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The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
16Mm WALTER O. CUTLOHN, Inc
IW16 16mm SOUND UHFILM WALTER O. CUTLOHN, Inc. 35 WEST 45th STREET NEW YORK, N. Y. Gentlemen: et The filo Ti^ to a i ,aS shown stu< faculty and I tcust com hold in getting i* It is a very a. tionally and able From the bave teen collection n V m li East reinger v Jjibrary Dear Mrs. I intone Please fi B ;ictur;7which cc the special on June 5. best t of the e in genetic poychology. school systen San Francisco, California sour an having a, grateful for having set-i fine film. of this 2006 preview this Gratefully/yours, BOARD OF EDUCATION COLLEGE BUFFALO 1940 February 3, cooper- your kind to would like il program. i our "^Jir^^assrtsation with &3S*3~*:3 -sr-sss* teaching S n.r.. ^tending In the*. - ..... falconer, INTRODUCTION The subjects listed in this catalogue were selected because of their excellence from the standpoint of subject matter, photography, sound quality and intelligent presentation. They are composed of feature productions with well-known actors, and short subjects which consist of musicals, cartoons, sports, comedies, travels and miscellaneous films. A number of these are in color. We have particularly stressed pictures suitable for schools, churches and general audiences, but in addition have added a number of programs which will appeal more to mature groups. Pictures marked (*) have been approved by THE NATIONAL BOARD OF REVIEW and/or THE LEGION OF DECENCY as partic- ularly suited for Family, Church or School presentation. Feature pictures marked have been approved by a selected committee of experienced reviewers as suitable for general audiences. -
Quoth the Raven 26Th
Quoth the raven 26th A Fraternity of Shadows netbook Halloween 2019 Summary Introduction ................................................................................................................................................... 2 The Conferences of Victor Gagné - part the Third: The Shadow ........... 3 Deadly Denizens ....................................................................................................................................... 50 Ravenloft's Elemental Planes: 43 original spells for 5e ............................... 59 Skulland, land of Undeath and Life ................................................................................... 89 The Coldhands ........................................................................................................................................... 98 The Mummy’s Curse ............................................................................................................................ 106 Another 100 Shades of Dark .................................................................................................... 116 Lazendrak ................................................................................................................................................... 138 Van Richten’s files : the Clavius Keel Case ............................................................ 147 Mordentshire, Land of Souls and Hauntings........................................................... 157 1 Copyrights This product has been published under the regulations -
A Supercut of Supercuts: Aesthetics, Histories, Databases
A Supercut of Supercuts: Aesthetics, Histories, Databases PRACTICE RESEARCH MAX TOHLINE ABSTRACT CORRESPONDING AUTHOR: Max Tohline The genealogies of the supercut, which extend well past YouTube compilations, back Independent scholar, US to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde [email protected] experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme. KEYWORDS: editing; supercut; compilation; montage; archive; database TO CITE THIS ARTICLE: Tohline, M. 2021. A Supercut of Supercuts: Aesthetics, Histories, Databases. Open Screens, 4(1): 8, pp. 1–16. DOI: https://doi.org/10.16995/os.45 Tohline Open Screens DOI: 10.16995/os.45 2 Full Transcript: https://www.academia.edu/45172369/Tohline_A_Supercut_of_Supercuts_full_transcript. Tohline Open Screens DOI: 10.16995/os.45 3 RESEARCH STATEMENT strong patterning in supercuts focuses viewer attention toward that which repeats, stoking uncritical desire for This first inklings of this video essay came in the form that repetition, regardless of the content of the images. of a one-off blog post I wrote seven years ago (Tohline While critical analysis is certainly possible within the 2013) in response to Miklos Kiss’s work on the “narrative” form, the supercut, broadly speaking, naturally gravitates supercut (Kiss 2013). My thoughts then comprised little toward desire instead of analysis. more than a list; an attempt to add a few works to Armed with this conclusion, part two sets out to the prehistory of the supercut that I felt Kiss and other discover the various roots of the supercut with this supercut researchers or popularizers, like Tom McCormack desire-centered-ness, and other pragmatics, as a guide. -
2005: Volume 18, Issue 26
Volume 18, Issue 26, 2005 HISTORICALLYHISTORICALLY JEFFCOJEFFCO 1 Contents John Brisben Walker, 4 the Man and Mt. Morrison By Sally L. White Morrison’s Second Centennial 9 By Sally L. White HISTORICALLYHISTORICALLY JEFFCOJEFFCO The Brickmaker’s House 14 By Rick Gardner Celebrating 100 Years at 16 Lutheran Medical Center By Roberta Bhasin and Carol Salzman The Good Eagle: Robert O. 20 Lindneaux, Painter of the West By Milly Roeder Moving Norm’s Historic 25 Buildings By Milly Roeder Hall of Fame 2005: 28 Connie Fox Hall of Fame 2005: 29 Reverend Arthur Lakes Three Town Founders on the JCHC Publications Committee North Fork 30 Erlene Hulsey-Lutz, Chair By Lee Heideman Nina Kite, Vice Chair Milly Roeder, Editor, A Small Homestead 34 Historically Jeffco By Virginia Faluso Published by Jefferson County Great Memories of Red Rocks 36 Historical Commission (JCHC) By Alex Jorgensen Volume 18, Issue 26, 2005 ISSN 1532-6047 Jeffco Landmark Designations 38 Front Cover: Nurses stand on the History of East Street 40 front porch of the Chapel of the By Rick Gardner Good Samaritan A Dream Realized 42 This page: Morrison Town Band By Carolyn Tibbles at Red Rocks, circa 1910 Cover pictures courtesy of McIlvoy House Restoration 44 Lutheran Medical Center Volunteers By Kim Grant Design and Layout by FinePrint Golden, CO 2 HISTORICALLYHISTORICALLY JEFFCOJEFFCO Society Historical courtesyPhoto of Morrison 3 Photos courtesy of Greg Smith courtesyPhotos of Greg J.B. Walker and his sons by his first wife, Emily Strother Walker. Oldest son, J.B. Walker, Jr., became Morrison’s mayor in 1908. He also ran the Mt. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
Lois Weber, Una Maga!
Lois Weber sul set (per gentile concessione di Georgetown University – Quingley Collection) LOIS WEBER, UNA MAGA! Lois Weber, the Wizard! Programma.e.note.a.cura.di./.Programme and notes curatedby. Shelley Stamp 224 Lois Weber è stata la più importante donna cineasta del cine- Lois Weber was early Hollywood’s most renowned female film- ma muto americano, considerata all’epoca una delle ‘tre grandi maker, considered one of the industry’s ‘three great minds’ along- menti’ dell’industria insieme a Griffith e DeMille. Mentre i suoi side D.W. Griffith and Cecil B. DeMille. While her contemporaries contemporanei hanno goduto di una posizione privilegiata nella have long enjoyed a privileged position in American film history, storia del cinema statunitense, Weber è rimasta relegata a una Weber has remained something of a blind spot. Il Cinema Ritro- sorta di zona d’ombra. Il Cinema Ritrovato presenta la prima si- vato presents the first significant retrospective of Weber’s work, gnificativa rassegna delle sue opere proponendo molti film recen- featuring many recent restorations and discoveries that encom- temente riscoperti e restaurati che abbracciano tutte le fasi della pass all phases of her career. sua carriera. Of all the women active in early Hollywood, Weber produced the Tra tutte le donne attive nel primo cinema americano, Weber pro- most substantial body of work. She spent over 25 years in the dusse l’insieme di opere più consistente e omogeneo. Lavorò per industry, writing and directing more than 40 features and hun- oltre venticinque anni nel cinema, sceneggiando e dirigendo più dreds of shorts. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Pdf Los Que Pasaron Por Hollywood / Florentino Hernández Girbal, Juan
Los que pasaron por Hollywood Florentino Hernández Girbal Juan B. Heinink (coaut.) Robert G. Dickson (coaut.) Los que pasaron por Hollywood es el título de la serie de veinte entrevistas publicadas por Florentino Hernández Girbal entre febrero de 1935 y julio de 1936 en la revista «Cinegramas», que ha sido ampliada por el autor para la edición de 1992, la cual incluye comentarios y precisiones de Juan B. Heinink, encargado también de la supervisión editorial. La segunda parte de este trabajo contiene información biográfica del centenar aproximado de actores y escritores españoles que pasaron por Hollywood en los años treinta, así como de aquellos otros que ya no regresaron. Dicho apartado bio-filmográfico ha sido redactado por Juan B. Heinink, a partir de las investigaciones llevadas a cabo en estrecha colaboración con Robert G. Dickson, cuya asistencia permanente desde Los Ángeles resulta imprescindible para desarrollar cualquier proyecto relacionado con esta materia. La edición de Los que pasaron por Hollywood en formato de libro, publicada en otoño de 1992 por la empresa madrileña Verdoux S.L. (I.S.B.N. 84-604-4267-5), no se encuentra disponible desde que dicha editorial anunció el cese de su actividad comercial. Los titulares de la obra jamás han recibido información sobre el número de ejemplares vendidos, ni tampoco liquidación alguna de los derechos de autor u otro tipo de compensaciones, por lo que se consideran libres de compromisos adquiridos con anterioridad para ponerla de nuevo a disposición de los interesados en este apartado de la Historia del Cine, una vez revisado su contenido y adaptado a soporte electrónico. -
WPA Written Works
New Deal-Produced Writings AN INVENTORY OF NEW DEAL PRODUCED WRITINGS This is a list of New Deal-produced writings, arranged alphabetically by state and by title. Some of these writings went to press and were published—and thus may be available at libraries, or from online sellers, or from online repositories like Hathitrust—and some might only be available at archival institutions, especially the Library of Congress’s Federal Writers’ Project collection. Periodically, we’ll be adding more items to this list. The following resources have been utilized to create this inventory: 1. Evanell K. Powell, WPA Writers' Publications: A Complete Bibliographic Checklist and Price Guide of Items, Major and Minor, of the Federal Writers' Project and Program, Palm Beach, FL: 1976. 2. Harvester Microform, in cooperation with the Library of Congress, Archives of the Federal Writers' Project - Series One: Printed and Mimeograph Publications in the Surviving FWP Files, 1933-1943, excluding State Guides, 1987. 3. Federal Works Agency, Work Projects Administration, Catalogue, WPA Writers’ Program Publications, September 1941, Washington, DC: U.S. Government Printing Office, 1942, available to view at http://babel.hathitrust.org/cgi/pt?id=mdp.39015033686711;view=1up;seq=1 (accessed November 11, 2015). 4. U.S. Senate, The American Guide Series, http://www.senate.gov/reference/resources/pdf/WPAStateGuides.pdf, accessed November 11, 2015. ALABAMA Alabama: A Guide to the Deep South, New York: Richard R. Smith, 1941, 442 pages. (WPA, sponsored by the State Planning Commission.) Alabama: Facts. Events. Places. Tours. (Could be a version of Alabama: Recreational Handbook, see below) 1941, 33 pages. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions. Catalogue 364 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.