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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Empireheads to the Florida Estate of Burt Reynolds To
presents WORDS PORTRAITS Nick de Semlyen Steve Schofi eld EMPIRE HEADS TO THE FLORIDA ESTATE OF BURT REYNOLDS TO SPEND AN ALL-ACCESS WEEKEND WITH THE BANDIT HIMSELF, ONCE THE BIGGEST MOVIE STAR ON THE PLANET TYPE Jordan Metcalf 120 JANUARY 2016 JANUARY 2016 121 Most character-building of all, he shared a New York apartment with Rip Torn. “He was wild,” Reynolds says of the notoriously volatile Men In Black star. “One time they asked me to go duck- hunting in the Roosevelt Game Reserve for (TV show) The American Sportsman, and I took Rip with me. While we were walking around, some geese fl ew above us, squawking. Rip goes, ‘You know what “IF I’D SAID YES TO STAR they’re saying? They’re saying, “That’s the crazy Rip Torn down there.”’ He took his gun, said, ‘I’ll teach that sonuvabitch WARS, IT WOULD HAVE to talk like that,’ and shot one. I said, ‘Rip, you really are crazy.’ But I couldn’t help but love him. Still do.” Reynolds built a reputation as HIS REFRESHMENTS ARE LAID OUT. MEANT NO SMOKEY a fearless man of action, stoked by his A cluster of grapes, a glass of ice water eagerness to do his own stunts. “The and a bowl of Veggie Straws potato fi rst one involved me going through chips (‘Zesty Ranch’ fl avour), arranged AND THE BANDIT…” a plate-glass window on a show called lovingly on a side-table. Frontiers Of Faith,” he says. “I got 125 The students are assembled. This bucks — a nice chunk of change in 1957.” Friday night, 18 of them have come. -
Xop of the Hill Redmen Continue to Lead East with 79-61 Win Over Georgetown
THE OFFICIAL STUDENT NEWSPAPER OF ST. JOHN'S UNIVERSITY Non-Profl OrjanHlnn THElORCH a. John's Uniwfsity flu*,W xn Xop of the Hill Redmen Continue to Lead East With 79-61 Win Over Georgetown run by ihe Redmen featuring Scolt, who By Tim Walsh scored 6 points in Ihe fusl five minutes Spans E^ar in the game. From ihere, ihe first half remained tighl throughout. The two leams exchanged mini-runs until ihe You had better jump on the band half, where ihe Redmen held a six-point wagon while you still can. The Redmen lead, 30-24. The Hoyas were able lo chip are on a roll and they're not making any away al Ihe Redmen lead in ihe second stops on ihe road to respect half, getting some help from the highly- It has been a long road, but with a 79- touted freshman Othella Harrington and 61 win over the Georgetown Hoyas guard John Jaque^. Monday nighl al Madison Square Georgeiow.i Ihcn held Ihe lead Garden, Coach Brian Mahoney and his sporadically -villi ihe Redmen and ihe Redmen may have finally reached their Hoyas exchanging shoi for shoi. destinatiorL Wiih this win under iheir red Following iwo lay-ups by Scoll and bells, ihe surging Redmen have forward Lamont Middlelon, respecl ively, solidified Iheir position as the lone first lhal gave the Redmen a Iwo-point lead. place leam in the Big Easi Conference. Jaques hii two from the free throw line to With ihe help of reserves Sergio Luyk tie the game al 42, Then came Luyk. -
Blade II" (Luke Goss), the Reapers Feed Quickly
J.antie Lissow- knocks Starbucks, offers funny anecdotes By Jessica Besack has been steadily rising. stuff. If you take out a whole said, you might find "Daddy's bright !)ink T -shirt with the Staff Writer He is now signed under the shelf, it will only cost you $20." Little Princess" upon closer sparkly words "Daddy's Little Gersh Agency, which handles Starbucks' coffee was another reading. Princess" emblazoned across the Comedian Jamie Lissow other comics such as Dave object of Lissow's humor. He In conclusion to his routine, front. entertained a small audience in Chappele, Jim Breuer and The warned the audience to be cau Lissow removed his hooded You can read more about the Wolves' Den this past Friday Kids in the Hall. tious when ordering coffee there, sweatshirt to reveal a muscular Jamie Lissow at evening joking about Starbucks Lissow amused the audience since he has experienced torso bulging out of a tight, http://www.jamielissow.com. coffee, workout buffs, dollar with anecdotes of his experi mishaps in the process. stores and The University itself. ences while touring other col "I once asked 'Could I get a Lissow, who has appeared on leges during the past few weeks. triple caramel frappuccino "The Tonight Show with Jay At one college, he performed pocus-mocha?"' Lissow said, Leno" and NBC's "Late Friday," on a stage with no microphone "and the coffee lady turned into a opened his act with a comment after an awkward introduction, newt. I think I said it wrong." about the size of the audience, only to notice that halfway Lissow asked audience what saying that when he booked The through his act, students began the popular bars were for University show, he presented approaching the stage carrying University students. -
The Sopranos Episode Guide Imdb
The sopranos episode guide imdb Continue Season: 1 2 3 4 5 6 OR Year: 1999 2000 2001 2002 2004 2006 2007 Season: 1 2 3 4 5 6 OR Year: 1999 2000 2001 200102 200204 2006 2007 Season: 1 2 3 3 4 5 6 OR Year: 1999 2000 2001 2002 2004 2006 2007 Edit It's time for the annual ecclera and, as usual, Pauley is responsible for the 5 day affair. It's always been a money maker for Pauley - Tony's father, Johnny Soprano, had control over him before him - but a new parish priest believes that the $10,000 Poly contributes as the church's share is too low and believes $50,000 would be more appropriate. Pauley shies away from that figure, at least in part, he says, because his own spending is rising. One thing he does to save money to hire a second course of carnival rides, something that comes back to haunt him when one of the rides breaks down and people get injured. Pauley is also under a lot of stress after his doctor dislikes the results of his PSA test and is planning a biopsy. When Christopher's girlfriend Kelly tells him he is pregnant, he asks her to marry him. He is still struggling with his addiction however and falls off the wagon. Written by GaryKmkd Plot Summary: Add a Summary Certificate: See All The Certificates of the Parents' Guide: Add Content Advisory for Parents Edit Vic Noto plays one of the bikies from the Vipers group that Tony and Chris steal wine from. -
HUNGARIAN STUDIES 14. No. 2. (2000)
BELA LUGOSI - EIN LIEBHABER, EIN DILETTANT HARUN MAYE Universität zu Köln, Köln, Deutschland I. „I am Dracula". So lautete der erste Satz, den ein Vampir in einem amerikani schen Tonfilm sagen mußte, und der auch seinen Darsteller unsterblich machen sollte. Bei dem Namen Dracula bedürfen wir weder der Anschauung noch auch selbst des Bildes, sondern der Name, indem wir ihn verstehen, ist die bildlose einfache Vorstellung einer Urszene, die 1897 zum ersten Mal als Roman erschie nen, und dank dem Medienverbund zwischen Phonograph, Schreibmaschine, Hypnose, Stenographie und der Sekretärin Mina Harker schon im Roman selbst technisch reproduzierbar geworden ist.1 Aber ausgerechnet über ein Medium, das im Roman nicht erwähnt wird, sollte Draculas Wiederauferstehung seitdem Nacht für Nacht laufen. Weil Vampire und Gespenster Wiedergänger sind, und im Gegensatz zu Bü chern und ihren Autoren bekanntlich nicht sterben können, müssen sie sich neue Körper und Medien suchen, in die sie fahren können. Der Journalist Abraham Stoker hat den Nachruhm und die Wertschätzung seines Namens zusammen mit dem Medium eingebüßt, das ihn berühmt gemacht hatte, nur damit fortan der Name seines schattenlosen Titelhelden für immer als belichteter Schatten über Kinoleinwände geistern konnte. Aber Spielfilme kennen so wenig originale Schöpfersubjekte wie Individuen. Dracula ist eben bloß ein Name, und als solcher ein „individuelles Allgemeines" wie die Bezeichnung der Goethezeit, jener Epo che und Dichtungskonzeption, der auch Dracula poetologisch noch angehörte, für sogenannte Individuen und Phantome gleichermaßen lautete. Es ist in diesem Namen, daß wir Bela Lugosi denken.2 IL Seit Tod Brownings Dracula von 1931 braucht dieser Name um vorstellbar zu sein, nicht mehr verstanden werden, weil er selbst angefangen hatte, sich vorzu stellen. -
Manu.L Mafia
DÍL XXXVIII - ã. 16Lostheavensk˘ kur˘r Sobota, 14. ãervenec 1930 LOST HEAVENSK¯ Dvû soupefiící rodiny KUR¯R je oficiálním a organizovan˘ zloãin hlasem typického americ- dominují kaÏdodennímu kého mûsta 30. let. Mûsta Lostheavensk˘ kur˘r Ïivotu. Bohatství a úspûch, Ovládání postavy ovládaného zloãinnou korupce a násilí urãují pra- DÍL XXXVIII - ã. 16 LOST HEAVEN CITY, Sobota, 14. ãervenec 1930 CENA 12 CENTU° organizací mafia. vidla podsvûtí. âinnost Ovládání Dopfiedu ·ipka nahoru Dozadu ·ipka dolÛ Doleva ·ipka doleva Doprava ·ipka doprava Pfiepínání bûh / chÛze Caps Lock ChÛze Prav˘ Shift (pfii pohybu drÏet stisknut˘) Otoãení na místû Prav˘ Alt (pfii pohybu) Akce Pravé tlaãítko my‰i Stfielba Levé tlaãítko my‰i PlíÏení Prav˘ Ctrl Zmûna kamery C (pfii fiízení) Skok / ‰plh Num. kláv. 0 Pfievalení do strany Dvojité klepnutí na ‰ipku doleva/doprava Mífiení My‰í v ose X a Y (Poznámka: toto nastavení nelze zmûnit) Pfiepínání nahoru & dolÛ My‰í v ose Z (koleãko na my‰i) (V˘bûr zbranû) SE VRACÍ! Inventáfi I Skr˘t zbraÀ H Zahodit zbraÀ Backspace Nabít L ReÏim odstfielovaãe S Úkoly F1 Mapa mûsta Tab Ovládání vozu âinnost Ovládání Plyn ·ipka nahoru Brzda / zpáteãka ·ipka dolÛ Zatoãit doleva ·ipka doleva Zatoãit doprava ·ipka doprava Ruãní brzda Mezerník Omezovaã rychlosti F5 Ruãní / automatické fiazení M Dal‰í úder jednoho ze zná- Don Salieri byl proto pfiedvolán na policejní stani- Zafiadit nahoru A ci, aby zodpovûdûl nûkteré otázky, ale bez solid- Podfiadit Z m˘ch mafiánsk˘ch gangÛ ních dÛkazÛ o jeho úãasti na incidentu a téÏ díky Klakson K zpusto‰il stfied mûsta Lost skálopevnému alibi, které má, nemÛÏe b˘t zadrÏen. -
Super Ticket Student Edition.Pdf
THE NATION’S NEWSPAPER Math TODAY™ Student Edition Super Ticket Sales Focus Questions: h What are the values of the mean, median, and mode for opening weekend ticket sales and total ticket sales of this group of Super ticket sales movies? Marvel Studio’s Avi Arad is on a hot streak, having pro- duced six consecutive No. 1 hits at the box office. h For each data set, determine the difference between the mean and Blade (1998) median values. Opening Total ticket $17.1 $70.1 weekend sales X-Men (2000) (in millions) h How do opening weekend ticket $54.5 $157.3 sales compare as a percent of Blade 2 (2002) total ticket sales? $32.5 $81.7 Spider-Man (2002) $114.8 $403.7 Daredevil (2003) $45 $102.2 X2: X-Men United (2003) 1 $85.6 $200.3 1 – Still in theaters Source: Nielsen EDI By Julie Snider, USA TODAY Activity Overview: In this activity, you will create two box and whisker plots of the data in the USA TODAY Snapshot® "Super ticket sales." You will calculate mean, median and mode values for both sets of data. You will then compare the two sets of data by analyzing the differences graphically in the box and whisker plots, and numerically as percents of ticket sales. ©COPYRIGHT 2004 USA TODAY, a division of Gannett Co., Inc. This activity was created for use with Texas Instruments handheld technology. MATH TODAY STUDENT EDITION Super Ticket Sales Conquering comic heroes LIFE SECTION - FRIDAY - APRIL 26, 2002 - PAGE 1D By Susan Wloszczyna USA TODAY Behind nearly every timeless comic- Man comic books the way an English generations weaned on cowls and book hero, there's a deceptively unas- scholar loves Macbeth," he confess- capes. -
Hunchback LIBVB.Pdf
THE HUNCHBACK OF NOTRE DAME Character List (in order of appearance) DOM CLAUDE FROLLO , Archdeacon of Notre Dame Cathedral JEHAN FROLLO , Claude’s reckless younger brother FLORIKA , a Gypsy FATHER DUPIN , a priest of Notre Dame and guardian of Claude and Jehan QUASIMODO , the deformed bell-ringer of Notre Dame and Claude Frollo’s charge CLOPIN TROUILLEFOU , King of the Gypsies PHOEBUS DE MARTIN , Captain of the Cathedral Guard FREDERIC CHARLUS , Lieutenant of the Cathedral Guard ESMERALDA , a beautiful and free-spirited Gypsy KING LOUIS XI , King of France, nicknamed the Prudent OFFICIAL , an officer of the court of King Louis XI MADAME , owner of a brothel and safe haven for Gypsies SAINT APHRODISIUS , a stained-glass image that comes to life CONGREGATION , an ensemble of storytellers who portray various GYPSIES, GARGOYLES, STATUES, SOLDIERS, REVELERS, PARISHIONERS, PRIESTS, PROSTITUTES and CITIZENS of Paris CHOIR CASTING NOTE A congregation of storytellers narrates The Hunchback of Notre Dame. The designations CONGREGANT, CONGREGANTS, and CONGREGATION are used when the ensemble is narrating individually, in succession or groups, or in unison, respectively. As the play progresses, the ensemble also takes on various roles within the tale, such as GYPSIES, GARGOYLES, and SOLDIERS and moves fluidly among them. Lines or lyrics in these generic roles should be assigned to ensemble members based on your production’s unique cast and staging. — i— The Hunchback of Notre Dame Scenes and Musical Numbers ACT ONE P. BARE STAGE . 1 (#1) Olim . CONGREGATION, CHOIR . 1 (#2) The Bells of Notre Dame (Part 1) . CONGREGATION, CHOIR . 1 (#2A) The Bells of Notre Dame (Part 2) . -
The Horror Film Series
Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors. -
Academy Award® Winner the Adventures of Robin Hood
ACADEMY AWARD® WINNER THE ADVENTURES OF ROBIN HOOD (1938) SCREENING SPOTLIGHTS THE PRODUCTION DESIGNS OF CARL JULES WEYL PRESENTED BY THE ART DIRECTORS GUILD FILM SOCIETY AND AMERICAN CINEMATHEQUE Sunday, June 28 at 5:30 PM at the Aero Theatre in Hollywood LOS ANGELES, June 17, 2015 - The Art Directors Guild (ADG) Film Society and American Cinematheque will present a screening of Errol Flynn’s swashbuckling adventure fantasy THE ADVENTURES OF ROBIN HOOD (1938) spotlighting the production design by Academy Award®- winning designer Carl Jules Weyl, as part of the 2015 ADG Film Series on Sunday, June 28, at 5:30 P.M. at the Aero Theatre in Santa Monica. The ADG “Confessions of a Production Designer” Film Series is sponsored by The Hollywood Reporter. “Welcome to Sherwood, my lady!” Legendary, beloved, much imitated but never surpassed, The Adventures of Robin Hood is pure escapism epitomizing the very best in classical Hollywood matinee adventure storytelling. Rich in its visual imagination, it remains a case study in film design excellence. Inspired by the romantic illustrations of famed illustrator and artist N.C. Wyeth, Carl Jules Weyl’s masterful designs served well this Warner Bros.’ first venture into three-strip Technicolor productions. “The Adventures of Robin Hood remains a fitting tribute to the achievements and talent of this exceptional designer, as well as being a reminder of the many less celebrated but equally gifted masters of design who have left us with a visually-inspired legacy,” said Production Designer Thomas A. Walsh,