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On the Purple Circuit with Bill Kaiser Volume 9, Number 1 the SIDNEY MORRIS ISSUE
On The Purple Circuit With Bill Kaiser Volume 9, Number 1 THE SIDNEY MORRIS ISSUE WELCOME TO ON THE PURPLE CIRCUIT! An ongoing issue is censorship of the arts. CORPUS CHRISTI is an example with the outrageous imposition of a We exist to promote GLQBT theatre and performance fatwah against Terrence McNally after the London throughout the world and invite you to join in that endeavor! production. Also closer to home was the difficulty that Daylight Zone had in finding a space for their production- This is the Sidney Morris Issue. Sidney is one of our pioneer Kudos to Theatre Double in Philadelphia for providing space! Gay playwrights. Based in New York his plays are part of our culture and still available for production. While in poor health, Lastly I want to speak again about the treatment of he is still writing and has an important message for Playwrights. We would have no productions without them. I producers in his article DO US! in this issue. He also is the really feel that PC theatres have to be as responsible as first interviewee of my Oral History Project and I thank him straight ones about scripts. If you have a staff shortage-find for that (as well as Tom O'Neil who did the interview and Ty some volunteers to either read for you or send unsolicited Wilson who did the camerawork). scripts back in their SASEs in a reasonable length of time. I know that Producers have their share of woes too and we all As you know I believe in theatre and activism. -
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LESBIAN, GAY, BISEXUAL, AND TRANSGENDER 2017 HERITAGE MONTH CITY OF LOS ANGELES LOS ANGELES CITY COUNCIL CULTURAL AFFAIRS Eric Garcetti Herb J. Wesson, Jr. COMMISSION Mayor District 10 Eric Paquette President Mike Feuer President Los Angeles City Attorney Gilbert Cedillo Charmaine Jefferson District 1 Ron Galperin Vice President Los Angeles City Controller Paul Krekorian Jill Cohen District 2 Thien Ho Bob Blumenfield Josefina Lopez District 3 Elissa Scrafano David Ryu John Wirfs District 4 Paul Koretz CITY OF LOS ANGELES District 5 DEPARTMENT OF Nury Martinez CULTURAL AFFAIRS District 6 Danielle Brazell Vacant General Manager District 7 Daniel Tarica Marqueece Harris-Dawson Assistant General Manager District 8 Will Caperton y Montoya Curren D. Price, Jr. Director of Marketing and Development District 9 Mike Bonin CALENDAR PRODUCTION District 11 Will Caperton y Montoya Mitchell Englander Editor and Art Director District 12 Marcia Harris Mitch O’Farrell PMAC District 13 Jose Huizar CALENDAR DESIGN District 14 Rubén Esparza, Red Studios Joe Buscaino PMAC District 15 Front Cover: Hector Silva, Los Novios, Pencil, colored pencil on 2 ply museum board, 22” x 28”, 2017 LESBIAN, GAY, BISEXUAL, AND TRANSGENDER 2017 HERITAGE MONTH ERIC GARCETTI MAYOR CITY OF LOS ANGELES Dear Friends, It is my pleasure to lead Los Angeles in celebrating Lesbian, Gay, Bisexual, and Transgender (LGBT) Heritage Month and the immense contributions that our city’s LGBT residents make in the arts, academia, and private, public, and nonprofit sectors. I encourage Angelenos to take full advantage of this Calendar and Cultural Guide created by our Department of Cultural Affairs highlighting the many activities happening all over L.A. -
Emta Barometer of Public Transport in the European Metropolitan Areas
EEMMTTAA BBAARROOMMEETTEERR OOFF PPUUBBLLIICC TTRRAANNSSPPOORRTT IINN EEUURROOPPEEAANN MMEETTRROOPPOOLLIITTAANN AARREEAASS... 22000022 June 2004 EMTA BAROMETER OF PUBLIC TRANSPORT IN THE EUROPEAN METROPOLITAN AREAS 1. Introduction ........................................................................................................................................... 1 2. Basic Data of Metropolitan Areas........................................................................................................ 3 2.1 Evolution of Population and Spatial Settlement.................................................................. 4 2.1.1 Evolution of Population............................................................................................ 4 2.1.2 Structure of Metropolitan Area................................................................................. 5 2.1.3 Density of population................................................................................................ 6 3. Mobility .................................................................................................................................................. 7 3.1 Main Characteristics of Trips............................................................................................... 7 3.2 Modal Split............................................................................................................................ 8 3.3 Car and Taxi Characteristics .............................................................................................. -
Informe Con Índice
Pliego de Prescripciones Técnicas para: “Servicio complementario de autobús de Metro Bilbao (matinal y nocturno) Casco Viejo - Plentzia” 19-LG-DC-003 Versión 0 10/09/19 19-LG-DC-003_0_PPT-ServicioComplementarioAutobus_2 años 19-LG-DC-003 Versión 0 10/09/19 Versión Fecha Motivo 0 Septiembre 2019 Versión inicial. 19-LG-DC-003_0_PPT-ServicioComplementarioAutobus_2 años 2 / 69 19-LG-DC-003 Versión 0 10/09/19 Cuadro de Características 1. Objeto del contrato: Servicio complementario de autobús de Metro Bilbao (matinal y nocturno). CPV 60172000-4 2. Pliego de Prescripciones Técnicas: 19-LG-DC-003 3. Pliego de Cláusulas Administrativas: 18-LG-DC-062 4 Volumen del contrato: El presupuesto máximo de licitación asciende a 213.200 €/anuales, IVA excluido. Las ofertas no podrán, en ningún caso, superar el importe máximo establecido. Si así fuera, no serán admitidas. La valoración económica se realizará en base a las unidades de kms de Servicio indicados en el Pliego. Esta cantidad no incluye el coste de: ✓ posibles Servicios en Situaciones Degradadas durante el servicio habitual (de 07 a 23 h) y Servicios Provisionales Planificados de corta duración. Asimismo, y en función de la posible modificación del servicio de autobús se prevé la posibilidad de ampliar el importe global del contrato hasta en un 20% de la cantidad estimada que podrá ser de aplicación en cualquier momento del período de vigencia del mismo. El coste de los Servicios Especiales se abordará dentro del 20% de ampliación anual prevista. 5. Normas específicas: Se acordarán con el adjudicatario 6. Duración del contrato: Un (1) año, prorrogable por un periodo de un (1) año hasta un máximo de dos (2) años, incluida la posible prórroga. -
Metro Station: Ansio (L2) Bus: Line 3136 Bizkaibus (Bilbao-Cruces-Barakaldo)
BILBAO 2018 Index of contents 1. INTRODUCING BILBAO 3 2. THE EVENT SITE 4 3. HOTELS 6 4. MOST POPULAR TOUIST SPOTS 9 5. PLACES THAT ARE LESS WELL KNOWN 16 6. FOOD & DRINK 18 7. SAFETY TIPS 21 8. EASIEST WAY TO FLY IN TO THE CITY 22 9. OTHER WAYS TO GET TO BILBAO 23 10. PUBLIC TRANSPORTATION 24 11. LOCAL GAME STORES 27 2 1. Introducing Bilbao Here you are, in Bilbao, the capital city of the Province of Vizcaya (or Bizkaia), the Spanish Autonomous Community of Basque Country (or Euskadi). It is one of the most important cities of this community and of Spain. Located in the north Spanish coast, this city bets for a balance between progress and sustainable development. Bilbao also cares on culture and his modernist buildings and theatres prove of it. Language and communication There are two official languages in Basque Country: Spanish and Basque. People speak both languages and most usual things are written in both of them: banners, indications, menus... Here you can find some essential words in both languages for not being “lost in translation” 3 2. The event site LOCATION Name: Bilbao Exhibition Center (BEC) Address: Ronda de Askue 1 48902 Ansio-Barakaldo Spain Website: http://bilbaoexhibitioncentre.com/en Metro Station: Ansio (L2) Bus: Line 3136 Bizkaibus (Bilbao-Cruces-Barakaldo) HOW TO GET THERE From the Airport: Take the Bus to the Bus Station (named Termibus, it’s the last stop) and there are two options from there. Either taking the metro from “San Mames” station (you’ll need to walk to the Metro station as it’s not directly connected to the Bus Station) or taking another bus, line 3136. -
Kent Garvey Photographs, Circa 1970-2000 Coll2012-043
http://oac.cdlib.org/findaid/ark:/13030/c8jq0zdp No online items Finding aid to the Kent Garvey photographs, circa 1970-2000 Coll2012-043 John Thompson, Kyle Morgan, and Loni Shibuyama ONE Archives at the USC Libraries, University of Southern California © 2012, revised 2021 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Finding aid to the Kent Garvey Coll2012-043371 1 photographs, circa 1970-2000 Coll2012-043 Contributing Institution: ONE Archives at the USC Libraries, University of Southern California Title: Kent Garvey photographs Creator: Garvey, Kent Identifier/Call Number: Coll2012-043 Identifier/Call Number: 371 Physical Description: 5.9 Linear Feet7 boxes. Date (inclusive): 1970-2000 Abstract: Slides, contact sheets, negatives, photographic prints, and papers, circa 1970-2000, from photojournalist Kent Garvey, whose photographs appeared in gay and lesbian newspapers such as the Advocate and Update. Materials in the collection mostly document gay and lesbian events in California such as pride parades, chorus concerts, marching band performances, AIDS benefits, protest marches, gay athletic competitions, men's beauty pageants, drag, and fundraisers for LGBT organizations. Language of Material: English . Biographical / Historical Oren Kent Garvey was born in 1941. He was an independent photojournalist whose photographs in appeared in gay and lesbian newspapers such as Advocate and Update. He was also a member of the Great American Yankee (GAY) Freedom Band in the early 1980s. Garvey died in 2010. Access The collection is open to researchers. There are no access restrictions. Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. -
Moffat Leads Baja Trip
^ SENTINEL Volume 20, Number'l l Foothill College, Los Altos Hills, CA 94022 January 13,1978 Moffat leads Baja trip By MICHAEL KEARNS a proboscis. This proboscis’ purpose looks ferocious, a Almost like clockwork thi territorial tool in fact, that time of year, a series of event actually hinders more than it take place that only a small per helps. He is an awewome, but centage of people ever get to see beautiful sight in any case. It’s up close. From late December tc sad to think these great creatures late March, wildlife activity a were formerly abundant as long the coast is at its peak far as Point Reyes, but were Elephant seals pup and hunted so extensively for their breed, gray whales bear their fine quality oil that they were young, sea lions swim and nearly exterminated. They are bask among the volcanic rocks easily aggravated during the and cliffs. In addition, migratory breeding season. Approaching shorebirds and waterfowl a- them at this time frigirtens them bound, plant life is often in and may result in crushing their bloom from the winter rains own pups. and killer whales and dolphins Oozing into San Ignacio Instructor Glen Moffat leads students on Baja marine wildlife tour. may be seen. Lagoon created a tremendous Recently, this writer had excitement among the passen the good fortune of joining gers. This is an outstanding Glenn Moffat (professor of biol breeding habitat for the gray ogy and ecology at Foothill), whale. These creatures are grace Student Sanchez wins and another Foothill student, ful giants, outsmarting us at Cathy Nau, for a trip that took every turn. -
Coordinación Del Transporte. Creditrans
Coordinación del Transporte Creditrans Coordinación del transporte. Creditrans La ley fundacional y los Estatutos señalan como competencia propia del Consorcio de Transportes de Bizkaia la coordinación del transporte, lo que ha de sustanciarse tanto a través de la ejecución de las facultades que le sean cedidas al amparo de un Plan de Coordinación del Transporte, como adoptando cuantas medidas sean precisas con las demás Administraciones para el referido fin. Fue en noviembre de 1995 cuando, a raíz de la inauguración del Metro Bilbao, las Instituciones tomaron conciencia de la necesidad de reor ganizar y coordinar el transporte público de Bizkaia. De hecho, no existía en Bizkaia una institución única responsable del transporte público de viajeros, sino varias Instituciones competentes, cada una con sus medios propios. Así, el Gobierno Vasco es el responsable de EuskoTren, operador que cuenta con líneas de ferrocarril y de auto-bús, además de tener la competencia sobre los ascensores de servicio públco. La Diputación Foral gestiona el servicio de transporte por carretera en Bizkaia a través del Bizkaibus. En Bilbao este servicio es responsabilidad del Ayuntamiento, mediante la red Bilbobus. El Ministerio de Fomento responde de las compañías ferroviarias RENFE y FEVE. Finalmente, el Puerto de Bilbao gestiona las concesiones del Puente de Bizkaia y de los botes de pasaje. Cada uno de los operadores citados tiene a su vez su propia Política Tarifaria, lo que se traduce en su propia zonificación, su propia gama de billetes y sus propios precios. Ante esta situación y tras complejas negociaciones, lideradas por el Consorcio de Transportes de Bizkaia, las Instituciones vascas firmaron en junio de 1997 dos Acuerdos Marco: de Coordinación Tarifaria y de Reorde nación del Transporte Público de Viajeros, y fueron suscritos por el Gobierno Vasco, la Diputación Foral de Bizkaia, el Ayuntamiento de Bilbao y el Consorcio de Transportes de Bizkaia. -
DEPARTMENT of JUSTICE Robert F
DEPARTMENT OF JUSTICE Robert F. Kennedy Department of Justice Building 950 Pennsylvania Avenue, NW., 20530, phone (202) 514–2000 http://www.usdoj.gov JEFFERSON B. SESSIONS III, Attorney General; born in Selma, AL; education: Huntingdon College, 1969; University of Alabama Law School, 1973; professional: Assistant U.S. Attorney, Southern District of Alabama, 1975–79; U.S. Attorney for the Southern District of Alabama, 1981–93, Attorney General of Alabama, 1995–97; U.S. Senator from Alabama, 1997–2017; sworn in as the 84th Attorney General of the United States on February 9, 2017 by Michael R. Pence. President Donald J. Trump announced his intention to nominate Mr. Sessions on November 18, 2016. OFFICE OF THE ATTORNEY GENERAL RFK Main Justice Building, Room 5111, phone (202) 514–2001 Attorney General.—Jefferson B. Sessions III. Chief of Staff and Counselor to the Attorney General.—Joseph H. Hunt, Room 5115, 514–3893. Counselors to the Attorney General: Danielle Cutrona, Room 5110, 514–9665; Gustav Eyler, Room 5224, 514–4969; Alice LaCour, Room 5230, 514–9797; Brian Morrissey, Room 5214, 305–8674; Rachael Tucker, Room 5134, 616–7740. White House Liaison.—Mary Blanche Hankey, Room 5116, 353–4435. Director of Advance.—Vacant, Room 5127, 514–7281. Director of Scheduling.—Errical Bryant, Room 5133, 514–4195. Confidential Assistant.—Peggi Hanrahan, Room 5111, 514–2001. OFFICE OF THE DEPUTY ATTORNEY GENERAL RFK Main Justice Building, Room 4111, phone (202) 514–2101 Deputy Attorney General.—Rod J. Rosenstein, Room 4111. Principal Associate Deputy Attorney General.—Robert K. Hur, Room 4208, 514–2105. Chief of Staff and Associate Deputy Attorney General.—James A. -
The Barbara and Lawrence Fleischman Theater at the Getty Villa
The Barbara and Lawrence Fleischman Theater at the Getty Villa Thursdays–Saturdays, September 6–29, 2012 View of the Barbara and Lawrence Fleischman Theater and the entrance of the J. Paul Getty Museum at the Getty Villa Tonight’s performance is approximately ninety minutes long, without intermission. As a courtesy to our neighbors, we ask that you keep noise to a minimum while enjoying the production. Please refrain from unnecessarily loud or prolonged applause, shouting, whistling, or any other intrusive conduct during the performance. While exiting the theater and the Getty Villa, please do so quietly. The actors and stage managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity Association. Director Jon Lawrence Rivera is a member of the Society of Stage Directors and Choreographers (SDC), an independent national labor union. Adapted by Nick Salamone Directed by Jon Lawrence Rivera A new production by Playwrights’ Arena THE CAST Helen, queen of Sparta / Rachel Sorsa Menelaos, king of Sparta / Maxwell Caulfield Theoclymenus, ruler of Pharos / Chil Kong Theonoe, devotee of Artemis and sister of Theoclymenus / Natsuko Ohama Hattie, slave to Theoclymenus and Theonoe / Carlease Burke Lady, chorus / Melody Butiu Cleo, chorus / Arséne DeLay Cherry, chorus / Jayme Lake Old Soldier, follower of Menelaos / Robert Almodovar Teucer, younger brother of the Greek hero Ajax / Christopher Rivas Musicians / Brent Crayon, E. A., and David O Understudies / Anita Dashiell-Sparks, Robert Mammana, and Leslie Stevens THE COMPANY Producer / Diane Levine Associate Costume Designer / Byron Nora Composer and Musical Director / David O Costume Assistants / Wendell Carmichael Dramaturge / Mary Louise Hart and Taylor Moten Casting Directors / Russell Boast and Wardrobe Crew / Ellen L. -
Consorcio De Transportes De Bizkaia
CONSORCIO DE TRANSPORTES DE BIZKAIA. TARJETA BARIK Autenticación del Terminal: Partiendo de la situación de reposo del Terminal, pulsando la tecla Verde (por ejemplo) se solicitará la autenticación en la Plataforma transaccional de Logista mediante la introducción de Usuario y Clave. Usuario : X Clave : XXXX Al posicionar una Tarjeta de Transportes Barik sobre el lector, se producirá la lectura de la misma mostrando los menús correspondientes en función del estado de la tarjeta. En el caso de una tarjeta BARIK personalizada, como primer paso, se realiza una actualización de los estados de los títulos temporales. En el terminal puede aparecer entonces el mensaje: “ACTUALIZADOS ESTADO DE TITULOS TEMPORALES. PRESIONE UNA TECLA”. El usuario debe retirar la tarjeta del lector y volver a presentarla para seguir operando con normalidad. Para seleccionar la opción deseada en el terminal se utiliza el botón de desplazamiento Para confirmar una opción se pulsa el botón Para anular una opción seleccionada y no deseada se pulsa el botón CONSORCIO DE TRANSPORTES DE BIZKAIA TIPOS TARJETA BARIK TARJETA BARIK ANÓNIMA “KIDE” TARJETA BARIK PERSONALIZADA “KIDE PERSONALIZADA” TARJETA BARIK “GIZA” Diseño específico y uso destinado a dicho colectivo CONSORCIO DE TRANSPORTES DE BIZKAIA VENTA TARJETA BARIK ANÓNIMA En la Red de Venta de Logista se puede realizar la venta de la TARJETA BARIK ANÓNIMA Su precio es de 3€. Al situar la Tarjeta NUEVA en el lector y una vez verificado su Si por algún motivo fuera necesario anular la estado (TARJETA VENDIBLE ), pulsamos botón verde y se venta de la tarjeta, al posicionar nuevamente la mostrará la opción tarjeta en el lector existiría la posibilidad de VENTA TARJETA hacerlo ANULACION Al pulsar se solicitará la selección del Idioma preferida por el Cliente. -
PPT Metro Bilbao.Pdf
@@iiddoomm Consorcio de Transportes de Bizkaia Implantación de la tarjeta sin contacto Barik en la red de transporte público de Bizkaia Concurso: Suministro e instalación de los elementos necesarios para la implantación de la tarjeta sin contacto Barik en el Metro de Bilbao Documento: Pliego de Prescripciones Técnicas 12291-L03 CD 02.04 v.1 12291-L03 CTB PPT Metro Bilbao DOUE.doc @@iiddoomm Implantación de la tarjeta sin contacto Barik en la red de transporte público de Bizkaia - Concurso: Implantación de la tarjeta sin contacto Barik en el Metro de Bilbao - Indice de Capítulos 1. OBJETO ................................................................................................................................. 1 1.1. CONCURSO: SUMINISTRO E INSTALACIÓN DE LOS ELEMENTOS NECESARIOS PARA LA IMPLANTACIÓN DE LA TARJETA SIN CONTACTO BARIK EN EL METRO DE BILBAO...................... 1 2. ANTECEDENTES..................................................................................................................... 3 2.1. ESTUDIOS INICIALES ................................................................................................................ 3 2.2. PROYECTO PILOTO ................................................................................................................... 3 2.3. DEFINICIÓN DEL SISTEMA BARIK.............................................................................................. 5 3. DESCRIPCIÓN GENERAL DEL SISTEMA BARIK ........................................................................ 6 3.1. INSTALACIONES