About 3 Featured Artist 4 Event Details 14 Where to Get Tickets 16 How To

Total Page:16

File Type:pdf, Size:1020Kb

About 3 Featured Artist 4 Event Details 14 Where to Get Tickets 16 How To HOSTED BY: DESTINY FELLOWSHIP CHURCH CONTENTS About 3 Featured Artist 4 Event Details 14 How to Pay 15 Where to get Tickets 16 ABOUT Rooted in the confession of Psalm 14:2, Relentless exists to glorify God by uniting people in worship and prayer for a spiritual awakening in this generation. From its start in 2017, the Relentless Worship Experience has had a singular mission calling all people from across and around Cape Town to live for what matters most. For us, what matters most is the name and renown of Jesus. We believe in this generation and we are watching God use them to change the climate of faith around Cape Town. Relentless has had the privilege of encountering people whose lives have been transformed by the power of the Holy Spirit. Their voice is getting louder as they rise, united as a generation, bringing hope and light to the across Cape Town. Relentless is more than music. More than an event. Relentless is a generation living for His Name. The wave is growing and we invite you to join the movement. DON VINO Facebook: @donvinofanpage With many years of experience in the music industry since 2009 Don Vino along with his amazing band plays any genre of music from Jazz to Gospel, R&B to Afrikaans music. In more recent years. Don Vino has added Musical Theatre performances and Musical Director to his list of attributes. He made his debut theatre performance in the hit musical production David Kramer’s Songbook in 2007 which led him to his role as Music Director in 3 Wise Men, also a David Kramer produc- tion, and featured Mark Lottering, Riaad Moosa and Nik Rabinowitz. Recent shows musically directed by Don Vino include Alistair Izobell’s Radio classics, Slick Swing and the Mayoral Show at The Grand Arena called Sizzling Sisters In Song which featured, Judith Sephuma, Laurika Rauch, Bianca La Grange, Vicky Sampson, Black Byrd, PJ Powers and Natalia De Rocha. David Kramer’s Kat and The Kings as well as Blood Brothers. 2014 Marked the year where Don Vino along with fellow musician, Jonathan Rubain took their well known production “Intimate Nights” to the Baxter Theatre to sold out audiences for not just one, but two successful runs. 2015 saw Him debut his first ONE MAN show ‘FROM ELSIES TO THE WORLD’ which ran for 2 sold out nights at the Baxter Theatre. Donveno has also been the Artisic Director for ESP Afrika and The Cape Town International Jazz Festival’s Training and Development program since 2011. He is currently leading a community music school in Delft which is a Non-Profit Organisation. Here he has been training underprivileged youth of the Delft community to read and perform music for the last 6years. SHAWN GEORGE Facebook @shawngeorgemusic Shawn started leading worship in the AFM church and later cre- ated a flair and passion for producing a sound of his own. Shawn believes the coloured people have a peculiar sound and should be exhibited as such. He started the group called Evergreen consisting of a male duet with backing vocals a four piece band. This band has travelled Cape Town predominantly and has won the hearts of the Christian audiences. The band travelled to the likes of PE, Johannes- burg and Pretoria. Shawn has also made inroads in the mainstream as vocal coach for the Shoprite Popstars under the auspices of Maine Groove since 2014. In the interim, Shawn has travelled to Pretoria and Johannesburg alongside Vashawn Mitchell (USA- song: Nobody Greater). He has ministered to the likes and shared stage with Michaell Pitss, Sheryl Brady ( Potter’s House Texas) , Keion Henderson(Light House Dallas Texas), Jerome Campher ( New Faith Cape Town) as well as Shekinah Full Gospel. He is also featured on the Neville D presents album released in 2011. Shawn George has just written, produced and released a single with Joshua Generation called Psalm 150 1 May 2016. His debut single Oh my Soul is currently available on Itunes & Google Play. VARONICA MEYER Facebook @VaronicaMeyerMusic The purity of her worship has continually revealed itself through her constant glorification of God’s name. She prides herself on serving the Most High God. Growing up in Kraaifontein, Cape Town, Varonica Meyer then further built her music career in Johannesburg and has returned to the mother city. Varonica was a member of the multi-platinum and Grammy award winning gospel group Israel Houghton & The Sound of The New Breed She has worked with the likes of Kunjalo, Neville D, Jonathan Rubain, Fred Hammond, KimBurrell, Hezekiah Walker, Donnie McClurken and Marvin Sapp to name a few. This channel of worship aspires to worship and praise God in all that she does. In addition, her official single titled Father of Wonder has been released for streaming and can be accessed on Sound Cloud. Accounts of her ministry stretch far beyond the comprehension of the mind. Pioneers of this industry say that; “Varonica’s voice will undeni- ably linger on in the corridors of your heart.Her vocal acrobatics will send shivers up your spine with vocal manoeuvres that will leave you breathless and panting for more. The produce of her heart is worship and we love her because she loves God, we respect her, because she reverently lives her life in accordance to his Word and we adore her because we know He loves her.” Ultimately, Varonica Meyer desires to continuously move as a vessel for Jesus. DESTINED Facebook @destined.muzic The group name “Destined” is inspired by Veronica Meyer who has played a major role in mentoring the duo in preparation for their CD single. Not only did they have a successful launch of their CD single, a week after the launch, they were nominated for “Best New Comers, Best New Song, and Best Contemporary Song”. Ultimately, they walked away with the brand new award for “Best New Comers” at The Victory Gospel Music Awards 2016. The duo is often credited along with New Generation Gospel Group as well as Kingdom Generation Band. In addition, both of them performed on different stages and platforms as Backing Vo- cals for the likes of C3 Church, KBMI International, Charlyn Davids, Gathering 2017 where they backed Noel Robinson, Integrity Signed artist from UK and SA’s multi-award winning, International renowned and platinum selling R&B singer, Loyiso Bala and many more. Destined’s future goals and dreams are to release their own album whilst traveling the world to proclaim the name of Jesus through their ministry of singing songs of praise. a consectetur porta. www.musicevent.com KUNJALO Facebook @KunjaloLFT The group Kunjalo consists of very talented musicians and singers in and around Elsiesriver, Cape Town South Africa. Presently, the group consists of 9 vocalists, 5 musicians, 2 technical staff members, and the group leader/manager. Kunjalo was formed in 2001 when a need was identified for a group of this nature to be called into existence. From the inception of the group, they were known to do original music. The focus of the group, are to be role models for young people illustrating the fact that one can overcome your circumstances by using your talents. The Kunjalo Music Ministry also creates platforms for young upcoming artists to develop their gifts, giving them exposure to various stages across the world. The choice of the name was meant to affirm this belief: Kunjalo is a Xhosa word which means “It is so”. All things are possible. Achievements: Kunjalo hosted a HIV/AIDS concert as part of an Awareness Campaign, and appeared under the auspices of an internationally acclaimed organization, Rainbow Push Coalition, whose leader is the Rev Jesse Jackson. The ONE VOICE AIDS Awareness Campaign was held at the Good Hope Centre, Cape Town in 2001. This event was attended by 8500 people from across the world. The event led to Kunjalo’s first international USA tour of 2001, and the success of the tour led to many more international tours 2001 – USA Interstate Tour, 2002 – USA Interstate Tour, 2003 – Spain, London, Scotland 2005 – London, 2006 – USA Interstate Tour, 2007 – US Interstate Tour 2008 – Europe Tour, 2014 – USA Interstate Tour, 2015 – Namibia Tour Locally, Kunjalo performed at the Jazzathon for 5 years consecutively. The jazzathon is an annual jazz extravaganza that is held at the V&A Waterfront in Cape Town. This makes the group the most featured gospel group at this event which sees mostly jazz/secular artists performing. The event is attended by more than 700 000 people over the 4-day period. Kunjalo performed with World renowned, artists, during their South African tours in (Cape Town) such as Fred Hammond, Simon Seekoei, Donnie Mc Clurkin, Bebe & Cece Winans, Bishop Hezekiah Walker, Wilmot Fredericks, Kurt Carr, Neville D, JJ Hairston, Marvin Sapp and others. April 2002 – Kunjalo recorded their first CD – Malibongwe, Dec 2005 – Kunjalo released their second CD – Be Ready, Dec 2006 – Kunjalo released their 3RD CD – Pinkster Treffers (Vol 1). Dec 2008 – Kunjalo released their 4th cd – Pinkster Treffers (Vol 2), Dec 2014 – Lets Praise Him Dec 2016 – I BELONG EUCLID JACOBS Facebook: @euclidjacobsofficial I am not too thrilled to take the stage. I do it because I realize the gift that I have is to bring Glory to God and it has to touch Gods’ people. Simply put... There is an assignment upon my life. I’m not the best singer. Probably not that entertaining, but one thing I know is that God called me unto Him for His Glory and to the edification of the body of Christ. To restore worship back into the church.
Recommended publications
  • South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
    A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry.
    [Show full text]
  • Redakteursbrief
    Kortpad na advertensies 25 Desember 2016 Algemene nuusbrokkies Gemeenskapsadvertensies Kleinadvertensies (Persoonlik) Kleinadvertensies (Besigheid) Geestelike Pitkos Werksgeleenthede Afrikaanse kerkdienste Landswye dagboek Riglyne vir adverteerders Kanselleer intekening / Unsubscribe Redakteursbrief Om praktiese redes aan die einde van ‘n baie besige jaar vir my, gebruik ek heelwat van dieselfde inligting wat in hierdie week se Kiwi-Brokkies verskyn ook hier weens die generiese aard daarvan. Dit was ‘n geskiedkundige jaar in die sin dat Aus-Brokkies ewe beskeie uit Nieu-Seeland se BROKKIES (wat toe reeds vir 15 jaar lank bestaan het) gebore is. So het die twee susterspublikasies ontstaan: Aus-Brokkies en Kiwi-Brokkies. Dit was die verwesenliking van ‘n droom vir my. Ons het nou ook vir die soveelste keer die voorreg om Kersfees te vier, en spesifiek die herdenking van die geboorte van ons Verlosser Jesus Christus, die Goeie Nuus wat soveel eeue lank deur profete voorspel is. Baie mense in hierdie deurmekaar wêreld erken Homs slegs as mens. Hulle is ten minste eerlik oor die emmers vol historiese getuienis (ook buite-Bybels) dat Hy wel bestaan het. Hulle het egter vir hulself ‘n versperring opgerig by die kwessie of Hy wel die dood oorwin het en of Hy God in mensgestalte was. As Jesus nie na sy Kruisdood opgestaan het nie, was hy slegs ‘n goeie mens. Indien Hy egter wel uit die dood opgestaan het, verdien dit dieper besinning – vir ons eie siel se onthalwe. Uit sy Woord leer ons dat Hy elke persoon geskep het met ‘n diepliggende kennis van Hom. Hy sê elke mens weet dat God bestaan, hoewel dit dikwels ten sterkste deur mense betwis word.
    [Show full text]
  • Central Reference CD List
    Central Reference CD List January 2017 AUTHOR TITLE McDermott, Lydia Afrikaans Mandela, Nelson, 1918-2013 Nelson Mandela’s favorite African folktales Warnasch, Christopher Easy English [basic English for speakers of all languages] Easy English vocabulary Raifsnider, Barbara Fluent English Williams, Steve Basic German Goulding, Sylvia 15-minute German learn German in just 15 minutes a day Martin, Sigrid-B German [beginner’s CD language course] Berlitz Dutch in 60 minutes Dutch [beginner’s CD language course] Berlitz Swedish in 60 minutes Berlitz Danish in 60 minutes Berlitz Norwegian in 60 minutes Berlitz Norwegian phrase book & CD McNab, Rosi Basic French Lemoine, Caroline 15-minute French learn French in just 15 minutes a day Campbell, Harry Speak French Di Stefano, Anna Basic Italian Logi, Francesca 15-minute Italian learn Italian in just 15 minutes a day Cisneros, Isabel Latin-American Spanish [beginner’s CD language course] Berlitz Latin American Spanish in 60 minutes Martin, Rosa Maria Basic Spanish Cisneros, Isabel Spanish [beginner’s CD language course] Spanish for travelers Spanish for travelers Campbell, Harry Speak Spanish Allen, Maria Fernanda S. Portuguese [beginner’s CD language course] Berlitz Portuguese in 60 minutes Sharpley, G.D.A. Beginner’s Latin Economides, Athena Collins easy learning Greek Garoufalia, Hara Greek conversation Berlitz Greek in 60 minutes Berlitz Hindi in 60 minutes Berlitz Hindi travel pack Bhatt, Sunil Kumar Hindi : a complete course for beginners Pendar, Nick Farsi : a complete course for beginners
    [Show full text]
  • Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
    VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change.
    [Show full text]
  • Dissertation Final Corrected
    FROM PENCIL TO PERFORMANCE: The creative nexus of arranging, orchestration and music direction in works of contemporary pop/rock musical theatre BRYAN SCHIMMEL 8300995 A thesis submitted to the Faculty of Humanities University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Degree of Master of Music Final Corrected Submission 22 September 2014 ABSTRACT In the art form of musical theatre, available literature on the creative musical aspects of musicals has focused primarily on the composers and/or lyricists; their works having been extensively analysed and documented. There is, however, comparatively less literature and documentation on the processes that guide the transformation of the theatre composer’s work to an eventual performance embracing arranging, orchestration and music direction. This dissertation explores these practices from two perspectives – the creative and the recreative. First, from the creative perspective, I challenge Joseph P. Swain who makes a compelling case for composition as a tool of dramaturgy in his book The Broadway Musical: A Critical and Musical Survey (2002). I contest that his argument cannot hold true for pop/rock musicals in which the scores are comprised of pre-existing popular music that was not originally or intentionally composed for the stage. In order to understand how music functions as a dramatic element in musical theatre, it must follow that all collaborative creative forces that contribute to this music must be evaluated in a holistic manner. Dramaturgy contextualises and elucidates storytelling and artistic vision. While Swain has postulated that composition is an element of dramaturgy, I offer the notion that since arranging and orchestration contextualise and elucidate the composition they therefore cannot be excluded as dramaturgical devices.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • A Little Night Music
    WELCOME It is a real pleasure to welcome you to the Quarry before last, and who share the role of Fredrika in Theatre for the first time in many months for our A Little Night Music. It’s a thrill to be able to perform co-production of Stephen Sondheim’s A Little Night Sondheim’s work in Jonathan Tunick’s original Music. This latest collaboration between Leeds orchestrations, with the brilliant Orchestra of Opera Playhouse and Opera North represents a significant North conducted by one of the world’s leading step for both organisations on the road back to a full interpreters of classic musical theatre, Jim Holmes. programme of performances for live audiences. Behind the scenes, our staff have been working The partnership between our two companies has incredibly hard to ensure a safe environment flourished since our work together five years ago for performers and audiences alike, and that on another Sondheim musical, Into the Woods, and will continue to be a top priority as we plan for has grown all the stronger during the pandemic. performances without restrictions in the coming Against the odds we made an all too brief return months. There is much to look forward to from to live performance together last October with both companies, with Pam Gems’ sensational play the Connecting Voices season, which included about the life of Edith Piaf at the Playhouse later Orpheus in the Record Shop, an extraordinary new this summer, and an autumn season that includes work by Leeds-based artist Testament, which was the magical Christmas show Wendy and Peter subsequently filmed for BBC4’s Lights Up festival.
    [Show full text]
  • An Anthropological Study Into the Lives of Elite Athletes After Competitive Sport
    After the triumph: an anthropological study into the lives of elite athletes after competitive sport Susanna Maria (Marizanne) Grundlingh Submitted in fulfilment of the requirements in respect of the Doctoral Degree in Philosophy in the Department of Anthropology in the Faculty of Humanities at the University of the Free State Supervisor: Professor Robert Gordon December 2015 DECLARATION I, Susanna Maria (Marizanne) Grundlingh, declare that the thesis that I herewith submit for the Doctoral Degree of Philosophy at the University of the Free State is my independent work, and that I have not previously submitted it for a qualification at another institution of higher education. I, Susanna Maria (Marizanne) Grundlingh, hereby declare that I am aware that the copyright is vested in the University of the Free State. I, Susanna Maria (Marizanne) Grundlingh, hereby declare that all royalties as regards intellectual property that was developed during the course of and/or in connection with the study at the University of the Free State, will accrue to the University. In the event of a written agreement between the University and the student, the written agreement must be submitted in lieu of the declaration by the student. I, Susanna Maria (Marizanne) Grundlingh, hereby declare that I am aware that the research may only be published with the dean’s approval. Signed: Date: December 2015 ii ABSTRACT The decision to retire from competitive sport is an inevitable aspect of any professional sportsperson’s career. This thesis explores the afterlife of former professional rugby players and athletes (road running and track) and is situated within the emerging sub-discipline of the anthropology of sport.
    [Show full text]
  • 4Th Edition FESTIVAL VOOR HET AFRIKAANS at De Brakke Grond
    PRESS STATEMENT June 15th 2017 With Laurika Rauch, Gert Vlok Nel, Antjie Krog, Zelda la Grange, Die Wasgoedlyn and many others 4th edition FESTIVAL VOOR HET AFRIKAANS at De Brakke Grond, Amsterdam On the 22nd and 23rd of September De Brakke Grond theatre in Amsterdam will host the 4th edition of Festival voor het Afrikaans (previously known as Afrikaanse Kultuurfees Amsterdam). Artists performing are amongst others Laurika Rauch, Gert Vlok Nel, Sandra Prinsloo, Antjie Krog, Die Wasgoedlyn and Zelda la Grange. During Festival voor het Afrikaans, arts and culture in Afrikaans will take centre stage. Afrikaans is the third biggest language spoken in South Africa. The festival intends to facilitate cultural exchange between South Africa, the Netherlands and Flanders. Music, drama, literature, film Besides stellar performances by singers Laurika Rauch and Gert Vlok Nel, actrice Sandra Prinsloo, poet Antjie Krog and author Zelda la Grange (for 20 years personal assistant to Mr Nelson Mandela) the festival also showcases Die Wasgoedlyn with Churchil Naudé, Frazer Barry, Riku Lätti, Jolyn Phillips and others. Die Wasgoedlyn is a dynamic and diverse collective of singer songwriters, rap artists and poets. Artists from the Netherlands and Belgium like Joep Pelt, Klaas Delrue, Hannelore Bedert and Stefan Dixon complete the line- up. Visitors to the festival can also watch a variety of recent South African movies and documentaries. Multilingualism, modern art and the art of braaiing On Sunday, the Taalunie hosts a discussion on multilingualism in South Africa, the Netherlands and Belgium. Internationally renowned auction house Strauss & Co will be there to value works of art by South African artists.
    [Show full text]
  • W4903 Woordfees Gids.Indb
    SANLAM MUSIEKFEES DAGPROGRAM PRODUKSIE Datum Academie 10 Maart Afrika my verlange / Afrique mon désir 7, 11 Maart aKing 10 Maart Albert Frost Trio 2 Maart Amanzi - chant vir my dorsland 2, 6 Maart Amazink Live 3, 9, 10 Maart Andra 4 Maart Bad Peter 4 Maart Ballades 2 11 Maart Beautiful Beautiful Hymns met Rocco de Villiers 3 Maart Bittereinder 9 Maart Bombshelter Beast 10 Maart Bongeziwe Mbandla 2 Maart Bottomless Coffee Band 7 Maart Casper Ace 9 Maart Chico Muya 4 Maart Chris Chameleon in ‘Kat en Wolf’ 9, 10 Maart Cortina Whiplash 10 Maart Degrees of Honour - Sibongile, Amanda 6 Maart and Gloria with SU Jazz band Die ding van ‘n liedjie 4, 5 Maart Die groot misterie van twee vroue 6, 7, 10 Maart Die Kaap is weer Frans 5, 6 Maart Dig ontstig/ Musiek belig 8 Maart Dr. Victor & The Rasta Rebels 10 Maart Drink hulle tee in Kanada? 2, 4 Maart Droom Martha, droom 2, 3 Maart Elvis Blue: Saam 6, 7 Maart Emile Swiegers 10 Maart Fokofpolisiekar 5 Maart Georgetown 4 Maart Gesnaarde gedigte 3, 6, 10 Maart Grassy Sparks 6 Maart Grensskuiwers 10 Maart Grethe van der Merwe - Jy weet 3, 10, 11 Maart Haar kitaar 4 Maart Sima Mashazi Jazz in the Native Yard 7, 8, 9, 10, 11 Maart 182 183 PRODUKSIE Datum Jo Black & the Bearded men 7 Maart SANLAM MUSIEKFEES Joshua na die reën 9, 10 Maart Karen Zoid 8, 9 Maart AMAZINK Karin Hougaard - Grepe 2, 3, 4 Maart AMAZINK LIVE: SEASON 6 Karoo suite: Coenie de Villiers, Deon Meyer en orkes 3, 5 Maart Script and director: Ilana Cilliers 8 Klaviere 3 Maart With: Anele Mrali, Khanyiswa Joyi, Lelethu, Lungulethu DjLuja Menzi, Unathi Umsongelwa Klipwerf Boereorkes 11 Maart and Sibongiseni Wani Koos Kombuis 10 Maart Come and experience Africa in the heart of a Boland town.
    [Show full text]
  • Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections
    Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections Any queries regarding the ASL film collection please contact Bev Angus ([email protected]) Updated:June 2015 Introduction In film, as with all other African Studies material in Special Collections, we collect comprehensively on South and Southern Africa and we are also committed to strengthening and broadening our film coverage of the rest of Africa to meet existing needs and to create new opportunities for research. Film is a powerful and accessible medium for conveying the stories and images of Africa, past and present. The African continent has a long and proud tradition of film-making, and has produced many film-makers of international renown. Our collection contains documentaries, television series and feature films made by both African and international film-makers. Besides supporting the teaching and research programmes of the University of Cape Town, the African Studies Library makes provision for the preservation of the films in the collection. Please note: The films in the ASL are primarily for viewing by members of the University of Cape Town community. For a collection of African films with public access see the Western Cape Provincial Library Service collection at http://cplweb.pals.gov.za Tips on searching the collection: To facilitate searching, click the binoculars in the toolbar. Select Use Advanced Search Options. If you know the title of the film, enter the exact title in the box and select Match Exact Word or Phrase in the dropdown box e.g. “Cry the Beloved Country” For a keyword search where the exact title is unknown or you are searching around a particular topic, enter appropriate keywords in the box provided, then select Match any of the Words in the drop-drown box below e.g.
    [Show full text]
  • 1 De La Rey Rides
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by South East Academic Libraries System (SEALS) De La Rey Rides (Yet) Again1: Afrikaner Identity Politics and Nostalgia in Post-Apartheid South Africa Gary Baines, Rhodes University Paper presented to the IASPM Conference, Liverpool, July 2009 In 2006 a relatively unknown South African artist with the stage name Bok van Blerk released his debut album called “De la Rey”. The album included a music video of the title track that calls upon the legendary Boer War2 general to save the volk (people) from the wantonly destructive strategies of the British imperial forces: the scorched earth policy and the subsequent internment of women and children in concentration camps. The British justified such extreme – some would say ‘genocidal’ – strategies so as to prevent non-combatants from supporting the irregular Boer soldiers. Although he did not believe that the war could be won on account of the overwhelming odds that the Boer forces faced, De la Rey still fought to the bitter end. Needless to say, he was on the losing side. Figure 1: General ‘Koos’ de la Rey 1 My title plays upon that of Tim du Plessis’s piece in the Financial Mail (2007). 2 This is the contemporary British term for the war of 1899-1902. Boer which literally means ‘farmer’ was the name given to the white settlers who ruled the Orange Free State and South African Republics. Their preferred term for the conflict was the Tweede Vryheidsoorlog (Second War of Freedom). More neutral terms such as the Anglo-Boer or South African War are used in the historical literature.
    [Show full text]