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Hunchback LIBVB.Pdf
THE HUNCHBACK OF NOTRE DAME Character List (in order of appearance) DOM CLAUDE FROLLO , Archdeacon of Notre Dame Cathedral JEHAN FROLLO , Claude’s reckless younger brother FLORIKA , a Gypsy FATHER DUPIN , a priest of Notre Dame and guardian of Claude and Jehan QUASIMODO , the deformed bell-ringer of Notre Dame and Claude Frollo’s charge CLOPIN TROUILLEFOU , King of the Gypsies PHOEBUS DE MARTIN , Captain of the Cathedral Guard FREDERIC CHARLUS , Lieutenant of the Cathedral Guard ESMERALDA , a beautiful and free-spirited Gypsy KING LOUIS XI , King of France, nicknamed the Prudent OFFICIAL , an officer of the court of King Louis XI MADAME , owner of a brothel and safe haven for Gypsies SAINT APHRODISIUS , a stained-glass image that comes to life CONGREGATION , an ensemble of storytellers who portray various GYPSIES, GARGOYLES, STATUES, SOLDIERS, REVELERS, PARISHIONERS, PRIESTS, PROSTITUTES and CITIZENS of Paris CHOIR CASTING NOTE A congregation of storytellers narrates The Hunchback of Notre Dame. The designations CONGREGANT, CONGREGANTS, and CONGREGATION are used when the ensemble is narrating individually, in succession or groups, or in unison, respectively. As the play progresses, the ensemble also takes on various roles within the tale, such as GYPSIES, GARGOYLES, and SOLDIERS and moves fluidly among them. Lines or lyrics in these generic roles should be assigned to ensemble members based on your production’s unique cast and staging. — i— The Hunchback of Notre Dame Scenes and Musical Numbers ACT ONE P. BARE STAGE . 1 (#1) Olim . CONGREGATION, CHOIR . 1 (#2) The Bells of Notre Dame (Part 1) . CONGREGATION, CHOIR . 1 (#2A) The Bells of Notre Dame (Part 2) . -
November 22, 2020 – Christ the King and Thanksgiving
CHRIST THE KING SUNDAY & THANKSGIVING November 22, 2020 Matthew 25:36-41 UMC Geneva IL What comes to mind when you hear the words “KinG” and “KinGdom?” Do you think of Walt Disney’s MaGical Kingdom? Or Perhaps the British Royal family? I noticed on TV that yet another movie is slated to be released depicting the life of Prince Charles and Princess Diana. Perhaps some of you envisioned a stately gentleman seated on a royal throne, wearinG a Golden crown, scePter in hand , decKed out in soft purple and white robes. Well, today is Christ the KinG Sunday AND ThanKsGivinG Sunday, and my job is to bring these two themes together. How are we going to do that? Let’s start with Christ the King Sunday – the very last Sunday in the Christian Year before the start of Advent, which is next weeK! Jesus’s mission as Christ the KinG was to establish the KinGdom of God…here…on earth…a mission he continues to fulfill throuGh us, his disciples. His Kingdom was radically different from the Kingdom of Imperial Rome and their Jewish puppets – the Herodian kinGs in Palestine where Jesus lived. In fact, Jesus and his Kingdom inauGurated a radical reversal of the values and leadership style of ImPerial Rome. This is perhaPs most clearly seen, and succinctly stated, in Luke 1 – in Mary’s sonG of Praise to God Known as the Magnificat. In her sonG, Mary praises the God who looKs with favor on the lowliness of his servant, Mary. She extols the God who shows the strenGth of his arm by scattering the proud, in their imaGinations; bringing down the powerful from their thrones while liftinG uP the lowly; fillinG the hunGry with Good thinGs and sending the rich away emPty; and showing great kindness to the Poor, the powerless and marGinalized. -
Disney's the Hunchback of Notre Dame
DISNEY'S THE HUNCHBACK OF NOTRE DAME Transcribed by Ben Scripps ([email protected]) ([email protected]) NOTE: The following script is Copyright (c) 1996 The Walt Disney Company. The purpose of this transcription is for research and reference purposes only. In no case should this script be sold or charges be made for it. EDITION NOTE: In the following script, any words in capital letters are sung as lyrics in songs. All spoken dialogue (even lines *spoken* within a song) are in normal type. All Latin lyrics from the score have been omitted from this version. (As the Walt Disney Pictures logo fades off the screen, the chorus heard in the background mixes with the bells of Notre Dame cathedral ringing. A long zoom in through the city until we reach the Clopin singing to a group of children watching his puppet show.) Clopin: MORNING IN PARIS, THE CITY AWAKES TO THE BELLS OF NOTRE DAME THE FISHERMAN FISHES, THE BAKERMAN BAKES TO THE BELLS OF NOTRE DAME TO THE BIG BELLS AS LOUD AS THE THUNDER TO THE LITTLE BELLS SOFT AS A PSALM AND SOME SAY THE SOUL OF THE CITY'S THE TOLL OF THE BELLS THE BELLS OF NOTRE DAME Listen, they're beautiful, no? So many colours of sounds, so many changing moods. Because, you know, they don't ring all by themselves. Puppet: They don't?!? Clopin: No, silly boy. Up there, high, high in the dark bell tower, lives the mysterious bell ringer. Who is this creature? Puppet: Who? Clopin: What is he? Puppet: What? Clopin: How did he come to be there? Puppet: How? Clopin: Hush! HTTP://COPIONI.CORRIERESPETTACOLO.IT Puppet: Ohhh.. -
Audition Pack
AUDITION PACK Please read all instructions carefully 1 ABOUT ‘HUNCHBACK’ What makes a monster and what makes a man? This is the central theme of The Hunchback of Notre Dame, a sweeping, grand-scale musical from Disney Theatrical. Based on the 1996 Disney film and Victor Hugo’s 1831 novel, The Hunchback of Notre Dame tells the story of Quasimodo, the hunchbacked bell-ringer of Notre Dame, and his desire to one day be a part of the outside world. When he summons the courage to attend the Feast of Fools, he meets Esmeralda, a compassionate gypsy who protects him from an angry mob. But at the same time, Quasimodo’s master, the archdeacon Dom Claude Frollo, and the new captain of the guard, Phoebus de Martin, fall in love with the beautiful girl. Adding to Quasimodo’s struggle is his punishment and derision from Frollo, following years of psychological abuse, and the danger posed by the gypsies, who are willing to kill any outsiders who venture into their secret hideout. But before Paris is burned to the ground, will Quasimodo be able to save Esmeralda from Frollo’s lust and anger? Will she return Quasimodo’s affection? Who is the true monster of Notre Dame? BOOK Peter Parnell MUSIC Alan Menken LYRICS Stephen Schwartz BASED ON THE PLAY/BOOK/FILM The Hunchback Of Notre Dame By Victor Hugo FIRST PRODUCED 2014 TIME & PLACE Paris, 1482 Directed and Produced by: Mr Huntington Assistant Director: Alex Moxon Choreography: Miss Hobbs Musical Director: Graham Brown Assistant MD: Mr Porter-Thaw Choir MD: Mr North Pianist: Melody Day Costumes/Props: -
The Hunchback of Notre Dame …………………………………
TEACHER PREPARATION GUIDE Music by ALAN MENKEN, Lyrics by STEPHEN SCHWARTZ, and Book by PETER PARNELL Based on the book by VICTOR HUGO Directed By VICTORIA BUSSERT TABLE OF CONTENTS Dear Educator ………………………………………………………………………..... 3 A Note to Students: What to Expect at the Theater…………………………………… 4 GLT: Our History, Our Future………………………………………………………... 5 Director’s Note .......................…………………………………………………………. 6 Victor Hugo ……….. ... ………………………………………………………………. 8 Scenes & Musical Numbers ……………………………………………………………. 9 Past Performances of The Hunchback of Notre Dame …………………………………. 10 Idaho Shakespeare Festival’s Production of The Hunchback of Notre Dame …………. 12 Costume Design………………………………………………………………………… 14 Scenic Design…………………………………………………………………………... 18 Questions for Discussion Prior to Attending the Performance ………………………… 20 Activities ……………………………………………………………………………….. 23 Writing Prompts …………………………………………………………………..…… 26 How to Write a Review ………………………………………………………………… 28 A Sample Review Written by a Student ……………………………………………….. 29 A Brief Glossary of Theater Terms …………………………………………………….. 30 Questions for Discussion After Attending the Performance …………………………… 32 Notes …………………………………………………………………………………… 37 Generous Support …………………………………………………………………….... 39 About Great Lakes Theater ………….…………………………………………………. 40 ן TEACHER PREPARATION GUIDE: THE HUNCHBACK OF NOTRE DAME 2 Fall 2017 Dear Educator, Thank you for your student matinee ticket order to Great Lakes Theater’s production The Hunchback of Notre Dame by Alan Menken, Stephen Schwartz and Peter Pamell, which will be performed in repertory with William Shakespeare’s A Midsummer Night’s Dream in the beautiful Hanna Theatre at Playhouse Square from September 29th through November 5th. As the bells of Notre Dame’s cathedral sound in fifteenth-century Paris, Quasimodo - a deformed, captive bell-ringer - observes the city’s Feast of Fools from afar. Escaping his captor Frollo to join the festivities, Quasimodo is rejected by every reveler except the beautiful Gypsy, Esmeralda – with whom he is immediately smitten. -
Stephen Schwartz Comments on Disney's the Hunchback of Notre
Stephen Schwartz Comments on Disney’s The Hunchback of Notre Dame The Disney animated feature The Hunchback of Notre Dame (1996) featured music by Alan Menken and lyrics by Stephen Schwartz. This PDF includes SECTION 1 – About The Hunchback of Notre Dame Project SECTION 2 – Songs ADDITIONAL RESOURCES The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] SECTION 1 – About The Hunchback of Notre Dame Project Hunchback question – getting started Question: Hi, Stephen. I don't remember ever reading in my many browsings through the forum archives, how you got involved with HUNCHBACK. Was this one of those assignments that you had to find the passion for, or was there something about the story that attracted you to the project? I think HUNCHBACK is my favorite of all the Disney stuff I've seen that you've done. I like the way Kwosimodo (sp) has to learn to see himself as a different person than what he's been led to believe he was all his life, and with that new vision of himself, he's able to make a difference in his community. Good stuff. :) So I'd be interested in hearing how you got involved with HUNCHBACK and what attracted you to the project. - Peggy Answer from Stephen Schwartz: After Alan Menken and I had been working on POCAHONTAS for about a year and it was clear that the project and collaboration were going well, the folks at Disney offered us a choice of a couple of ideas they had been developing as a follow-up. -
Upper Middle / High School Choral Music
CONTENTS Broadway/Movies/ Television ...........................3 MTI Broadway Junior™ ..6 TRW Young@Part® Musicals ..............................8 R&H Theatricals elcome to the 2019 Choral Spectrum. We invite you to enjoy exploring Getting To Know… Wa wide selection of new choral releases, including outstanding concert works, Collection ...........................9 pop, jazz, and Broadway music, and a wealth of music education resources. Pop & Jazz .......................10 There are three ways to access recordings for the music in this catalog: December, Holiday www.choralspectrum.com & Winter Concerts ..........14 From this landing page, you can open a Playlist to hear all the works played in the same order as the catalog or you can Concert & Festival ..........16 download all the excerpts and play them in the audio player Henry Leck of your choice (such as iTunes). Creating Artistry .............20 Boosey & Hawkes ............22 Search “Hal Leonard Choral” on YouTube Hinshaw Music ................23 Visit our YouTube channel and select “Playlists” from the homepage. There you will find organized lists where with Pavane Publishing ...........23 videos of the complete scores and audio recordings so you Youth Musicals ................24 can see AND hear the works in this catalog. If you click “Play All” they will play continuously. General Classroom Resources .........................25 Our sheet music and audio are now available Index .................................26 digitally! When you view the promotion online, look for the Audio Download and Choral Music Direct logos under the Digital Edition banner to download Full, Accompaniment and Split Trax audio as well as digital versions of choral and instrumental scores. Experience the Music LIVE! There’s nothing better than experiencing the music LIVE through the 2019 Joy of Singing workshops. -
SEVENTH SUNDAY AFTER PENTECOST After This Jesus Went to the Other Side of the Sea of Galilee, Also Called the Sea of Tiberias
SEVENTH SUNDAY AFTER PENTECOST After this Jesus went to the other side of the Sea of Galilee, also called the Sea of Tiberias. A large crowd kept following him, because they saw the signs that he July 8, 2018 10:00 a.m. was doing for te sick. Jesus went up the mountain and sat down there with his This service is being broadcast over radio station WATN 1240 disciples. Now the Passover, the festival of the Jews, was near. When he looked up and saw a large crowd coming toward him, Jesus said to Philip, “Where are we * Indicates that those who are able may stand. to buy bread for these people to eat?” He said this to test him, for he himself knew what he was going to do. Philip answered him, “Six months’ wages would GATHERING not buy enough bread for each of them to get a little.” One of his disciples, Andrew, Simon Peter’s brother, said to him, “There is a boy here wo has five GATHERING MUSIC Carl Bingle, FPC Organist barley loaves and two fish. But what are they among so many people?” Jesus Hymns From Our Summer Services said, “Make the people sit down.” Now there was a great deal of grass in the Soon & Very Soon (Hymn 757), He Touched Me (Hymn 505) place; so they sat down, about five thousand in all. Then Jesus took the loaves, Peace Like a River (750), Rejoice, Ye Pure in Heart (Hymn 169) and when he had given thanks, he distributed them to those who were seated; GREETING so also the fish, as much as they wanted. -
Audition Packet from Ms
Congratulations! You have decided to audition for Klein Forest High School’s production of The Hunchback of Notre Dame. Please read all information in this packet to ensure you have a successful audition. Here is the checklist before your audition: ✓ Pick up audition packet from Ms. Cooper in room 506 ✓ Schedule vocal audition on October 31st or November 1st ✓ Select song from packet to prepare ✓ Come to audition well rested, memorized, and well prepared ✓ Arrive 15 mins before scheduled time to check in with stage manager In this packet you will find a tentative rehearsal schedule, musical selections you must choose from for your audition, and important info to make sure you are well prepared! You may only sing a song from the selected materials in the audition packet. Accompaniment track will be provided. Your audition day & time slot: ________________ DON’T BE LATE Should you be cast in the show, please remember that all rehearsal days and times are MANDATORY. By completing this packet and auditioning, you are agreeing to the terms set by the director. Any schedule conflicts should be reported upon auditioning and may affect your eligibility to participate in the show. The audition schedule will be as follows: Tuesday October 31st Wednesday Nov 1st Thursday Nov 2nd Friday Nov 3rd Vocal Auditions by Vocal Auditions by Dance Audition Invited cold read call Appointment only Appointment Only ALL MUST ATTEND backs Check in at black box Check in at black box 3:00- 6:00 3:00-6:00 theater 15 mins before theater 15 mins before Meet in auditorium, Meet in auditorium. -
The Hunchback of Notre Dame
1 Cast and Choir Quasimodo.............................................................................................. David.Mister Frollo.............................................................................................................Jay.Steele Esmeralda..........................................................................................Jennifer.Maggio Phoebus...................................................................................................Steve.Allhoff Clopin..................................................................................................... Alea.Selburn Ensemble......................... Sarah.Bylsma,.Francesca.Cipponeri, Daniel.Dominguez,. Jessica.Ellithorpe,.David.Murphy,.Christine.Ormseth,. Smita.Patibanda,.Will.Perez,.Valerie.Peterson,.Michael.Rhone,. Steve.Roma,.Michael.Stahl,.Tori.Stamm,.Braden.Taylor Choir.(Soprano).............................Vanessa.Alvarez,.Brittany.Hatch,.Cami.Jackson, . Jennifer.Medeiros,.Janet.Miller,.Barbara.Reynolds,. Jennifer.Seguin,.Puukani.Tiwanak,.Christy.Wait, . Jaime.Walker Choir.(Alto)............................Barbara.Heninger,.Natasha.Medeiros,.Mary.Melnick,. Diane.Milo,.Libby.Moore,.Jennifer.Packard,. Megan.Pittman,.Molly.Thornton Choir.(Tenor).....................................Daniel.Burns,.Derek.DeMarco,.Andy.Gipson,. Johnny.Moniz,.Chris.Nasser,.Tj.Paganini,.Kaeo.Tiwanak Choir.(Bass)..................Dallas.Carter,.Ben.Hatch,.Jason.Herrera,.Michael.Johnson,. Walter.M..Mayes,.Ron.Packard,.Keith.Pennings,.Steve.Sammonds South Bay Musical -
DREAM REALITY GROUP & PARK THEATRE GROUPPresent
DREAM REALITY GROUP & PARK THEATRE GROUP present ***Please read this note in its entirety*** Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel. The musical begins as the bells of Notre Dame sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be "Out There," observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies – and it’s up to Quasimodo to save them all. A sweeping score and powerful story make The Hunchback of Notre Dame an instant classic. Audiences will be swept away by the magic of this truly unforgettable musical. SEEKING TEENS & ADULTS AGES 14 & UP *NO EXPERIENCE REQUIRED* *Info about ‘HUNCHBACK Community Choir’ on page 3* PERFORMANCES: October 24 - November 2nd, 2019 Rehearsals will begin the week of August 19th. Auditions: Auditions will be held at Warren County Middle School 200 Caldwell St. McMinnville, TN 37110 on August 17th, 2019. -
God Help the Outcasts Sheet Music
God help the outcasts sheet music Continue God help the outpables of the Pdf note. Arrangement for piano, SSA, vocals and lyrics. Alan Menken, Bette Midler, Hal Leonard Student Piano Library and Stephen Schwartz. Format Chords, Tab, Lyrics and Transposition Sheet Music God Help Outcast Artist Bette Midler Instrument Piano Styles Children, Film and Television, Pop Artist Bette Midler Piano Instrument and Vocal Styles of Children, Film and Television, Pop Artist Alan Menken Instrument Piano Artist Alan Menken Piano Instrument, SSA, Texts Of Film Styles and TV Tab, Lyrics By Artist Alan Menken Piano Instrument, Vocal Styles Pop Chords Sheet Music God Help Outcast Artist Bette Midler Piano Instrument Solo Styles Kids, Disney, Film and TV, Pop Transposition, Scorch Artist Bette Midler, Hal Leonard Student Piano Library Piano Tool Styles Kids, Film and TV, Pop Artist Bette Midler Instrument, Film and TV, Pop Artist Alan Menken Piano Instrument, SSA , MusicXml Artist Stephen Schwartz Tool Styles Kids Pdf, MusicXml Bette Midler, for Guitar, Piano and Vocals, Children's Style, Disney and Movie and TV by Rebecca St. James, for Piano and Vocals Drums and Guitar, style folk, musicals and popular Isaac Watts and William Croft, for piano, vocals and SSA, style classic, folk and gospel Michael McDonald, for guitar, piano and vocals, folk style, pop and popular Jarvis Cocker and pulp, for piano, vocals and guitar, folk style, pop and popular God help outings is included in the soundtrack of the film This is a soft pop ballad Heidi Mollenhauer, who voiced the character of the film Esmeralda, sang the original version of the song.