DOCSLIB.ORG

Edward Sedgwick ̘​Í™” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edward Sedgwick ̘​Í™” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ) Edward Sedgwick ì˜í​ ™” 명부 (작품으로) Fantômas https://ko.listvote.com/lists/film/movies/fant%C3%B4mas-2946169/actors Romance Land https://ko.listvote.com/lists/film/movies/romance-land-61951932/actors Estrellados https://ko.listvote.com/lists/film/movies/estrellados-18636436/actors Live Wires https://ko.listvote.com/lists/film/movies/live-wires-19307384/actors Tin Hats https://ko.listvote.com/lists/film/movies/tin-hats-7807755/actors The First Degree https://ko.listvote.com/lists/film/movies/the-first-degree-101245008/actors Boomerang Justice https://ko.listvote.com/lists/film/movies/boomerang-justice-104881825/actors Burn 'Em Up O'Connor https://ko.listvote.com/lists/film/movies/burn-%27em-up-o%27connor-13423904/actors Hook and Ladder https://ko.listvote.com/lists/film/movies/hook-and-ladder-16251514/actors Free and Easy https://ko.listvote.com/lists/film/movies/free-and-easy-16879723/actors Saturday's Millions https://ko.listvote.com/lists/film/movies/saturday%27s-millions-17030787/actors Circus Rookies https://ko.listvote.com/lists/film/movies/circus-rookies-17986503/actors The Sawdust Trail https://ko.listvote.com/lists/film/movies/the-sawdust-trail-18153746/actors Mr. Cinderella https://ko.listvote.com/lists/film/movies/mr.-cinderella-19353497/actors Here Comes the Groom https://ko.listvote.com/lists/film/movies/here-comes-the-groom-19363627/actors Air Raid Wardens https://ko.listvote.com/lists/film/movies/air-raid-wardens-1985079/actors A Dangerous Affair https://ko.listvote.com/lists/film/movies/a-dangerous-affair-20082773/actors The Passionate Plumber https://ko.listvote.com/lists/film/movies/the-passionate-plumber-2088887/actors Spring Fever https://ko.listvote.com/lists/film/movies/spring-fever-2116224/actors The Cameraman https://ko.listvote.com/lists/film/movies/the-cameraman-2138984/actors The Virginia Judge https://ko.listvote.com/lists/film/movies/the-virginia-judge-21528209/actors The Poor Rich https://ko.listvote.com/lists/film/movies/the-poor-rich-22001060/actors 40-Horse Hawkins https://ko.listvote.com/lists/film/movies/40-horse-hawkins-24041286/actors Broadway or Bust https://ko.listvote.com/lists/film/movies/broadway-or-bust-24041287/actors The Ridin' Kid from https://ko.listvote.com/lists/film/movies/the-ridin%27-kid-from-powder-river-24041288/actors Powder River The Saddle Hawk https://ko.listvote.com/lists/film/movies/the-saddle-hawk-24041291/actors Let 'er Buck https://ko.listvote.com/lists/film/movies/let-%27er-buck-24041313/actors Death on the Diamond https://ko.listvote.com/lists/film/movies/death-on-the-diamond-2445729/actors Horse Play https://ko.listvote.com/lists/film/movies/horse-play-25136238/actors Hit and Run https://ko.listvote.com/lists/film/movies/hit-and-run-25218151/actors The Flaming Frontier https://ko.listvote.com/lists/film/movies/the-flaming-frontier-27591012/actors Chasing the Moon https://ko.listvote.com/lists/film/movies/chasing-the-moon-27958202/actors Parlor, Bedroom and https://ko.listvote.com/lists/film/movies/parlor%2C-bedroom-and-bath-2928795/actors Bath Pick a Star https://ko.listvote.com/lists/film/movies/pick-a-star-3012543/actors Spite Marriage https://ko.listvote.com/lists/film/movies/spite-marriage-3222771/actors Speak Easily https://ko.listvote.com/lists/film/movies/speak-easily-3226000/actors What! No Beer? https://ko.listvote.com/lists/film/movies/what%21-no-beer%3F-3226549/actors Maker of Men https://ko.listvote.com/lists/film/movies/maker-of-men-3266392/actors The Hurricane Kid https://ko.listvote.com/lists/film/movies/the-hurricane-kid-3521340/actors De frente, marchen https://ko.listvote.com/lists/film/movies/de-frente%2C-marchen-3704113/actors I'll Tell the World https://ko.listvote.com/lists/film/movies/i%27ll-tell-the-world-3719306/actors So You Won't Talk https://ko.listvote.com/lists/film/movies/so-you-won%27t-talk-37909426/actors Remote Control https://ko.listvote.com/lists/film/movies/remote-control-3932521/actors Blinky https://ko.listvote.com/lists/film/movies/blinky-4926777/actors Do and Dare https://ko.listvote.com/lists/film/movies/do-and-dare-52229642/actors Dead Game https://ko.listvote.com/lists/film/movies/dead-game-5245194/actors Doughboys https://ko.listvote.com/lists/film/movies/doughboys-5301097/actors Father Brown, Detective https://ko.listvote.com/lists/film/movies/father-brown%2C-detective-5437571/actors Fit for a King https://ko.listvote.com/lists/film/movies/fit-for-a-king-5455399/actors The Runaway Express https://ko.listvote.com/lists/film/movies/the-runaway-express-56692220/actors Under Western Skies https://ko.listvote.com/lists/film/movies/under-western-skies-56703414/actors Lorraine of the Lions https://ko.listvote.com/lists/film/movies/lorraine-of-the-lions-59551560/actors I Love Lucy https://ko.listvote.com/lists/film/movies/i-love-lucy-5978113/actors The Flaming Hour https://ko.listvote.com/lists/film/movies/the-flaming-hour-62761097/actors The Rough Diamond https://ko.listvote.com/lists/film/movies/the-rough-diamond-64184100/actors Ma and Pa Kettle Back https://ko.listvote.com/lists/film/movies/ma-and-pa-kettle-back-on-the-farm-6720891/actors on the Farm Murder in the Fleet https://ko.listvote.com/lists/film/movies/murder-in-the-fleet-6937768/actors Out of Luck https://ko.listvote.com/lists/film/movies/out-of-luck-7111555/actors Ride for Your Life https://ko.listvote.com/lists/film/movies/ride-for-your-life-7332522/actors Riding on Air https://ko.listvote.com/lists/film/movies/riding-on-air-7332973/actors Shootin' for Love https://ko.listvote.com/lists/film/movies/shootin%27-for-love-7500543/actors Single Handed https://ko.listvote.com/lists/film/movies/single-handed-7523862/actors Slide, Kelly, Slide https://ko.listvote.com/lists/film/movies/slide%2C-kelly%2C-slide-7540292/actors The Bearcat https://ko.listvote.com/lists/film/movies/the-bearcat-7716039/actors The Bugle Call https://ko.listvote.com/lists/film/movies/the-bugle-call-7720524/actors The Gentleman from https://ko.listvote.com/lists/film/movies/the-gentleman-from-america-7736135/actors America The Gladiator https://ko.listvote.com/lists/film/movies/the-gladiator-7736676/actors The Ramblin' Kid https://ko.listvote.com/lists/film/movies/the-ramblin%27-kid-7759371/actors The Thrill Chaser https://ko.listvote.com/lists/film/movies/the-thrill-chaser-7769131/actors There You Are! https://ko.listvote.com/lists/film/movies/there-you-are%21-7782793/actors Two-Fisted Jones https://ko.listvote.com/lists/film/movies/two-fisted-jones-82203660/actors West Point https://ko.listvote.com/lists/film/movies/west-point-916450/actors https://ko.listvote.com/lists/film/movies/%EC%96%B4-%EC%86%8C%EB%8D%98- ì–´ 소ë˜​ 양키 %EC%96%91%ED%82%A4-11898716/actors https://ko.listvote.com/lists/film/movies/%EC%98%A4%ED%8E%98%EB%9D%BC%EC%9D%98- 오페ë¼​ ì˜​ ìœ ë ¹ %EC%9C%A0%EB%A0%B9-927919/actors.
Load more

Recommended publications
  • Buster Keaton Film Locations: a Silent Echoes Tour of Los Angeles
    BUSTER KEATON FILM LOCATIONS: A SILENT ECHOES TOUR OF LOS ANGELES Copyright 2005 John Bengtson. All rights reserved. The following self-guided tour directions have been provided as a special bonus to John Bengtson’s “Touring Los Angeles Through the Films of Buster Keaton” presentation at the UCLA Film and Television Archive. (You can also download this document from the Archive’s website at www.cinema.ucla.edu.) New locations have been added here to the ones discussed in Bengtson’s acclaimed book, Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton (www.SilentEchoes.net, Santa Monica Press: 800-784-9553). Happy navigating your way around town! Hollywood Tour The Hollywood tour begins, symbolically, at the corner of Hollywood and Vine (1). Here Keaton jumped onto a fire truck in The Cameraman. Proceed west down Hollywood Boulevard past Highland, to Mann’s (formerly Grauman’s) Chinese Theater. There, across the street between Highland and Orange, at 6904 Hollywood Blvd., is the former Mary Moll Building (2), which appeared briefly during the film-editing sequence from Sherlock Jr. Turn back east down Hollywood Blvd., and turn right (south) onto Cahuenga, stopping near the corner. The alley on the east side of Cahuenga (3) is the alley from Cops where Keaton grabs a passing car one- handed. Proceed south down Cahuenga a few yards until you reach the parking lot at 1622 Cahuenga (4), the lot where Brown Eyes was kept safe in Go West. This parking lot also appears in The Cameraman. Across the street from the parking lot (5) is the site of the former fire station that appears in Three Ages and The Cameraman.
    [Show full text]
  • My Wonderful World of Slapstick
    THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.
    [Show full text]
  • Journalismus Und Presse Im Film: Eine Filmographie 2003
    Repositorium für die Medienwissenschaft Hans Jürgen Wulff Journalismus und Presse im Film: Eine Filmographie 2003 https://doi.org/10.25969/mediarep/12817 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Journalismus und Presse im Film: Eine Filmographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 19). DOI: https://doi.org/10.25969/mediarep/12817. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0019_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 19, 2003: Journalismus und Presse im Film. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 21. Februar 2012. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0019_03.pdf Journalismus und Presse im Film: Eine Filmographie Zusammengestellt von Hans J. Wulff Das Genre der Medienfilme zeichnet eine Geschich- Gerade in der 1930er Jahren haben zahlreiche pro- te der Öffentlichkeitsverständnisse des 20. Jahrhun- fessionelle Zeitungsleute den Wechsel ins Drehbuch- derts nach – in mehrfacher Hinsicht: das Selbstver- gewerbe vollzogen. Damit mag zusammenhängen, ständnis von Journalisten betreffend, die oft implizi- daß der Zeitungsfilm eine Fülle von berufsspezifi- ten Vorstellungen über journalistische Ethik, über schen Problemen aufnahm und reflektierte.
    [Show full text]
  • “The Spice of the Program” Educational Pictures and the Small-Town Audience
    3 “The Spice of the Program” Educational Pictures and the Small-Town Audience “What the hell’s educational about a comedy?” asked slapstick producer Jack White in an interview toward the end of his life. “Something that was very offen- sive to me,” he continued, “was [the slogan] . ‘This is an Educational Comedy.’ There’s no such thing as educating yourself with a comedy. It’s a stupid name.”1 The object of White’s ire? The company for which he had produced and directed two- reel shorts for over a decade—the comedy distributor with the most unlikely of names: Educational Pictures. The company had been formed in 1915 as the Educational Films Corporation by real-estate man Earle W. Hammons, with the intent indicated by its name: to provide educational subjects for school, church, and other nontheatrical pur- poses. But by the late 1910s Hammons had realized little profit from this idea and began to target the commercial field, setting in motion a process of expan- sion that would see Educational become the dominant short-comedy distributor of the late silent era. “It did not take me long to find out that the demand [for educational films] did not exist and that we could not survive by doing that alone,” Hammons later recalled.2 As early as the 1918–1919 season, Educational had begun to diversify its product lines, adding Happy Hooligan and Silk Hat Harry cartoons to its weekly program of travelogues and informational sub- jects.3 In April 1920, Hammons signed director Jack White and comedian Lloyd Hamilton from Fox’s Sunshine Comedies to produce two-reel comedies under the brand name Mermaid Comedies, and began immediately taking further strides into the comedy market.4 The program for Educational’s 1920–1921 season, which represented the company’s first year of general commercial release, included four comedy series: the Mermaids, produced by White; C.
    [Show full text]
  • The Last Days of Buster Keaton John C. Tibbetts
    Fall 1995 79 The Hole in the Doughnut: The Last Days of Buster Keaton John C. Tibbetts In the Fall of 1995 Eleanor Norris Keaton will come to Kansas to celebrate the 100th birthday of her late husband.1 Part of an extensive itinerary that also takes her to other centenary observances in New York, Muskegon, Michigan, and Los Angeles, the Kansas trip is particularly poignant. Keaton was born on October 4,1895, in the tiny farm community of Piqua, in southeast Kansas, while his parents were performing with a medicine show.2 Although he may have been a Kansan only through sheer accident of circumstances—the baby and his mother remained in Piqua only two weeks before rejoining the troupe on the road—he returned there many times as a child on tour with his parents.3 Later, the classic slapstick comedian paid tribute to his home state in many of the themes and situations of his best films, most notably in the cyclone sequence in Steamboat Bill, Jr. (1928). To my mind, even his trademark "deadly horizontal" hat (as James Agee described it) evokes the stark flatness of the Kansas prairies.4 While the Keaton phenomenon will be fully explored throughout the centenary year, Eleanor herself should not be forgotten. By all accounts, she was an important force in Buster's later years. "She has seen Buster Keaton through a long period of painful adjustment, relapse, and readjustment and a dozen partial comebacks," wrote Rudi Blesh, shortly before Buster's death on February 1,1966. "She has carried him, content and at times happy, across the threshold of his seventies.
    [Show full text]
  • A Supercut of Supercuts: Aesthetics, Histories, Databases
    A Supercut of Supercuts: Aesthetics, Histories, Databases PRACTICE RESEARCH MAX TOHLINE ABSTRACT CORRESPONDING AUTHOR: Max Tohline The genealogies of the supercut, which extend well past YouTube compilations, back Independent scholar, US to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde [email protected] experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme. KEYWORDS: editing; supercut; compilation; montage; archive; database TO CITE THIS ARTICLE: Tohline, M. 2021. A Supercut of Supercuts: Aesthetics, Histories, Databases. Open Screens, 4(1): 8, pp. 1–16. DOI: https://doi.org/10.16995/os.45 Tohline Open Screens DOI: 10.16995/os.45 2 Full Transcript: https://www.academia.edu/45172369/Tohline_A_Supercut_of_Supercuts_full_transcript. Tohline Open Screens DOI: 10.16995/os.45 3 RESEARCH STATEMENT strong patterning in supercuts focuses viewer attention toward that which repeats, stoking uncritical desire for This first inklings of this video essay came in the form that repetition, regardless of the content of the images. of a one-off blog post I wrote seven years ago (Tohline While critical analysis is certainly possible within the 2013) in response to Miklos Kiss’s work on the “narrative” form, the supercut, broadly speaking, naturally gravitates supercut (Kiss 2013). My thoughts then comprised little toward desire instead of analysis. more than a list; an attempt to add a few works to Armed with this conclusion, part two sets out to the prehistory of the supercut that I felt Kiss and other discover the various roots of the supercut with this supercut researchers or popularizers, like Tom McCormack desire-centered-ness, and other pragmatics, as a guide.
    [Show full text]
  • The Dark Side of Hollywood
    TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.
    [Show full text]
  • Universal Weekly December 15, 1923 Next Comes a Search No
    Scanned from the collection of Jon Mirsalis Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from David Sorochty Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/univ1124moti VJ UNIVER WEEKLY VOL. IS N2 18 DEC. 15, 1923 BILLY SULLIVAN Successor to REGINALD DENNY IN THE FOURTH SERIES 'ffhe LEATHER PUSHERS" Directed by EDWARD lAEWItE ! A CHAPTER ^ACQUITTAL IN HER LIFE mMClaikeWindsor^NormanKerry A LOIS WEBER PRODUCTION Directed by Clarence Brown/wmCohananiHarris' With a brilliant cast«»Based on the story 1 production of RitaWeimaris play of "JEWEL by CL4RALOU1SE BURNHAM Universal Jewel Universal Super- Jewel A Great Bitf Production DRIFTING with a Great Big Cast PRISCILLA DEAN 'DARLINGofNEWYORK ^BABYPEGGXGladysBrodu)ell,Sheldon From the play by John CbltonandDaisy HAndrews lewis,Cai-lStockdale,MaxDavidson,^oMfflS Directed 4jTbd BlOWmgfnnNJABia&iSpmduttiai DIRECTED «. , 7 . BY Universal Jewel Umversal Jewel king bagcot THUNDERING WHITE TIGER jirarrenKem^an^diiimaQNilssoii PRISCILLAlyI-/Ai>l AHARRYGARSON PRODUCTION Directed by TOD BROWNING Universal SuperOewel Universal Jewel ^LadyoPQuality ft«»uDENNY ^f/»jVIRGINlA'VaLLI nuumvTHHli-miN VfithhOLTOHSllLSanJanextrdorJinarif cast SpqrtingT&utk A HOBART HENLEY PRODUCTION Byron. Morgan's in a big Great Story of Youth.Love and Adventure TDTOCLUCtlOll ^TwnFrancesHod^sonBurnetts famous novel mdpty Directed byHarrvPonard. _.,, . \ , \ Uuiversatl Super- Jewel Universal ^Jewel Title to be announced^ PRESENTED BY ADVERTISED IN CARL LAEMMLE THE SATURDAY EVENING POST BmimHHH ARE YOU READY? | MUCH against my desire, I am showing "The Hunchback of Notre Dame" in various legitimate theatres throughout the United States. I am making || a profit on these showings and at the same time I am preparing the way || for the exhibitor who will show it later on at popular prices.
    [Show full text]
  • HOW SOUND CINEMA ARRIVED in ECUADOR: Case Study of Quito in the Late 1920S and Early 1930S
    HOW SOUND CINEMA ARRIVED IN ECUADOR: Case Study of Quito in the Late 1920s and Early 1930s Bolivia Erazo TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS SARJA - SER. B OSA - TOM. 468 | HUMANIORA | TURKU 2018 HOW SOUND CINEMA ARRIVED IN ECUADOR: Case Study of Quito in the Late 1920s and Early 1930s Bolivia Erazo TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS SARJA - SER. B OSA - TOM. 468 | HUMANIORA | TURKU 2018 30971293_Thesis_book_Bolivia_Erazo_Humanistinen_tdk_sisus_20_12_2018_2.indd 1 20.12.2018 12.37 ,University of Turku Faculty of Humanities School of History, Culture and Arts Studies Cultural History Janus Hall January 12, 2019 12:00 Supervised by Hannu Salmi, Ph.D. Marjo Kaartinen, Ph.D. Academy Professor Professor of Cultural History Professor of Cultural History Head of the School of History, University of Turku, Finland Culture and Arts Studies University of Turku, Finland Reviewed by Kimmo Laine, Ph.D. Jukka Kortti, Ph.D. Docent Docent Cinema Studies Department of Political and University of Oulu, Finland Economic Studies University of Helsinki, Finland Opponent Kimmo Laine, Ph.D. Docent Cinema Studies University of Oulu, Finland The originality of this publication has been checked in accordance with the University of Turku quality assurance system using the Turnitin Originali- tyCheck service. ISBN 978-951-29-7536-5 (PRINT) ISBN 978-951-29-7537-2 (PDF) ISSN 0082-6987 (Print) ISSN 2343-3191 (Online) Grano Oy - Turku, Finland 2018 30971293_Thesis_book_Bolivia_Erazo_Humanistinen_tdk_sisus_20_12_2018_2.indd 2 20.12.2018 12.37 To Seppo, Eliel and Rodrigo (+) 30971293_Thesis_book_Bolivia_Erazo_Humanistinen_tdk_sisus_20_12_2018_2.indd 3 20.12.2018 12.37 4 Acknowledgements There are many people I would like to thank but there is not enough space to do it in just one page, that is why I would like to send a warm general thanks to everyone who has contributed time to my research.
    [Show full text]
  • Lost Silent Feature Films
    List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady,
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Collezione 16Mm
    Elenco pellicole collezione “16mm GEH” TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI 20.000 YEARS IN SING SING 20.000 YEARS IN SING SING Michael Curtiz USA 1932 16 3 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 3 GODFATHERS 3 GODFATHERS John Ford USA 1948 16 3 3 MEN IN WHITE THREE IN WHITE Willis Goldbeck USA 1944 16 2 36 HOURS 36 HOURS George Seaton USA 1965 16 4 42ND STREET 42ND STREET Lloyd Bacon USA 1933 16 3 7 FACES OF DR. LAO 7 FACES OF DR. LAO George Pal USA 1964 16 3 7 WOMEN 7 WOMEN John Ford USA 1966 16 3 A CHRISTMAS CAROL A CHRISTMAS CAROL Edwin L. Marin USA 1938 16 2 A DATE WITH JUDY A DATE WITH JUDY Richard Thorpe USA 1948 16 3 A DAY AT THE RACES A DAY AT THE RACES Sam Wood USA 1937 16 3 A FAMILY AFFAIR A FAMILY AFFAIR George B. Seitz USA 1937 16 2 Elenco pellicole collezione “16mm GEH” Pagina 1 TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI A FREE SOUL A FREE SOUL Clarence Brown USA 1931 16 3 A GUY NAMED JOE A GUY NAMED JOE Victor Fleming USA 1943 16 3 A KISS IN THE DARK A KISS IN THE DARK Delmer Daves USA 1949 16 3 A LIFE FOR A LIFE A LIFE FOR A LIFE Stephen Whittaker UK 1998 16 2 A MIDSUMMER NIGHTʼS DREAM A MIDSUMMER NIGHTʼS DREAM William Dieterle, Max Reinhardt USA 1935 16 3 A MODERN HERO A MODERN HERO G.W.
    [Show full text]