DOCSLIB.ORG

Read Ebook {PDF EPUB} Raven Hood by Michelle Hercules Raven Hood by Michelle Hercules

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Ebook {PDF EPUB} Raven Hood by Michelle Hercules Raven Hood by Michelle Hercules Read Ebook {PDF EPUB} Raven Hood by Michelle Hercules Raven Hood by Michelle Hercules. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 657d38fb699ec3e8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Raven Hood by Michelle Hercules. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 657d38fbc8f684e0 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Beyoncé. Beyoncé was mentioned in the That's So Raven episode "Boyz 'N Commotion", Austin & Ally episode "Costumes & Courage", The Muppets episodes "Got Silk?" and "Generally Inhospitable", the Stuck in the Middle episodes "Stuck in the Sweet Seat" and "Stuck with a Boy Genius", an episode of Lab Rats: Elite Force , an episode of Gamer's Guide to Pretty Much Everything , Doctor Strange (with her song "Single Ladies (Put a Ring on It)" heard), the BUNK'D episode "Cabin vs. Cabin", the Raven's Home episode "You're Gonna Get It", the MECH-X4 episode "Versus The Outbreak", the Once Upon a Time episode "Secret Garden", the Daredevil episode "Please", and the K.C. Undercover episode "Welcome to the Jungle". Her song "Crazy in Love" was featured in Strange Magic . Contents. Personal Life. Beyoncé is married to rapper/businessman Shawn Carter (better known as Jay-Z). On January 7, 2012, Beyoncé gave birth to a daughter, Blue Ivy Carter. She later gave birth to twins, named Rumi, the daughter, and Sir, the son. Career. Throughout her career, Beyoncé has sold over 100 million records worldwide as a solo artist. She further sold 60 million records with Destiny's Child, making her one of the best-selling music artists of all time. She is a multi-platinum, Grammy-Award-winning recording artist who is acclaimed for her thrilling vocals, videos, and live concert shows. Beyoncé has won 28 Grammy Awards, both as a solo artist and member of Destiny's Child and The Carters, making her the most honored female artist by the Grammys. Zoids Singer Checklist Part II. This is part 2 of a better detailed Zoids singer checklist from my creativity in music, by image of each singer, band, original character and my chosen character. They are each divided by the track listing that can fit into one CD. Volume II 25 Tracks. 26. Someday My Prince Will Come: from "Snow White and the Seven Dwarfs" - Snow White : Maria Flyheight 27. Colonel Hathi's March: from "The Jungle Book" - Colonel Hathi, Hathi Jr. and The Jungle Patrol: Prime Minister Homaleph, Matt, Colonel Krueger, Colonel Ford, Colonel Halford, Captain Tsubaki, Colonel Karlton "Karl" Lichen Schubaltz, Major Robert "Rob" Herman, Captain DJ O'Connell and The Three Guards: Wagner, Veppei and Grosscao 28. Colonel Hathi's March (Reprise): from "The Jungle Book" - Colonel Hathi, Hathi Jr. and The Jungle Patrol : Prime Minister Homaleph, Matt, Colonel Krueger, Colonel Ford, Colonel Halford, Captain Tsubaki, Colonel Karlton "Karl" Lichen Schubaltz, Major Robert "Rob" Herman, Captain DJ O'Connell and The Three Guards: Wagner, Veppei and Grosscao 29. Colors of the Wind: from "Pocahontas" - Pocahontas : Pierce 30. Out There: from "The Hunchback of Notre Dame" - Judge Claude Frollo and Quasimodo : Stigma Stoller and Sanders 31. So Young - The Corrs : Lightning Team: Jack Cisco, Chris Tasker & Kelly Tasker and Michelle 32. Feed the Birds (Tuppence a Bag): from "Mary Poppins" - Mary Poppins : Amy 33. I Believe I Can Fly: from "Space Jam" - R. Kelly : Jamie Hemeros/The Wild Eagle 34. Let's Go Fly a Kite: from "Mary Poppins" - George Banks, Bert and Chorus : Hop and Dan Tee 35. In Harmony: from "The Little Mermaid: The Series" "The Evil Manta" - Ariel and the Sea Creatures : Tracy 36. I Can't Take My Eyes Off of You: from "High School Musical" - Troy Bolton, Gabriella Montez, Sharpay Evans and Ryan Evans : Jean Holiday, Ciao, Sandra and Raven 37. I Won't Say (I'm in Love): from "Hercules" - Megara "Meg" and The Muses: Calliope, Melpomene, Terpsichore, Thalia and Clio : Rease, Sarah (NC), Pierce, Carol, Sarah Slam and Michelle 38. Accidentally in Love: from "Shrek 2" - Counting Crows : Ashton Foong (me), Sigma, Irvine, Brad Hunter, Deed, Mark Thompson and Rokai 39. Love: from "Robin Hood" - Nancy Adams : Rosa 40. Winnie the Pooh: from "Winne the Pooh and the Honey Tree" - The Disney Chorus 41. The Ugly Bug Ball: from "Summer Magic" - Osh Popham : Haldo 42. On the Open Road: from "A Goofy Movie" - Goofy, Maximillian "Max" Goof and Others : Thomas Richard Schubaltz and Doug 43. A Guy Like You: from "The Hunchback of Notre Dame" - Gargoyles: Hugo, Victor and Laverne : Keith, Helmut Titan and Michelle 44. One Last Hope: from "Hercules" - Philoctetes "Phil" : Vareth 45. Oogie Boogie's Song: from "Tim Burton's The Nightmare Before Christmas" - Oogie Boogie and Santa Claus : Dr. Laon and Father Leon 46. Are You In or Out?: from "Aladdin and the King of Thieves - Sa'Luk and The Forty Thieves : Dr. Laon 47. I'm in Love with a Monster: from "Hotel Transylvania 2" - Fifth Destiny : Moonbay, Sandra, Naomi Fluegel, Amy and Maria Flyheight 48. Greased Lightnin': from "Grease" - Danny Zuko, Kenickie Murdoch and The T-Birds : Harry Champ, Sigma, Irvine, Brad Hunter, Ashton Foong (me), Leon Toros, Thomas Richard Schubaltz, Mallow Dralles, Rattle Dralles and Rastani 49. Beauty and the Beast: from "Beauty and the Beast" - Mrs. Potts : President Louise Camford Closing Song/Grand Finale 50. All for One: from "High School Musical 2" - High School Musical Cast (Troy Bolton, Ryan Evans, Chad Danforth, Sharpay Evans, Taylor McKessie and Gabriella Montez lead) : RD, Bit Cloud, Van Flyheight, Leena Toros, "Fiona" Elisi Linette, Sweet and Everybody else (All Zoids Casts and X-Men: Evolution Hosts) Here are the partnered couples that dance in "All for One", the rest of the Casts and Hosts sing along in the background: RD and Sweet Harry and Leena Van and Fiona Bit and Mary Ashton (me) and Tracey Sigma and Amy Brad and Naomi Irvine and Moonbay Matt and Venus Jamie and Rosa Deed and Ciao Dart and Sabre Mallow and Kelly Rattle and Chris Rosso and Viola Raven and Rease Blake and Sandra Rudolph and Marian Rastani and Maria. Here is the link to the other part of the Zoids singer checklist: Zoids Singer Checklist Part I Track #1-25. Philoctetes. Philoctetes (better known as Phil ) is the tritagonist of Disney's 1997 animated feature film, Hercules . He is a crotchety old Satyr (half-human, half-goat) who served as a trainer of heroes in Ancient Greece—most notably, Achilles and the powerful demigod, Hercules. Contents. Background. Phil was born in the village of Satyrville, to his doting mother and an unnamed father. He was raised alongside his brother, Sal, towards whom Phil felt resentment due to their mother constantly boasting Sal's achievements while (apparently) rarely doing the same for Phil's accomplishment. In truth, and as revealed in "Hercules and the King For a Day", Cacophone has always been equally proud of her sons, but rarely goes out of her way to compliment them to their face as a way to keep them humble. At some point, Phil would leave Satyrville to pursue his dream of becoming a hero trainer. His base of operations was on a remote island that occupied several state-of-the-art gyms and training fields. Although Phil's pupils received fame and notoriety thanks to their mentor's training efforts, they each fell out of favor with the public after suffering humiliating (and sometimes deadly) defeats. As Phil puts it, "none of them could go the distance." As a result of their failures, Phil's reputation was severely damaged, making him a laughing stock. He eventually retired to avoid further disappointment (and because of his age), which caused his home and training facility to fall into disrepair over the years until the arrival of Hercules. Personality. Although he has a big heart, Phil is easily annoyed. He dislikes and becomes angry at others who ignore him or refuse to grant him respect. Philoctetes was the wisecracking trainer of heroes, having done it before with miscellany of legends including Jason, Odysseus, Perseus, Theseus, and Achilles, all of them didn't work out despite's Phil's efforts. Until he was convinced by Hercules to help him become a true hero, Phil was disappointed so much the last thing he needed was to be let down by some starry-eyed yahoo with more muscles than brains.
Load more

Recommended publications
  • Hunchback LIBVB.Pdf
    THE HUNCHBACK OF NOTRE DAME Character List (in order of appearance) DOM CLAUDE FROLLO , Archdeacon of Notre Dame Cathedral JEHAN FROLLO , Claude’s reckless younger brother FLORIKA , a Gypsy FATHER DUPIN , a priest of Notre Dame and guardian of Claude and Jehan QUASIMODO , the deformed bell-ringer of Notre Dame and Claude Frollo’s charge CLOPIN TROUILLEFOU , King of the Gypsies PHOEBUS DE MARTIN , Captain of the Cathedral Guard FREDERIC CHARLUS , Lieutenant of the Cathedral Guard ESMERALDA , a beautiful and free-spirited Gypsy KING LOUIS XI , King of France, nicknamed the Prudent OFFICIAL , an officer of the court of King Louis XI MADAME , owner of a brothel and safe haven for Gypsies SAINT APHRODISIUS , a stained-glass image that comes to life CONGREGATION , an ensemble of storytellers who portray various GYPSIES, GARGOYLES, STATUES, SOLDIERS, REVELERS, PARISHIONERS, PRIESTS, PROSTITUTES and CITIZENS of Paris CHOIR CASTING NOTE A congregation of storytellers narrates The Hunchback of Notre Dame. The designations CONGREGANT, CONGREGANTS, and CONGREGATION are used when the ensemble is narrating individually, in succession or groups, or in unison, respectively. As the play progresses, the ensemble also takes on various roles within the tale, such as GYPSIES, GARGOYLES, and SOLDIERS and moves fluidly among them. Lines or lyrics in these generic roles should be assigned to ensemble members based on your production’s unique cast and staging. — i— The Hunchback of Notre Dame Scenes and Musical Numbers ACT ONE P. BARE STAGE . 1 (#1) Olim . CONGREGATION, CHOIR . 1 (#2) The Bells of Notre Dame (Part 1) . CONGREGATION, CHOIR . 1 (#2A) The Bells of Notre Dame (Part 2) .
    [Show full text]
  • The Hunchback of Notre Dame – the Musical”
    Vol. 20 No. 2, Agustus 2019: 61-69 Mary, Esmeralda, and Frollo: A Hermeneutic Reading of “The Hunchback of Notre Dame – The Musical” Chrysogonus Siddha Malilang1 Malmö Universitet ABSTRACT This essay aims to analyze the multimodal storytelling involving songs inThe Hunchback of Notre Dame – The Musical. Two songs, “God Helps the Outcasts” and “Hellfire”, are chosen to be analyzed hermeneutically. The primary analysis is done through the scrutiny over the juxtaposition of different musical styles in the said songs. Comparisons to Victor Hugo’s original text and the Disney animated version – in which the musical is based on – is also done to shed more light on the new layers of interpretation. Keywords: musical juxtaposition; musical theater; liturgical music; multimodal storytelling ABSTRAK Mary, Esmeralda, dan Frollo: Pembacaan Hermeneutik tentang “The Hunchback of Notre Dame – The Musical”. Artikel ini bertujuan untuk mempelajari dan menganalisis multimodal story telling dalam rangkaian lagu-lagu pada The Hunchback of Notre Dame – the Musical. Dua lagu, “God Helps the Outcasts” dan “Hellfire” dipilih sebagai fokus penelitian hermeneutik. Analisis utama dilakukan melalui studi jukstaposisi gaya musik yang berbeda dalam lagu-lagu tersebut. Perbandingan dengan text asli karangan Victor Hugo dan versi animasi Disney – yang menjadi dasar naskah drama musikal ini – juga dilakukan untuk menggali interpretasi baru yang dihasilkan lebih dalam. Kata kunci: jukstaposisi musik; teater musikal; musik liturgis; multimodal storytelling Introduction When Disney re-wrote “The Hunchback of Notre Dame” into a musical performance, several As the writer began writing this essay, the news other songs from the animated version received the outlet from every corner of the world reported same treatment as “Hellfire”.
    [Show full text]
  • The Historian As Novelist
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Bryn Mawr College Publications, Special Emeritus Papers Collections, Digitized Books 2001 The iH storian as Novelist John Salmon Bryn Mawr College Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/emeritus Recommended Citation Salmon, John, "The iH storian as Novelist" (2001). Emeritus Papers. 7. http://repository.brynmawr.edu/emeritus/7 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/emeritus/7 For more information, please contact [email protected]. The Historian as Novelist John Salmon Delivered March 1, 2001 To start with, let me say that the title of the novel that is the subject of this talk is misleading. It reads: "The Muskets of Gascony: The Revolt of Bernard d'Audijos by Armand Daudeyos, translated by J. H. M. Salmon." This is false. When you write a historical novel things do seem to become falsified at times. I am the actual author, and Armand Daudeyos, the supposed descendant of the hero (Daudeyos is the Gascon form of d'Audijos) is a faction. I adopted this device for several reasons. First, it adds an air of mystery to pretend that one has discovered the manuscript of a historical novel based on real events in the seventeenth century and written in the Romantic vogue of the nineteenth century. Second, it allows me to insert a "translator's preface" explaining how close the book is to what actually happened. And third, it protects me from the reproaches of my colleagues for betraying my profession.
    [Show full text]
  • Disney's the Hunchback of Notre Dame
    DISNEY'S THE HUNCHBACK OF NOTRE DAME Transcribed by Ben Scripps ([email protected]) ([email protected]) NOTE: The following script is Copyright (c) 1996 The Walt Disney Company. The purpose of this transcription is for research and reference purposes only. In no case should this script be sold or charges be made for it. EDITION NOTE: In the following script, any words in capital letters are sung as lyrics in songs. All spoken dialogue (even lines *spoken* within a song) are in normal type. All Latin lyrics from the score have been omitted from this version. (As the Walt Disney Pictures logo fades off the screen, the chorus heard in the background mixes with the bells of Notre Dame cathedral ringing. A long zoom in through the city until we reach the Clopin singing to a group of children watching his puppet show.) Clopin: MORNING IN PARIS, THE CITY AWAKES TO THE BELLS OF NOTRE DAME THE FISHERMAN FISHES, THE BAKERMAN BAKES TO THE BELLS OF NOTRE DAME TO THE BIG BELLS AS LOUD AS THE THUNDER TO THE LITTLE BELLS SOFT AS A PSALM AND SOME SAY THE SOUL OF THE CITY'S THE TOLL OF THE BELLS THE BELLS OF NOTRE DAME Listen, they're beautiful, no? So many colours of sounds, so many changing moods. Because, you know, they don't ring all by themselves. Puppet: They don't?!? Clopin: No, silly boy. Up there, high, high in the dark bell tower, lives the mysterious bell ringer. Who is this creature? Puppet: Who? Clopin: What is he? Puppet: What? Clopin: How did he come to be there? Puppet: How? Clopin: Hush! HTTP://COPIONI.CORRIERESPETTACOLO.IT Puppet: Ohhh..
    [Show full text]
  • Clopin Trouillefou
    SOCIAL STORY GOING TO COMMUNITY PLAYERS Welcome to Community Players! We look forward to having you as our guest! COMMUNITY PLAYERS THEATRE I am going to Community Players to see a show. GOING TO THE THEATRE If I drive or ride in a car to the theatre, I will park on the street in front of the theatre or in the parking lot across the street. LOBBY When I enter the building, I will be in the lobby. At the front desk someone will be there to greet me and help me get my tickets. SNACKS AND DRINKS If I get hungry or thirsty, I can visit the concession stand for popcorn, cookies, candy, and Coke products. If I just want a drink of water, I can use the drinking fountain by Concessions stand Drinking fountain the merchandise stand. BATHROOMS There are bathrooms in the lobby down the hallway. I can use the bathroom at any time during the performance SEATS When I’m ready, I can find my seat inside the theatre. If I need help finding a seat, I can ask an usher. THE STAGE The play will happen on the stage. Only people who work at the theatre are allowed on the stage. If I need to leave the theatre, I can go out the same way I entered but I should walk slowly. LIGHTS AND SOUNDS There may be different colored lights and the lights might flash during the play. There might be music and sounds that could sometimes be loud. I can always leave if I feel uncomfortable.
    [Show full text]
  • Audition Pack
    AUDITION PACK Please read all instructions carefully 1 ABOUT ‘HUNCHBACK’ What makes a monster and what makes a man? This is the central theme of The Hunchback of Notre Dame, a sweeping, grand-scale musical from Disney Theatrical. Based on the 1996 Disney film and Victor Hugo’s 1831 novel, The Hunchback of Notre Dame tells the story of Quasimodo, the hunchbacked bell-ringer of Notre Dame, and his desire to one day be a part of the outside world. When he summons the courage to attend the Feast of Fools, he meets Esmeralda, a compassionate gypsy who protects him from an angry mob. But at the same time, Quasimodo’s master, the archdeacon Dom Claude Frollo, and the new captain of the guard, Phoebus de Martin, fall in love with the beautiful girl. Adding to Quasimodo’s struggle is his punishment and derision from Frollo, following years of psychological abuse, and the danger posed by the gypsies, who are willing to kill any outsiders who venture into their secret hideout. But before Paris is burned to the ground, will Quasimodo be able to save Esmeralda from Frollo’s lust and anger? Will she return Quasimodo’s affection? Who is the true monster of Notre Dame? BOOK Peter Parnell MUSIC Alan Menken LYRICS Stephen Schwartz BASED ON THE PLAY/BOOK/FILM The Hunchback Of Notre Dame By Victor Hugo FIRST PRODUCED 2014 TIME & PLACE Paris, 1482 Directed and Produced by: Mr Huntington Assistant Director: Alex Moxon Choreography: Miss Hobbs Musical Director: Graham Brown Assistant MD: Mr Porter-Thaw Choir MD: Mr North Pianist: Melody Day Costumes/Props:
    [Show full text]
  • Neocolonialism in Disney's Renaissance
    Neocolonialism in Disney’s Renaissance: Analyzing Portrayals of Race and Gender in Pocahontas, The Hunchback of Notre Dame, and Atlantis: The Lost Empire by Breanne Johnson A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Public Health: Health Promotion/Health Behavior (Honors Scholar) Honors Baccalaureate of Science in Sustainability (Honors Scholar) Presented June 7, 2019 Commencement June 2019 AN ABSTRACT OF THE THESIS OF Breanne Johnson for the degree of Honors Baccalaureate of Science in Public Health: Health Promotion/Health Behavior and Honors Baccalaureate of Science in Sustainability presented on June 7, 2019. Title: Neocolonialism in Disney’s Renaissance: Analyzing Portrayals of Race and Gender in Pocahontas, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. Abstract approved:_____________________________________________________ Elizabeth Sheehan The Walt Disney Company is one of the most recognizable and pervasive sources of children’s entertainment worldwide and has carefully crafted an image of childhood innocence. This wholesome image is contradicted by Disney’s consistent use of racist and sexist tropes, as well as its record of covertly using political themes in its media. Disney has a history of using its animated films to further a neocolonial ideology – an ideology that describes how current global superpowers continue to control the natural and capital resources of underdeveloped countries and to profit off of the unequal trading of these resources. The period of Disney’s history known as its animated Renaissance marked a clear return to the brand’s championing of American interventionism abroad.
    [Show full text]
  • Disability Stigma: Re-Presenting „Disability‟ As a Form of „Identity‟ in Victor Hugo‟S the Hunchback of Notre- Dame
    International Journal of Recent Technology and Engineering (IJRTE) ISSN: 2277-3878, Volume-8, Issue-4, November 2019 Traversing Disability Stigma: Re-presenting „Disability‟ as a form of „Identity‟ in Victor Hugo‟s The Hunchback of Notre- Dame Anjana R B, Beena S Nair defines Disability as “a complex phenomenon reflecting an Abstract: “Disability is a matter of perception. If you can do one interaction between features of a person‟s body and features thing well, you are needed by someone” – Martina Navratilova. of the society in which he or she lives.” In simple terms, Though Disability Studies focused on the distinction between disability is nothing but a lack of ability or weakness. „impairment‟ and „disability‟ defining Disability as a social Disability studies is an academic discipline that focuses on the construct, we still perceive Disability as something abnormal, drifting from the normality, an impairment to human mind or meaning, nature and consequence of disability. Disability body. This paper reflects on how Quasimodo, attains an Identity studies earlier focused on distinguishing between impairment in the society with his disability of hunchback and deafness in and disability. It analyses disability as a social construct. It not Victor Hugo‟s The Hunchback of Notre - Dame. He was crowned only analyses the history and theory of it, but also stresses on as the “Pope of Fools” for being the ugliest person in Paris. live experiences. It teaches to focus on the lived experience of Though the identity he gained had a negative connotation, it was individuals with disabilities in practical terms. The main his disability that made him known among the people.
    [Show full text]
  • To Purchase Tickets, Call 706-935-9000 Or Visit Our Website at Colonnadecenter.Org
    THE COLONNADE NEWSLETTER July 2018 264 Catoosa Circle Ringgold, GA 30736 706-935-9000 To purchase tickets, call 706-935-9000 or visit our website at colonnadecenter.org The Colonnade Players with Director James Ogden and Musical songs “The Tavern Song”, “Rhythm of the Tambourine” and Director Terry Sanford will bring The Hunchback of Notre “In a Place of Miracles”. Music is written by Alan Menken Dame to The Colonnade stage in July 2018. The Hunch- with lyrics by Stephen Schwartz. back of Notre Dame, a musical based on the 1831 novel by Victor Hugo and containing songs from the 1996 Walt The story is a tale of three men: Quasimodo, the disfigured, Disney film adaptation, is presented by special arrange- outcast bell-ringer of Notre Dame Cathedral, Phoebus De ment with Music Theatre International (MTI). All authorized Marten, the just-returned-from-the-front handsome soldier, materials are also supplied by MTI. (www. MTIShows.com). and Dom Claude Frollo, the pious archdeacon of Notre Dame who all to varying degrees fall in love with the gypsy The cast includes Alex Walker (Quasimodo), Mary Beth girl Esmeralda. Inner struggles meet outer turmoil in this Torgerson (Esmeralda), Jake Wallin (Phoebus De Martin), tragic story of love and loss. Eric Jackson (Dom Claude Frollo), and Joseph Watts (Clopin Trouillefou). The cast will include an ensemble that Show times are July 13, 14, 20 & 21 at 7:30 pm with mat- takes on various roles throughout the performance and on- inees on July 14 at 1:00 pm and July 22 at 2:30 pm.
    [Show full text]
  • The Hunchback of Notre Dame
    THE HUNCHBACK OF NOTRE DAME by Victor Hugo Translated by Isabel F. Hapgood STYLED BY LIMPIDSOFT Contents PREFACE4 VOLUME I.6 BOOK FIRST................... 7 CHAPTER I. THE GRAND HALL.... 7 CHAPTER II. PIERRE GRINGOIRE... 33 CHAPTER III. MONSIEUR THE CAR- DINAL................ 50 CHAPTER IV. MASTER JACQUES COPPENOLE............ 61 CHAPTER V. QUASIMODO........ 77 CHAPTER VI. ESMERALDA....... 89 BOOK SECOND................. 93 CHAPTER I. FROM CHARYBDIS TO SCYLLA............... 93 2 CONTENTS CHAPTER II. THE PLACE DE GREVE.. 97 CHAPTER III. KISSES FOR BLOWS... 101 CHAPTER IV. THE INCONVE- NIENCES OF FOLLOW- ING A PRETTY WOMAN THROUGH THE STREETS IN THE EVENING........... 119 CHAPTER V. RESULT OF THE DAN- GERS................. 126 CHAPTER VI. THE BROKEN JUG.... 130 CHAPTER VII. A BRIDAL NIGHT.... 163 BOOK THIRD................... 181 CHAPTER I. NOTRE-DAME....... 181 CHAPTER II. A BIRD’S-EYE VIEW OF PARIS................. 195 BOOK FOURTH................. 238 CHAPTER I. GOOD SOULS........ 238 CHAPTER II. CLAUDE FROLLO..... 244 CHAPTER III. IMMANIS PECORIS CUSTOS, IMMANIOR IPSE.... 253 CHAPTER IV. THE DOG AND HIS MASTER............... 266 3 CONTENTS CHAPTER V. MORE ABOUT CLAUDE FROLLO......... 268 CHAPTER VI. UNPOPULARITY..... 279 BOOK FIFTH................... 281 CHAPTER I. ABBAS BEATI MARTINI.. 281 CHAPTER II. THIS WILL KILL THAT.. 299 BOOK SIXTH................... 326 CHAPTER I. AN IMPARTIAL GLANCE AT THE ANCIENT MAGISTRACY........... 326 CHAPTER II. THE RAT-HOLE...... 345 CHAPTER III. HISTORY OF A LEAV- ENED CAKE OF MAIZE..... 352 CHAPTER IV. A TEAR FOR A DROP OF WATER.............. 388 CHAPTER V. END OF THE STORY OF THE CAKE.............. 405 VOLUME II. 407 BOOK SEVENTH................. 408 CHAPTER I. THE DANGER OF CON- FIDING ONE’S SECRET TO A GOAT................
    [Show full text]
  • Analysis: Setting
    ANALYSIS: SETTING BACK NEXT Where It All Goes Down Paris, 1482 Hugo is oddly specific about when and where this story takes place. In fact, Time gets the first line of the novel: "Three hundred and forty-eight years, six months, and nineteen days ago, the good people of Paris awoke to the sound of all the bells pealing in the three districts of the Cité, the Université, and the Ville" (I.I.1). The emphasis here is on the past—the really, really precise past. You won't find any "A long time ago, in a galaxy far far away…" here. We as readers get the sense that if Hugo is going through the trouble to be so darn exact about the date, then we're actually about to read some "real" history. The setting helps us out in this regard; after all, who hasn't heard of that magical, make-believe kingdom of Paris, France? But why 1482? Why not 1481, or 1483, or 1526, or 1642? Because Hugo is so specific, it behooves us to really look at what was going on around 1482 that would make it relevant to the story. So here's your "What was happening in 1482 in France?" cheat sheet: The Hundred Years' War between England and France had ended in 1453 (it's referred to occasionally in the novel), and Louis XI had ascended to the French throne in 1423. He died in 1483, as the novel mentions, which means that the story takes place at the very tail end of his reign.
    [Show full text]
  • Notre Dame De Paris, by Victor Marie Hugo
    Notre Dame de Paris Victor Marie Hugo The Harvard Classics Shelf of Fiction, Vol. XII. Selected by Charles William Eliot Copyright © 2001 Bartleby.com, Inc. Bibliographic Record Contents . Biographical Note Criticisms and Interpretations I. By Frank T. Marzials II. By Andrew Lang III. By G. L. Strachey List of Characters Author’s Preface to the Edition of 1831 Book I I. The Great Hall II. Pierre Gringoire III. The Cardinal IV. Master Jacques Coppenole V. Quasimodo VI. Esmeralda Book II I. From Scylla to Charybdis II. The Place de Grève III. Besos Para Golpes IV. The Mishaps Consequent on Following a Pretty Woman through the Streets at Night V. Sequel of the Mishap VI. The Broken Pitcher VII. A Wedding Night Book III I. Notre Dame II. A Bird’s-Eye View of Paris Book IV I. Charitable Souls II. Claude Frollo III. Immanis Pecoris Custos, Immanior Ipse IV. The Dog and His Master V. Further Particulars of Claude Frollo VI. Unpopularity Book V I. The Abbot of St.-Martin’s II. This Will Destroy That Book VI I. An Impartial Glance at the Ancient Magistracy II. The Rat-Hole III. The Story of a Wheaten Cake IV. A Tear for a Drop of Water V. End of the Wheaten Cake Book VII I. Showing the Danger of Confiding One’s Secret to a Goat II. Showing That a Priest and a Philosopher Are Not the Same III. The Bells IV. Fate V. The Two Men in Black VI. Of the Result of Launching a String of Seven Oaths in a Public Square VII.
    [Show full text]