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DRAGON Magazine (ISSN 0279-6848) Is Pub- the Occasion, and It Is Now So Noted
DRAGON 1 Publisher: Mike Cook Editor-in-Chid: Kim Mohan Quiet celebration Editorial staff: Marilyn Favaro Roger Raupp Birthdays dont hold as much meaning Patrick L. Price Vol. VII, No. 12 June 1983 for us any more as they did when we were Mary Kirchoff younger. That statement is true for just Office staff: Sharon Walton SPECIAL ATTRACTION about all of us, of just about any age, and Pam Maloney its true of this old magazine, too. Layout designer: Kristine L. Bartyzel June 1983 is the seventh anniversary of The DRAGON Magazine Contributing editors: Roger Moore Combat Computer . .40 Ed Greenwood the first issue of DRAGON Magazine. A playing aid that cant miss National advertising representative: In one way or another, we made a pretty Robert Dewey big thing of birthdays one through five c/o Robert LaBudde & Associates, Inc. if you have those issues, you know what I 2640 Golf Road mean. Birthday number six came and OTHER FEATURES Glenview IL 60025 Phone (312) 724-5860 went without quite as much fanfare, and Landragons . 12 now, for number seven, weve decided on Wingless wonders This issues contributing artists: a quiet celebration. (Maybe well have a Jim Holloway Phil Foglio few friends over to the cave, but thats The electrum dragon . .17 Timothy Truman Dave Trampier about it.) Roger Raupp Last of the metallic monsters? This is as good a place as any to note Seven swords . 18 DRAGON Magazine (ISSN 0279-6848) is pub- the occasion, and it is now so noted. Have Blades youll find bearable lished monthly for a subscription price of $24 per a quiet celebration of your own on our year by Dragon Publishing, a division of TSR behalf, if youve a mind to, and I hope Hobbies, Inc. -
Review Article Patricia Harris Stäblein Patterns of Textual Shift And
Review Article Patricia Harris Stäblein Patterns of Textual Shift and the Alien Hero: Ogier the Dane in the Europeanization of Old French Epic Fueled by numerous recent editions and studies of supposedly inferior Old French epics, and by increasing awareness o the value of Old French epic material in translation, the scholarly world is beginning to move away from an anchorage in the Oxford Roland, one shaped by the political design of nineteenth century France as much as by modern aesthetic preferences. The thrust of this effort is toward understanding how a multi-centered medieval heroic narrative framework expanded and shifted to bind several centuries of European culture. Rencesvals has generally been seen as the consummate form towards which all true Old French epics bend, just as all historical events focus on the supreme facta of the Incarnation and Crucifixion in medieval Christianity. The practice of Old French epic form, however, shows Rencesvals to be only one branch of a luxuriantly boughed tree. Some of that lush narrative braciation is traced in three recent volumes published with the patronage of the Danske Sprog-og- Literaturselskab: I. a facsimile of an incunabulum containing the prose romance Ogier le Dannoys; II. Ogier le Danois dans les littératures européennes by Knud Togeby; III. an edition, modern French translation, and analyses of Karlamagnús saga I, III, VII, and IX by Agnete Loth, Annette Patron-Godefroit, and Povl Skårup.1 First envisaged and partially carried out by Knud Togeby and Pierre Halleux, this trio of books is devoted to elucidating the literary and cultural dimensions of a figure long obscured by the nineteenth-century politicization of Charlemagne and Roland. -
Page, Esquire, and Knight Presents the Best Stories of All Periods of Chivalry, from the Days of the Founding of 1
PREFACE Conditions and Terms of Use William Caxton, the first English printer, who Copyright © Heritage History 2010 published his books with a view to edification as well as to Some rights reserved recreation, thought it well to include in his library three This text was produced and distributed by Heritage History, an books of chivalry, "wherein his readers should find many organization dedicated to the preservation of classical juvenile history joyous and pleasant histories," and should learn of "the books, and to the promotion of the works of traditional history authors. noble acts of chivalry, the gentle and the virtuous deeds that The books which Heritage History republishes are in the some knights did." He had no question that "for to pass the public domain and are no longer protected by the original copyright. time" his books would be found "pleasant to read in," and They may therefore be reproduced within the United States without he was equally confident that the noble lords and ladies paying a royalty to the author. who read these histories would make good use of the same The text and pictures used to produce this version of the work, and would "take the good and honest acts in remembrance however, are the property of Heritage History and are subject to certain restrictions. These restrictions are imposed for the purpose of protecting and do after them." We of a later day find the stories of the integrity of the work, for preventing plagiarism, and for helping to chivalry likewise pleasant, refreshing, and entertaining, and assure that compromised versions of the work are not widely we echo his thought as to their moral value. -
Excerpt from the Song of Roland D
The Story of the Middle Ages Excerpt from The Song of Roland d 1 Carlon the King, our Emperor Charlemayn, Full seven years long has been abroad in Spain, He’s won the highlands as far as to the main; No castle more can stand before his face, City nor wall is left for him to break, Save Saragossa in its high mountain place; Marsilion holds it, the king who hates God’s name, Mahound he serves, and to Apollyon prays: He’ll not escape the ruin that awaits. AOI 2 Marsilion sat in Saragossa town, He sought an orchard where shade was to be found, On a bright dais of marble he lies down; By twenty thousand his vassals stand around. He calls before him all his dukes and his counts: “Listen, my lords, what affliction is ours! The Emperor Charles that wears fair France’s crown Invades our country our fortunes to confound. I have no host but before him gives ground, I find no force his forces for to flout; Wise men of wit, give counsel to me now, Save me from death and loss of my renown.” There’s ne’er a paynim utters a single sound, Till Blancandrin, Valfonda’s lord, speaks out. 3 Blancandrin’s wise amid the paynim horde;[24-46] He was for valour a mighty knight withal, And fit of wit for to counsel his lord. He tells the king; “Be you afeared for naught, But send to Charles in his pride and his wrath Your faithful service and your friendship henceforth. -
Henry II and Ganelon
Syracuse Scholar (1979-1991) Volume 4 Issue 1 Syracuse Scholar Spring 1983 Article 4 1983 Henry II and Ganelon Paul R. Hyams Follow this and additional works at: https://surface.syr.edu/suscholar Part of the Medieval History Commons Recommended Citation Hyams, Paul R. (1983) "Henry II and Ganelon," Syracuse Scholar (1979-1991): Vol. 4 : Iss. 1 , Article 4. Available at: https://surface.syr.edu/suscholar/vol4/iss1/4 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Syracuse Scholar (1979-1991) by an authorized editor of SURFACE. For more information, please contact [email protected]. Hyams: Henry II and Ganelon Henry II and Ganelon Paul R. Hyams nee upon a time, there was a king of Nantes, called Equitan, 0 a good and courteous ruler, filled with a proper enthusiasm for princely things: Equitan had a seneschal, a good knight, brave and loyal, who took care ofhis landfor him, governed and administered it. Unless the king was making war, he would never, no matter what the emergency, neglect his hunting, his hawking or other amusements. 1 [lines 21-28] In time Equitan fell in love with his seneschal's wife and seduced her, while the ''seneschal sat in court, trying pleas and accusations.'' Now these two illicit lovers came to a hot and sticky end. The wronged Paul R. Hyams was educated at Ox husband killed the couple by upending them in a tub of boiling water ford University and is now a fellow of Pembroke College, Oxford. -
Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS -
King in the Mountain - Wikipedia, the … King in the Mountain
2011/03/11 King in the mountain - Wikipedia, the … King in the mountain From Wikipedia, the free encyclopedia Jump to: navigation , search This article needs additional citations for verification . Please help improve this article by adding reliable references . Unsourced material may be challenged and removed . (July 2009) A king in the mountain , king under the mountain or sleeping hero is a prominent motif in folklore and mythology that is found in many folktales and legends . The Aarne-Thompson classification system for folktale motifs classifies these stories as number 766, relating them to the tale of the Seven Sleepers of Ephesus . Contents [hide ] 1 General features 2 Examples 3 In Tolkien 3.1 Kings under the Mountain 4 The sleeping hero in other popular culture 5 See also 6 References 7 External links General features Frederick sends out the boy to see whether the ravens still fly. en.wikipedia.org/w/index.php?title=Ki… 1/9 2011/03/11 King in the mountain - Wikipedia, the … Constantine XI Palaiologos, the last Byzantine Emperor. King in the mountain stories involve legendary heroes , often accompanied by armed retainers, sleeping in remote dwellings, including caves on high mountaintops, remote islands, or supernatural worlds. The hero is frequently a historical figure of some military consequence in the history of the nation where the mountain is located. The stories gathered by the Brothers Grimm concerning Frederick Barbarossa and Charlemagne are typical of the stories told, and have been influential on many told variants and subsequent adaptations. The presence of the hero is unsuspected, until some herdsman wanders into the cave, typically looking for a lost animal, and sees the hero. -
The Story of Roland for the First Time in a Connected of the Most Noticeable Legends of Roland and Charlemagne
Conditions and Terms of Use THE FORE WORD Copyright © Heritage History 2009 The fairyland of romance is not far removed from the Some rights reserved more sober domains of history. Indeed, the territory of the one sometimes overlaps that of the other; and the boundary line This text was produced and distributed by Heritage History, an organization between them is often dim and ill-defined. This truth is dedicated to the preservation of classical juvenile history books, and to the illustrated in the legends which have come down to us from the promotion of the works of traditional history authors. middle ages. In those rude, uncultured times, men did not care The books which Heritage History republishes are in the public domain and greatly to sift fact from fiction, nor to pry into the likelihood of are no longer protected by the original copyright. They may therefore be reproduced things. No matter how improbable a story might be, if it were within the United States without paying a royalty to the author. pleasing to them, they never thought of questioning its truth. Most of the earlier legends began in song: they were sung or The text and pictures used to produce this version of the work, however, are the property of Heritage History and are licensed to individual users with some recited by wandering bards or minstrels long before they were restrictions. These restrictions are imposed for the purpose of protecting the integrity written down. They have in them usually some slender thread of of the work itself, for preventing plagiarism, and for helping to assure that real history, so covered over with traditions, and mixed up with compromised or incomplete versions of the work are not widely disseminated. -
“Trials” and Tribulations Vice President Bob Katz
Volume 10, Issue 9 May 13, 2016 USBF President Howie Weinstein USBF “Trials” and Tribulations Vice President Bob Katz UNITED STATES BRIDGE CHAMPIONSHIPS USBF COO & Secretary Jan Martel USBF Chief Financial Officer # TEAM TOTAL 1-15 16-30 31-45 46-60 Stan Subeck Directors - USBC 1 Coren 156 25 49 33 49 Chris Patrias Sol Weinstein 4 Fleisher 130 17 31 43 39 Operations Manager McKenzie Myers 2 Diamond 162 24 37 68 33 Appeals Administrator Suzi Subeck 3 Fireman 94 37 16 13 28 Appeals Committee: Bart Bramley Larry Cohen Steve Garner Some interesting facts (or possibly fiction) about playing cards. David Caprera It is said that each of the suits on a deck of cards in a card game represents the four major pillars of the John Lusky Dan Morse economy in the Middle Ages: Hearts represented the Church, Spades represented the military, Clubs Beth Palmer represented agriculture, and Diamonds represented the merchant class. Kerri Sanborn Ron Smith Each face card in a deck of playing cards is said to represent a great person from history: Stan Subeck Adam Wildavsky King of Spades – David Tom Carmichael King of Hearts – Charles (possibly Charlemagne, or Charles VII, where Rachel would then be the Danny Sprung pseudonym of his mistress, Agnès Sorel) Ronnie Gerard King of Diamonds – Julius Caesar Steve Robinson King of Clubs – Alexander the Great Robb Gordon Lew Stansby Queen of Spades – Pallas Peter Boyd Queen of Hearts – Judith Video Queen of Diamonds – Rachel (either biblical, historical (see Charles above), or ythical as a corruption of Marcin Waslowicz -
Origin Myths As a Device of National Affirmation in Catalonia and Scotland Sergi Mainer
You are accessing the Digital Archive of the Esteu accedint a l'Arxiu Digital del Catalan Catalan Review Journal. Review By accessing and/or using this Digital A l’ accedir i / o utilitzar aquest Arxiu Digital, Archive, you accept and agree to abide by vostè accepta i es compromet a complir els the Terms and Conditions of Use available at termes i condicions d'ús disponibles a http://www.nacs- http://www.nacs- catalanstudies.org/catalan_review.html catalanstudies.org/catalan_review.html Catalan Review is the premier international Catalan Review és la primera revista scholarly journal devoted to all aspects of internacional dedicada a tots els aspectes de la Catalan culture. By Catalan culture is cultura catalana. Per la cultura catalana s'entén understood all manifestations of intellectual totes les manifestacions de la vida intel lectual i and artistic life produced in the Catalan artística produïda en llengua catalana o en les language or in the geographical areas where zones geogràfiques on es parla català. Catalan Catalan is spoken. Catalan Review has been Review es publica des de 1986. in publication since 1986. Identity under Treat: Origin Myths as a Device of National Affirmation in Catalonia and Scotland Sergi Mainer Catalan Review, Vol. XVII, number 1, (2003), p. 67-78 IDENTITY UNDER THREAT: ORIGIN MYTHS AS A DEVICE OF NATIONAL AFFIRMATION IN CATALONIA AND SCOTLANDI SERGI MAINER Au nations have endeavoured to forge art image of their own, an image which is loved and in which everybody believes even if it do es not necessarily correspond to reality. An image constructed upon an ideological framework of myths, legends and symbols. -
Charlemagne and the Matter of France
Charlemagne And The Matter Of France OSHER 675-002 Dates: Thursdays: October 15 – November 19 Time: 1:30 pm – 3:00 pm Location: Online via Zoom Instructor: Gordon Jones Course Description: The Matter of France is the second of the three great “matters” of medieval European literature. The first, the Matter of Britain, deals with King Arthur and legends and myths associated with him; the third, the Matter of Rome, deals with material from classical history and mythology. The Matter of France is sometimes called the Carolingian Cycle as it springs from the historical figure of Charlemagne, to whose existence has been attached to a body of literature and legendary material associated with the history (and pseudo-history) of France, the Crusades, and the Holy Land. This course will begin with the historical Charlemagne and the Holy Roman Empire, and then examine the more romantic Charlemagne and his Twelve Peers (or Paladins), as they were dealt with in the Old French chansons de geste, providing inspiration and subject matter for medieval and Renaissance epics, art, and, later, novels and operas. Course Overview: (Tentatively) Week1: The historical Charlemagne and the Holy Roman Empire Week2: The Song of Roland and the introduction of the Twelve Peers Week3: The Twelve Peers in Italy and Jerusalem Week4: The Northern connections: Ogier the Dane; Valentine and Orson, Willehalm (Charlemagne’s cousin), and others Week5: The Southern French connection. Charlemagne in Occitania Week6: Everything else, including modern adaptations (I say “tentatively,” because much will depend on the level of familiarity with the subject matter on the part of the class, and where our collective interests may lead us. -
© Osprey Publishing • CHARLEMAGNE and the PALADINS
© Osprey Publishing • www.ospreypublishing.com CHARLEMAGNE AND THE PALADINS BY JULIA CRESSWELL ILLUSTRATED BY MIGUEL COIMBRA © Osprey Publishing • www.ospreypublishing.com Contents Introduction 4 Charlemagne in History and Legend 6 Bertha Bigfoot • Charlemagne's Ancestors • Describing the Historical Charlemagne • Describing the Fictional Charlemagne • Te Young Charlemagne • Charlemagne's Adventures in Jerusalem and Constantinople • Charlemagne and Harun al-Rashid • Charlemagne the Sinner The Paladins 17 Te Major Paladins • Other Key Characters The Song of Roland 23 An Embassy from Marsile • Te Betrayal • Te Pass of Roncevalles • Te Second Assault • Te Death of Roland • Charlemagne's Dream • Te Final Battle • Trial by Combat Roland and Oliver 35 Te First Meeting • Fierabras the Giant • Te Giant Ferragus Guy of Burgundy 41 Ogier the Dane 46 Ogier the Outlaw • Te Later Tales of Ogier Turpin 53 Te Pseudo-Turpin The Italian Versions 58 Orlando Innamorato • Rogero and Bradamante • Orlando Furioso Childe Roland 67 Charlemagne’s Long Afterlife 72 Charlemagne's Tomb • Sainthood and Politics Furthur Reading 79 © Osprey Publishing • www.ospreypublishing.com Introduction Tere was once a time, not too long ago, that stories about Charlemagne were as well-known as those about King Arthur. Why they have fallen out of fashion is a puzzle, because they are just as varied, interesting and exciting as those about Arthur and his knights. Perhaps we are uncomfortable because Charlemagne is a historical fgure, and we dislike mixing fact and fction. For many centuries the stories in this book were treated as historical fact. It was only in the 18th century that people began to seriously question the story presented by the legends.