Origin Myths As a Device of National Affirmation in Catalonia and Scotland Sergi Mainer
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Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
The Historical Background of Catalan Separatism: the Case of Occitania
Przegląd Narodowościowy / Review of Nationalities • nr 10/2020 • A new wave of separatism in the world ISSN 2084-848X (print) • ISSN 2543-9391 (on-line) • DOI 10.2478/pn-2020-0011 Rozalia Sasor* Jagiellonian University, Kraków, Poland https://orcid.org/0000-0003-1461-8453 The historical background of Catalan separatism: The case of Occitania Introduction Provencal troubadours are widely known, however not everyone realizes that the type of lyric that made them famous was popular not only in the relatively small region of Provence and treating it as a part of history of French literature is a methodological sim- plification. The poetry of troubadours, with its characteristic metric forms and themes – the most famous being naturally the concept of fin’amor, courtly love – belongs to the original, native works of the whole langue d’Oc area, meaning not only Occitania, but also the Crown of Aragon. The political domination of the counts of Barcelona, and later the kings of Catalan-Aragonese Crown in the region beyond the Pyrenees not only fa- cilitated the intermingling of cultures in this area. It also led to the creation of one, com- mon, Occitan-Catalan cultural environment, where the poets of Languedoc, Provence and Catalonia travelled between the noble courts and composed songs in the same style and language. Due to this it makes more historical sense to include their poetry not in the history of French literature, but Catalan literature that in the 14th century still used Occitan language, alien to the works of langue d’oïl. The same fact makes understand- able the claims of Catalan people regarding the separateness of their own culture from the culture of Castille, at least with regard to the Middle Ages. -
Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100
Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100 Adam Christopher Matthews Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 1 ©2021 Adam Christopher Matthews All Rights Reserved 2 Abstract Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100 Adam Christopher Matthews With the collapse of the Visigothic kingdom, the judges of Catalonia and southern France worked to keep the region‘s traditional judicial system operable. Drawing on records of judicial proceedings and church dedications from the ninth century to the end of the eleventh, this dissertation explores how judges devised a liturgically-influenced court strategy to invigorate rulings. They transformed churches into courtrooms. In these spaces, changed by merit of the consecration rite, community awe for the power infused within sacred space could be utilized to achieve consensus around the legitimacy of dispute outcomes. At the height of a tribunal, judges brought litigants and witnesses to altars, believed to be thresholds of Heaven, and compelled them to authenticate their testimony before God and his saints. Thus, officials supplemented human means of enforcement with the supernatural powers permeating sanctuaries. This strategy constitutes a hybridization of codified law and the belief in churches as real sacred spaces, a conception that emerged from the Carolingian liturgical reforms of the ninth century. In practice, it provided courts with a means to enact the mandates from the Visigothic Code and to foster stability. The result was a flexible synthesis of law, liturgy, and sacred space that was in many cases capable of harnessing spiritual and community pressure in legal proceedings. -
DRAGON Magazine (ISSN 0279-6848) Is Pub- the Occasion, and It Is Now So Noted
DRAGON 1 Publisher: Mike Cook Editor-in-Chid: Kim Mohan Quiet celebration Editorial staff: Marilyn Favaro Roger Raupp Birthdays dont hold as much meaning Patrick L. Price Vol. VII, No. 12 June 1983 for us any more as they did when we were Mary Kirchoff younger. That statement is true for just Office staff: Sharon Walton SPECIAL ATTRACTION about all of us, of just about any age, and Pam Maloney its true of this old magazine, too. Layout designer: Kristine L. Bartyzel June 1983 is the seventh anniversary of The DRAGON Magazine Contributing editors: Roger Moore Combat Computer . .40 Ed Greenwood the first issue of DRAGON Magazine. A playing aid that cant miss National advertising representative: In one way or another, we made a pretty Robert Dewey big thing of birthdays one through five c/o Robert LaBudde & Associates, Inc. if you have those issues, you know what I 2640 Golf Road mean. Birthday number six came and OTHER FEATURES Glenview IL 60025 Phone (312) 724-5860 went without quite as much fanfare, and Landragons . 12 now, for number seven, weve decided on Wingless wonders This issues contributing artists: a quiet celebration. (Maybe well have a Jim Holloway Phil Foglio few friends over to the cave, but thats The electrum dragon . .17 Timothy Truman Dave Trampier about it.) Roger Raupp Last of the metallic monsters? This is as good a place as any to note Seven swords . 18 DRAGON Magazine (ISSN 0279-6848) is pub- the occasion, and it is now so noted. Have Blades youll find bearable lished monthly for a subscription price of $24 per a quiet celebration of your own on our year by Dragon Publishing, a division of TSR behalf, if youve a mind to, and I hope Hobbies, Inc. -
The Crown of Aragon
The Crown of Aragon A Singular Mediterranean Empire Edited by Flocel Sabaté Linguistic correction by Chris Boswell LEIDEN | BOSTON For use by the Author only | © 2017 Koninklijke Brill NV Contents Preface vii Flocel Sabaté List of Maps xi List of Contributors xii 1 The Crown of Aragon in Itself and Overseas: A Singular Mediterranean Empire 1 Flocel Sabaté 2 The Northeast Iberian Peninsula and its Muslim Rulers (Eighth–Twelfth Century) 37 Jesús Brufal 3 Aragon and the Catalan Counties Before the Union 70 Adam J. Kosto 4 An Intense but Stymied Occitan Campaign 92 Pere Benito 5 The Culture (Ninth–Twelfth Centuries): Clerics and Troubadours 125 Isabel Grifoll 6 The Romanesque in the Mountains and on the Border 150 Xavier Barral-i-Altet 7 Territory, Power and Institutions in the Crown of Aragon 172 Flocel Sabaté 8 The Beginnings of Urban Manufacturing and Long Distance Trade 201 Antoni Riera 9 Crises and Changes in the Late Middle Ages 237 Antoni Riera For use by the Author only | © 2017 Koninklijke Brill NV vi Contents 10 The Commercial Influence of the Crown of Aragon in the Eastern Mediterranean (Thirteenth–Fifteenth Centuries) 279 Damien Coulon 11 The People: Labourers and Rulers in an Expanding Society 309 Maria Bonet 12 Islands and the Control of the Mediterranean Space 337 Alessandra Cioppi and Sebastiana Nocco 13 Language: From the Countryside to the Royal Court 361 Lola Badia and Isabel Grifoll 14 Writers at the End of Middle Ages 387 Lola Badia 15 A Gothic Mediterranean Catalan Art 411 Xavier Barral-i-Altet 16 Identities in Contact in the Mediterranean 431 Flocel Sabaté 17 The Medieval Legacy: Constitutionalism versus Absolutism. -
Dynastic Marriage in England, Castile and Aragon, 11Th – 16Th Centuries
Dynastic Marriage in England, Castile and Aragon, 11th – 16th Centuries Lisa Joseph A Thesis submitted in fulfilment of the requirement for the degree of Masters of Philosophy The University of Adelaide Department of History February 2015 1 Contents Abstract 3 Statement of Originality 4 Acknowledgements 5 Abbreviations 6 Introduction 7 I. Literature Review: Dynastic Marriage 8 II. Literature Review: Anglo-Spanish Relations 12 III. English and Iberian Politics and Diplomacy, 14 – 15th Centuries 17 IV. Sources, Methodology and Outline 21 Chapter I: Dynastic Marriage in Aragon, Castile and England: 11th – 16th Centuries I. Dynastic Marriage as a Tool of Diplomacy 24 II. Arranging Dynastic Marriages 45 III. The Failure of Dynastic Marriage 50 Chapter II: The Marriages of Catherine of Aragon I. The Marriages of the Tudor and Trastámara Siblings 58 II. The Marriages of Catherine of Aragon and Arthur and Henry Tudor 69 Conclusion 81 Appendices: I. England 84 II. Castile 90 III. Aragon 96 Bibliography 102 2 Abstract Dynastic marriages were an important tool of diplomacy utilised by monarchs throughout medieval and early modern Europe. Despite this, no consensus has been reached among historians as to the reason for their continued use, with the notable exception of ensuring the production of a legitimate heir. This thesis will argue that the creation and maintenance of alliances was the most important motivating factor for English, Castilian and Aragonese monarchs. Territorial concerns, such as the protection and acquisition of lands, as well as attempts to secure peace between warring kingdoms, were also influential elements considered when arranging dynastic marriages. Other less common motives which were specific to individual marriages depended upon the political, economic, social and dynastic priorities of the time in which they were contracted. -
^ I F T G L F T S I D
*• .V. A: 3 rTfy!'?f 'iW ft'-’' &&m h ^ iftglftsiDum An Independent Newspaper ©evoted to the Interests of the People of Hightstown and Vicinity 116TH YEAR-No. 36 HIGHTSTOWN GAZETTE, MERCER COUNTY, NEW JERSEY, THURSDAY, MARCH 4, 1965 PRICE-FIVE CENTS Westerlea Apartments GOP Meeting Require Outside Mirror Pool Plan Withdrawn Fooling With An application to build a private To Disclose On New Passenger Cars swimming pool at the Westerlea Knife Costs Apartments off South Main street Motor Vehicle Director June Stre- on the driver's side. However, if has been temporarily withdrawn, Bank Project lecki today reminded purchasers of the driver's view in the rear mirror Joseph Hoch, chairman of the Man His Life new passnger vehicles of the re is obstructed or obscured by con Borough Zoning Board of Ad quirement that all vehicles manufac struction design or by load, the ve justment, announced over the Director Coates Will tured and sold after January 1 be hicle must be equipped with an ex weekend. Find Migrant Laborer equipped with a rear view mirror terior mirror on the side of the ve Detail First Public and an exterior mirror on the driv hicle opposite the driver’s side. An attorney for the apartment toead in 2d Incident er’s side. owner told the board he would Airing of Project Miss Strelecki pointed out that submit an altered plan later. His On Cranbury Farm This new law also specifies that what the law simply says is if you original annlication was met with every commercial vehicle registered cannot observe the traffic pattern objections from neighbors at a The proposed face-lifting of the in this state, other than a trailer or through your rear view mirror, you session of the board last month. -
Barcelona Abstracts
CATALONIA IN THE ROMANESQUE PERIOD Expansion in Twelfth Century Catalonia. Counties, Towns and the Church Maria Bonet Donato The Catalan territories experienced very significant territorial expansion and economic growth in the twelfth century. New institutions and new forms of government responded to these changes and boosted them. This can be seen in the redefinition of county power, the beginnings of urban governance and the introduction of new ecclesiastical organizations. In the early twelfth century, the Catalan counties were a mosaic of political powers while by the end of the century they were to some extent subject to the hegemony of the County of Barcelona, whose holder was the King of Aragon. As Count of Barcelona, Ramon Berenguer IV reinforced his leadership thanks to his marriage with the heiress to the kingdom of Aragon. Additionally, he became pre-eminent among other regional powers with the conquest and administration of the Southern lands from mid-century. From then on signs of population and economic growth become evident, manifesting themselves in the proliferation of villages, the development of cities, and an increase of artisanal, agricultural and commercial activity. As with the political situation, Barcelona lead the rise in commerce, although other towns prospered as regional centers. Social and economic developments called for a new organization of power, in order to guarantee peace, and favor commerce and military efficiency. The Count and his son, King Alfonso II, known as Alfonso the Chaste, claimed responsibility for these things, just as they did military leadership. However, in practice, they favored the deployment of other powers in the territories under their dominion, urban or ecclesiastical institutions as well as their own delegates. -
Review Article Patricia Harris Stäblein Patterns of Textual Shift And
Review Article Patricia Harris Stäblein Patterns of Textual Shift and the Alien Hero: Ogier the Dane in the Europeanization of Old French Epic Fueled by numerous recent editions and studies of supposedly inferior Old French epics, and by increasing awareness o the value of Old French epic material in translation, the scholarly world is beginning to move away from an anchorage in the Oxford Roland, one shaped by the political design of nineteenth century France as much as by modern aesthetic preferences. The thrust of this effort is toward understanding how a multi-centered medieval heroic narrative framework expanded and shifted to bind several centuries of European culture. Rencesvals has generally been seen as the consummate form towards which all true Old French epics bend, just as all historical events focus on the supreme facta of the Incarnation and Crucifixion in medieval Christianity. The practice of Old French epic form, however, shows Rencesvals to be only one branch of a luxuriantly boughed tree. Some of that lush narrative braciation is traced in three recent volumes published with the patronage of the Danske Sprog-og- Literaturselskab: I. a facsimile of an incunabulum containing the prose romance Ogier le Dannoys; II. Ogier le Danois dans les littératures européennes by Knud Togeby; III. an edition, modern French translation, and analyses of Karlamagnús saga I, III, VII, and IX by Agnete Loth, Annette Patron-Godefroit, and Povl Skårup.1 First envisaged and partially carried out by Knud Togeby and Pierre Halleux, this trio of books is devoted to elucidating the literary and cultural dimensions of a figure long obscured by the nineteenth-century politicization of Charlemagne and Roland. -
Appendix for “The Feudal Revolution and Europe's Rise: Political
Appendix for “The Feudal Revolution and Europe’s Rise: Political Divergence of the Christian West and the Muslim World before 1500 CE” August 1, 2012 1 Feudalism and Political Stability To formalize the intuition presented in Section 3.3 using a simple framework, suppose that a perfectly myopic, risk-neutral sovereign imperfectly controls a polity that creates output of size one each period. Denote by γ the amount of land controlled by the military regardless of the actions of the sovereign (this can be interpreted as the percentage of the entire polity controlled by the military). Suppose that there are N perfectly myopic, risk-neutral members of the military (where N is sufficiently large) and that γ is evenly distributed between the members of this class. We consider the parameter value γ exogenously given. A value of γ = 0 corresponds to a perfectly absolutist sovereign (who uses mamluks or mercenaries to staff his military) whereas higher values of γ denote more feudal arrangements. Note that our assumption of perfectly myopic agents allows us to abstract from the potentially important issue of how the sovereign compensates the military (i.e., iqta’ rents versus land grants).1 In addition, we abstract from other important issues in order to focus on the sovereign’s desire to prevent a successful revolt. We do so in order to highlight one mechanism that we believe contributes to the observed increase in ruler duration. The order of play in the game is as follows: after observing γ the sovereign moves first and decides whether to keep the entire amount of output he controls to himself or whether to divide it equally between himself and the military. -
Page, Esquire, and Knight Presents the Best Stories of All Periods of Chivalry, from the Days of the Founding of 1
PREFACE Conditions and Terms of Use William Caxton, the first English printer, who Copyright © Heritage History 2010 published his books with a view to edification as well as to Some rights reserved recreation, thought it well to include in his library three This text was produced and distributed by Heritage History, an books of chivalry, "wherein his readers should find many organization dedicated to the preservation of classical juvenile history joyous and pleasant histories," and should learn of "the books, and to the promotion of the works of traditional history authors. noble acts of chivalry, the gentle and the virtuous deeds that The books which Heritage History republishes are in the some knights did." He had no question that "for to pass the public domain and are no longer protected by the original copyright. time" his books would be found "pleasant to read in," and They may therefore be reproduced within the United States without he was equally confident that the noble lords and ladies paying a royalty to the author. who read these histories would make good use of the same The text and pictures used to produce this version of the work, and would "take the good and honest acts in remembrance however, are the property of Heritage History and are subject to certain restrictions. These restrictions are imposed for the purpose of protecting and do after them." We of a later day find the stories of the integrity of the work, for preventing plagiarism, and for helping to chivalry likewise pleasant, refreshing, and entertaining, and assure that compromised versions of the work are not widely we echo his thought as to their moral value. -
COAT of ARMS of KING FERDINAND the CATHOLIC Kingdom of Naples(?), 1504-1512 Coat of Arms of King Ferdinand the Catholic Kingdom of Naples(?), 1504-1512
COAT OF ARMS OF KING FERDINAND THE CATHOLIC Kingdom of Naples(?), 1504-1512 Coat of Arms of King Ferdinand the Catholic Kingdom of Naples(?), 1504-1512 Marble 113 x 73.5 cm Carved out of marble, this coat of arms of King Ferdinand the Catholic represents both his lineage and his sovereignties. It is rectangular, with rounded inferior angles, ending in a point at the base and three points at the chief, a common shape in early sixteenth-century Spain. It is a quartered coat of arms, with its first and fourth quarters counterquartered with the arms of Castile-Leon, and its second and third quarters tierced per pale with the arms of Aragon, counterquartered per saltire with Sicily and counter-tierced with the arms of Hungary, Anjou and Jerusalem referring to Naples, besides the enté en point for Granada. It is crested by an open royal crown that has lost its rosette cresting, and it was originally supported by an eagle, as shown by the claws on the third and fourth quarters and the springing of the wings and the neck above the crown. Ferdinand the Catholic and the arms of Castile-Leon The counterquartered for Castile-Leon features, in the first and fourth quarters, a crenelated castle with three merlons, an emblem for the Castilian monarchs adopted by Alfonso VIII shortly before 1176 and, in the second and third quarters, the crowned lion rampant of the monarchs of Leon, of pre-heraldic origins, around the mid-eleventh century. The combination emerged as a symbol for the union of the kingdoms of Castile and Leon in 1230 effected by Ferdinand III the Saint.