The Crown of Aragon
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A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
Sovereignty, Religion and Violence in the Medieval Crown of Aragon
Published on Reviews in History (https://reviews.history.ac.uk) The Mercenary Mediterranean: Sovereignty, Religion and Violence in the Medieval Crown of Aragon Review Number: 2079 Publish date: Thursday, 9 March, 2017 Author: Hussein Fancy ISBN: 9780226329642 Date of Publication: 2016 Price: £26.89 Pages: 296pp. Publisher: Uinveristy of Chicago Press Publisher url: http://press.uchicago.edu/ucp/books/book/chicago/M/bo22776804.html Place of Publication: Chicago, IL Reviewer: Robin Vose Why would a hardened band of foreign jih?di warriors agree to work for a self-proclaimed leader of the Christian world – especially one militantly opposed to Islam, who kept his own Muslim citizens under close surveillance? And why would such a ruler choose to keep that particular type of professional killer in his personal employ? These are not just questions you might expect to see aired by conspiracy theorists in modern tabloid media. They also arise from Hussein Fancy’s meticulous investigation of real episodes in the history of the Crown of Aragon – an important collection of Christian (and frequently crusading) polities that ruled over eastern Spain and other parts of the Mediterranean basin in the later Middle Ages. The apparently contradictory nature of such unlikely instances of interreligious military cooperation serves as his stepping-off point for a fascinating, compelling, and at times provocative study of how political power, religious identity, and the complexities of interfaith relations actually shaped a period which has since become renowned for its bewilderingly intertwined legacies of both violence and coexistence. It is always a pleasant surprise when a serious work of historical research also makes for a stimulating read, as is the case with this book. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Franciscan Saints, Blesseds, and Feasts (To Navigate to a Page, Press Ctrl+Shift+N and Then Type Page Number)
Franciscan Saints, Blesseds, and Feasts (to navigate to a page, press Ctrl+Shift+N and then type page number) Saints St. Francis de Sales, January 29 ................................................ 3 St. Agnes of Assisi, November 19 ..........................................29 St. Francis Mary of Camporosso, September 20 ................24 St. Agnes of Prague, March 2 ...................................................6 St. Francis of Paola, April 2 ........................................................9 St. Albert Chmielowski, June 17 ............................................. 16 St. Francisco Solano, July 14 .....................................................19 St. Alphonsa of the Immaculate Conception, July 28........20 St. Giles Mary of St. Joseph, February 7 ................................4 St. Amato Ronconi, May 8 .......................................................12 St. Giovanni of Triora, February 7 ............................................4 St. Angela Merici, January 27 ................................................... 3 St. Gregory Grassi, July 8 ........................................................ 18 St. Angela of Foligno, January 7 ................................................1 St. Hermine Grivot, July 8 ....................................................... 18 St. Angelo of Acri, October 30 .............................................. 27 St. Humilis of Bisignano, November 25 .................................30 St. Anthony of Padua, June 13 ................................................ 16 St. -
Nerin-En.Pdf
FOLLOWING THE FOOTPRINTS OF COLONIAL BARCELONA Gustau Nerín It is hardly unusual to find people, even highly educated people, who claim Catalonia can analyse colonialism with sufficient objectivity given that it has never taken part in any colonial campaign and never been colonialist. Even though most historians do not subscribe to this view, it is certainly a common belief among ordinary people. Dissociating ourselves from colonialism is obviously a way of whitewashing our history and collective conscience. But Barcelona, like it or not, is a city that owes a considerable amount of its growth to its colonial experience. First, it is obvious that the whole of Europe was infected with colonial attitudes at the height of the colonial period, towards the end of the 19th century and first half of the 20th. Colonial beliefs were shared among the English, French, Portuguese and Belgians, as well as the Swedes, Swiss, Italians, Germans and Catalans. Colonialist culture was constantly being consumed in Barcelona as in the rest of Europe. People were reading Jules Verne’s and Emilio Salgari's novels, collecting money for the “poor coloured folk” at missions in China and Africa and raising their own children with the racist poems of Kipling. The film industry, that great propagator of colonial myths, inflamed passions in our city with Tarzan, Beau Geste and The Four Feathers. Barcelona’s citizens certainly shared this belief in European superiority and in the white man’s burden, with Parisians, Londoners and so many other Europeans. In fact, even the comic strip El Capitán Trueno, which was created by a communist Catalan, Víctor Mora, proved to be a perfect reflection of these colonial stereotypes. -
The Historical Background of Catalan Separatism: the Case of Occitania
Przegląd Narodowościowy / Review of Nationalities • nr 10/2020 • A new wave of separatism in the world ISSN 2084-848X (print) • ISSN 2543-9391 (on-line) • DOI 10.2478/pn-2020-0011 Rozalia Sasor* Jagiellonian University, Kraków, Poland https://orcid.org/0000-0003-1461-8453 The historical background of Catalan separatism: The case of Occitania Introduction Provencal troubadours are widely known, however not everyone realizes that the type of lyric that made them famous was popular not only in the relatively small region of Provence and treating it as a part of history of French literature is a methodological sim- plification. The poetry of troubadours, with its characteristic metric forms and themes – the most famous being naturally the concept of fin’amor, courtly love – belongs to the original, native works of the whole langue d’Oc area, meaning not only Occitania, but also the Crown of Aragon. The political domination of the counts of Barcelona, and later the kings of Catalan-Aragonese Crown in the region beyond the Pyrenees not only fa- cilitated the intermingling of cultures in this area. It also led to the creation of one, com- mon, Occitan-Catalan cultural environment, where the poets of Languedoc, Provence and Catalonia travelled between the noble courts and composed songs in the same style and language. Due to this it makes more historical sense to include their poetry not in the history of French literature, but Catalan literature that in the 14th century still used Occitan language, alien to the works of langue d’oïl. The same fact makes understand- able the claims of Catalan people regarding the separateness of their own culture from the culture of Castille, at least with regard to the Middle Ages. -
El Veloz Igualadino
EL VELOZ IGUALADINO Retrat d’una època 3 ÍNDEX Introducció 3 Metodologia 4 1. Fonts documentals analitzades 5 1.1 Topografia 5 1.2 Descriptiu del material 6 2. Anàlisi extrínsec 11 2.1 Estat de conservació 11 2.2 Tipus de paper i tinta utilitzats 11 2.3 Mides i format del document 12 2.4 Tipus de llengua i faltes més comunes 13 2.5 Braquigrafia 14 2.6 Els escrivents 14 3. Context de l’època del “Veloz” 17 3.1 Context de la Igualada del segle XIX 17 4 3.1.1 Marc geogràfic 17 3.1.2 Context econòmic i social 19 3.1.3 Context polític 23 3.1.4 Efemèrides de la dècada (1850-1860) 24 3.2 Context de la Catalunya del segle XIX 27 3.2.1 Vies de comunicació 27 3.2.2 Mitjans de transport 31 3.2.3 Correu 34 4. Anàlisi intrínsec 37 4.1 Trajectes 37 4.2 Parades in itinere 40 4.3 Horaris 44 4.4 Preus dels bitllets 45 4.5 Normes 48 4.6 Conductors 50 4.7 Nombre de viatgers 53 4.8 Dies de més afluència 56 4.9 Encàrrecs i paquets 61 4.10. Notes en els dietaris: una rica i variada informació 63 5. Els clients de “El Veloz” 68 5.1 Personatges que més viatjaven: qui era qui? 68 5.2 Personatges: els dotze viatgers que han fet història 73 Conclusions 84 Epíleg 86 Bibliografia 87 5 INTRODUCCIÓ A finals de desembre de 2010, la meva tutora va saber de l’existència, en els fons de l’Arxiu Comarcal d’Igualada, de dos lligalls -mai estudiats- que, segons l’arxivera Sra. -
The Tubal Figure in Early Modern Iberian Historiography, 16Th and 17Th Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revistes Catalanes amb Accés Obert THE TUBAL FIGURE IN EARLY MODERN IBERIAN HISTORIOGRAPHY, 16TH AND 17TH CENTURY MATTHIAS GLOËL UNIVERSIDAD CATÓLICA DE TEMUCO CHILE Date of receipt: 16th of May, 2016 Final date of acceptance: 13th of September, 2016 ABSTRACT This study is dedicated to the use of the biblical figure Tubal in early modern Iberian chronicles. The focus will be centered on how it is used in different ways in the different kingdoms (Castile, Aragon, Catalonia, Valencia, Portugal and the Basque Provinces and Navarre) and what the authors are trying to achieve through this. Results show that while Castilian authors try to prove Spanish antiquity with the Tubal settlement, in other kingdom, especially in Catalonia, Portugal and Navarre there is a more regional use of the myth. Most of these authors try to prove that their own kingdom is the territory where Tubal settled, which would give a pre-eminence of antiquity to it in comparison to the other Iberian territories. KEYWORDS Early Modern History, Chronicles, Myths, Spanish Monarchy, Tubal. CapitaLIA VERBA Prima Historia Moderna, Chronica, Mythi, Monarchia Hispanica, Tubal. IMAGO TEMPORIS. MEDIUM AEVUM, XI (2017) 27-51 / ISSN 1888-3931 / DOI 10.21001/itma.2017.11.01 27 28 MATTHIAS GLOËL 1. Introduction Myths have always played an outstanding part in human history and they are without any doubt much older than science. This is also valid for chronicles or historiographical works. Christian historians in particular broke up the division between myth and history, which had been established by classical historiography.1 Only pagan stories remained myths, while the Bible gained the recognition of true history.2 Early Modern chronicles from the Iberian Peninsula are no exception to this phenomenon. -
Trobadorsperegran-Byncnd.Pdf
Els trobadors de Pere el Gran1 Mariona VIÑOLAS Institut de Llengua i Cultura Catalanes – Universitat de Girona _ La figura de Pere el Gran (rei d’Aragó entre 1276 i 1285) s’associa, tot i la brevetat del regnat, amb esdeveniments cabdals per a la història catalana. Recordem, per exemple, la seva línia d’actuació política arran del casament amb Constança de Sicília, que el va perfilar com a cabdill gibel·lí, amb les Vespres sicilianes com a colofó, i des d’un punt de vista cultural, la vinculació de prop de vint anys amb Cerverí de Girona, el trobador amb més obra conservada, amb cent vint peces, majoritàriament dedicada a Pere, des del seu infantat fins al seu regnat. Tot i aquests elements ben coneguts, però, els estudiosos no han parat gaire atenció al mecenatge trobadoresc de Pere, possiblement perquè la periodització històrica dels regnats ha afavorit que no es tingués en compte que l’infant Pere ja era actiu políticament des de finals de la dècada de 1250, és a dir, en ple regnat del seu pare, Jaume I el Conqueridor. Paradoxalment, s’ha fet més atenció a la relació dels trobadors amb Jaume I, que, en alguns casos, respon als intents infructuosos de fer-lo partícip de la política antifrancesa de la noblesa occitana i, en d’altres, es tracta en realitat de trobadors propers al seu fill.2 Per exemple, en el seu fonamental estudi dels trobadors a la península Ibèrica, Manuel Milà i Fontanals (1966) només dedicà a Pere tres pàgines. Cal destacar, en canvi, els treballs de Martí de Riquer sobre l’obra poètica conservada de Pere el Gran (1951) i el seu paper d’incitador dels sirventesos en favor de l’alliberament d’Enric de Castella (1973), així com les aportacions dels historiadors Joaquim Miret i Sans (1908) i, sobretot, Ferran Soldevila (1995) a la documentació i el rerefons polític i cultural d’aquest període. -
The Romanesque Heritage of the Vall De Boí
The Romanesque heritage of the Vall de Boí NIO M O UN IM D R T IA A L • P • W L O A I R D L D N World Heritage Site H O E M R I E TA IN G O E • PATRIM United Nations Catalan Romanesque Educational, Scientific and Churches of the Vall de Boí Cultural Organization inscribed on the World Heritage List in 2000 A little history As from the 9th century, the land to the south of shown by the act of consecration which Ramon the Pyrenees became organised into counties Guillem, bishop of Roda-Barbastro, ordered to that depended on the Frankish kingdom and be painted on a column of the church of Sant were part of the “Marca Hispánica” or Hispanic Climent in Taüll in 1123, as a symbol of the Mark. However, in the 10th century the Catalan territory’s control. counties gradually removed themselves from the Carolingian Empire and eventually achieved A few years later, in 1140, a pact was signed political and religious independence. by both bishoprics. Most of the parishes in the Vall de Boí became part of the Urgell bishopric, The Vall de Boí, or Boí Valley, formed part of one with only the church of l’Assumpció in Cóll of these counties: that of Pallars-Ribagorça, continuing to belong to Roda-Barbastro. At the belonging to the house of Toulouse until same time as this re-structuring of the territory, the end of the 9th century. When the county was happening a new social order was also became independent, there started a complex taking shape: feudalism. -
Mexico and Spain on the Eve of Encounter
4 Mexico and Spain on the Eve of Encounter In comparative history, the challenge is to identify significant factors and the ways in which they are related to observed outcomes. A willingness to draw on historical data from both sides of the Atlantic Ocean will be essen- tial in meeting this challenge. — Walter Scheidel (2016)1 uring the decade before Spain’s 1492 dynastic merger and launching of Dtrans- Atlantic expeditions, both the Aztec Triple Alliance and the joint kingdoms of Castile and Aragón were expanding their domains through con- quest. During the 1480s, the Aztec Empire gained its farthest flung province in the Soconusco region, located over 500 miles (800 km) from the Basin of Mexico near the current border between Mexico and Guatemala. It was brought into the imperial domain of the Triple Alliance by the Great Speaker Ahuitzotl, who ruled from Tenochtitlan, and his younger ally and son- in- law Nezahualpilli, of Texcoco. At the same time in Spain, the allied Catholic Monarchs Isabela of Castile and Ferdinand of Aragón were busy with military campaigns against the southern emirate of Granada, situated nearly the same distance from the Castilian heartland as was the Soconusco from the Aztec heartland. The unification of the kingdoms ruled by Isabela and Ferdinand was in some sense akin to the reunifi- cation of Hispania Ulterior and Hispania Citerior of the early Roman period.2 The conquest states of Aztec period Mexico and early modern Spain were the product of myriad, layered cultural and historical processes and exchanges. Both were, of course, ignorant of one another, but the preceding millennia of societal developments in Mesoamerica and Iberia set the stage for their momentous en- counter of the sixteenth century. -
RECONQUEST and REPOPULATION Ence Close to the Church of a Spring Enclosed by Ma- from North Africa Who Overthrew the Visigothic King- Sonry of the Same Period
RECONQUEST AND REPOPULATION ence close to the church of a spring enclosed by ma- from North Africa who overthrew the Visigothic king- sonry of the same period. It is likely that the site was dom in 711. Modern historians have questioned the part of a royal estate. validity of this traditional concept, but Derek Lomax ROGER COLLINS pointed out that the Reconquest was “an ideal invented by Spanish Christians soon after 711” and developed Bibliography in the ninth-century kingdom of Asturias. Given the failure of the Muslims to occupy the Collins, R., Early Medieval Spain: Unity in Diversity, entire Iberian Peninsula, several tiny, independent 400–1000. London, 1983, 108–45. kingdoms and counties emerged in the foothills of the Navascue´s, J. M. de. La dedicacio´n de San Juan de Ban˜os. Palencia, 1961. Cantabrian and Pyrenees mountains, namely, Asturias, Thompson, E. A. The Goths in Spain. Oxford, 1969, Leo´n, Castile, Navarre, Arago´n, and Catalonia. The 199–210. idea of reconquest originated in Asturias, where King Pelayo (718–737), the leader of a hardy band of moun- taineers, proclaimed his intention to achieve the salus RECEMUND Spanie—the “salvation of Spain”—and the restoration Bishop of Elvira and caliphal secretary (mid-tenth cen- of the Gothic people. His victory over the Muslims at tury). Known to the Arabs as Rabi ibn Sid al-Usquf, Covadonga in 722 is traditionally taken as the begin- the Christian Recemund served as a secretary under ning of the Reconquest. A ninth-century chronicler af- the caliph Abd al-Rah.ma¯n III (929–961).