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Naturbeziehung Und Ãœkologie Im Werk Von Ernst Kreuder
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Summer 2010 Naturbeziehung und Ökologie im Werk von Ernst Kreuder Alexander E. Pichugin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the German Literature Commons Recommended Citation Pichugin, Alexander E., "Naturbeziehung und Ökologie im Werk von Ernst Kreuder" (2010). Publicly Accessible Penn Dissertations. 211. https://repository.upenn.edu/edissertations/211 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/211 For more information, please contact [email protected]. Naturbeziehung und Ökologie im Werk von Ernst Kreuder Abstract The German writer Ernst Kreuder (1903–1972, Büchner Prize 1953), best known for his book Die Gesellschaft vom Dachboden (The Attic Pretenders, 1946), the very first book by a German author published in Germany after World War 2, is now one of the lesser known authors to both academic circles and the general public. The academic interest in Kreuder’s work has been focused primarily on his role as a postwar writer, either in connection with romantic tradition, social criticism or in the context of autobiography. This dissertation offers a new reading of Kreuder’s work in the intersection between literature and ecology. The fact that the relationship between man and nature from the ecological point of view was not the object of literary representation in German prose until the 1970s makes Kreuder one of the pioneers of the ecological approach in West German literature. The analysis of Kreuder’s works presented in this dissertation lies within the scope of a relatively new research paradigm in German literary studies, the “ecologically oriented” literary criticism, which has developed as a continuation of, and later parallel to, the Anglo-American Ecocriticism. -
Samuel Ramey
welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m. -
Schwanksammlungen Im Frühneuzeitlichen Medienumbruch
seraina plotke stefan seeber (Hg.) Schwanksammlungen im frühneuzeitlichen Medienumbruch plotke · seeber (Hg.) plotke Transformationen Schwanksammlungen seeber eines sequentiellen Erzählparadigmas im frühneuzeitlichen Medienumbruch (Hg.) abliau, Exempel, Märe, Novelle, Fazetie, Schwank – im Spätmittelalter erfreuten sich Kurzerzählungen aller Art großer Beliebtheit. Die meisten wissenschaftlichen Unter- Medienumbruck im frühneuzeitlichen Schwanksammlungen suchungen betrachten diese Texte losgelöst von ihren Über- lieferungskontexten und analysieren sie einzeln und für sich genommen. Tatsächlich sind die Kurzerzählungen jedoch immer in Sammlungen tradiert, sei es in handschriftlichen oder in gedruckten. Der Fokus auf die Verbindung zwischen der epischen Kleinform und dem Textkonglomerat, in dem sie präsentiert wird, eröffnet zahlreiche Untersuchungsper- spektiven. Es sind deshalb vor allem die Spannungsfelder Einzeltext vs. Sammlung und Handschrift vs. Druck, die den Rahmen für die in diesem Band vereinigten Studien bilden. Dabei werden nicht nur deutschsprachige Sammlungen in den Blick genommen, sondern im Vergleich dazu auch fran- zösische, italienische und englische Beispiele berücksichtigt. Universitätsverlag winter isbn 978-3-8253-7905-6 Heidelberg germanisch-romanische monatsschrift Begründet von Heinrich Schröder Fortgeführt von Franz Rolf Schröder Herausgegeben von renate stauf in Verbindung mit cord-friedrich berghahn bernhard huss ansgar nünning peter strohschneider GRM-Beiheft 96 Schwanksammlungen im frühneuzeitlichen Medienumbruch -
Bibliography on the History of the Jesuits : Publications in English
Digitized by the Internet Archive in 2013 http://archive.org/details/bibliographyonhi281begh . H nV3F mm Ǥffi fitwffii 1 unBK i$3SOul nt^ni^1 ^H* an I A'. I ' K&lfi HP HHBHHH b^SHs - HHHH hHFJISi i *^' i MPiUHraHHHN_ ^ 4H * ir Til inrlWfif O'NEILL UBRAHJ BOSTON COLLEGE Bibliography on the History of the \ Jesuits Publications in English, 1900-1993 Paul Begheyn, S.J. CD TtJ 28/1 JANUARY 1996 ft THE SEMINAR ON JESUIT SPIRITUALITY A group of Jesuits appointed from their provinces in the United States. The Seminar studies topics pertaining to the spiritual doctrine and practice of Jesuits, especially American Jesuits, and communicates the results to the members of the provinces. This is done in the spirit of Vatican IPs recom- mendation that religious institutes recapture the original inspiration of their founders and adapt it to the circumstances of modern times. The Seminar wel- comes reactions or comments in regard to the material that it publishes. The Seminar focuses its direct attention on the life and work of the Jesuits of the United States. The issues treated may be common also to Jesuits of other regions, to other priests, religious, and laity, to both men and women. Hence, the studies, while meant especially for American Jesuits, are not exclu- sively for them. Others who may find them helpful are cordially welcome to read them. CURRENT MEMBERS OF THE SEMINAR George M. Anderson, S.J., is associate editor of America, in New York, and writes regularly on social issues and the faith (1993). Peter D. Byrne, S.J., is rector and president of St. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Artxsr, Ml 48106-1346 USA 800-521-0600 UMI* NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were microfilmed as received. 131,172 This reproduction is the best copy available UMI FRANK WEDEKIND’S FANTASY WORLD: A THEATER OF SEXUALITY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University Bv Stephanie E. -
German Literature
309 Gostwick's (J.) German Literature, post 8vo, cloth, 50c, Edinburgh, 1849. \ 1 Ii V GERMAN LITERATUR E. Digitized by the Internet - Archive in 2013 http://archive.org/details/germanliterature01gost GERMAN LITERATUR E. BY JOSEPH GOSTICK. AUTHOR OF "THE SPIRIT OF GERMAN POETRY, &.C. &ZC. EDINBURGH: WILLIAM AND ROBERT CHAMBERS. 1849. EDINBURGH : PEINTED BY W. AND R. CHAMBERS. : PREFACE. The objcct of the present volume is to give, in a concise and populär form, a general view of the Literature of the German people from the earliest to the latest times. Though the study of this literature has rapidly advanced during late years in England and Scotland, it has been confined chiefly to the works of a few modern authors. Many readers may still inquire concerning the characteristics of writers before the time of Herder, Goethe, and Schiller. We em- ploy every day, in our household language, the words of the oldest Teutonic or German ballad-singers who sang of the exploits of Tuisco before the Christian era; the words into which Bishop Ulphilas translated the Bible for the Goths of the fourth Century ; and which were afterwards employed by the writer of the old epic poem, ' The Nibelungen-Lied,' and the minstrels of the time of Frederick II. yet our schoolboys can give a better account of our longest Com- pound words, derived from Greek and Latin roots, than of the most simple and familiär which form the staple of all our ordinary con- versation, and which give energy and beauty to our most populär literature. It is hoped that this little work may serve in some degree to direct attention to the language and other characteristics of our Teutonic forefathers. -
{Dоwnlоаd/Rеаd PDF Bооk} Gargantua and Pantagruel
GARGANTUA AND PANTAGRUEL PDF, EPUB, EBOOK Francois Rabelais,M. A. Screech | 1088 pages | 01 Jan 2007 | Penguin Books Ltd | 9780140445503 | English | London, United Kingdom Gargantua and Pantagruel PDF Book France: Gallimard. Frame's edition, according to Terence Cave , "is to be recommended not only because it contains the complete works but also because the translator was an internationally renowned specialist in French Renaissance studies". My accountant had better not play about on my bureau, stretching esses into efs - sous into francs! I suppose that in the 16th century, the fact that people poop, pee, spit, vomit, sneeze, fornicate and fa I know that this was considered an important transition between renaissance literature and the beginnings of what we call the novel, but I found this next to impossible to get into. September This is going to be a long term, yet highly enjoyable, reading project. It is too often forgotten, in regard to French patois—leaving out of count the languages of the South—that the words or expressions that are no longer in use to-day are but a survival, a still living trace of the tongue and the pronunciation of other days. Pantagruel and his companions find Panurge shortly after he has escaped his Turkish captors, so Pantagruel and his companions take Panurge under their care and welcome him into their entourage. Gargantua and Pantagruel is the anti-novel before the novel, a proto-Swift, a proto-Pynchon, who combines and blurs the boundary between low and high culture. And excrement jokes. The narrative begins with the origin of giants; Pantagruel's particular genealogy; and his birth. -
Diplomarbeit Aktuell
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Andrea Wenighofer Grenzzwischenfall mit Nachspiel Ödön von Horváths „Hin und Her“ und die Nachlassmaterialien im Österreichischen Literaturarchiv Diplomarbeit zur Erlangung des Magistergrades der Philosophie aus der Studienrichtung Deutsche Philologie eingereicht an der Universität Wien Wien, März 2006 Die Person geht in einem solchen Fall zur nächsten ZUSTÄNDIGEN BEHÖRDE und besorgt sich den sogenannten Brückenlichtbildausweis. Personen, die sich mit einem BRÜCKENLICHTBILDAUSWEIS legitimieren, dürfen vom Brückenwärter nicht abgewiesen werden, außer dem Brückenwärter erscheint die Person UNHEIMLICH. Gert Jonke, Geometrischer Heimatroman Inhalt 1. Grenzziehungen ......................................................................................................... 5 2. „[...] eingedenk der Tatsache, daß im ganzen genommen das menschliche Leben immer ein Trauerspiel, nur im einzelnen eine Komödie ist.“........................ 6 3. Entstehungs- und Rezeptionsgeschichte des Stückes Hin und Her........................19 3.1. Exkurs: Wie weit ist’s bis zur Exilliteratur?......................................................25 4. Fragen zur Textgestaltung........................................................................................28 4.1. Horváths Idiolekt: Der „Bildungsjargon“ und seine Realisation in Hin und Her...........................................................................................................................28 -
A Long History of ___.«. Literatur Als Fragebogenlektüre Bei Ernst
Repositorium für die Medienwissenschaft Friedrich Balke »A Long History of ______.«. Literatur als Fragebogenlektüre bei Ernst von Salomon 2016 https://doi.org/10.25969/mediarep/1932 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Balke, Friedrich: »A Long History of ______.«. Literatur als Fragebogenlektüre bei Ernst von Salomon. In: Zeitschrift für Medienwissenschaft. Heft 15: Technik | Intimität, Jg. 8 (2016), Nr. 2, S. 106– 123. DOI: https://doi.org/10.25969/mediarep/1932. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. -
Die Rechtsextreme Rezeption Des Nibelungenliedes Nach 1945
Die rechtsextreme Rezeption des Nibelungenliedes nach 1945 Beispiele und Hintergründe einer Vereinnahmung Masterarbeit zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens-Universität Graz vorgelegt von Matthias KRASSER am Institut für Germanistik Begutachterin: Ao.Univ.-Prof. Mag. Dr.phil. Brigitte Spreitzer-Fleck Graz, 2019 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen inlän- dischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröf- fentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Versi- on. Datum: 01.10.2019 Unterschrift: Die Krux mit den Geschlechtern bzw. dem generischen Maskulinum In dieser Arbeit beschäftige ich mich mit dem heiklen Thema Rechtsextremismus. Neben seinen anderen Erscheinungsformen ist der Rechtsextremismus per se stark männlich geprägt1, patriarchale Weltvorstellungen sind zentral. Umso mehr ist also eine besondere Sensibilität beim geschlechtergerechten Formulieren geboten. Allerdings bin ich mit dem vollständigen Ausschreiben der männlichen und der weiblichen Formen aus Gründen der umständlichen Lesbarkeit unzufrieden. Auch das Binnen-I oder die Verwendung von Schrägstrichen, Unterstrichen oder Sternen halte ich aus ästhetischen Aspekten für unzureichend. Deshalb galt es, eine passen- dere Form zu finden: Zuerst hatte ich die Idee ‚neutral‘ zu gendern à la Autoras und Leseras, doch spätestens bei den Pluralformen bzw. den Pronomen wird es hier mühsam und die eigentlich gewünschte Vereinfachung zunichte gemacht. Die übrig- gebliebene Lösung schien nur mehr der Einsatz des generischen Maskulinums2 mit Inklusionsverweis zu sein. -
Extracting Wartime Memory from Contemporary Politics
Maja Zehfuss. Wounds of Memory: The Politics of War in Germany. Cambridge: Cambridge University Press, 2007. xv + 294 pp. $95.40, cloth, ISBN 978-0-521-87333-8. Reviewed by Kimberly Redding Published on H-German (September, 2009) Commissioned by Susan R. Boettcher In a thought-provoking appraisal of contem‐ Chapters 1 and 2 outline the basic premise of porary German politics, twentieth-century litera‐ the book: namely, that even as politicians invoke ture, and postmodernist theory, political scientist personal memories to establish expertise and Maja Zehfuss challenges the validity of using col‐ claim authority, academics assert memory's mal‐ lective memory to defend contemporary political leability, often demonstrating that memories re‐ decisions and positions. Given what scholars veal more about present contexts than any specif‐ know about memory construction, she argues, ic historical event or experience. Zehfuss uses politicians' tendency to justify contemporary poli‐ Günter Grass's novel Im Krebsgang (2002) to cies through references to World War II-era expe‐ demonstrate how memories are perpetually rein‐ riences are fundamentally fawed. Drawing exam‐ vented as individuals negotiate--and renegotiate-- ples from both political speeches and postwar lit‐ relationships between past, present, and future. erature, she illustrates the fragility of memory In political debates, she argues, contemporary and the malleability of remembered narratives. tensions dominate; politicians' need to use the While novelists can accommodate multiple mem‐ past, usually to justify positions, sharply colors ories in their fctional narratives, politicians--and their narratives of that past. Novelists, on the oth‐ their audiences--often confuse personal memories er hand, make relatively few demands on their with authoritative knowledge of the past. -
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth
The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Adam R. Gustafson June 2011 © 2011 Adam R. Gustafson All Rights Reserved 2 This dissertation titled The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria by ADAM R. GUSTAFSON has been approved for the School of Interdisciplinary Arts and the College of Fine Arts _______________________________________________ Dora Wilson Professor of Music _______________________________________________ Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GUSTAFSON, ADAM R., Ph.D., June 2011, Interdisciplinary Arts The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth- Century Bavaria Director of Dissertation: Dora Wilson Drawing from a number of artistic media, this dissertation is an interdisciplinary approach for understanding how artworks created under the patronage of Albrecht V were used to shape Catholic identity in Bavaria during the establishment of confessional boundaries in late sixteenth-century Europe. This study presents a methodological framework for understanding early modern patronage in which the arts are necessarily viewed as interconnected, and patronage is understood as a complex and often contradictory process that involved all elements of society. First, this study examines the legacy of arts patronage that Albrecht V inherited from his Wittelsbach predecessors and developed during his reign, from 1550-1579. Albrecht V‟s patronage is then divided into three areas: northern princely humanism, traditional religion and sociological propaganda.