DOCSLIB.ORG

Lees Maar Self Waaroor Dit Gaan

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lees Maar Self Waaroor Dit Gaan Kortpad na advertensies 12 September 2013 Algemene nuusbrokkies Gemeenskapsadvertensies Kleinadvertensies (Persoonlik) Kleinadvertensies (Besigheid) Werksgeleenthede (1/5) Geestelike Pitkos Afrikaanse kerkdienste Landswye dagboek Riglyne vir adverteerders Kanselleer intekening / Unsubscribe (2/5) Redakteursbrief Die rugbygeesdrif loop hoog! Baie lesers van Brokkies sal hierdie uitgawe dalk eers onder oë kry wanneer die uitslag van die stryd tussen die Springbokke en die All Blacks bekend is. Dit lyk of die skinkbord gedek is vir goeie aksie! In hierdie uitgawe verlang Loeloeraai na Tarzan. Wat? Ja, Tarzan. Lees maar self waaroor dit gaan. Dalk verlang hy na iets anders… Die Afrikaanse Christen Kerk van Nieu-Seeland het ‘n mylpaal in hul bestaan hier in Nieu-Seeland behaal. Lees gerus waaroor dit gaan. Ons kry so ‘n smakie van wat gebeur het toe ons eie Nieu-Seelandse Klopse, die Auckland City Dukes die Bokke op die lughawe gaan groet het. Nog by rugby, Thys Oosthuizen deel sy opinie oor Championship-rugby. Daar is heelparty nuwe advertensies: ‘n Talentvolle, kunssinnige vrou adverteer haar plakboekery, kaartjiemakery en meer. ‘n Ander dame maak rokke vir enige geleentheid of herstel klere. ‘n Vakansieterrein in ‘n SAner se besit bied ‘n aantreklike webreek aan. Daar is ‘n baie goeie huishuurgeleentheid in Hamilton, dis nou makliker om jou geld uit SA te kry. Nog ‘n SAner in Browns Bay kan jou motors flink versien en herstel. Daar is ook baie ander goeie handelsnuus. Lekker lees, en laat my gerus weet hoe jy oor sake voel. Philip Langenhoven Redakteur (Skryf gerus aan my by [email protected]) ________________________________________________________________________________________ Ysbreker: Kortbrokkies • Uit Britse Daily Mail: Vir solank hy kan onthou, het John Hough aan 'n slegte geheue gely. • Wat is die ooreenkoms tussen 'n man en 'n vliegtuig? Albei beteken niks op die aarde nie • 'n Onkundige persoon is een wat moet uitvind wat jy reeds weet. - Will Rogers Uit: ‘Grapkas’ ([email protected]) Brokkies Afrikaanse e-nuusbrief van Kiwiland 12 September 2013 Geselsrubriek: Ek sê maar net – Deur Loeloeraai Wat het dan van Tarzan geword? Die oorspronklike ‘Tarzan’, Johnny Weismuller. Regs is Christopher Lambert in die 1984-weergawe. Elvis het die gebou verlaat. Ons weet wat met die Beatles en Abba gebeur het. Daarenteen kry Batman, Spider Man en die Hulk voortdurend nuwe lewe. Maar waar het Tarzan heen verdwyn? Dis nog glashelder in my geheue ingeprent: Ek en die De Kock-broers het in ons Pretoriase voorstad gereeld gaan fliek. Nadat ek my sakgeld verdien het deur saam met my pa in die tuin te werk, kon ek die middag gewapen met my skat van 25 sent (dalk was dit 50 sent) saam met hulle na die Astra of Orion stap om te gaan fliek. Ja, die enkele muntstuk was genoeg vir die fliek, ‘n Tex-sjololadestafie en ‘n klein botteltjie Coca Cola tydens pouse. “Pasop vir die rotte wat oor jou voete gaan hardloop,” het my pa met ‘n glimlag sy skeptisisme jeens ons plaaslike ‘bug house’ oorgedra. Maar ons het baie flieks daar gekyk. Meestal ‘double features’. Twee aksieflieks op een middag was vir ons die hoogtepunt van die week. Gewoonlik was dit ‘n oorlogprent soos Guns of Navarone en ‘n lekker skop-skiet- Western soos Clint Eastwood se ‘The Good the Bad and the Ugly’. Ou Clint was ‘n gunsteling met sy kort sigaar in die hoek van die mond, sy cowboy-hoed op en die Meksikaanse poncho om die lyf wat die vinnige rewolwer subtiel versteek totdat hy hom moet laat praat wanneer iemand ‘sy dag maak’. Maar ons grootste gunsteling was Tarzan. Halfnaak. Halfbarbaar. Halfbeskaafd. Edgar Rice Burroughs se aapman van aristokratiese afkoms wat iewers diep in ‘n Afrika-woud sy bestaan tussen die groot ape gevoer het. Soveel verskanste klas en styl is nie onder elke primitiewe bos uitgeskop nie! Tarzan, die sterk wildeman het menige skurk uitgesorteer en telkens die verdrukte se kant geneem en die dames se eer beskerm. Toe sy geliefde Jane op die toneel verskyn en die konfilk tussen haar eie en die ‘aapman’ se wêrelde inlui, is Tarzan onherroeplik in die gehoor se sentiment ingemessel. Ek onthou nog my eerste Tarzan-fliek. Dit was ‘n ou swart en witte met die legendariese Johnny Weismuller in die hoofrol. Na hom het ‘n rits ander akteurs gevolg. Die meer onlangse flieks was natuurlik in volkleur. Die eerste fliek, Tarzan of the Apes, is in 1912 gemaak. Daarna het tientalle flieks en boeke gevolg. Sover ek weet, is daar in 1984 die laaste keer (nie seker nie) ‘n Tarzan-fliek gemaak. Maar terug by my mymering... Na afloop van die fliek het ons groepie maats altyd die fliek op die sypaadjie op pad huis toe gespeel. Die ongeskrewe reël was dat jy jou karakter van die dag kon kies, maar jy kon dit eers doen wanneer jy deur die teater se deur en in die laatmiddagson daar buite was. Dit was ‘n geskarrel om eerste buite te kom, want dan kon jy ‘Tarzan’ deps as jy wou (en wie sou nie?). Maar daar kon net een wees. Ek was ‘n stut in ons laerskool se rugbyspan en dus nie die beweeglikste nie. Na ‘n keer of wat se beërwing van die rol as die hoofaap, het ek geleer heupstamp by die deur om ‘n beter rol te kry. Ek kan nie onthou dat enige van ons ooit die rol van Jane aanvaar het nie... Brokkies Afrikaanse e-nuusbrief van Kiwiland 12 September 2013 Maar Johnny Weismuller was die oorspronklike, mees outentieke Tarzan. Dit was ons konsensus. Het die andersdenkendes dan nooit gehoor wat ons gehoor het nie? Johnny het nooit van waaghalse gebruik gemaak nie! Selfs toe daar van daardie hoë krans in die see geduik is, was dit hyself wat dit gedoen het. En hy was ‘n Olimpiese swemmer op sy tyd! G’n wonder nie! En daardie kenmerkende kreet wat die bloed van enige dier en mens laat stol het voordat hy met die rankplante van boom tot boom geswaai het! Het mense besef dat ook daardie kreet sy eie is? Die fliekmakers het nie iemand anders se stem gebuik nie. Die feit dat die rankplante altyd so gerieflik geplaas was om ‘n soomlose swaai deur die woud se boomtoppe te verseker, het ons min geskeel. Tarzan was ons held. ‘n Heerlike fantasiefiguur. Pure onskuld. Ons sien deesdae allerlei ou fiksiehelde in rolprente verrys, met ‘n groeiende donker element wat die kinderfantasie wat hulle eens was, vernietig. Maar wat het van Tarzan geword? Miskien het die afwesigheid te doen met die publiek se latere persepsie dat die storie verskeie soorte stereotipering tot gevolg gehad het. Ek wonder nietemin wat Nieu-Seeland se Peter Jackson met Tarzan sal uitrig indien hy sou besluit om die legende te laat herleef. Eintlik wonder ek hoe dit gaan met my vriende, die ‘De Kockies’. Wat ‘n heerlike kindertyd het ons nie saam gehad nie. Gelukkig het ek oor die jare ‘n bietjie kontak met die meeste van hulle behou. Ek dink ek gaan hulle nou almal opbel. Dalk vertel ek hulle dat my herinnering aan Tarzan my aan hulle laat dink het. Ek wou maar net sê. Loeloeraai Algemene nuusbrokkies Terug na bo... Kiwi-skool bied nou Afrikaanse aanlyn-klasse vir kinders aan Afrikaans aanlyn ‘n Mens hoor van tyd tot tyd hoe immigrante-ouers hardop wens dat hul jong kinders hier in Nieu-Seeland die geleentheid kan kry om Afrikaans formeel aan te leer. Wel, glo dit of nie, maar daar is nou so ‘n geleentheid. Kiwi Rachel Roberts van die VLN Primary School het aan Brokkies geskryf met die nuus dat hulle nou ‘n Afrikaanse internetklas aanbied vir kinders. Dit maak dus nie saak waar iemand hulle bevind nie. Die ‘Virtual Learning Network (VLN) Primary School’ is ‘n groep gemeenskapskole in Nieu-Seeland wat saamwerk om verbeterde opvoedkundige geleenthede aan skoliere te bied deur middel van aanlyn-studies. Dit word ondersteun deur die Minister van Onderwys en word deur ‘n ‘gasheer’-skool aangebied. Rachel sê hierdie groep is in 2010 gestig en hulle bied aanlyn-klasse vir leerlinge in jaar 7 en 8. Behalwe vir die fokus op tale word wyer areas in die kurrikulum ook gedek. “Ons is trots om vanjaar vir die eerste keer Afrikaans by studente se leerkeuse te voeg. Ons Afrikaanse klas is bedoel vir beginners. Hoewel die hoof teikengroepe leerslinge in jaar 7 en 8 is, kan ons ook kinders insluit wat jonger is. Brokkies Afrikaanse e-nuusbrief van Kiwiland 12 September 2013 “Inskrywings word deur die kind se tuisskool gedoen en die koste word deur die onderskeie skole gedra. Skole dra normaalweg by tot die VLN Primary School deur die beskikbaarstelling van onderwysertyd of deur finansiële bydraes om vir onderwysers te betaal. Hierdie wederkerige reëling kom neer op ‘n dollarwaarde van $240 per semester (15 weke se klasse) vir elke inskrywing. “Alle aanlyn-klasse is geskeduleer om twee keer per jaar te begin: In die middel van Maart en Julie, en duur ‘n semester lank”, sê Rachel. Hoe die aanlynklasse werk Rachel verduidelik: “Leerlinge en onderwysers ontmoet mekaar een keer per week in ‘n internet-konferensiekamer. Leerlinge ontvang dan ‘n les wat 30 minute duur, en hulle oefen deur die week aan die tuiswerk wat vir hulle gegee word. “Hulle gebruik die webwerf Welearn waar hulle ook hulpbronne kan gebruik en aktiwiteite kan voltooi. Hulle gebruik hierdie webwerf ook om met hul onderwysers en klasmaats te kommunikeer. “’n Tipiese klas kan tot 12 leerlinge akkommodeeer wat van drie tot vier verskillende skole uit enige plek in Nieu-Seeland afkomstig is. “Die eerste Afrikaanse klas word hanteer deur mevrou Annatjie Fourie, die skoolhoof van Ohura Valley Primary School, as haar skool se bydrae tot the VLN Primary School.
Load more

Recommended publications
  • South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
    A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry.
    [Show full text]
  • Redakteursbrief
    Kortpad na advertensies 25 Desember 2016 Algemene nuusbrokkies Gemeenskapsadvertensies Kleinadvertensies (Persoonlik) Kleinadvertensies (Besigheid) Geestelike Pitkos Werksgeleenthede Afrikaanse kerkdienste Landswye dagboek Riglyne vir adverteerders Kanselleer intekening / Unsubscribe Redakteursbrief Om praktiese redes aan die einde van ‘n baie besige jaar vir my, gebruik ek heelwat van dieselfde inligting wat in hierdie week se Kiwi-Brokkies verskyn ook hier weens die generiese aard daarvan. Dit was ‘n geskiedkundige jaar in die sin dat Aus-Brokkies ewe beskeie uit Nieu-Seeland se BROKKIES (wat toe reeds vir 15 jaar lank bestaan het) gebore is. So het die twee susterspublikasies ontstaan: Aus-Brokkies en Kiwi-Brokkies. Dit was die verwesenliking van ‘n droom vir my. Ons het nou ook vir die soveelste keer die voorreg om Kersfees te vier, en spesifiek die herdenking van die geboorte van ons Verlosser Jesus Christus, die Goeie Nuus wat soveel eeue lank deur profete voorspel is. Baie mense in hierdie deurmekaar wêreld erken Homs slegs as mens. Hulle is ten minste eerlik oor die emmers vol historiese getuienis (ook buite-Bybels) dat Hy wel bestaan het. Hulle het egter vir hulself ‘n versperring opgerig by die kwessie of Hy wel die dood oorwin het en of Hy God in mensgestalte was. As Jesus nie na sy Kruisdood opgestaan het nie, was hy slegs ‘n goeie mens. Indien Hy egter wel uit die dood opgestaan het, verdien dit dieper besinning – vir ons eie siel se onthalwe. Uit sy Woord leer ons dat Hy elke persoon geskep het met ‘n diepliggende kennis van Hom. Hy sê elke mens weet dat God bestaan, hoewel dit dikwels ten sterkste deur mense betwis word.
    [Show full text]
  • Central Reference CD List
    Central Reference CD List January 2017 AUTHOR TITLE McDermott, Lydia Afrikaans Mandela, Nelson, 1918-2013 Nelson Mandela’s favorite African folktales Warnasch, Christopher Easy English [basic English for speakers of all languages] Easy English vocabulary Raifsnider, Barbara Fluent English Williams, Steve Basic German Goulding, Sylvia 15-minute German learn German in just 15 minutes a day Martin, Sigrid-B German [beginner’s CD language course] Berlitz Dutch in 60 minutes Dutch [beginner’s CD language course] Berlitz Swedish in 60 minutes Berlitz Danish in 60 minutes Berlitz Norwegian in 60 minutes Berlitz Norwegian phrase book & CD McNab, Rosi Basic French Lemoine, Caroline 15-minute French learn French in just 15 minutes a day Campbell, Harry Speak French Di Stefano, Anna Basic Italian Logi, Francesca 15-minute Italian learn Italian in just 15 minutes a day Cisneros, Isabel Latin-American Spanish [beginner’s CD language course] Berlitz Latin American Spanish in 60 minutes Martin, Rosa Maria Basic Spanish Cisneros, Isabel Spanish [beginner’s CD language course] Spanish for travelers Spanish for travelers Campbell, Harry Speak Spanish Allen, Maria Fernanda S. Portuguese [beginner’s CD language course] Berlitz Portuguese in 60 minutes Sharpley, G.D.A. Beginner’s Latin Economides, Athena Collins easy learning Greek Garoufalia, Hara Greek conversation Berlitz Greek in 60 minutes Berlitz Hindi in 60 minutes Berlitz Hindi travel pack Bhatt, Sunil Kumar Hindi : a complete course for beginners Pendar, Nick Farsi : a complete course for beginners
    [Show full text]
  • Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
    VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • An Anthropological Study Into the Lives of Elite Athletes After Competitive Sport
    After the triumph: an anthropological study into the lives of elite athletes after competitive sport Susanna Maria (Marizanne) Grundlingh Submitted in fulfilment of the requirements in respect of the Doctoral Degree in Philosophy in the Department of Anthropology in the Faculty of Humanities at the University of the Free State Supervisor: Professor Robert Gordon December 2015 DECLARATION I, Susanna Maria (Marizanne) Grundlingh, declare that the thesis that I herewith submit for the Doctoral Degree of Philosophy at the University of the Free State is my independent work, and that I have not previously submitted it for a qualification at another institution of higher education. I, Susanna Maria (Marizanne) Grundlingh, hereby declare that I am aware that the copyright is vested in the University of the Free State. I, Susanna Maria (Marizanne) Grundlingh, hereby declare that all royalties as regards intellectual property that was developed during the course of and/or in connection with the study at the University of the Free State, will accrue to the University. In the event of a written agreement between the University and the student, the written agreement must be submitted in lieu of the declaration by the student. I, Susanna Maria (Marizanne) Grundlingh, hereby declare that I am aware that the research may only be published with the dean’s approval. Signed: Date: December 2015 ii ABSTRACT The decision to retire from competitive sport is an inevitable aspect of any professional sportsperson’s career. This thesis explores the afterlife of former professional rugby players and athletes (road running and track) and is situated within the emerging sub-discipline of the anthropology of sport.
    [Show full text]
  • 4Th Edition FESTIVAL VOOR HET AFRIKAANS at De Brakke Grond
    PRESS STATEMENT June 15th 2017 With Laurika Rauch, Gert Vlok Nel, Antjie Krog, Zelda la Grange, Die Wasgoedlyn and many others 4th edition FESTIVAL VOOR HET AFRIKAANS at De Brakke Grond, Amsterdam On the 22nd and 23rd of September De Brakke Grond theatre in Amsterdam will host the 4th edition of Festival voor het Afrikaans (previously known as Afrikaanse Kultuurfees Amsterdam). Artists performing are amongst others Laurika Rauch, Gert Vlok Nel, Sandra Prinsloo, Antjie Krog, Die Wasgoedlyn and Zelda la Grange. During Festival voor het Afrikaans, arts and culture in Afrikaans will take centre stage. Afrikaans is the third biggest language spoken in South Africa. The festival intends to facilitate cultural exchange between South Africa, the Netherlands and Flanders. Music, drama, literature, film Besides stellar performances by singers Laurika Rauch and Gert Vlok Nel, actrice Sandra Prinsloo, poet Antjie Krog and author Zelda la Grange (for 20 years personal assistant to Mr Nelson Mandela) the festival also showcases Die Wasgoedlyn with Churchil Naudé, Frazer Barry, Riku Lätti, Jolyn Phillips and others. Die Wasgoedlyn is a dynamic and diverse collective of singer songwriters, rap artists and poets. Artists from the Netherlands and Belgium like Joep Pelt, Klaas Delrue, Hannelore Bedert and Stefan Dixon complete the line- up. Visitors to the festival can also watch a variety of recent South African movies and documentaries. Multilingualism, modern art and the art of braaiing On Sunday, the Taalunie hosts a discussion on multilingualism in South Africa, the Netherlands and Belgium. Internationally renowned auction house Strauss & Co will be there to value works of art by South African artists.
    [Show full text]
  • W4903 Woordfees Gids.Indb
    SANLAM MUSIEKFEES DAGPROGRAM PRODUKSIE Datum Academie 10 Maart Afrika my verlange / Afrique mon désir 7, 11 Maart aKing 10 Maart Albert Frost Trio 2 Maart Amanzi - chant vir my dorsland 2, 6 Maart Amazink Live 3, 9, 10 Maart Andra 4 Maart Bad Peter 4 Maart Ballades 2 11 Maart Beautiful Beautiful Hymns met Rocco de Villiers 3 Maart Bittereinder 9 Maart Bombshelter Beast 10 Maart Bongeziwe Mbandla 2 Maart Bottomless Coffee Band 7 Maart Casper Ace 9 Maart Chico Muya 4 Maart Chris Chameleon in ‘Kat en Wolf’ 9, 10 Maart Cortina Whiplash 10 Maart Degrees of Honour - Sibongile, Amanda 6 Maart and Gloria with SU Jazz band Die ding van ‘n liedjie 4, 5 Maart Die groot misterie van twee vroue 6, 7, 10 Maart Die Kaap is weer Frans 5, 6 Maart Dig ontstig/ Musiek belig 8 Maart Dr. Victor & The Rasta Rebels 10 Maart Drink hulle tee in Kanada? 2, 4 Maart Droom Martha, droom 2, 3 Maart Elvis Blue: Saam 6, 7 Maart Emile Swiegers 10 Maart Fokofpolisiekar 5 Maart Georgetown 4 Maart Gesnaarde gedigte 3, 6, 10 Maart Grassy Sparks 6 Maart Grensskuiwers 10 Maart Grethe van der Merwe - Jy weet 3, 10, 11 Maart Haar kitaar 4 Maart Sima Mashazi Jazz in the Native Yard 7, 8, 9, 10, 11 Maart 182 183 PRODUKSIE Datum Jo Black & the Bearded men 7 Maart SANLAM MUSIEKFEES Joshua na die reën 9, 10 Maart Karen Zoid 8, 9 Maart AMAZINK Karin Hougaard - Grepe 2, 3, 4 Maart AMAZINK LIVE: SEASON 6 Karoo suite: Coenie de Villiers, Deon Meyer en orkes 3, 5 Maart Script and director: Ilana Cilliers 8 Klaviere 3 Maart With: Anele Mrali, Khanyiswa Joyi, Lelethu, Lungulethu DjLuja Menzi, Unathi Umsongelwa Klipwerf Boereorkes 11 Maart and Sibongiseni Wani Koos Kombuis 10 Maart Come and experience Africa in the heart of a Boland town.
    [Show full text]
  • Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections
    Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections Any queries regarding the ASL film collection please contact Bev Angus ([email protected]) Updated:June 2015 Introduction In film, as with all other African Studies material in Special Collections, we collect comprehensively on South and Southern Africa and we are also committed to strengthening and broadening our film coverage of the rest of Africa to meet existing needs and to create new opportunities for research. Film is a powerful and accessible medium for conveying the stories and images of Africa, past and present. The African continent has a long and proud tradition of film-making, and has produced many film-makers of international renown. Our collection contains documentaries, television series and feature films made by both African and international film-makers. Besides supporting the teaching and research programmes of the University of Cape Town, the African Studies Library makes provision for the preservation of the films in the collection. Please note: The films in the ASL are primarily for viewing by members of the University of Cape Town community. For a collection of African films with public access see the Western Cape Provincial Library Service collection at http://cplweb.pals.gov.za Tips on searching the collection: To facilitate searching, click the binoculars in the toolbar. Select Use Advanced Search Options. If you know the title of the film, enter the exact title in the box and select Match Exact Word or Phrase in the dropdown box e.g. “Cry the Beloved Country” For a keyword search where the exact title is unknown or you are searching around a particular topic, enter appropriate keywords in the box provided, then select Match any of the Words in the drop-drown box below e.g.
    [Show full text]
  • 1 De La Rey Rides
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by South East Academic Libraries System (SEALS) De La Rey Rides (Yet) Again1: Afrikaner Identity Politics and Nostalgia in Post-Apartheid South Africa Gary Baines, Rhodes University Paper presented to the IASPM Conference, Liverpool, July 2009 In 2006 a relatively unknown South African artist with the stage name Bok van Blerk released his debut album called “De la Rey”. The album included a music video of the title track that calls upon the legendary Boer War2 general to save the volk (people) from the wantonly destructive strategies of the British imperial forces: the scorched earth policy and the subsequent internment of women and children in concentration camps. The British justified such extreme – some would say ‘genocidal’ – strategies so as to prevent non-combatants from supporting the irregular Boer soldiers. Although he did not believe that the war could be won on account of the overwhelming odds that the Boer forces faced, De la Rey still fought to the bitter end. Needless to say, he was on the losing side. Figure 1: General ‘Koos’ de la Rey 1 My title plays upon that of Tim du Plessis’s piece in the Financial Mail (2007). 2 This is the contemporary British term for the war of 1899-1902. Boer which literally means ‘farmer’ was the name given to the white settlers who ruled the Orange Free State and South African Republics. Their preferred term for the conflict was the Tweede Vryheidsoorlog (Second War of Freedom). More neutral terms such as the Anglo-Boer or South African War are used in the historical literature.
    [Show full text]
  • About 3 Featured Artist 4 Event Details 14 Where to Get Tickets 16 How To
    HOSTED BY: DESTINY FELLOWSHIP CHURCH CONTENTS About 3 Featured Artist 4 Event Details 14 How to Pay 15 Where to get Tickets 16 ABOUT Rooted in the confession of Psalm 14:2, Relentless exists to glorify God by uniting people in worship and prayer for a spiritual awakening in this generation. From its start in 2017, the Relentless Worship Experience has had a singular mission calling all people from across and around Cape Town to live for what matters most. For us, what matters most is the name and renown of Jesus. We believe in this generation and we are watching God use them to change the climate of faith around Cape Town. Relentless has had the privilege of encountering people whose lives have been transformed by the power of the Holy Spirit. Their voice is getting louder as they rise, united as a generation, bringing hope and light to the across Cape Town. Relentless is more than music. More than an event. Relentless is a generation living for His Name. The wave is growing and we invite you to join the movement. DON VINO Facebook: @donvinofanpage With many years of experience in the music industry since 2009 Don Vino along with his amazing band plays any genre of music from Jazz to Gospel, R&B to Afrikaans music. In more recent years. Don Vino has added Musical Theatre performances and Musical Director to his list of attributes. He made his debut theatre performance in the hit musical production David Kramer’s Songbook in 2007 which led him to his role as Music Director in 3 Wise Men, also a David Kramer produc- tion, and featured Mark Lottering, Riaad Moosa and Nik Rabinowitz.
    [Show full text]
  • The Dynamics of the Interaction Between Music and Society in Recorded Popular Afrikaans Music, 1900 – 2015
    The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. by Schalk Daniël van der Merwe Dissertation presented for the degree of Doctor of Philosophy (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof. Albert Mauritz Grundlingh Co-supervisor: Prof. Stephanus Muller December 2015 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this dissertation, I declare that the entirety of the work contained therein is my own, original work, that I am the owner of the copyright thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2015 Copyright © 2015 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Acknowledgements Firstly, I would like to extend my gratitude to my two supervisors, Professors Albert Grundlingh and Stephanus Muller – I cannot think of a more suitable combination of minds for guiding me through the specific challenges of writing on this subject. I am also grateful for the History Department of Stellenbosch University for financial support, and to my colleagues Professors Sandra Swart, Bill Nasson, Wessel Visser, Dr. Anton Ehlers, (soon-to- be Dr.) Chet Fransch, Melvyn Daniels and Leschelle Morkel, and former colleague Dr. Sarah Duff – all of whom contributed in their own ways. Thank you to Mimi Seyffert, Marina Brink and Lynne Fourie at the University of Stellenbosch’s Library Archive for their help and guidance with archival material. Thank you also to Ernéne Verster and Huibre Lombard at the University of the Free State’s Institute for Contemporary History Archives, and to Monica van Deventer at the SABC Information Library for their help and correspondence.
    [Show full text]