DOCSLIB.ORG

To Purchase Tickets, Call 706-935-9000 Or Visit Our Website at Colonnadecenter.Org

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
To Purchase Tickets, Call 706-935-9000 Or Visit Our Website at Colonnadecenter.Org THE COLONNADE NEWSLETTER July 2018 264 Catoosa Circle Ringgold, GA 30736 706-935-9000 To purchase tickets, call 706-935-9000 or visit our website at colonnadecenter.org The Colonnade Players with Director James Ogden and Musical songs “The Tavern Song”, “Rhythm of the Tambourine” and Director Terry Sanford will bring The Hunchback of Notre “In a Place of Miracles”. Music is written by Alan Menken Dame to The Colonnade stage in July 2018. The Hunch- with lyrics by Stephen Schwartz. back of Notre Dame, a musical based on the 1831 novel by Victor Hugo and containing songs from the 1996 Walt The story is a tale of three men: Quasimodo, the disfigured, Disney film adaptation, is presented by special arrange- outcast bell-ringer of Notre Dame Cathedral, Phoebus De ment with Music Theatre International (MTI). All authorized Marten, the just-returned-from-the-front handsome soldier, materials are also supplied by MTI. (www. MTIShows.com). and Dom Claude Frollo, the pious archdeacon of Notre Dame who all to varying degrees fall in love with the gypsy The cast includes Alex Walker (Quasimodo), Mary Beth girl Esmeralda. Inner struggles meet outer turmoil in this Torgerson (Esmeralda), Jake Wallin (Phoebus De Martin), tragic story of love and loss. Eric Jackson (Dom Claude Frollo), and Joseph Watts (Clopin Trouillefou). The cast will include an ensemble that Show times are July 13, 14, 20 & 21 at 7:30 pm with mat- takes on various roles throughout the performance and on- inees on July 14 at 1:00 pm and July 22 at 2:30 pm. All stage choir that will assist in telling the story through song. seating is reserved and limited, therefore it is advised that tickets be purchased early. Ticket prices range from $13.00 The musical production will follow more closely the darker to $17.00. A group rate of $12.00 is available for all groups story as written by Victor Hugo. The music will include of 15 or more. As this musical follows the original story songs from the Disney musical such as “The Bells of Notre more closely, some themes may not be appropriate for Dame”, “Topsy Turvy”Presented and and Hammerstein“Out There” ( www while adding new younger audiences. Page 1 COLONNADE NEWSLETER July 2018 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 7 9 “The Hunchback of “The Hunchback of 8 10 11 12 13 Notre Dame” 14 Notre Dame” 7:30PM 1:00PM & 7:30PM “The Hunchback of “The Hunchback of 15 16 17 18 19 20 Notre Dame” 21 Notre Dame” 7:30PM 7:30PM “The Hunchback of 22 Notre Dame” 23 24 25 26 27 28 2:30PM Bridal Expo 2-5PM 29 30 31 August 2018 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 7 8 9 10 11 Dixie Division Train Show 9:30am-1pm 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Page 2 COLONNADE NEWSLETER Train Show August 11 9:30AM-1:00P $7 Per Family Page 3 COLONNADE NEWSLETER 2018 Theater Season “The Hunchback of Notre Dame” 264 Catoosa Circle The Colonnade Players Ringgold, GA 30736 Directed By: James Ogden & Terry Sanford For event rentals: contact Shows: July 13, 14, 20, 21 Joy Burchfield @ 7:30PM 706-935-9000 ext 102 Matinees: July 14 @ 1:00PM July 22 @ 2:30PM For theatre rentals: contact Lora Ogden Approx Run Time: 2.5 hours 706-935-9000 ext 103 Musical To purchase tickets: contact Connie Miller 706-935-9000 Visit our website: A LIMITED NUMBER OF colonnadecenter.org HOLIDAY DATES STILL AVAILABLE. Non-Musical Ticket Prices: $12.00 - Blue Section RESERVE YOUR SPACE $10.00 - Yellow Sections TODAY! $8.00- Green Sections $7.00- Groups of 15 or more Youth Musical Ticket Prices: $15.00 - Blue Section $13.00 - Yellow Sections $11.00- Green Sections Have an upcoming event? $10.00- Groups of 15 or more Weddings Musical Ticket Prices: Corporate Meetings $17.00 - Blue Section Holiday Parties $15.00 - Yellow Sections Family Functions $13.00- Green Sections Call Joy for availability at 706-935-9000 $12.00- Groups of 15 or more @ The Colonnade Page 4 COLONNADE NEWSLETER .
Load more

Recommended publications
  • Hunchback LIBVB.Pdf
    THE HUNCHBACK OF NOTRE DAME Character List (in order of appearance) DOM CLAUDE FROLLO , Archdeacon of Notre Dame Cathedral JEHAN FROLLO , Claude’s reckless younger brother FLORIKA , a Gypsy FATHER DUPIN , a priest of Notre Dame and guardian of Claude and Jehan QUASIMODO , the deformed bell-ringer of Notre Dame and Claude Frollo’s charge CLOPIN TROUILLEFOU , King of the Gypsies PHOEBUS DE MARTIN , Captain of the Cathedral Guard FREDERIC CHARLUS , Lieutenant of the Cathedral Guard ESMERALDA , a beautiful and free-spirited Gypsy KING LOUIS XI , King of France, nicknamed the Prudent OFFICIAL , an officer of the court of King Louis XI MADAME , owner of a brothel and safe haven for Gypsies SAINT APHRODISIUS , a stained-glass image that comes to life CONGREGATION , an ensemble of storytellers who portray various GYPSIES, GARGOYLES, STATUES, SOLDIERS, REVELERS, PARISHIONERS, PRIESTS, PROSTITUTES and CITIZENS of Paris CHOIR CASTING NOTE A congregation of storytellers narrates The Hunchback of Notre Dame. The designations CONGREGANT, CONGREGANTS, and CONGREGATION are used when the ensemble is narrating individually, in succession or groups, or in unison, respectively. As the play progresses, the ensemble also takes on various roles within the tale, such as GYPSIES, GARGOYLES, and SOLDIERS and moves fluidly among them. Lines or lyrics in these generic roles should be assigned to ensemble members based on your production’s unique cast and staging. — i— The Hunchback of Notre Dame Scenes and Musical Numbers ACT ONE P. BARE STAGE . 1 (#1) Olim . CONGREGATION, CHOIR . 1 (#2) The Bells of Notre Dame (Part 1) . CONGREGATION, CHOIR . 1 (#2A) The Bells of Notre Dame (Part 2) .
    [Show full text]
  • The Hunchback of Notre Dame – the Musical”
    Vol. 20 No. 2, Agustus 2019: 61-69 Mary, Esmeralda, and Frollo: A Hermeneutic Reading of “The Hunchback of Notre Dame – The Musical” Chrysogonus Siddha Malilang1 Malmö Universitet ABSTRACT This essay aims to analyze the multimodal storytelling involving songs inThe Hunchback of Notre Dame – The Musical. Two songs, “God Helps the Outcasts” and “Hellfire”, are chosen to be analyzed hermeneutically. The primary analysis is done through the scrutiny over the juxtaposition of different musical styles in the said songs. Comparisons to Victor Hugo’s original text and the Disney animated version – in which the musical is based on – is also done to shed more light on the new layers of interpretation. Keywords: musical juxtaposition; musical theater; liturgical music; multimodal storytelling ABSTRAK Mary, Esmeralda, dan Frollo: Pembacaan Hermeneutik tentang “The Hunchback of Notre Dame – The Musical”. Artikel ini bertujuan untuk mempelajari dan menganalisis multimodal story telling dalam rangkaian lagu-lagu pada The Hunchback of Notre Dame – the Musical. Dua lagu, “God Helps the Outcasts” dan “Hellfire” dipilih sebagai fokus penelitian hermeneutik. Analisis utama dilakukan melalui studi jukstaposisi gaya musik yang berbeda dalam lagu-lagu tersebut. Perbandingan dengan text asli karangan Victor Hugo dan versi animasi Disney – yang menjadi dasar naskah drama musikal ini – juga dilakukan untuk menggali interpretasi baru yang dihasilkan lebih dalam. Kata kunci: jukstaposisi musik; teater musikal; musik liturgis; multimodal storytelling Introduction When Disney re-wrote “The Hunchback of Notre Dame” into a musical performance, several As the writer began writing this essay, the news other songs from the animated version received the outlet from every corner of the world reported same treatment as “Hellfire”.
    [Show full text]
  • The Historian As Novelist
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Bryn Mawr College Publications, Special Emeritus Papers Collections, Digitized Books 2001 The iH storian as Novelist John Salmon Bryn Mawr College Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/emeritus Recommended Citation Salmon, John, "The iH storian as Novelist" (2001). Emeritus Papers. 7. http://repository.brynmawr.edu/emeritus/7 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/emeritus/7 For more information, please contact [email protected]. The Historian as Novelist John Salmon Delivered March 1, 2001 To start with, let me say that the title of the novel that is the subject of this talk is misleading. It reads: "The Muskets of Gascony: The Revolt of Bernard d'Audijos by Armand Daudeyos, translated by J. H. M. Salmon." This is false. When you write a historical novel things do seem to become falsified at times. I am the actual author, and Armand Daudeyos, the supposed descendant of the hero (Daudeyos is the Gascon form of d'Audijos) is a faction. I adopted this device for several reasons. First, it adds an air of mystery to pretend that one has discovered the manuscript of a historical novel based on real events in the seventeenth century and written in the Romantic vogue of the nineteenth century. Second, it allows me to insert a "translator's preface" explaining how close the book is to what actually happened. And third, it protects me from the reproaches of my colleagues for betraying my profession.
    [Show full text]
  • Factsheet Penguin Kids Factsheetpenguin Kids
    FACTSHEET PENGUIN KIDS FACTSHEETPENGUIN KIDS Level 5 Suitable for: young learners who have completed around 250 hours of study in English Type of English: American Headwords: 1000 Key words: 20 (see pages 2 and 5 of this Factsheet) Key grammar: will for offers, requests and with future meaning, when and so as conjunctions, zero conditional, infinitive of purpose he is going to find the gypsies’ hiding place and kill everyone there. Summary of the story Quasimodo and Phoebus try to warn Esmeralda Judge Frollo causes the death of a gypsy woman and her people about the attack, but they at Notre Dame Cathedral in Paris. Frollo wants to are too late and Frollo finds them. Esmeralda kill her deformed baby boy when a priest stops him chooses to burn at the stake rather than be with and insists that he save the child. Frollo agrees on Frollo. Quasimodo saves her and takes her to the condition that the boy lives in the cathedral. the cathedral. Frollo tries to kill Quasimodo, but The boy, Quasimodo, grows up a hunchback, Phoebus arrives just in time to save him. Frollo ringing the bells in the cathedral bell tower. He falls from the cathedral to his death. longs to escape and one day, against Frollo’s Phoebus and Esmeralda are together at last and orders, goes to a festival in the square. There, Quasimodo is welcomed as a hero. Quasimodo is chosen as the “King of Fools” and the people mock him. A beautiful gypsy girl, Background information Esmeralda, defends him. This angers Frollo, who The Hunchback of Notre Dame is the 34th Disney hates gypsies and people who are different.
    [Show full text]
  • Disney's the Hunchback of Notre Dame
    DISNEY'S THE HUNCHBACK OF NOTRE DAME Transcribed by Ben Scripps ([email protected]) ([email protected]) NOTE: The following script is Copyright (c) 1996 The Walt Disney Company. The purpose of this transcription is for research and reference purposes only. In no case should this script be sold or charges be made for it. EDITION NOTE: In the following script, any words in capital letters are sung as lyrics in songs. All spoken dialogue (even lines *spoken* within a song) are in normal type. All Latin lyrics from the score have been omitted from this version. (As the Walt Disney Pictures logo fades off the screen, the chorus heard in the background mixes with the bells of Notre Dame cathedral ringing. A long zoom in through the city until we reach the Clopin singing to a group of children watching his puppet show.) Clopin: MORNING IN PARIS, THE CITY AWAKES TO THE BELLS OF NOTRE DAME THE FISHERMAN FISHES, THE BAKERMAN BAKES TO THE BELLS OF NOTRE DAME TO THE BIG BELLS AS LOUD AS THE THUNDER TO THE LITTLE BELLS SOFT AS A PSALM AND SOME SAY THE SOUL OF THE CITY'S THE TOLL OF THE BELLS THE BELLS OF NOTRE DAME Listen, they're beautiful, no? So many colours of sounds, so many changing moods. Because, you know, they don't ring all by themselves. Puppet: They don't?!? Clopin: No, silly boy. Up there, high, high in the dark bell tower, lives the mysterious bell ringer. Who is this creature? Puppet: Who? Clopin: What is he? Puppet: What? Clopin: How did he come to be there? Puppet: How? Clopin: Hush! HTTP://COPIONI.CORRIERESPETTACOLO.IT Puppet: Ohhh..
    [Show full text]
  • Clopin Trouillefou
    SOCIAL STORY GOING TO COMMUNITY PLAYERS Welcome to Community Players! We look forward to having you as our guest! COMMUNITY PLAYERS THEATRE I am going to Community Players to see a show. GOING TO THE THEATRE If I drive or ride in a car to the theatre, I will park on the street in front of the theatre or in the parking lot across the street. LOBBY When I enter the building, I will be in the lobby. At the front desk someone will be there to greet me and help me get my tickets. SNACKS AND DRINKS If I get hungry or thirsty, I can visit the concession stand for popcorn, cookies, candy, and Coke products. If I just want a drink of water, I can use the drinking fountain by Concessions stand Drinking fountain the merchandise stand. BATHROOMS There are bathrooms in the lobby down the hallway. I can use the bathroom at any time during the performance SEATS When I’m ready, I can find my seat inside the theatre. If I need help finding a seat, I can ask an usher. THE STAGE The play will happen on the stage. Only people who work at the theatre are allowed on the stage. If I need to leave the theatre, I can go out the same way I entered but I should walk slowly. LIGHTS AND SOUNDS There may be different colored lights and the lights might flash during the play. There might be music and sounds that could sometimes be loud. I can always leave if I feel uncomfortable.
    [Show full text]
  • Audition Pack
    AUDITION PACK Please read all instructions carefully 1 ABOUT ‘HUNCHBACK’ What makes a monster and what makes a man? This is the central theme of The Hunchback of Notre Dame, a sweeping, grand-scale musical from Disney Theatrical. Based on the 1996 Disney film and Victor Hugo’s 1831 novel, The Hunchback of Notre Dame tells the story of Quasimodo, the hunchbacked bell-ringer of Notre Dame, and his desire to one day be a part of the outside world. When he summons the courage to attend the Feast of Fools, he meets Esmeralda, a compassionate gypsy who protects him from an angry mob. But at the same time, Quasimodo’s master, the archdeacon Dom Claude Frollo, and the new captain of the guard, Phoebus de Martin, fall in love with the beautiful girl. Adding to Quasimodo’s struggle is his punishment and derision from Frollo, following years of psychological abuse, and the danger posed by the gypsies, who are willing to kill any outsiders who venture into their secret hideout. But before Paris is burned to the ground, will Quasimodo be able to save Esmeralda from Frollo’s lust and anger? Will she return Quasimodo’s affection? Who is the true monster of Notre Dame? BOOK Peter Parnell MUSIC Alan Menken LYRICS Stephen Schwartz BASED ON THE PLAY/BOOK/FILM The Hunchback Of Notre Dame By Victor Hugo FIRST PRODUCED 2014 TIME & PLACE Paris, 1482 Directed and Produced by: Mr Huntington Assistant Director: Alex Moxon Choreography: Miss Hobbs Musical Director: Graham Brown Assistant MD: Mr Porter-Thaw Choir MD: Mr North Pianist: Melody Day Costumes/Props:
    [Show full text]
  • The Hunchback of Notre Dame …………………………………
    TEACHER PREPARATION GUIDE Music by ALAN MENKEN, Lyrics by STEPHEN SCHWARTZ, and Book by PETER PARNELL Based on the book by VICTOR HUGO Directed By VICTORIA BUSSERT TABLE OF CONTENTS Dear Educator ………………………………………………………………………..... 3 A Note to Students: What to Expect at the Theater…………………………………… 4 GLT: Our History, Our Future………………………………………………………... 5 Director’s Note .......................…………………………………………………………. 6 Victor Hugo ……….. ... ………………………………………………………………. 8 Scenes & Musical Numbers ……………………………………………………………. 9 Past Performances of The Hunchback of Notre Dame …………………………………. 10 Idaho Shakespeare Festival’s Production of The Hunchback of Notre Dame …………. 12 Costume Design………………………………………………………………………… 14 Scenic Design…………………………………………………………………………... 18 Questions for Discussion Prior to Attending the Performance ………………………… 20 Activities ……………………………………………………………………………….. 23 Writing Prompts …………………………………………………………………..…… 26 How to Write a Review ………………………………………………………………… 28 A Sample Review Written by a Student ……………………………………………….. 29 A Brief Glossary of Theater Terms …………………………………………………….. 30 Questions for Discussion After Attending the Performance …………………………… 32 Notes …………………………………………………………………………………… 37 Generous Support …………………………………………………………………….... 39 About Great Lakes Theater ………….…………………………………………………. 40 ן TEACHER PREPARATION GUIDE: THE HUNCHBACK OF NOTRE DAME 2 Fall 2017 Dear Educator, Thank you for your student matinee ticket order to Great Lakes Theater’s production The Hunchback of Notre Dame by Alan Menken, Stephen Schwartz and Peter Pamell, which will be performed in repertory with William Shakespeare’s A Midsummer Night’s Dream in the beautiful Hanna Theatre at Playhouse Square from September 29th through November 5th. As the bells of Notre Dame’s cathedral sound in fifteenth-century Paris, Quasimodo - a deformed, captive bell-ringer - observes the city’s Feast of Fools from afar. Escaping his captor Frollo to join the festivities, Quasimodo is rejected by every reveler except the beautiful Gypsy, Esmeralda – with whom he is immediately smitten.
    [Show full text]
  • Neocolonialism in Disney's Renaissance
    Neocolonialism in Disney’s Renaissance: Analyzing Portrayals of Race and Gender in Pocahontas, The Hunchback of Notre Dame, and Atlantis: The Lost Empire by Breanne Johnson A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Public Health: Health Promotion/Health Behavior (Honors Scholar) Honors Baccalaureate of Science in Sustainability (Honors Scholar) Presented June 7, 2019 Commencement June 2019 AN ABSTRACT OF THE THESIS OF Breanne Johnson for the degree of Honors Baccalaureate of Science in Public Health: Health Promotion/Health Behavior and Honors Baccalaureate of Science in Sustainability presented on June 7, 2019. Title: Neocolonialism in Disney’s Renaissance: Analyzing Portrayals of Race and Gender in Pocahontas, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. Abstract approved:_____________________________________________________ Elizabeth Sheehan The Walt Disney Company is one of the most recognizable and pervasive sources of children’s entertainment worldwide and has carefully crafted an image of childhood innocence. This wholesome image is contradicted by Disney’s consistent use of racist and sexist tropes, as well as its record of covertly using political themes in its media. Disney has a history of using its animated films to further a neocolonial ideology – an ideology that describes how current global superpowers continue to control the natural and capital resources of underdeveloped countries and to profit off of the unequal trading of these resources. The period of Disney’s history known as its animated Renaissance marked a clear return to the brand’s championing of American interventionism abroad.
    [Show full text]
  • Stephen Schwartz Comments on Disney's the Hunchback of Notre
    Stephen Schwartz Comments on Disney’s The Hunchback of Notre Dame The Disney animated feature The Hunchback of Notre Dame (1996) featured music by Alan Menken and lyrics by Stephen Schwartz. This PDF includes SECTION 1 – About The Hunchback of Notre Dame Project SECTION 2 – Songs ADDITIONAL RESOURCES The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] SECTION 1 – About The Hunchback of Notre Dame Project Hunchback question – getting started Question: Hi, Stephen. I don't remember ever reading in my many browsings through the forum archives, how you got involved with HUNCHBACK. Was this one of those assignments that you had to find the passion for, or was there something about the story that attracted you to the project? I think HUNCHBACK is my favorite of all the Disney stuff I've seen that you've done. I like the way Kwosimodo (sp) has to learn to see himself as a different person than what he's been led to believe he was all his life, and with that new vision of himself, he's able to make a difference in his community. Good stuff. :) So I'd be interested in hearing how you got involved with HUNCHBACK and what attracted you to the project. - Peggy Answer from Stephen Schwartz: After Alan Menken and I had been working on POCAHONTAS for about a year and it was clear that the project and collaboration were going well, the folks at Disney offered us a choice of a couple of ideas they had been developing as a follow-up.
    [Show full text]
  • La Esmeralda
    Victor Hugo La Esmeralda − Collection Théâtre − Retrouvez cette oeuvre et beaucoup d'autres sur http://www.inlibroveritas.net Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Table des matières La Esmeralda..............................................................................................1 LIBRETTO..........................................................................................2 PERSONNAGES.................................................................................4 ACTE PREMIER................................................................................5 SCENE PREMIERE............................................................................6 SCÈNE II...........................................................................................12 SCENE III..........................................................................................17 ACTE DEUXIÈME − SCENE PREMIERE.....................................22 SCENE II...........................................................................................24 SCENE III..........................................................................................28 SCÈNE IV.........................................................................................31 ACTE TROISIÈME − SCÈNE PREMIERE.....................................35 SCÈNE II...........................................................................................39 SCÈNE III..........................................................................................42
    [Show full text]
  • Auditions Information for the Arlington Players Presents​ the Hunchback
    Auditions information for The Arlington Players Presents The Hunchback of Notre Dame ​ ALL ROLES ARE AVAILABLE: The Arlington Players is excited to announce auditions for The Hunchback of Notre Dame. ​ There are 5 principal acting roles, 3 males, 1 female, and 1 that could be any gender. The production will also feature an acting ensemble of 10-15 consisting of at least 5 males and 5 females who will play over 40 supporting and cameo roles including Gypsies, gargoyles, soldiers, and citizens of Paris. Finally, there is also a choral ensemble of 16-20 singers. See descriptions below for more information about principal and ensemble roles. Actors of any ethnicity or gender are encouraged to audition. Please prepare a 16-32 bars of a song in the style of the show that both shows off your voice and also your acting abilities. Please do not sing a song from Hunchback. ​ ​ Be prepared for a brief dance audition -- dress in comfortable clothing and footwear that you can move in safely. While adapted from the beloved Disney film, please be aware the show is a darker and more mature version, closer to Victor Hugo’s novel. If you are unfamiliar with the vocal range designations, see this chart to assist you - tinyurl.com/vocalrange123 ​ ​ ​ If you have any questions please email the TAP’s Executive Producer at [email protected] CASTING BREAKDOWN (in order of appearance): Claude Frollo Archdeacon of Notre Dame Cathedral, Frollo is pious and holier than thou. A strong and imposing presence, he is the reluctant caretaker of Quasimodo.
    [Show full text]