DOCSLIB.ORG

AE-30 Scene List ／シーン・リスト

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
AE-30 Scene List ／シーン・リスト AE-30 Scene List ／シーン・リスト 01: Synth Hard Lead 03: Synth Pad/Strings 06: Brasswinds 08: Ethnic 10: Guitar/Bass No Scene Name No Scene Name No Scene Name No Scene Name No Scene Name 01 AE Hard Lead 01 Synth Stack 01 Trumpet 1 01 Pan Flute MT 01 M Distort Split 02 Modulator 02 Synth Strings 02 Trumpet 2 02 Pan Flute Duo 02 Dist Guitar 03 ST Hard Lead 03 Sweep Synth St 03 Mariachi Tp Vib 03 80's PanFl Synth 03 Searing Guitar 04 Saws Hard Lead 04 Synth Strings KI 04 ClassicalTrumpet 04 5th Africa Flute 04 PM Jazz Guitar 05 AE Harm Saw 05 JUNO Strings 05 HM Mute Tp 05 Pan Flute 05 Jazz Guitar 06 Classic Saw ! 06 JP8 Strings 06 Mute Trumpet 1 06 Shakuhachi 1 06 Clean Guitar 07 Lyrical Lead 1 07 JP8 Reso Str 07 Mute Trumpet 2 07 Shakuhachi 2 07 Nylon Guitar 08 M Rotate 1 08 Tuned Nz 08 Straight Mute Tp 08 Shaku Bamboo 08 Folk Guitar 1 09 M Rotate 2 09 Healing Pad 09 Cup Mute Tp 09 Ryuteki 09 Folk Guitar 2 10 UFO Synth Lead 10 AE Trip 2 Mars 10 Flugel Horn 10 Uilleann Pipes 1 10 Comp'Steel 11 Harajuku Lead 1 11 Trombone 11 Uilleann Pipes 2 11 Acoustic Bass 12 Jupiter AP 04: Synth Brass/Bass 12 Cup Mute Tb 12 Bag Pipes 1 12 Fretless Bass MT 13 Sentimental Ld 13 French Horn 13 Bag Pipes 2 13 Fretless Bass AP 14 Sync Lead 1 No Scene Name 14 Mute French Horn 14 Duduk 14 Fretless Bass 15 Sync Lead 2 01 Fat Brass 15 Euphonium 15 Tin Whistle 15 Slap Bass AP 16 Huge 02 Synth Brass 16 Tuba 16 Qudi 16 Finger Bass 17 Mod Swallow 03 80's Synth Brass 17 Biggie Brass 17 Bangdi 17 Pick Bass 18 Taking Lead 04 Breath Brass 18 Big Brass Band 18 Bawu 1 19 CR Hard Lead 05 Synth Flugels 19 New R&R Brass 19 Bawu 2 11: Vox/Choir 20 Saws Lead Dly 1 06 SimpleUnison Brs 20 Brass Section 20 Xiao 1 21 Saws Lead Dly 2 07 Poly Brass AP 21 Soft Ac Brass 21 Xiao 2 No Scene Name 22 M Rotate 3 08 Neo Synth Brass 22 Brass Atk 22 Xun 1 01 Jazz Scat 23 M Rotate 4 09 Big Chord 23 Xun 2 02 PM Voice 24 Saw Chord 10 Synth Horn KI 07: Strings 24 Guanzi 03 Voice Doos 25 5th Synth Lead 11 Fat Fuzz Bass 25 Suona 1 04 London Choir 26 Sqr Saw Lead 12 Grinder Bass No Scene Name 26 Suona 2 05 Choir 27 Simple Saw Vib 13 Synth Bass KI 1 01 Violin Vib 1 27 Hulusi 06 JD80 SoftVox 28 Saw Lead KI 14 Synth Bass KI 2 02 Violin Vib 2 28 Sheng 07 Synth Voice 29 Super Euro Synth 03 Violin 29 Erhu 1 08 Voice Strings 30 Drone Lead 1 05: Woodwinds 04 Viola 30 Erhu 2 09 VP-330 Choir 31 Drone Lead 2 05 Cello 31 Banhu 1 10 Analog Voice 32 Harmony Lead 1 No Scene Name 06 Cello Vib 32 Banhu 2 11 A E I O SynVoice 33 Harmony Lead 2 01 Soprano Sax 1 07 Contrabass 33 Jinghu 12 Oohs Chord 02 Soprano Sax 1Vib 08 Full Scale Str 34 Sihu 13 Voc.Robot 03 Soprano K 1 02: Synth Soft Lead 09 Strings MT 35 Matouqin 1 14 Voc.5th Stack 04 Soprano K 2 10 Strings 36 Matouqin 2 15 Voc.Saw No Scene Name 05 Soprano Sax 2 11 Tremolo Str 37 Pipa 1 16 Voc.Noise 01 Pulse Flute 06 Soprano Sax 2Vib 12 Small Strings 38 Pipa 2 17 Voc.VP-330 02 Square & Clar. 07 Alto Sax 1 13 Strings Stacc 39 Pipa Tremolo 03 B Soft Lead 1 08 Alto Sax 1 Vib 14 Pizzicato Str 40 Sanxian 12: Percussion 04 Reel Lead 09 Pop Alto Sax 15 Mood Strings 41 Zhongruan 05 PM Atk Lead 10 Alto Sax 2 16 60's Strings 42 Guzheng 1 No Scene Name 06 Mellow Lead 11 Alto Sax 2 Vib 17 Film Octaves 43 Guzheng 2 01 Timpani 07 Saw Soft Lead AP 12 Tenor Sax 1 18 Orchestra 44 Guzheng Tremolo 02 Steel Drums 13 Tenor Sax 1 Vib 03 Vibraphone 08 Synth Recorder 1 45 Guqin 14 Tenor Sax 2 04 Marimba 09 Sine Lead KI 46 Konghou Finger 15 Tenor Sax 2 Vib 05 Xylophone 10 Funk Trumpet 47 Konghou Pick 16 Baritone Sax 06 Glockenspiel 11 Lyrical Lead 2 48 Yangqin 1 17 Baritone Sax Vib 07 Tubular Bells 12 M 2nd Down 49 Yangqin 2 18 Full Scale Sax 1 08 Melodic Tom 13 Overblown 50 Yangqin Tremolo 19 Full Scale Sax 2 09 Standard Kit 14 Simple Square MT 51 Sarangi 20 Big Band Sax 10 Orchestra Kit Lyrical Lead 3 52 Sitar 15 21 Full Saxes 11 Pop Kit Lim 16 LM Squares 53 Ukulele 22 LA Saxes 54 Tsugaru 12 TR-808 comp 17 CC Atk Lead 23 Soft Saxes 55 San-Shin 13 TR-909 comp 18 MT Stacked 4ths1 24 Flute 14 TR-707&727 comp 19 MT Stacked 4ths2 25 Flute Vib 1 15 CR-78 comp 20 MT Stacked 4ths+ 26 Flute Vib 2 09: Keyboard 16 90's Kit comp 21 Harajuku Lead 2 27 Flute Atk No Scene Name 17 80's Kit comp 22 Heard It All 28 Piccolo 01 Jazz Organ MT 18 SFX Kit 23 Cosmic Lead 29 Oboe 02 Rotary Organ MT 24 B Soft Lead 2 30 Oboe Vib 03 Lord Organ 25 Synth Oboe 1 31 English Horn 04 Rotary Organ 26 Synth Oboe 2 32 Classic Clarinet 05 Full Organ Rtry 27 Forest Flute 33 Clarinet 06 Mad Organ 28 Trio Lead 34 Bass Clarinet 07 Church Organ 29 Late Shift 35 Bassoon 08 Puff Organ 30 Synth Recorder 2 36 Ocarina 09 ItalianAccordion 31 Synth Recorder 3 37 Blues Harmonica 10 French Accordion 32 Synth Recorder 4 38 Harmonica AP 11 Bandoneon 33 Triangle Lead KI 39 Harmonica 12 Ac Pop Piano 34 Square Lead KI 40 Soprano Recorder 13 JD-800 Piano 35 Amusement Lead 41 Alto Recorder 14 Harpsichord 42 Tenor Recorder 36 Warm Saw Lead 15 Celesta 43 Bass Recorder 16 Harp 37 AE Lead 1 44 Bottle Blow Dly 38 AE Lead 2 45 Whistle 39 AE Lead 3 40 LM Soft Lead Special thanks to Matt Traum, Alistair Parnell, and Kenji Ise for their dedication to creating high-quality tones for the AE-30. © 2020 Roland Corporation Scene List ／シーン・リスト Special thanks to Matt Traum, Alistair Parnell, and Kenji Ise for their dedication to creating high-quality tones for the AE-30. 01: Synth Hard Lead No MSB LSB PC Scene Name Type S1 S2 Thumb Pad Transpose Octave Assign Source Harmony Source CC01 CC02 CC04 CC09 CC11 CC16 CC18 CC19 CC80 CC81 CC82 01 85 64 1 AE Hard Lead vib harmony growl 0 0 SYS SYS vib cutoff growl 02 85 64 2 Modulator vib harmony growl 0 0 SYS SYS vib cutoff growl 03 85 64 3 ST Hard Lead unison harmony portamento 0 0 SCENE SYS vib cutoff resonance 04 85 64 4 Saws Hard Lead vib harmony growl 0 0 SYS SYS vib cutoff growl 05 85 64 5 AE Harm Saw portamento harmony growl 0 0 SCENE SYS cutoff growl 06 85 64 6 Classic Saw ! vib harmony growl 0 0 SYS SYS vib cutoff growl 07 85 64 7 Lyrical Lead 1 vib harmony growl 0 0 SYS SYS vib cutoff growl 08 85 64 8 M Rotate 1 portamento harmony growl 0 0 SCENE SCENE vib cutoff growl 09 85 64 9 M Rotate 2 portamento harmony growl 0 0 SCENE SCENE vib cutoff growl 10 85 64 10 UFO Synth Lead portamento harmony vib 0 0 SCENE SYS vib 11 85 64 11 Harajuku Lead 1 portamento harmony vib,tone 0 0 SCENE SYS vib,tone 12 85 64 12 Jupiter AP unison harmony portamento 0 0 SCENE SYS vib cutoff resonance 13 85 64 13 Sentimental Ld unison harmony portamento 0 0 SCENE SYS cutoff resonance 14 85 64 14 Sync Lead 1 vib harmony growl 0 0 SYS SYS vib cutoff growl 15 85 64 15 Sync Lead 2 vib harmony growl 0 0 SYS SYS vib cutoff growl 16 85 64 16 Huge vib harmony growl 0 -1 SYS SYS vib cutoff growl 17 85 64 17 Mod Swallow portamento harmony vib 0 0 SCENE SYS cutoff 18 85 64 18 Taking Lead vib harmony growl 0 0 SYS SYS vib cutoff growl 19 85 64 19 CR Hard Lead vib harmony portamento 0 0 SCENE SYS vib cutoff resonance 20 85 64 20 Saws Lead Dly 1 vib harmony portamento 0 0 SCENE SYS vib cutoff resonance 21 85 64 21 Saws Lead Dly 2 vib harmony portamento 0 0 SCENE SYS vib cutoff resonance 22 85 64 22 M Rotate 3 portamento harmony growl 0 0 SCENE SCENE vib cutoff growl 23 85 64 23 M Rotate 4 portamento harmony growl 0 0 SCENE SCENE vib cutoff growl 24 85 64 24 Saw Chord unison portamento harmony 0 1 SCENE SCENE cutoff resonance 25 85 64 25 5th Synth Lead portamento harmony vib 0 0 SCENE SYS vib 26 85 64 26 Sqr Saw Lead portamento harmony vib 0 0 SCENE SYS vib cutoff resonance 27 85 64 27 Simple Saw Vib unison harmony portamento 0 0 SCENE SYS cutoff resonance 28 85 64 28 Saw Lead KI portamento harmony vib 0 0 SCENE SYS vib 29 85 64 29 Super Euro Synth portamento harmony vib 0 0 SCENE SYS vib 30 85 64 30 Drone Lead 1 portamento drone growl 0 0 SCENE SYS vib cutoff growl 31 85 64 31 Drone Lead 2 portamento harmony drone 0 0 SCENE SYS cutoff resonance 32 85 64 32 Harmony Lead 1 portamento harmony growl 0 0 SCENE SCENE vib cutoff growl 33 85 64 33 Harmony Lead 2 unison portamento harmony 0 0 SCENE SCENE cutoff resonance 02: Synth Soft Lead No MSB LSB PC Scene Name Type S1 S2 Thumb Pad Transpose Octave Assign Source Harmony Source CC01 CC02 CC04 CC09 CC11 CC16 CC18 CC19 CC80 CC81 CC82 01 85 65 1 Pulse Flute vib,tone harmony growl 0 0 SYS SYS vib,tone cutoff growl 02 85 65 2 Square & Clar.
Load more

Recommended publications
  • The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
    The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below).
    [Show full text]
  • Full Spectrum of Selves in Modern Chinese Literature: from Lu Xun to Xiao Hong
    UCLA UCLA Electronic Theses and Dissertations Title Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong Permalink https://escholarship.org/uc/item/5022k8qv Author Ho, Felicia Jiawen Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in East Asian Languages and Cultures by Felicia Jiawen Ho 2012 © Copyright by Felicia Jiawen Ho 2012 ABSTRACT OF THE DISSERTATION Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong by Felicia Jiawen Ho Doctor of Philosophy in East Asian Languages and Cultures University of California, Los Angeles, 2012 Professor Shu-mei Shih, Chair Despite postcolonial theory’s rejection of legacies of Western imperial dominance and cultural hierarchy, the superiority of Euro-American notions of subjectivity remains a persistent theme in third world cross-cultural literary analysis. Interpretations of the Chinese May Fourth era often reduce the period to one of wholesale westernization and cultural self- repudiation. Euro-American notions of the self often reify ideologies of individuality, individualism, rationalism, evolution, and a “self-versus-society” dichotomy, viewing such positions as universal and applicable for judging decolonizing others. To interrogate this assumption, I examine the writing of Lu Xun and Xiao Hong, two May Fourth writers whose fictional characters present innovative, integrated, heterogeneous selves that transcend Western ii critical models. This “full spectrum of selves” sustains contradicting pulls of identity—the mental (the rational, the individual), the bodily (the survivalist, the affective), the cerebral (the moral), the social (the relational, the organismic), as well as the spiritual and the cosmic.
    [Show full text]
  • Composer Performer
    Capital Normal University is well-known for its role in educational and cultural transmission and innovation in China. It has set up various departments and offers complete sets of academic disciplines, including liberal arts, science, engineering, management, law, education, art, music and foreign languages etc.. It has also opened many research fields with unique oriental cultural characteristics. Music College of CNU is one of the most famous music schools in China. It comprises 7 departments serving undergraduate and graduate degrees in music education, composing, conducting, piano, vocal, Chinese and western musical instruments, recording technique, dancing,. It also serving doctoral degrees of music education, composing, theory of composing, musicology, music science as well as dancing. The Music College has its chorus troupe, national music band, Chinese and western chamber music band and dancing troupe. Composer Yangqing: Famous composer of Zhou Xueshi: composer,Professor of China. Professor, Dean of Music College Music College of CNU. of CNU. His works involves orchestral <New arrangement: Birds in the Shade>, music, chamber music, dance drama for Chinese Flute, Sheng, Xun, Pipa, Erhu and movie music, His music win a high and Percussion. The musical materials of admiration in china. Leader of this this piece originate from this work—Birds visiting group to USA. Special invited in the Shade for Chinese Flute Solo by to compose a piece of music for both Guanyue Liu. It presents an interesting Chinese and USA instrumentalists. counterpoint in ensemble and shows the technical virtuosity of performers by developing fixed melody patterns and sound patterns. Performer Zhou Shibin: Vice dean, professor Wang Chaohui: Pipa performer .
    [Show full text]
  • Woodwind Family
    Woodwind Family What makes an instrument part of the Woodwind Family? • Woodwind instruments are instruments that make sound by blowing air over: • open hole • internal hole • single reeds • double reed • free reeds Some woodwind instruments that have open and internal holes: • Bansuri • Daegeum • Fife • Flute • Hun • Koudi • Native American Flute • Ocarina • Panpipes • Piccolo • Recorder • Xun Some woodwind instruments that have: single reeds free reeds • Clarinet • Hornpipe • Accordion • Octavin • Pibgorn • Harmonica • Saxophone • Zhaleika • Khene • Sho Some woodwind instruments that have double reeds: • Bagpipes • Bassoon • Contrabassoon • Crumhorn • English Horn • Oboe • Piri • Rhaita • Sarrusaphone • Shawm • Taepyeongso • Tromboon • Zurla Assignment: Watch: Mr. Gendreau’s woodwind lesson How a flute is made How bagpipes are made How a bassoon reed is made *Find materials in your house that you (with your parent’s/guardian’s permission) can use to make a woodwind (i.e. water bottle, straw and cup of water, piece of paper, etc). *Find some other materials that you (with your parent’s/guardian’s permission) you can make a different woodwind instrument. *What can you do to change the sound of each? *How does the length of the straw effect the sound it makes? *How does the amount of water effect the sound? When you’re done, click here for your “ticket out the door”. Some optional videos for fun: • Young woman plays music from “Mario” on the Sho • Young boy on saxophone • 9 year old girl plays the flute.
    [Show full text]
  • Natural Trumpet Music and the Modern Performer A
    NATURAL TRUMPET MUSIC AND THE MODERN PERFORMER A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Laura Bloss December, 2012 NATURAL TRUMPET MUSIC AND THE MODERN PERFORMER Laura Bloss Thesis Approved: Accepted: _________________________ _________________________ Advisor Dean of the College Dr. Brooks Toliver Dr. Chand Midha _________________________ _________________________ Faculty Reader Dean of the Graduate School Mr. Scott Johnston Dr. George R. Newkome _________________________ _________________________ School Director Date Dr. Ann Usher ii ABSTRACT The Baroque Era can be considered the “golden age” of trumpet playing in Western Music. Recently, there has been a revival of interest in Baroque trumpet works, and while the research has grown accordingly, the implications of that research require further examination. Musicians need to be able to give this factual evidence a context, one that is both modern and historical. The treatises of Cesare Bendinelli, Girolamo Fantini, and J.E. Altenburg are valuable records that provide insight into the early development of the trumpet. There are also several important modern resources, most notably by Don Smithers and Edward Tarr, which discuss the historical development of the trumpet. One obstacle for modern players is that the works of the Baroque Era were originally played on natural trumpet, an instrument that is now considered a specialty rather than the standard. Trumpet players must thus find ways to reconcile the inherent differences between Baroque and current approaches to playing by combining research from early treatises, important trumpet publications, and technical and philosophical input from performance practice essays.
    [Show full text]
  • China and the West: Music, Representation, and Reception
    Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music.
    [Show full text]
  • What Hetman Do I Need?
    What Hetman Do I Need? French Horn Trumpet Trombone Tuba Euphonium Baritone #1 Light Piston Schmidt-wrap piston valves* piston valves* piston valves* piston valves* piston valves with little wear horns* #2 Piston Schmidt-wrap piston valves piston valves piston valves piston valves piston valves with some wear horns #3 Classic Piston Schmidt-wrap piston valves piston valves piston valves piston valves piston valves with significant wear horns #4 Light Slide Oil 1st and 3rd slides with little wear valve slide #5 Slide Oil 1st and 3rd slides with some wear valve slide #6 Heavy Slide Oil 1st and 3rd slides with significant wear valve slide #6.5 Light Slide Gel tuning slides tuning slides tuning slides tuning slides tuning slides tuning slides slides with little wear #7 Slide Gel tuning slides tuning slides tuning slides tuning slides tuning slides tuning slides slides with some wear #8 Premium Slide Grease tuning slides tuning slides tuning slides tuning slides tuning slides tuning slides slides with significant wear #9 Ultra Slide Grease vintage horns with corroded slide tuning slides tuning slides tuning slides tuning slides tuning slides tuning slides tubes that might split or crack * #1 can be used instead of #11 or #12 in brand-new rotary valves with extremely tight clearances. French Horn Trumpet Trombone Tuba Euphonium Baritone #11 Light Rotor Oil rotary valves rotary valves rotary valves rotary valves rotary valves with little wear #12 Rotor Oil rotary valves rotary valves rotary valves rotary valves rotary valves with some wear #13
    [Show full text]
  • KP120A User's Manual
    KP120A PANEL DISPLAY INDICATIONS Your instrument features a large multi-function display (MULTI DISPLAY) that shows all important settings for the instrument. The section below briefly explains the various icons and indications in the display. (1) Message Display - This section displays the demo song, voice or style name and number you have selected. (2) Active Input - When you play the instrument, you need to change the voice, style, demo. The arrow point to which is the active section. (3) Finger Select - This arrow tells you which finger mode is selected and if the keyboard is split into two parts or not. (4) Note Display - When you play a key on the keyboard, the note will be displayed. (5) Voice Effect - These icons display the Dual, Sustain, Touch and Effect function is turned ON/OFF. (6) Track Volume - It displays the volume of each track dynamically when the demo song or style is played. (7) Transpose - Display the current transpose status of the keyboard. The number 00 indicates No transpose. (8) Chord Type - Display current chord type you play on the keyboard accompaniment section when the keyboard is in the Single or Fingered mode. (9) Measure - Display the measure of the demo song, style or record/play back have played. (10) Tempo - Display the tempo of the demo song, lesson, style or record/play. (11) Song Memory - Display the record and play track during recording and play back. (12) Record and Play - Display the record and play status. (13) Demo - Display the demo is playing. (14) Style - Display the accompaniment is playing.
    [Show full text]
  • Dayton C. Miller Flute Collection
    Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction ......................................................................................................................................................... iii Biographical Sketch.............................................................................................................................................. vi Scope and Content Note..................................................................................................................................... viii Description of Series............................................................................................................................................. xi Container List ........................................................................................................................................................ 1 FLUTES OF DAYTON C. MILLER............................................................................................................... 1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright
    [Show full text]
  • Download Score List
    Score List Product_code Product_name Publisher Level Octave Category Sub_category Unit_price AG45018 Nova AGEHR 4 4-5 Music score General $50.00 AG35256 Somos del Senor AGEHR 3+ 3-5 Music score General $55.00 AG36036 Contemplation on Ubi Caritas AGEHR 3+ 3-6 Music score General $50.00 AG34014 Short Handed Christmas Pieces For 5 to10 AGEHR NA 3-4 Music score Collection $44.00 AG36013 Valse Les Adieux (Remembrance) AGEHR 4+ 3-6 Music score General $47.00 AG46013 Night at the Opera AGEHR 5 4-6 Music score General $55.00 AG45052 El Condor Pasa AGEHR 3 4-5 Music score General $55.00 AG35214 Metamorphosis AGEHR 4+ 3-5 Music score General $47.00 AG36026 Scherzo AGEHR 5 3-6 Music score General $50.00 AG35262 Lament and Dance AGEHR 3+ 3-5 Music score General $55.00 AG3087 Joyful Variations AGEHR 2 3 Music score General $55.00 AGSE14 Reflections AGEHR NA 4 Music score General $77.00 AG35271 A Grand Celebration AGEHR 2 3-5 Music score General $50.00 AG23029 Fiesta con Campanillas AGEHR 3 2-3 Music score General $55.00 AG35277 Meditation on Lord I Want to be a Christ AGEHR 2 3-5 Music score General $55.00 AG23031 Sing Away Sadness AGEHR 2+ 2-3 Music score General $55.00 AG46025 Give Me Jesus AGEHR 4 4-6 Music score General $55.00 AG35291 Three Pieces for Weddings and General Use AGEHR 2+ 3-5 Music score General $55.00 AG5015 William Tell Overture AGEHR 5+ 4-5 Music Score General $47.00 AG35013 Silverthorne AGEHR 4 3-5 Music score General $55.00 AG35045 Two Bells Tree Processionals AGEHR 2 3-5 Music Score General $50.00 AG46004 Sabre Dance AGEHR 5
    [Show full text]
  • Aerophones in Flatland: Interactive Wave Simulation of Wind Instruments
    Aerophones in Flatland: Interactive Wave Simulation of Wind Instruments Andrew Allen Nikunj Raghuvanshi Microsoft Research Figure 1: Wave fields for 2D wind instruments simulated in real-time on a graphics card. A few examples are shown, which are simplified virtual models of (a) trumpet, (b) clarinet, and (c) flute. Our interactive wave solver lets the user design and instantly perform such virtual instruments, promoting experimentation with novel designs. Dynamic changes such as opening and closing tone holes or manipulating valves automatically changes the resulting sound and radiation pattern. Synthesized musical notes can be heard in the accompanying demonstrations. Abstract nism, such as a trumpet player’s buzzing lips, undergoing coupled oscillation with the resonant cavity formed by the body of the in- We present the first real-time technique to synthesize full- strument. This two-way coupling is essential to their operation, bandwidth sounds for 2D virtual wind instruments. A novel inter- irreducible to a feed-forward model. For instance, the sound of os- active wave solver is proposed that synthesizes audio at 128,000Hz cillating lips filtered through a trumpet’s resonant acoustic response on commodity graphics cards. Simulating the wave equation cap- results in a comb-filtered buzzing sound, not a steady musical note. tures the resonant and radiative properties of the instrument body The complex physics underlying their behavior has naturally invited automatically. We show that a variety of existing non-linear excita- enduring curiosity from physicists [Helmholtz 1885]. Ever since tion mechanisms such as reed or lips can be successfully coupled to the rise of digital computers, the musical acoustics community has the instrument’s 2D wave field.
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]