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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
Drum Free Score
Drum free score click here to download I have included a list of some of the best free drum sheet music websites that have hundreds, if not thousands of drum tabs and sheet music out there. Some of. Virtual Drumming is a hub for free drum sheet music where you can play and learn through pdf sheets about virtual percussion. On www.doorway.ru you will. If you are looking for free drum sheet music, then you're in the right place! There are . Episode #4: All The Small Things By Blink Drum Score (Request 4). Free scores for drums, percussion. Partituras gratuitas para tambores, tam-tam, djumbe, congas. Looking for free drum transcriptions from all your favourite bands? Then look no further. Our databse of professionally produced drum charts will give you plenty. Drums free sheet music library and directory! Thousands of free sheet music downloads, music lessons, musician tips, and musical articles. Free Free Drums Sheet Music sheet music pieces to download from www.doorway.ru Collection of sheet music for drum kit (pdf format). Free Drum Sheet Music at www.doorway.ru drum music titles updated daily, largest online drum tab collection. Does anyone know any good websites with free drum sheet music? Keep in mind, Im looking for FREE, not one of those websites, where you. www.doorway.ru is the #1 source for free marching percussion sheet music, lessons and recordings! The best place to find Drum Sheet Music – Sheet Music - Drum Scores - Drum Tab, Drum Music Transcription | Search Drum Scores, Free Drum Tabs, Free. -
Flower Drum Song Little Theatre on the Square
Eastern Illinois University The Keep 1961 Shows Programs 1961 Summer 8-22-1961 Flower Drum Song Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1961_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Flower Drum Song" (1961). 1961 Shows Programs. 1. http://thekeep.eiu.edu/little_theatre_1961_programs/1 This Book is brought to you for free and open access by the 1961 at The Keep. It has been accepted for inclusion in 1961 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. "Central Illinois' Only Professional Equity Music Theatre" Fifth Season .h July 7th Through August 27th, 1961 Air-conditioned Grand Theatre * On the Square * Sullivan ? Guy S. Llttle, Jt. Ptassnts ! '4 RODGERS & HAMMERSTEIN'S 1 "FLOWER DRUM SONG' I August 22nd through August 27th, 1961 Who's Who in the Cast . SYLVIA COPELAND (Linda Low) re- RUSTY DORE (Sammy Fong) has been a creates the vital fun-loving Linda for the third popular performer on Broadway, TV, records, time, havinf peiformed this role previous1 at sup er clobs and summer stock. Rusty appeared the South hore Music Theatre and the dan- on sroadway with Mae West in her production nis Melody Tent in Massachusetts. Miss Cope- of DIAMOND LIL and toured the country aa land is. a versatile performer displaying talent the bookie in BELLS ARE RINGING.. We was . as a slnger. actress and pianist. Her many recently seen off-Broadway as Jake in THE cabaret and hotel singing- en agements have THREEPENNY OPERA at the Theatre DeLys taken her from Boston to ~razi?,with stops at and as the student in the Yiddish Art Theatre's Miami Beach. -
TV Show Knows What's in Your Fridge Is Food for Thought
16 | Wednesday, June 17, 2020 HONG KONG EDITION | CHINA DAILY YOUTH ometimes you have to travel didn’t enjoy traditional Chinese to appreciate your own. music that much until he pursued his Sometimes, waking up in a music studies in the United States. foreign land gives you a pre- When leaving China, he took with Scious insight into your own country. him the hulusi, a kind of Chinese Fang Songping is a musician and wind instrument made from a has traveled but when he was at gourd, and played it recreationally home with his pipa-player father, in the college. The exotic sound of Fang Jinlong, he preferred Western the instrument won him lots of fans rock. and requests to perform on stage. It was hulusi, the gourd-like Then he started researching about instrument, that really changed his traditional Chinese music and com- life. He happened to bring it to Los bining elements of it into his own Angeles, while studying music there. compositions. In 2015, he returned His classmates were fascinated to China and started his career as an when he played music with it, and a indie musician. new horizon opened up before him. Now, Fang Songping works as the According to a recent report on music director of a popular reality traditional Chinese music, young show, Gems of Chinese Poetry, Chinese people are turning their which centers on traditional Chi- attention to traditional arts. More nese arts, such as poetry, music, and more are listening to traditional dance and paintings. He composed Chinese music. eight original instrumental pieces, The report was released on June inspired by traditional Chinese cul- 2, under the guidance of the China ture, like music, chess, calligraphy Association of Performing Arts, by and paintings. -
Video Competition 2020
VIDEO COMPETITION 2020 ABOUT: The United States International Music Competition is organized by the United States International Music Foundation affiliated with the Chinese Music Teachers’ Association of Northern California, a non-profit organization. This competition provides young musicians with an opportunity to exhibit their talents and reward their hard work, as well as to encourage them to appreciate cross-cultural exchanges . ELIGIBILITY: Contestants of all nationalities.No Age Limit. Past First Place winners may not compete in an age group that they have won previously. However, they may elect to compete in another age-appropriate group. INSTRUMENT CATEGORIES: Piano (Solo, Duet, and Concerto), Violin, Viola, Cello, Classical Chamber Ensembles (Western Instruments), Vocal (Solo and Ensemble), Marimba, and Traditional Chinese Instruments categories are held annually. Harp and Classical Guitar are also included in the 2020 competition categories. AGE GROUPS: Eligibility for each group will be determined by the contestant’s age as of June 1, 2020. Each instrument category has different age groups. Category & Piano Violin Viola Cello Vocal Age groups A Age 9 or under Age 9 or under Age 14 or under Age 11 or under Age 9 or under B Age 11 or under Age 13 or under Age 18 or under Age 14 or under Age 12 or under C Age 14 or under Age 18 or under Age 19 or above Age 18 or under Age 14 or under D Age 18 or under Age 19 or above Age 19 or above Age 18 or under E Age 19 or above Age 19 or above Piano Duet Category -
Music Concentration Requirements Writing in the Student’S Concentration File in ASK
Music 1 ● One upper-level course in musicology or ethnomusicology Music ● Any three upper-level courses, including graduate-level courses Additional Electives (according to student interest) Four additional elective courses, may include: Chair ● Up to four half-credit courses in performance - AMP music instruction Emily I. Dolan and/or Ensemble Participation (2 credits) ● Up to two courses outside of the department The study of music—a phenomenon known to all people in all ages— ● One music course below the 1000 level lies naturally at the heart of a liberal education. The Department of Music at Brown provides an ideal environment for such an education, with its Senior Project integrated faculty of scholars, performers, composers, and theorists. All music concentrators will choose a culminating experience for their The curriculum of the Department of Music combines studies in history, senior year, either a capstone project or honors project. This may take theory, ethnomusicology, and musicianship with courses in composition, the form of a performance, scholarly study, or original creative work. All technology, and performance. Application merges with analysis, creation students will have a primary advisor for their Senior Project. The work may with cultural study, and multimedia experiments with broad meditations on be done independently of a course for credit, as an independent study, or sound, in a unique department that welcomes all. within the framework of an existing course. For additional information, please visit the department's website: https:// Additional Notes www.brown.edu/academics/music/ All concentration substitutions and/or exceptions must be approved by the concentration advisor in consultation with the Director of Undergraduate Studies. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 20th March at 4pm On View Thursday 19th March 10am-7pm and from 9am on the morning of the sale Catalogue website: WWW.LSK.CO.UK Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Image this page: 528 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: [email protected] Auctioneers & Valuers Email: 150 YEARS est. 1869 www.lsk.co.uk C 501 505 510 A late 19th century French violin, having a two A Columbia portable wind-up gramophone, 40 x A Honer Verdi I piano accordion, in fitted case. piece maple back, with ebony finger board and 28cm. £20-40 rosewood pegs, bearing a label for T. Baur, Luthier, £30-50 Mirecourt 1899, 36cm (excluding button.) 511 £200-300 506 A Fender Squier Strat electric guitar in black with A 1920’s mahogany cased Dulcetto table top white scratch plate no. ICS 11134095 with soft 502 gramophone, patent no. 10497, 46 x 52cm, carry case, together with a Fender Frontman A Hall Gisborne Defiance B electroplated two together with various gramophone records. (2) 15G amplifier. (2) piece trombone, no. 18052, in fitted case bearing £40-60 £60-80 a label for Bloomfield & Co., 7 Rosebery Road, Ipswich. 507 512 £30-50 A Baile piano accordion, in fitted case. A Thorens TD 166 turntable, w.43, d.34, h.15cm. £30-50 £40-60 503 A late 19th century simulated rosewood cased 508 513 music box, the 5 inch cylinder playing eight airs, A pair of Boosey & Co Ltd rosewood two piece A Quad 33 pre-amp, serial no. -
Performing Chinese Contemporary Art Song
Performing Chinese Contemporary Art Song: A Portfolio of Recordings and Exegesis Qing (Lily) Chang Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts The University of Adelaide July 2017 Table of contents Abstract Declaration Acknowledgements List of tables and figures Part A: Sound recordings Contents of CD 1 Contents of CD 2 Contents of CD 3 Contents of CD 4 Part B: Exegesis Introduction Chapter 1 Historical context 1.1 History of Chinese art song 1.2 Definitions of Chinese contemporary art song Chapter 2 Performing Chinese contemporary art song 2.1 Singing Chinese contemporary art song 2.2 Vocal techniques for performing Chinese contemporary art song 2.3 Various vocal styles for performing Chinese contemporary art song 2.4 Techniques for staging presentations of Chinese contemporary art song i Chapter 3 Exploring how to interpret ornamentations 3.1 Types of frequently used ornaments and their use in Chinese contemporary art song 3.2 How to use ornamentation to match the four tones of Chinese pronunciation Chapter 4 Four case studies 4.1 The Hunchback of Notre Dame by Shang Deyi 4.2 I Love This Land by Lu Zaiyi 4.3 Lullaby by Shi Guangnan 4.4 Autumn, Pamir, How Beautiful My Hometown Is! by Zheng Qiufeng Conclusion References Appendices Appendix A: Romanized Chinese and English translations of 56 Chinese contemporary art songs Appendix B: Text of commentary for 56 Chinese contemporary art songs Appendix C: Performing Chinese contemporary art song: Scores of repertoire for examination Appendix D: University of Adelaide Ethics Approval Number H-2014-184 ii NOTE: 4 CDs containing 'Recorded Performances' are included with the print copy of the thesis held in the University of Adelaide Library. -
Ethnomusicology Archive Open Reel Tape Collection
http://oac.cdlib.org/findaid/ark:/13030/kt6b69s042 No online items Finding Aid for the Ethnomusicology Archive Open Reel Tape Collection Processed by Ethnomusicology Archive staff.. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the 2008.03 1 Ethnomusicology Archive Open Reel Tape Collection Descriptive Summary Title: Ethnomusicology Archive Open Reel Tape Collection Collection number: 2008.03 Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Physical location: Paper index at Ethnomusicology Archive; tapes stored at SRLF Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.) and/or by the copyright or neighboring-rights laws of other nations. Additionally, the reproduction of some materials may be restricted by terms of Ethnomusicology Archive gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of protected items beyond that allowed by fair use requires the written permission of the copyright owners. The nature of historical archival collections means that copyright or other information about restrictions may be difficult or even impossible to determine. Whenever possible, the Ethnomusicology Archive provides information about copyright owners and other restrictions in the finding aids. The Ethnomusicology Archive provides such information as a service to aid patrons in determining the appropriate use of an item, but that determination ultimately rests with the patron. -
The Saxophone in China: Historical Performance and Development
THE SAXOPHONE IN CHINA: HISTORICAL PERFORMANCE AND DEVELOPMENT Jason Pockrus Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Eric M. Nestler, Major Professor Catherine Ragland, Committee Member John C. Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Pockrus, Jason. The Saxophone in China: Historical Performance and Development. Doctor of Musical Arts (Performance), August 2018, 222 pp., 12 figures, 1 appendix, bibliography, 419 titles. The purpose of this document is to chronicle and describe the historical developments of saxophone performance in mainland China. Arguing against other published research, this document presents proof of the uninterrupted, large-scale use of the saxophone from its first introduction into Shanghai’s nineteenth century amateur musical societies, continuously through to present day. In order to better describe the performance scene for saxophonists in China, each chapter presents historical and political context. Also described in this document is the changing importance of the saxophone in China’s musical development and musical culture since its introduction in the nineteenth century. The nature of the saxophone as a symbol of modernity, western ideologies, political duality, progress, and freedom and the effects of those realities in the lives of musicians and audiences in China are briefly discussed in each chapter. These topics are included to contribute to a better, more thorough understanding of the performance history of saxophonists, both native and foreign, in China. -
What's News at Rhode Island College Rhode Island College
Rhode Island College Digital Commons @ RIC What's News? Newspapers 3-12-2001 What's News At Rhode Island College Rhode Island College Follow this and additional works at: https://digitalcommons.ric.edu/whats_news Recommended Citation Rhode Island College, "What's News At Rhode Island College" (2001). What's News?. 9. https://digitalcommons.ric.edu/whats_news/9 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in What's News? by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. WHAT'S NEWS AT RHODE ISLAND COLLEGE Vol. 21 Issue 11 Circulation over 43,000 March. 12, 2001 Actress Viola Poetry reading Annual Fund Davis cited for phonathon achievement begins April 3 by George LaTour by Shelly Murphy What's News Associate Editor What's News Editor Theatre, film and television actress even months into the Annual Viola Davis, who graduated from Fund campaign and with the Rhode Island College’s Upward Spring Phonathon about a Bound program in 1983 and went on S month away, the Rhode Island to earn a degree in theatre studies College Alumni Association is on at RIC in 1988, has been honored course to meet its annual appeal goal of by the New England Educational $325,000. As of the end of February, the Opportunity Association (NEEOA) annual appeal has received $232,875 with its Achiever Award. in cash gifts from alumni and friends. “A small number of Achiever “We are actually 10 percent ahead Awards are presented annually of last February. -
De La Música Tradicional De China. Selección
Discografía de la música tradicional de China. Selección Biblioteca Fundación Juan March Esta selección discográfica ha sido preparada con motivo de la exposición El principio Asia. China, Japón e India y el arte contemporáneo en España (1957-2017) y del ciclo de cinco conciertos Oriente y la música occidental. Durante la preparación de esta discografía no han sido incluidos numerosos registros publicados en China de muy difícil localización en Occidente. Tampoco se mencionan grabaciones sonoras anteriores al vinilo. Las músicas que aparecen en estos discos son un breve apunte de la riqueza musical tradicional que aún se practica en este país. Muchos de estos soportes sonoros han sido y son, además, fuente de estudio para compositores e intérpretes occidentales. La influencia de estas músicas sobre las técnicas compositivas, el timbre vocal e instrumental o sobre la concepción del tiempo musical es esencial para comprender una gran parte de la historia musical del siglo XX. Selección discográfica de José Luis Maire Biblioteca Fundación Juan March Abril de 2018 Música y canto budista La liturgia budista y taoísta en China tiene una historia de casi 2000 años y todavía se practica ampliamente en la actualidad. Desde su llegada a China hasta las llamadas tres dinastías del Norte y del Sur (420-589 d. C.), el budismo sufrió un proceso de consolidación hasta su profunda adaptación. Como numerosos documentos históricos demuestran (textos, pinturas y esculturas), el budismo introdujo en China nuevos géneros y prácticas rituales de una manera progresiva. Uno de los géneros más representativos y específicos de la liturgia vocal china es el denominado canto fanbei, caracterizado por la construcción de melodías melismáticas surgidas como consecuencia de un proceso de transculturación con las formas nativas de China.