALTO DE MASTRIQUE POR EL PRÍNCIPE DE PARMA POBREZA NO ES VILEZA LA TRAGEDIA DEL REY D. SEBASTIÁN Y BAUSTISMO DEL PRÍNCIPE DE MARRUECOS EL ALCALDE DE ZALAM EA ARAUCO DOMADO EL MARQUÉS DE LAS NAVAS LA NUEVA VICTORIA DEL MARQUÉS DE SANTA CRUZ EL BRASIL DESTITUIDO LA NUEVA VICTORIA DE DON GONZALO DE CÓRDOBA DIÁLOGO MILITAR EN ALABANZA DEL MARQUÉS DE ESPÍNOLA COM EDIAS NOVELESCA S LOS PALACIOS DE GALIANA LA MOCEDAD DE ROLDÁN LAS POBREZAS DE REINALDO EL MARQUÉS DE MANTUA UN PASTORAL ALBERGUE LOS CELO S DE RODAM ONTE ANGÉLICA EN EL CATAY EL PREMIO DE LA HERMOSURA URSÓN Y VALENTÍN LOS TRES DIAM ANTES file:///C|/PARA_PUBLICAR/ABRIL/MENENDEZ_PELAYO/029137/11.HTM ESTUDIOS SOBRE EL TEATRO DE LOPE DE VEGA — VI : CRÓNICAS Y LEYENDAS DRAMÁTICAS DE ESPAÑA (CONCLUSIÓN) Y COMEDIAS NOVELESCAS CRÓNICAS Y LEYENDAS DRÁMATICAS DE ESPAÑA (CONCLUSIÓN) [p. 7] LXXIX.—LA PÉRDIDA HONROSA Y CABALLEROS DE SAN JUAN Esta comedia, inédita hasta ahora, se imprime aquí por un manuscrito de la Biblioteca Nacional, copia moderna mandada sacar por D. Agustín Durán de un manuscrito antiguo que perteneció al librero de Madrid, Quiroga, y cuyo actual paradero no consta. -
Xne Library of Alice Chaucer, Jducness of Suffolk? a Fifteenfk-Century Owner of a Jdoke Ot Le ^L/Itee De Juames
Misericordia International Xne Library of Alice Chaucer, JDucness of Suffolk? A Fifteenfk-Century Owner of a JDoke ot le ^L/itee de JUames Karen K. Jambeck At the end of the Treasury of the City of Ladies, Christine de Pizan writes, I thought that I would multiply this work throughout the world in various copies, whatever the cost might be, and present it in various places to queens, princesses, and noble ladies. Through their efforts, it will be... circulated among other women.... Seen and heard by many valiant ladies and women of authority, both at the present time and in times to come, they will pray to God on behalf of their faithful servant Christine, ...wishing they might have known her.1 As Charity Canon Willard observes, Christine accurately predicted her own subsequent fame and her audience which would span centuries.2 Indeed, the rolls of this readership reveal generations of women of achievement and distinction, many of whom Willard has identified as patrons and owners of Christine's work: Isabeau of Bavaria, Anne of France, Isabel of Portugal, and Margaret of 1 A Medieval Woman's Mirror of Honor. The Treasury of the City of Ladies, trans. Charity Canon Willard (New York: Bard Hall Press/Persea Books, 1989) 224. 2 Charity Canon Willard, Christine de Pizan. Her Life and Works (New York: Persea Books, 1984) 211-212. 106 The Profane Arts / Les Arts Profanes Austria, among them.3 These and many other women who owned works by Christine de Pizan, Willard points out, played a significant role in the social and political life of their time.4 To this list of distinguished women can be added the name of Alice Chaucer, a fifteenth-century English book owner who possessed a copy of at least one of Christine's works. -
Cahiers De Recherches Médiévales Et Humanistes Journal of Medieval and Humanistic Studies
Cahiers de recherches médiévales et humanistes Journal of medieval and humanistic studies 11 spécial | 2004 Entre Moyen Âge et Renaissance : continuités et ruptures. L’héroïque Y a-t-il un avenir pour la tradition épique médiévale après 1400 ? François Suard Édition électronique URL : http://journals.openedition.org/crm/2032 DOI : 10.4000/crm.2032 ISSN : 2273-0893 Éditeur Classiques Garnier Édition imprimée Date de publication : 15 avril 2004 Pagination : 75-89 ISSN : 2115-6360 Référence électronique François Suard, « Y a-t-il un avenir pour la tradition épique médiévale après 1400 ? », Cahiers de recherches médiévales [En ligne], 11 spécial | 2004, mis en ligne le 29 octobre 2008, consulté le 13 octobre 2020. URL : http://journals.openedition.org/crm/2032 ; DOI : https://doi.org/10.4000/crm. 2032 Ce document a été généré automatiquement le 13 octobre 2020. © Cahiers de recherches médiévales et humanistes Y a-t-il un avenir pour la tradition épique médiévale après 1400 ? 1 Y a-t-il un avenir pour la tradition épique médiévale après 1400 ? François Suard 1 Après 1400, on n’écrit plus guère de chansons de geste. Peut-être le remaniement bourguignon de Renaut de Montauban est-il postérieur au XIVe s., mais ce n’est pas sûr ; la Geste des ducs de Bourgogne, écrite à la gloire de Jean sans Peur, est du premier quart du XVe s. En dehors de ces deux textes, rien à signaler. La translation en prose prend au contraire son essor dans la seconde moitié du XVe s. : est-ce encore de l’épique ? 2 Répondre à une question sur l’avenir de l’épique, conçu comme incarné par la chanson de geste, implique à la fois un regard rétrospectif (d’où part la tradition épique française ? quelles ont été ses transformations jusqu’au XIVe s. -
Robert Garnier's Bradamante (1582): an English Translation of Act IV, with An
Robert Garnier's Bradamante (1582): An English Translation of Act IV, With an Introduction Concerning the Historical Development of the Title Character An Honors Thesis (HONRS 499) by Nathan Rush Thesis Advisor Dr. Donald Gilman Ball State University Muncie, Indiana May 2009 Expected Date of Graduation: December 2009 c I ( f '-11 ," -11 ! ( .~ ..;.3 0 Table of Contents ;.' ( , . k -il' ~ , ' f 1. Abstract .................................................................. '" .................................................... 3 2. Acknowledgements ...................................................................................................... 4 3. Introduction .................................................................................................................. 5 4. Difficulties of Translation .......................................................................................... 16 5. Works Cited ................................................................................................................ 18 6. Translation .................................................................................................................. 20 7. Endnotes ..................................................................................................................... 39 2 Abstract The title character of Robert Garnier's Bradamante (1582) was introduced to French literature through the matiere de France (Matter of France), epic poems written during the Middle Ages. The personage of Bradamante was expanded over time -
Secours Aux Colons De Saint-Domingue. Indemnisation Des Colons Spoliés
Secours aux colons de Saint-Domingue. Indemnisation des colons spoliés Inventaire analytique (F/12/2740-F/12/2790, F/12/7627-F/12/7632/1) Par Ch. Douyère-Demeulenaere Archives nationales (France) Pierrefitte-sur-Seine 2002 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_000199 Cet instrument de recherche a été encodé en 2012 par l'entreprise Numen dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Archives nationales (France) Sommaire Secours aux colons de Saint-Domingue. Indemnisation des colons spoliés. 422 A 427 ABBADIE, voir : DABBADIE. 427 ABBAYE (de L'), voir : L'ABBAYE (de). 427 ABBAYE-QUENIOT (de L'), voir : L'ABBAYE-QUENIOT (de). 427 ABEILLE (François Louis Honoré Barthélémy) colon réfugié de Saint-Domingue. 427 ABEILLE (Honoré Jean Adolphe) né à La Ciotat (Bouches-du-Rhône). ayant droit 427 de colon de Saint-Domingue. (dossier ABEILLE Jean Antoine) ABEILLE (Jean Antoine) né vers 1770, à La Ciotat (Bouches-du-Rhône) ; décédé 427 le 27 août 1826, à Lausanne (Suisse). colon réfugié de Saint-Domingue. ABEILLE (Jean Joseph André) né le 23 août 1756, à La Ciotat (Bouches-du- 427 Rhône). colon réfugié de Saint-Domingue. ABEL (Jean Baptiste) né le 13 mars 1762, au Cap-Français (Saint-Domingue) ; 427 décédé le 15 février 1834, à Paris. colon réfugié de Saint-Domingue. ABNOUR, voir : RICHARD d'ABNOUR. 427 ABZAC (Mme d') ayant droit de colon de Saint-Domingue. -
Bayard Taylor and His Transatlantic Representations of Germany: a Nineteenth- Century American Encounter John Kemp
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 7-12-2014 Bayard Taylor and his Transatlantic Representations of Germany: A Nineteenth- Century American Encounter John Kemp Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Kemp, John. "Bayard Taylor and his Transatlantic Representations of Germany: A Nineteenth-Century American Encounter." (2014). https://digitalrepository.unm.edu/hist_etds/38 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. John Stephan Kemp Candidate History Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Melissa Bokovoy , Chairperson Dr. Eliza Ferguson Dr. Margaret Connell-Szasz Dr. Peter White I BAYARD TAYLOR AND HIS TRANSATLANTIC REPRESENTATIONS OF GERMANY: A NINETEENTH-CENTURY AMERICAN ENCOUNTER BY JOHN STEPHAN KEMP B.A., History, University of New Mexico, 1987 M.A., Western World to 1500, University of New Mexico, 1992 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico May, 2014 II DEDICATION In memory of Chuck Preston, my UNM English 102 instructor, who passed away in 1985 - his confidence in my ability kept me in college when I considered dropping out To My parents, John and Hilde Kemp, without whose unwavering support and encouragement I would have faltered long ago To My daughters, Josefa, Amy, and Emily, who are the lights of my life.