The Hunchback of Notre Dame …………………………………
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The Top 101 Inspirational Movies –
The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of -
California's REAL First Gold
California's REAL First Gold Ads by Google California's REAL First Gold Gold Mining Gold Mines By Leon Worden Gold Coins COINage magazine Buy Gold October 2005 Mexican Gold here can be no doubt that James Marshall changed the course of T history when he peered into the tailrace of John Sutter's sawmill on a brisk January day in 1848 and spied California's future. Leon Worden Index Within weeks the United States signed peace accords with Mexico, and SCVTV.com within a few months, Naval midshipman Edward "Ned" Beale and his pal Local Television Kit Carson were headed east with proof of Marshall's discovery. for Santa Clarita (webmaster) Mormon newspaper publisher Samuel Brannan ran through the streets of San Francisco spreading the word: COINage Magazine "Gold! Gold on the American River!" SCV History In Legions of argonauts flocked to the Sacramento Delta. Granted, few Pictures (webmaster) fulfilled their dreams of riches, but all contributed to the realization of James K. Polk's visions of Manifest Destiny as they erected towns and SCV Historical Society (webmaster) forged a territorial economy from the glittering soil. When the news finally reached New York in September, it triggered the biggest westward Old Town Newhall (webmaster) migration the young nation had ever seen. The import of the occasion wasn't lost on official Washington. Mentryville (webmaster) Memories of the "hard times" of the 1830s all too fresh in their minds, senators hastened the admission of the "Golden State" into the Union. SCV 4th of July Parade (webmaster) Within three years after Marshall's fortuitous millwork, there were gold- producing states from sea to shining sea, and within another century, the scvleon.com (webmaster) cultural navel of the universe had shifted from Paris and Rome to a place called Hollywood. -
Cesare Pugni: Esmeralda and Le Violon Du Diable
Cesare Pugni: Esmeralda and Le Violon du diable Cesare Pugni: Esmeralda and Le Violon du diable Edited and Introduced by Robert Ignatius Letellier Cesare Pugni: Esmeralda and Le Violon du diable, Edited by Edited and Introducted by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Edited and Introducted by Robert Ignatius Letellier and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3608-7, ISBN (13): 978-1-4438-3608-1 Cesare Pugni in London (c. 1845) TABLE OF CONTENTS Introduction ............................................................................................................................... ix Esmeralda Italian Version La corte del miracoli (Introduzione) .......................................................................................... 2 Allegro giusto............................................................................................................................. 5 Sposalizio di Esmeralda ............................................................................................................. 6 Allegro giusto............................................................................................................................ -
Starlog Magazine Issue
23 YEARS EXPLORING SCIENCE FICTION ^ GOLDFINGER s Jjr . Golden Girl: Tests RicklBerfnanJponders Er_ her mettle MimilMif-lM ]puTtism!i?i ff?™ § m I rifbrm The Mail Service Hold Mail Authorization Please stop mail for: Name Date to Stop Mail Address A. B. Please resume normal Please stop mail until I return. [~J I | undelivered delivery, and deliver all held I will pick up all here. mail. mail, on the date written Date to Resume Delivery Customer Signature Official Use Only Date Received Lot Number Clerk Delivery Route Number Carrier If option A is selected please fill out below: Date to Resume Delivery of Mail Note to Carrier: All undelivered mail has been picked up. Official Signature Only COMPLIMENTS OF THE STAR OCEAN GAME DEVEL0PER5. YOU'RE GOING TO BE AWHILE. bad there's Too no "indefinite date" box to check an impact on the course of the game. on those post office forms. Since you have no Even your emotions determine the fate of your idea when you'll be returning. Everything you do in this journey. You may choose to be romantically linked with game will have an impact on the way the journey ends. another character, or you may choose to remain friends. If it ever does. But no matter what, it will affect your path. And more You start on a quest that begins at the edge of the seriously, if a friend dies in battle, you'll feel incredible universe. And ends -well, that's entirely up to you. Every rage that will cause you to fight with even more furious single person you _ combat moves. -
Hunchback LIBVB.Pdf
THE HUNCHBACK OF NOTRE DAME Character List (in order of appearance) DOM CLAUDE FROLLO , Archdeacon of Notre Dame Cathedral JEHAN FROLLO , Claude’s reckless younger brother FLORIKA , a Gypsy FATHER DUPIN , a priest of Notre Dame and guardian of Claude and Jehan QUASIMODO , the deformed bell-ringer of Notre Dame and Claude Frollo’s charge CLOPIN TROUILLEFOU , King of the Gypsies PHOEBUS DE MARTIN , Captain of the Cathedral Guard FREDERIC CHARLUS , Lieutenant of the Cathedral Guard ESMERALDA , a beautiful and free-spirited Gypsy KING LOUIS XI , King of France, nicknamed the Prudent OFFICIAL , an officer of the court of King Louis XI MADAME , owner of a brothel and safe haven for Gypsies SAINT APHRODISIUS , a stained-glass image that comes to life CONGREGATION , an ensemble of storytellers who portray various GYPSIES, GARGOYLES, STATUES, SOLDIERS, REVELERS, PARISHIONERS, PRIESTS, PROSTITUTES and CITIZENS of Paris CHOIR CASTING NOTE A congregation of storytellers narrates The Hunchback of Notre Dame. The designations CONGREGANT, CONGREGANTS, and CONGREGATION are used when the ensemble is narrating individually, in succession or groups, or in unison, respectively. As the play progresses, the ensemble also takes on various roles within the tale, such as GYPSIES, GARGOYLES, and SOLDIERS and moves fluidly among them. Lines or lyrics in these generic roles should be assigned to ensemble members based on your production’s unique cast and staging. — i— The Hunchback of Notre Dame Scenes and Musical Numbers ACT ONE P. BARE STAGE . 1 (#1) Olim . CONGREGATION, CHOIR . 1 (#2) The Bells of Notre Dame (Part 1) . CONGREGATION, CHOIR . 1 (#2A) The Bells of Notre Dame (Part 2) . -
The Hunchback of Notre Dame – the Musical”
Vol. 20 No. 2, Agustus 2019: 61-69 Mary, Esmeralda, and Frollo: A Hermeneutic Reading of “The Hunchback of Notre Dame – The Musical” Chrysogonus Siddha Malilang1 Malmö Universitet ABSTRACT This essay aims to analyze the multimodal storytelling involving songs inThe Hunchback of Notre Dame – The Musical. Two songs, “God Helps the Outcasts” and “Hellfire”, are chosen to be analyzed hermeneutically. The primary analysis is done through the scrutiny over the juxtaposition of different musical styles in the said songs. Comparisons to Victor Hugo’s original text and the Disney animated version – in which the musical is based on – is also done to shed more light on the new layers of interpretation. Keywords: musical juxtaposition; musical theater; liturgical music; multimodal storytelling ABSTRAK Mary, Esmeralda, dan Frollo: Pembacaan Hermeneutik tentang “The Hunchback of Notre Dame – The Musical”. Artikel ini bertujuan untuk mempelajari dan menganalisis multimodal story telling dalam rangkaian lagu-lagu pada The Hunchback of Notre Dame – the Musical. Dua lagu, “God Helps the Outcasts” dan “Hellfire” dipilih sebagai fokus penelitian hermeneutik. Analisis utama dilakukan melalui studi jukstaposisi gaya musik yang berbeda dalam lagu-lagu tersebut. Perbandingan dengan text asli karangan Victor Hugo dan versi animasi Disney – yang menjadi dasar naskah drama musikal ini – juga dilakukan untuk menggali interpretasi baru yang dihasilkan lebih dalam. Kata kunci: jukstaposisi musik; teater musikal; musik liturgis; multimodal storytelling Introduction When Disney re-wrote “The Hunchback of Notre Dame” into a musical performance, several As the writer began writing this essay, the news other songs from the animated version received the outlet from every corner of the world reported same treatment as “Hellfire”. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
November 22, 2020 – Christ the King and Thanksgiving
CHRIST THE KING SUNDAY & THANKSGIVING November 22, 2020 Matthew 25:36-41 UMC Geneva IL What comes to mind when you hear the words “KinG” and “KinGdom?” Do you think of Walt Disney’s MaGical Kingdom? Or Perhaps the British Royal family? I noticed on TV that yet another movie is slated to be released depicting the life of Prince Charles and Princess Diana. Perhaps some of you envisioned a stately gentleman seated on a royal throne, wearinG a Golden crown, scePter in hand , decKed out in soft purple and white robes. Well, today is Christ the KinG Sunday AND ThanKsGivinG Sunday, and my job is to bring these two themes together. How are we going to do that? Let’s start with Christ the King Sunday – the very last Sunday in the Christian Year before the start of Advent, which is next weeK! Jesus’s mission as Christ the KinG was to establish the KinGdom of God…here…on earth…a mission he continues to fulfill throuGh us, his disciples. His Kingdom was radically different from the Kingdom of Imperial Rome and their Jewish puppets – the Herodian kinGs in Palestine where Jesus lived. In fact, Jesus and his Kingdom inauGurated a radical reversal of the values and leadership style of ImPerial Rome. This is perhaPs most clearly seen, and succinctly stated, in Luke 1 – in Mary’s sonG of Praise to God Known as the Magnificat. In her sonG, Mary praises the God who looKs with favor on the lowliness of his servant, Mary. She extols the God who shows the strenGth of his arm by scattering the proud, in their imaGinations; bringing down the powerful from their thrones while liftinG uP the lowly; fillinG the hunGry with Good thinGs and sending the rich away emPty; and showing great kindness to the Poor, the powerless and marGinalized. -
Paranormal Romance Guide Adair, Cherry. “Black Magic.”
Paranormal Romance Guide Adair, Cherry. “Black Magic.” Pocket Star. Ever since the death of her parents, Sara Temple has rejected her magical gifts. Then, in a moment of extreme danger, she unknowingly sends out a telepathic cry for help; to the one man she is convinced she never wants to see again. Jackson Slater thought he was done forever with his ex-fiance, but when he hears her desperate plea, he teleports halfway around the world to aid her in a situation where magic has gone suddenly, brutally wrong. But while Sara and Jack remain convinced they are completely mismatched, the Wizard Council feels otherwise. A dark force is killing some of the world’s most influential wizards, and the ex-lovers have just proved their abilities are mysteriously amplified when they work together. But with the fate of the world at stake, will the violent emotions still simmering between them drive them farther apart or bring them back together? Alexander, Cassie. “Nightshifted.” St. Martin’s Press. Nursing school prepared Edie Spence for a lot of things. Burn victims? No problem. Severed limbs? Piece of cake. Vampires? No way in hell. But as the newest nurse on Y4, the secret ward hidden in the bowels of County Hospital, Edie has her hands full with every paranormal patient you can imagine, from vamps and were-things to zombies and beyond. Edie’s just trying to learn the ropes so she can get through her latest shift unscathed. But when a vampire servant turns to dust under her watch, all hell breaks loose. -
Chatsworth Nature Preserve/Reservoir
HISTORIC RESOURCES IDENTIFICATION STATEMENT OF SIGNIFICANCE Final 6/2/15 - Prepared by Carla Bollinger Chatsworth Nature Preserve/Reservoir Why is this individual resource or neighborhood significant? Chatsworth Nature Preserve (CNP) is a representation of San Fernando Valley (SFV)-Los Angeles history from pre-historic through the 20th Century. This is the last remaining opening space, 1325 acres, on the valley floor with rolling hills, native plants and oak trees, a vision of what the SFV once looked like with numerous cultural-historic landmarks. Native American site from pre-historic Middle Period (1500 - 500 AD), through Pre-Mission period: A Gabrielino and Ventureno-Chumash, historical district Mission Period: (1769 to 1833-1836) Spanish expedition and establishment of California Missions through the time period the Missions were secularized by the Mexican government. Mexican Period: (1821-1848) Rancheros, cattle and sheep ranch, Rancho Ex-Mission San Fernando, Mexican land grant by Governor Pio Pico to Eulogio de Celis. Pioneering/Homesteading or American Period: (1848 - early 1900’s) Gold discovery north of San Fernando Mission in Placerita Canyon, 1848; California Statehood in 1850; and the Homestead Act, 1862, all contributed to the SFV changes from cattle and sheep ranching to agricultural, dry farming. 20th Century: Owens Valley-Los Angeles Aqueduct, building of the Chatsworth Reservoir, early Movie/TV Filming, and the development of commercial industry and growth of residential development surrounding the CNP-Reservoir. Native American Convergence site. The CNP and surrounding area was a convergence location for Ventureno-Chumash, Gabrielino, and Fernandeho Native Americans to gather, trade, inter-marry, and hold ceremonies. Momonga Village (Fernandeno ) or Rancheria de las Piedras (Gabrielino/Tongva) Location: Northeastern Simi Hills through Santa Susana Pass to Stoney Point on the west, and south to the north end of Chatsworth Reservoir. -
Factsheet Penguin Kids Factsheetpenguin Kids
FACTSHEET PENGUIN KIDS FACTSHEETPENGUIN KIDS Level 5 Suitable for: young learners who have completed around 250 hours of study in English Type of English: American Headwords: 1000 Key words: 20 (see pages 2 and 5 of this Factsheet) Key grammar: will for offers, requests and with future meaning, when and so as conjunctions, zero conditional, infinitive of purpose he is going to find the gypsies’ hiding place and kill everyone there. Summary of the story Quasimodo and Phoebus try to warn Esmeralda Judge Frollo causes the death of a gypsy woman and her people about the attack, but they at Notre Dame Cathedral in Paris. Frollo wants to are too late and Frollo finds them. Esmeralda kill her deformed baby boy when a priest stops him chooses to burn at the stake rather than be with and insists that he save the child. Frollo agrees on Frollo. Quasimodo saves her and takes her to the condition that the boy lives in the cathedral. the cathedral. Frollo tries to kill Quasimodo, but The boy, Quasimodo, grows up a hunchback, Phoebus arrives just in time to save him. Frollo ringing the bells in the cathedral bell tower. He falls from the cathedral to his death. longs to escape and one day, against Frollo’s Phoebus and Esmeralda are together at last and orders, goes to a festival in the square. There, Quasimodo is welcomed as a hero. Quasimodo is chosen as the “King of Fools” and the people mock him. A beautiful gypsy girl, Background information Esmeralda, defends him. This angers Frollo, who The Hunchback of Notre Dame is the 34th Disney hates gypsies and people who are different. -
Disney's the Hunchback of Notre Dame
DISNEY'S THE HUNCHBACK OF NOTRE DAME Transcribed by Ben Scripps ([email protected]) ([email protected]) NOTE: The following script is Copyright (c) 1996 The Walt Disney Company. The purpose of this transcription is for research and reference purposes only. In no case should this script be sold or charges be made for it. EDITION NOTE: In the following script, any words in capital letters are sung as lyrics in songs. All spoken dialogue (even lines *spoken* within a song) are in normal type. All Latin lyrics from the score have been omitted from this version. (As the Walt Disney Pictures logo fades off the screen, the chorus heard in the background mixes with the bells of Notre Dame cathedral ringing. A long zoom in through the city until we reach the Clopin singing to a group of children watching his puppet show.) Clopin: MORNING IN PARIS, THE CITY AWAKES TO THE BELLS OF NOTRE DAME THE FISHERMAN FISHES, THE BAKERMAN BAKES TO THE BELLS OF NOTRE DAME TO THE BIG BELLS AS LOUD AS THE THUNDER TO THE LITTLE BELLS SOFT AS A PSALM AND SOME SAY THE SOUL OF THE CITY'S THE TOLL OF THE BELLS THE BELLS OF NOTRE DAME Listen, they're beautiful, no? So many colours of sounds, so many changing moods. Because, you know, they don't ring all by themselves. Puppet: They don't?!? Clopin: No, silly boy. Up there, high, high in the dark bell tower, lives the mysterious bell ringer. Who is this creature? Puppet: Who? Clopin: What is he? Puppet: What? Clopin: How did he come to be there? Puppet: How? Clopin: Hush! HTTP://COPIONI.CORRIERESPETTACOLO.IT Puppet: Ohhh..