Auditions Information for the Arlington Players Presents the Hunchback
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Cesare Pugni: Esmeralda and Le Violon Du Diable
Cesare Pugni: Esmeralda and Le Violon du diable Cesare Pugni: Esmeralda and Le Violon du diable Edited and Introduced by Robert Ignatius Letellier Cesare Pugni: Esmeralda and Le Violon du diable, Edited by Edited and Introducted by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Edited and Introducted by Robert Ignatius Letellier and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3608-7, ISBN (13): 978-1-4438-3608-1 Cesare Pugni in London (c. 1845) TABLE OF CONTENTS Introduction ............................................................................................................................... ix Esmeralda Italian Version La corte del miracoli (Introduzione) .......................................................................................... 2 Allegro giusto............................................................................................................................. 5 Sposalizio di Esmeralda ............................................................................................................. 6 Allegro giusto............................................................................................................................ -
Hunchback LIBVB.Pdf
THE HUNCHBACK OF NOTRE DAME Character List (in order of appearance) DOM CLAUDE FROLLO , Archdeacon of Notre Dame Cathedral JEHAN FROLLO , Claude’s reckless younger brother FLORIKA , a Gypsy FATHER DUPIN , a priest of Notre Dame and guardian of Claude and Jehan QUASIMODO , the deformed bell-ringer of Notre Dame and Claude Frollo’s charge CLOPIN TROUILLEFOU , King of the Gypsies PHOEBUS DE MARTIN , Captain of the Cathedral Guard FREDERIC CHARLUS , Lieutenant of the Cathedral Guard ESMERALDA , a beautiful and free-spirited Gypsy KING LOUIS XI , King of France, nicknamed the Prudent OFFICIAL , an officer of the court of King Louis XI MADAME , owner of a brothel and safe haven for Gypsies SAINT APHRODISIUS , a stained-glass image that comes to life CONGREGATION , an ensemble of storytellers who portray various GYPSIES, GARGOYLES, STATUES, SOLDIERS, REVELERS, PARISHIONERS, PRIESTS, PROSTITUTES and CITIZENS of Paris CHOIR CASTING NOTE A congregation of storytellers narrates The Hunchback of Notre Dame. The designations CONGREGANT, CONGREGANTS, and CONGREGATION are used when the ensemble is narrating individually, in succession or groups, or in unison, respectively. As the play progresses, the ensemble also takes on various roles within the tale, such as GYPSIES, GARGOYLES, and SOLDIERS and moves fluidly among them. Lines or lyrics in these generic roles should be assigned to ensemble members based on your production’s unique cast and staging. — i— The Hunchback of Notre Dame Scenes and Musical Numbers ACT ONE P. BARE STAGE . 1 (#1) Olim . CONGREGATION, CHOIR . 1 (#2) The Bells of Notre Dame (Part 1) . CONGREGATION, CHOIR . 1 (#2A) The Bells of Notre Dame (Part 2) . -
Factsheet Penguin Kids Factsheetpenguin Kids
FACTSHEET PENGUIN KIDS FACTSHEETPENGUIN KIDS Level 5 Suitable for: young learners who have completed around 250 hours of study in English Type of English: American Headwords: 1000 Key words: 20 (see pages 2 and 5 of this Factsheet) Key grammar: will for offers, requests and with future meaning, when and so as conjunctions, zero conditional, infinitive of purpose he is going to find the gypsies’ hiding place and kill everyone there. Summary of the story Quasimodo and Phoebus try to warn Esmeralda Judge Frollo causes the death of a gypsy woman and her people about the attack, but they at Notre Dame Cathedral in Paris. Frollo wants to are too late and Frollo finds them. Esmeralda kill her deformed baby boy when a priest stops him chooses to burn at the stake rather than be with and insists that he save the child. Frollo agrees on Frollo. Quasimodo saves her and takes her to the condition that the boy lives in the cathedral. the cathedral. Frollo tries to kill Quasimodo, but The boy, Quasimodo, grows up a hunchback, Phoebus arrives just in time to save him. Frollo ringing the bells in the cathedral bell tower. He falls from the cathedral to his death. longs to escape and one day, against Frollo’s Phoebus and Esmeralda are together at last and orders, goes to a festival in the square. There, Quasimodo is welcomed as a hero. Quasimodo is chosen as the “King of Fools” and the people mock him. A beautiful gypsy girl, Background information Esmeralda, defends him. This angers Frollo, who The Hunchback of Notre Dame is the 34th Disney hates gypsies and people who are different. -
Disney's the Hunchback of Notre Dame
DISNEY'S THE HUNCHBACK OF NOTRE DAME Transcribed by Ben Scripps ([email protected]) ([email protected]) NOTE: The following script is Copyright (c) 1996 The Walt Disney Company. The purpose of this transcription is for research and reference purposes only. In no case should this script be sold or charges be made for it. EDITION NOTE: In the following script, any words in capital letters are sung as lyrics in songs. All spoken dialogue (even lines *spoken* within a song) are in normal type. All Latin lyrics from the score have been omitted from this version. (As the Walt Disney Pictures logo fades off the screen, the chorus heard in the background mixes with the bells of Notre Dame cathedral ringing. A long zoom in through the city until we reach the Clopin singing to a group of children watching his puppet show.) Clopin: MORNING IN PARIS, THE CITY AWAKES TO THE BELLS OF NOTRE DAME THE FISHERMAN FISHES, THE BAKERMAN BAKES TO THE BELLS OF NOTRE DAME TO THE BIG BELLS AS LOUD AS THE THUNDER TO THE LITTLE BELLS SOFT AS A PSALM AND SOME SAY THE SOUL OF THE CITY'S THE TOLL OF THE BELLS THE BELLS OF NOTRE DAME Listen, they're beautiful, no? So many colours of sounds, so many changing moods. Because, you know, they don't ring all by themselves. Puppet: They don't?!? Clopin: No, silly boy. Up there, high, high in the dark bell tower, lives the mysterious bell ringer. Who is this creature? Puppet: Who? Clopin: What is he? Puppet: What? Clopin: How did he come to be there? Puppet: How? Clopin: Hush! HTTP://COPIONI.CORRIERESPETTACOLO.IT Puppet: Ohhh.. -
Clopin Trouillefou
SOCIAL STORY GOING TO COMMUNITY PLAYERS Welcome to Community Players! We look forward to having you as our guest! COMMUNITY PLAYERS THEATRE I am going to Community Players to see a show. GOING TO THE THEATRE If I drive or ride in a car to the theatre, I will park on the street in front of the theatre or in the parking lot across the street. LOBBY When I enter the building, I will be in the lobby. At the front desk someone will be there to greet me and help me get my tickets. SNACKS AND DRINKS If I get hungry or thirsty, I can visit the concession stand for popcorn, cookies, candy, and Coke products. If I just want a drink of water, I can use the drinking fountain by Concessions stand Drinking fountain the merchandise stand. BATHROOMS There are bathrooms in the lobby down the hallway. I can use the bathroom at any time during the performance SEATS When I’m ready, I can find my seat inside the theatre. If I need help finding a seat, I can ask an usher. THE STAGE The play will happen on the stage. Only people who work at the theatre are allowed on the stage. If I need to leave the theatre, I can go out the same way I entered but I should walk slowly. LIGHTS AND SOUNDS There may be different colored lights and the lights might flash during the play. There might be music and sounds that could sometimes be loud. I can always leave if I feel uncomfortable. -
Audition Pack
AUDITION PACK Please read all instructions carefully 1 ABOUT ‘HUNCHBACK’ What makes a monster and what makes a man? This is the central theme of The Hunchback of Notre Dame, a sweeping, grand-scale musical from Disney Theatrical. Based on the 1996 Disney film and Victor Hugo’s 1831 novel, The Hunchback of Notre Dame tells the story of Quasimodo, the hunchbacked bell-ringer of Notre Dame, and his desire to one day be a part of the outside world. When he summons the courage to attend the Feast of Fools, he meets Esmeralda, a compassionate gypsy who protects him from an angry mob. But at the same time, Quasimodo’s master, the archdeacon Dom Claude Frollo, and the new captain of the guard, Phoebus de Martin, fall in love with the beautiful girl. Adding to Quasimodo’s struggle is his punishment and derision from Frollo, following years of psychological abuse, and the danger posed by the gypsies, who are willing to kill any outsiders who venture into their secret hideout. But before Paris is burned to the ground, will Quasimodo be able to save Esmeralda from Frollo’s lust and anger? Will she return Quasimodo’s affection? Who is the true monster of Notre Dame? BOOK Peter Parnell MUSIC Alan Menken LYRICS Stephen Schwartz BASED ON THE PLAY/BOOK/FILM The Hunchback Of Notre Dame By Victor Hugo FIRST PRODUCED 2014 TIME & PLACE Paris, 1482 Directed and Produced by: Mr Huntington Assistant Director: Alex Moxon Choreography: Miss Hobbs Musical Director: Graham Brown Assistant MD: Mr Porter-Thaw Choir MD: Mr North Pianist: Melody Day Costumes/Props: -
Neocolonialism in Disney's Renaissance
Neocolonialism in Disney’s Renaissance: Analyzing Portrayals of Race and Gender in Pocahontas, The Hunchback of Notre Dame, and Atlantis: The Lost Empire by Breanne Johnson A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Public Health: Health Promotion/Health Behavior (Honors Scholar) Honors Baccalaureate of Science in Sustainability (Honors Scholar) Presented June 7, 2019 Commencement June 2019 AN ABSTRACT OF THE THESIS OF Breanne Johnson for the degree of Honors Baccalaureate of Science in Public Health: Health Promotion/Health Behavior and Honors Baccalaureate of Science in Sustainability presented on June 7, 2019. Title: Neocolonialism in Disney’s Renaissance: Analyzing Portrayals of Race and Gender in Pocahontas, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. Abstract approved:_____________________________________________________ Elizabeth Sheehan The Walt Disney Company is one of the most recognizable and pervasive sources of children’s entertainment worldwide and has carefully crafted an image of childhood innocence. This wholesome image is contradicted by Disney’s consistent use of racist and sexist tropes, as well as its record of covertly using political themes in its media. Disney has a history of using its animated films to further a neocolonial ideology – an ideology that describes how current global superpowers continue to control the natural and capital resources of underdeveloped countries and to profit off of the unequal trading of these resources. The period of Disney’s history known as its animated Renaissance marked a clear return to the brand’s championing of American interventionism abroad. -
The Hunchback of Notre Dame Opens at Tuacahn! August 5 - Oct 15
The Hunchback of Notre Dame Opens at Tuacahn! August 5 - Oct 15 On August 5th, after much anticipation, Tuacahn unveils its production of The Hunchback of Notre Dame. From the Oscar® -winning team Alan Menken and Stephen Schwartz comes a lushly scored retelling of Victor Hugo’s epic story of love, acceptance, and what it means to be a hero. Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Oscar®-nominated score as well as new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel. Hugo’s dramatic tale begins high above the Tuacahn stage as the bells of Notre Dame resound through the famed cathedral in 15th-century Paris. Quasimodo, the deformed bell-ringer who longs to be “Out There,” observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies – and it’s up to Quasimodo to save them all. The incredible professional cast in Hunchback boasts fresh Broadway talent. Julian Decker, appears as Quasimodo, Summer Naomi as Esmeralda, Aloysius Gigl as Frollo, Ernie Pruneda as Clopin, and David Sattler as Phoebus and many more. -
La Esmeralda
Victor Hugo La Esmeralda − Collection Théâtre − Retrouvez cette oeuvre et beaucoup d'autres sur http://www.inlibroveritas.net Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. Table des matières La Esmeralda..............................................................................................1 LIBRETTO..........................................................................................2 PERSONNAGES.................................................................................4 ACTE PREMIER................................................................................5 SCENE PREMIERE............................................................................6 SCÈNE II...........................................................................................12 SCENE III..........................................................................................17 ACTE DEUXIÈME − SCENE PREMIERE.....................................22 SCENE II...........................................................................................24 SCENE III..........................................................................................28 SCÈNE IV.........................................................................................31 ACTE TROISIÈME − SCÈNE PREMIERE.....................................35 SCÈNE II...........................................................................................39 SCÈNE III..........................................................................................42 -
Disability Stigma: Re-Presenting „Disability‟ As a Form of „Identity‟ in Victor Hugo‟S the Hunchback of Notre- Dame
International Journal of Recent Technology and Engineering (IJRTE) ISSN: 2277-3878, Volume-8, Issue-4, November 2019 Traversing Disability Stigma: Re-presenting „Disability‟ as a form of „Identity‟ in Victor Hugo‟s The Hunchback of Notre- Dame Anjana R B, Beena S Nair defines Disability as “a complex phenomenon reflecting an Abstract: “Disability is a matter of perception. If you can do one interaction between features of a person‟s body and features thing well, you are needed by someone” – Martina Navratilova. of the society in which he or she lives.” In simple terms, Though Disability Studies focused on the distinction between disability is nothing but a lack of ability or weakness. „impairment‟ and „disability‟ defining Disability as a social Disability studies is an academic discipline that focuses on the construct, we still perceive Disability as something abnormal, drifting from the normality, an impairment to human mind or meaning, nature and consequence of disability. Disability body. This paper reflects on how Quasimodo, attains an Identity studies earlier focused on distinguishing between impairment in the society with his disability of hunchback and deafness in and disability. It analyses disability as a social construct. It not Victor Hugo‟s The Hunchback of Notre - Dame. He was crowned only analyses the history and theory of it, but also stresses on as the “Pope of Fools” for being the ugliest person in Paris. live experiences. It teaches to focus on the lived experience of Though the identity he gained had a negative connotation, it was individuals with disabilities in practical terms. The main his disability that made him known among the people. -
To Purchase Tickets, Call 706-935-9000 Or Visit Our Website at Colonnadecenter.Org
THE COLONNADE NEWSLETTER July 2018 264 Catoosa Circle Ringgold, GA 30736 706-935-9000 To purchase tickets, call 706-935-9000 or visit our website at colonnadecenter.org The Colonnade Players with Director James Ogden and Musical songs “The Tavern Song”, “Rhythm of the Tambourine” and Director Terry Sanford will bring The Hunchback of Notre “In a Place of Miracles”. Music is written by Alan Menken Dame to The Colonnade stage in July 2018. The Hunch- with lyrics by Stephen Schwartz. back of Notre Dame, a musical based on the 1831 novel by Victor Hugo and containing songs from the 1996 Walt The story is a tale of three men: Quasimodo, the disfigured, Disney film adaptation, is presented by special arrange- outcast bell-ringer of Notre Dame Cathedral, Phoebus De ment with Music Theatre International (MTI). All authorized Marten, the just-returned-from-the-front handsome soldier, materials are also supplied by MTI. (www. MTIShows.com). and Dom Claude Frollo, the pious archdeacon of Notre Dame who all to varying degrees fall in love with the gypsy The cast includes Alex Walker (Quasimodo), Mary Beth girl Esmeralda. Inner struggles meet outer turmoil in this Torgerson (Esmeralda), Jake Wallin (Phoebus De Martin), tragic story of love and loss. Eric Jackson (Dom Claude Frollo), and Joseph Watts (Clopin Trouillefou). The cast will include an ensemble that Show times are July 13, 14, 20 & 21 at 7:30 pm with mat- takes on various roles throughout the performance and on- inees on July 14 at 1:00 pm and July 22 at 2:30 pm. -
The Hunchback of Notre Dame
COMPLETE The Hunchback CLASSICS UNABRIDGED of Notre Dame Victor Hugo Read by Bill Homewood 1 Preface 2:40 2 Book 1, Chapter 1 7:31 3 Around the hall, along the lofty wall... 7:28 4 In the middle of the hall, opposite the great door... 7:32 5 At length one of these, as fat, short, and venerable as himself... 8:02 6 Meanwhile, the sworn bookseller of the university... 6:39 7 Book 1, Chapter 2 7:50 8 ‘And for the refreshment of the passers-by,’ continued Gisquette... 8:16 9 A tattered mendicant, who could not collect any coins... 7:27 10 Book 1, Chapter 3 8:32 11 It was this justly acquired popularity, no doubt... 7:54 12 There was one exception, however. 1:08 13 Book 1, Chapter 4 7:57 14 From that moment, Master Coppenole enjoyed in Paris as in Ghent... 7:40 15 Both parties were forced to resign themselves. 8:17 16 Book 1, Chapter 5 6:04 17 As for Gringoire, the first moment of depression having passed... 5:44 18 One would have pronounced him a giant... 5:57 19 Book 1, Chapter 6 5:39 20 Book 2, Chapter 1 7:12 2 21 Book 2, Chapter 2 6:05 22 Book 2, Chapter 3 6:03 23 The young girl, stopped at length... 6:44 24 Her voice was like her dancing, like her beauty… 5:03 25 After the kingdom of the Argotiers... 7:27 26 Book 2, Chapter 4 6:02 27 The young girl’s attention had been attracted to him..