The Case of the Catalan Nation a Historical Summary
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Une Catalogne Indepéndante? European Geopolitics and The
TEMPORARY EXHIBIT European Geopolitics and the Spanish Civil War (1936-1939) ENGLISH Democratic Memorial June 2017 “Une Catalogne indépendante”? European Geopolitics and the Spanish Civil War (1936-1939) Temporary Exhibit · Democratic Memorial · June 2017 1. EXHIBITION SCRIPT 0 . «Une Catalogne indépendante»? European Geopolitics and the Spanish Civil War (1936-1939) 1. What never was. The crude realpolitik of international relations 2. The radical transformation of the map of Europe between World War I and II. 1919-1945 2.1. New borders, new countries 2.2.The idea of Europe 2.3. Diplomacy: A game? 2.4. Calling on France 3. Catalonia existed in the world; the world was present in Catalonia. 3.1. Catalonia as a subject 3.2. The Italian view. Mussolini’s policy of Mediterranean power 3.3. Foreigners in Catalonia 3.4. Barcelona was also a city of diplomats. 3.5. Barcelona, a great city of the Western Mediterranean. 4. A Catalan Maginot line? The importance of the third French front in a European war 4.1. The Pyrenees, the importance of the southern border to France 4.2. Franco before Stalin! Fear of communism. 4.3. The port of Barcelona, a desirable location 4.4. A View from Catalonia 5. A real debate amidst rumours. Catalan independence in an international Spanish Civil War 5.1. Madrid’s fate determines the future of Catalonia 5.2. A de facto independence 5.3. Catalonia or Spain, an unresolved dilemma (May 1937 - April 1939) 6. Why didn’t it occur? “Une Catalogne indépendante”? European Geopolitics and the Spanish Civil War (1936-1939) Temporary Exhibit · Democratic Memorial · June 2017 0 . -
Spain Research Flip Book
Research Flip Book 2019 Stacey Jones at Simple Living. Creative Learning PINTEREST! | WEBSITE | FACEBOOK All rights reserved. No part of this book may be reproduced, stored or transmitted in any form by any means without prior permission of the publisher. This workbook is licensed for personal/family use only. YOU MAY: ! Use these files for personal use only. ! Use in your personal classroom ! Download the files to your personal computer. ! Print as many copies as you would like to use for your personal use. ! Direct other to our website: https://simplelivingcreativelearning.com YOU MAY NOT: ! Edit any of these printables. ! Share the files with anyone else. ! Store or sell them on any website. ! Claim them as your own. ! Print and sell or distribute them to others Graphics and Font: Facts & Flag & Facts Research Flip Book Map This is how the book will look when printed out and stapled Culture together on the left hand side. History Interesting Interesting Name: Facts !!!!!!!!!!!!!!!! Simple Living. Creative Learning ! Research Flip Book Name: !!!!!!!!!!!!!!!! Simple Living. Creative Learning ! Facts & Flag & Facts Quick Facts Capital City: Religion: Population: Language: Continent: Currency: Neighbouring Countries: Government: Flag Color in the Flag. The flag of Spain has three horizontal bands on it. The top and bottom bands are red while the middle band is thicker and golden yellow in color. Off center on the yellow band is the Spanish coat of arms. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Simple Living. Creative Learning ! Map Find Spain on the world map and color it in. Map ! Place a star where the capital city is ! Write in the Bay of Biscay ! Write in the Mediterranean Sea ! Write in France and Portugal where they are located ! Draw in the Pyrenees Mountains Spain has a land area size of!!!!!!!!!!!!!!!!!!!!" !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Simple Living. -
Greek Mythology at the Service of the Portuguese Inquisition: the Case of Hercules and the Hydra of Lerna
Athens Journal of Mediterranean Studies- Volume 1, Issue 1 – Pages 25-44 Greek Mythology at the Service of the Portuguese Inquisition: The Case of Hercules and the Hydra of Lerna By Milton Dias Pacheco Greek mythology has been along the centuries a fruitful source of inspiration to artists and writers, as it possesses the strength of expressing symbolically the most common circumstances of life. Regarding the threats that in every age put in danger human life the most popular figure was maybe the Hydra that infested the region of the Lake of Lerna, in Argolis. This mythical figure may still have an older origin as it is connected with chthonic dangers. Because of its terrifying aspect, reptilian traits and poisonous breath, it was related to the evil and the domains of Hell. Later the Hydra significance became larger and deeper as it represented the heresies that could affect the Christian orthodoxy. According to this point of view, every defender of the Catholic Faith was immediately compared to Hercules, the Greek hero who succeeded in killing the mythological Hydra monster. In this way, it is easy to understand why this representation was often used in connection with the Iberian Habsburg Kings, as it worked as a political strategy of this dynasty, in which the Spanish Habsburgs were faced as the guardians and defenders of the Church of Rome, mainly in times when the Inquisition developed a determinative role. An illustrative example of this was the decoration of the arch built by the Inquisition in Lisbon, when King Philip II of Portugal visited the Portuguese Empire capital. -
Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven***
170 Constructing Contemporary Nationhood in the Museums and Heritage Centres of Catalonia Colin Breen*, Wes Forsythe**, John Raven*** Abstract Geographically, Spain consists of a complex mosaic of cultural identities and regional aspirations for varying degrees of autonomy and independence. Following the end of violent conflict in the Basque country, Catalonia has emerged as the most vocal region pursuing independence from the central Spanish state. Within the Catalan separatist movement, cultural heritage sites and objects have been appropriated to play an intrinsic role in supporting political aims, with a variety of cultural institutions and state-sponsored monumentality playing an active part in the formation and dissemination of particular identity-based narratives. These are centred around the themes of a separate and culturally distinct Catalan nation which has been subject to extended periods of oppression by the varying manifestations of the Spanish state. This study addresses the increasing use of museums and heritage institutions to support the concept of a separate and distinctive Catalan nation over the past decade. At various levels, from the subtle to the blatant, heritage institutions are propagating a message of cultural difference and past injustice against the Catalan people, and perform a more consciously active, overt and supportive role in the independence movement. Key words: Catalonia, museums, heritage, identity, nationhood Across contemporary Europe a range of nationalist and separatist movements are again gaining momentum (Borgen 2010). From calls for independence in Scotland and the divisive politics of the Flemish and Walloon communities in Belgium, to the continually complicated political mosaic of the Balkan states, there are now a myriad of movements striving for either greater or full autonomy for their region or peoples. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
La Delimitació De La Frontera Hispanofrancesa (1659-1868)
La delimitació de la frontera hispanofrancesa (1659-1868) Joan Capdevila Subirana ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tdx.cat) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tdx.cat) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. En la utilización o cita de partes de la tesis es obligado indicar el nombre de la persona autora. -
The Historical Background of Catalan Separatism: the Case of Occitania
Przegląd Narodowościowy / Review of Nationalities • nr 10/2020 • A new wave of separatism in the world ISSN 2084-848X (print) • ISSN 2543-9391 (on-line) • DOI 10.2478/pn-2020-0011 Rozalia Sasor* Jagiellonian University, Kraków, Poland https://orcid.org/0000-0003-1461-8453 The historical background of Catalan separatism: The case of Occitania Introduction Provencal troubadours are widely known, however not everyone realizes that the type of lyric that made them famous was popular not only in the relatively small region of Provence and treating it as a part of history of French literature is a methodological sim- plification. The poetry of troubadours, with its characteristic metric forms and themes – the most famous being naturally the concept of fin’amor, courtly love – belongs to the original, native works of the whole langue d’Oc area, meaning not only Occitania, but also the Crown of Aragon. The political domination of the counts of Barcelona, and later the kings of Catalan-Aragonese Crown in the region beyond the Pyrenees not only fa- cilitated the intermingling of cultures in this area. It also led to the creation of one, com- mon, Occitan-Catalan cultural environment, where the poets of Languedoc, Provence and Catalonia travelled between the noble courts and composed songs in the same style and language. Due to this it makes more historical sense to include their poetry not in the history of French literature, but Catalan literature that in the 14th century still used Occitan language, alien to the works of langue d’oïl. The same fact makes understand- able the claims of Catalan people regarding the separateness of their own culture from the culture of Castille, at least with regard to the Middle Ages. -
The Tubal Figure in Early Modern Iberian Historiography, 16Th and 17Th Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revistes Catalanes amb Accés Obert THE TUBAL FIGURE IN EARLY MODERN IBERIAN HISTORIOGRAPHY, 16TH AND 17TH CENTURY MATTHIAS GLOËL UNIVERSIDAD CATÓLICA DE TEMUCO CHILE Date of receipt: 16th of May, 2016 Final date of acceptance: 13th of September, 2016 ABSTRACT This study is dedicated to the use of the biblical figure Tubal in early modern Iberian chronicles. The focus will be centered on how it is used in different ways in the different kingdoms (Castile, Aragon, Catalonia, Valencia, Portugal and the Basque Provinces and Navarre) and what the authors are trying to achieve through this. Results show that while Castilian authors try to prove Spanish antiquity with the Tubal settlement, in other kingdom, especially in Catalonia, Portugal and Navarre there is a more regional use of the myth. Most of these authors try to prove that their own kingdom is the territory where Tubal settled, which would give a pre-eminence of antiquity to it in comparison to the other Iberian territories. KEYWORDS Early Modern History, Chronicles, Myths, Spanish Monarchy, Tubal. CapitaLIA VERBA Prima Historia Moderna, Chronica, Mythi, Monarchia Hispanica, Tubal. IMAGO TEMPORIS. MEDIUM AEVUM, XI (2017) 27-51 / ISSN 1888-3931 / DOI 10.21001/itma.2017.11.01 27 28 MATTHIAS GLOËL 1. Introduction Myths have always played an outstanding part in human history and they are without any doubt much older than science. This is also valid for chronicles or historiographical works. Christian historians in particular broke up the division between myth and history, which had been established by classical historiography.1 Only pagan stories remained myths, while the Bible gained the recognition of true history.2 Early Modern chronicles from the Iberian Peninsula are no exception to this phenomenon. -
The Catalan Struggle for Independence
THE CATALAN STRUGGLE FOR INDEPENDENCE An analysis of the popular support for Catalonia’s secession from Spain Master Thesis Political Science Specialization: International Relations Date: 24.06.2019 Name: Miquel Caruezo (s1006330) Email: [email protected] Supervisor: Dr. Angela Wigger Image Source: Photo by NOTAVANDAL on Unsplash (Free for commercial or non-commercial use) Table of Contents Abstract ................................................................................................................................................... 1 Introduction ............................................................................................................................................ 2 Chapter 1: Theoretical Framework ......................................................................................................... 7 1.1 Resource Mobilization Theory ...................................................................................................... 7 1.1.1 Causal Mechanisms ................................................................................................................ 9 1.1.2 Hypotheses........................................................................................................................... 10 1.2 Norm Life Cycle Theory ............................................................................................................... 11 1.2.1 Causal Mechanisms ............................................................................................................. -
Bulls and Donkeys. National Identity and Symbols in Catalonia and Spain
9TH ANNUAL JOAN GILI MEMORIAL LECTURE Miquel Strubell i Trueta Bulls and donkeys. National identity and symbols in Catalonia and Spain The Anglo-Catalan Society 2008 2 Bulls and donkeys. National identity and symbols in Catalonia and Spain 9TH ANNUAL JOAN GILI MEMORIAL LECTURE Miquel Strubell i Trueta Bulls and donkeys. National identity and symbols in Catalonia and Spain The Anglo-Catalan Society 2008 2 3 The Annual Joan Gili Memorial Lecture Bulls and donkeys. National identity and symbols in Catalonia and 1 Spain In this paper, after an initial discussion about what identity means and how to measure it, I intend to review some studies and events in Spain in which identity issues arise. The conclusion will be reached that identities in Spain, in regard to people’s relationship with Spain itself and with Catalonia, are by no means shared, and the level of both stereotyping and prejudice, on the one hand, and of collective insecurity (even “self-hatred”) on the other, are, I claim, higher than in consolidated nation-states of western Europe, with the partial exceptions of the United Kingdom and Belgium. Let me from the outset say how honoured I am, in having been invited to deliver this paper, to follow in the footsteps of such outstanding Catalan academics as Mercè Ibarz, Antoni Segura, Joan F. Mira, Marta Pessarrodona, Miquel Berga … and those before them. The idea of dedicating what up till then had been the Fundació Congrés de Cultura lectures to the memory of Joan Gili (Barcelona 1907 - Oxford 1998) was an inspiration. Unlike some earlier Memorial lecturers, however, I was fortunate enough to have a special personal relationship with him and, of course, with his wife Elizabeth. -
Social Representations and Cross-Border Cooperation La Catalanidad Al Norte Y Al Sur De Los Pirineos: Representaciones Sociales Y Cooperación Transfronteriza
FRONTERA NORTE VOL. 31, ART. 11, 2019 http://dx.doi.org/10.33679/rfn.v1i1.2044 Catalanness to the North and South of the Pyrenees: Social Representations and Cross-Border Cooperation La catalanidad al norte y al sur de los Pirineos: representaciones sociales y cooperación transfronteriza Perla Dayana Massó Soler1 ABSTRACT This article explores the symbolic construction of the border by actors in cooperation projects in the cross-border Catalan region. Drawing on Jerome Bruner’s narrative approach (with an eMphasis on self-stories and Micro-narratives) and the theory of social representations, this work provides an insight into the Multi-diMensional relationship between borders and identities, and the connections between social representations and practices that illustrate cross-border aspects. Thus, the key focus of this analysis is to determine how current practices in terms of flows, passage, and cooperation in Europe influence iMaginaries and the discursive construction of the border. Keywords: 1. Narratives, 2. borders, 3. identity, 4. otherness, 5. Catalonia. RESUMEN El presente artículo se indaga en la construcción siMbólica de la frontera que realizan actores de proyectos de cooperación en el espacio catalán transfronterizo. A partir del enfoque de las narrativas de Jerome Bruner (con énfasis en las auto-historias y Micro- narrativas) y la teoría de las representaciones sociales, nos acercaMos a la relación MultidiMensional fronteras-identidades y a los nexos entre las representaciones y las prácticas sociales que dan cuenta de lo transfronterizo. Constituye, entonces, el eje principal de nuestro análisis determinar de qué Manera las prácticas de flujo, pasaje y cooperación que se consolidan actualMente en el espacio europeo influyen en los iMaginarios y en la construcción discursiva de la frontera. -
Catalonia, Spain and Europe on the Brink: Background, Facts, And
Catalonia, Spain and Europe on the brink: background, facts, and consequences of the failed independence referendum, the Declaration of Independence, the arrest and jailing of Catalan leaders, the application of art 155 of the Spanish Constitution and the calling for elections on December 21 A series of first in history. Examples of “what is news” • On Sunday, October 1, Football Club Barcelona, world-known as “Barça”, multiple champion in Spanish, European and world competitions in the last decade, played for the first time since its foundation in 1899 at its Camp Nou stadium, • Catalan independence leaders were taken into custody in “sedition and rebellion” probe • Heads of grassroots pro-secession groups ANC and Omnium were investigated over September incidents Results • Imprisonment of Catalan independence leaders gives movement new momentum: • Asamblea Nacional Catalana (Jordi Sànchez) and • Òmnium Cultural (Jordi Cuixart), • Thousands march against decision to jail them • Spain’s Constitutional Court strikes down Catalan referendum law • Key background: • The Catalan Parliament had passed two laws • One would attempt to “disengage” the Catalan political system from Spain’s constitutional order • The second would outline the bases for a “Republican Constitution” of an independent Catalonia The Catalan Parliament factions • In the Parliament of Catalonia, parties explicitly supporting independence are: • Partit Demòcrata Europeu Català (Catalan European Democratic Party; PDeCAT), formerly named Convergència Democràtica de Catalunya