Pirates - V1.0 Pirates Henrik Raun – 22.Jan.1986 – 105 BPM

Total Page:16

File Type:pdf, Size:1020Kb

Pirates - V1.0 Pirates Henrik Raun – 22.Jan.1986 – 105 BPM Henrik Raun - Pirates - V1.0 Pirates Henrik Raun – 22.Jan.1986 – 105 BPM Drum intro – ad lib march style until a round on the drums C1 | G D A Hm | Guitar melody intro – 2 guitars unison (No chords) | G D A Em | | G D A Hm | Emanuel Wynn's flag: | G D Em . | A1 | Am G Dm Am | Pirates for just one day – We’ll kill and rape and then be on our way | Am G Dm Am | Pirates for just one day – Justice will be skipped whatever you’ll say B1 | D Am G Am | We’ll pay with our lives – But first we’ll kill every man child and wife | D Am G Am | We’ll use our knives – To cut out the guts of the government spies C2 | G D A Hm | 2 guitars doing chords – (No melody) | G D A Em | | G D A Hm | Richard Worley's flag: | G D Em . | A2 | Am G Dm Am | Pirates for just one day – When the day is gone we promise to move on | Am G Dm Am | Pirates for just one day – But is seems to me that this day will linger on B2 | D Am G Am | We’ll hang from the gallows – We’ll never know why it ended this way | D Am G Am | We’ll hang from the gallows – It’s not our fault just turned out this way B3 | D Am G Am | At the least resistance – We’ll chop of their heads and feed them to the sharks | D Am G Am | At none resistance – We’ll rape the woman and kill them afterwards C3 | G D A Hm | Henrik doing melody – Peter doing chords | G D A Em | | G D A Hm | Jolly Roger flown by Calico Jack Rackham: | G D Em . | D1 | D C G Am | You ask me if I’ll spare your little tiny miserable life | D C G Am | You say you’ll even give to me your darling wonderful wife | . Am! | – No! A3 | Am G Dm Am | Pirates for just one day – We’ll kill and rape and then be on our way | Am G Dm Am | Pirates for just one day – Justice will be skipped whatever you’ll say B4 | D Am G Am | We’ll pay with our lives – But first we’ll kill every man child and wife | D Am G Am | We’ll use our knives – To cut out the guts of the government spies C4 | G D A Hm | 2 guitars doing chords – (No melody) | G D A Em | | G D A Hm | Flag flown by Black Sam Bellamy&Edward England: | G D Em . | D2 | D C G Am | You ask me how it started – Can’t you really fucking see? | D C G Am | I don’t know I don’t care – And it aren’t got nothing to do with me | . Am! | – No! 1/3 Henrik Raun - Pirates - V1.0 A4 | Am G Dm Am | Pirates for just one day – When the day is gone we promise to move on | Am G Dm Am | Pirates for just one day – But is seems to me that this day will linger on B5 | D Am G Am | We’ll hang from the gallows – We’ll never know why it ended this way | D Am G Am | We’ll hang from the gallows – It’s not our fault just turned out this way C5 | G D A Hm | Henrik doing melody – Peter doing chords | G D A Em | | G D A Hm | Flag of pirate Christopher Condent: | G D Em . | E1 | D Am . .| We’ll raid and be marauders – drum |C G . | We’ll kill and make manslaughters - drum A5 | Am . | Pirates – drum | Am . | I said Pirates – drum A6 | Am . | Pirates – drum | Am . | I said Pirates – drum A7 | Am . Dm Am | Pirates – drum – We’ll kill and rape and then be on our way | Am . Dm Am | Pirates – drum – Justice will be skipped whatever you’ll say A8 | Am . Dm Am | Pirates – drum – When the day is gone we promise to move on | Am . Dm Am | Pirates – drum – But it seems to me that this day will linger on 2/3 Henrik Raun - Pirates - V1.0 “Pirates” Song Structure: C A B C A B B C D A B C D A B C E A A A A http://en.wikipedia.org/wiki/Pirates -> Definition Piracy is typically an act of robbery or criminal violence at sea. The term can include acts committed on land, in the air, or in other major bodies of water or on a shore. The term has been used throughout history to refer to raids across land borders by non-state agents. Those who engage in acts of piracy are called pirates. Historically, offenders have usually been apprehended by military personnel and tried by military tribunals. Etymology The English "pirate" is derived from the Latin term pirata and that from Greek "πειρατής" (peiratēs), "brigand",[3] in turn from "πειράομαι" (peiráomai), "I attempt", from "πεῖρα" (peîra), "attempt, experience".[4] The word is also cognate to peril.[5] Also, particularly in the 1700s and 1800s, spelling was haphazard, and words such as "Pyrate" or "an act of Pyracy" are examples of some of the accepted ways of spelling in past years. http://www.thefreedictionary.com/pirate -> pi·rate (pī′rĭt) n. 1. a. One who robs at sea or plunders the land from the sea without commission from a sovereign nation. b. A ship used for this purpose. 2. One who preys on others; a plunderer. 3. One who makes use of or reproduces the work of another without authorization. 4. One that operates an unlicensed, illegal television or radio station. v. pi·rat·ed, pi·rat·ing, pi·rates v.tr. 1. To attack and rob (a ship at sea). 2. To take (something) by piracy. 3. To make use of or reproduce (another's work) without authorization. v.intr. To act as a pirate; practice piracy. [Middle English, from Old French, from Latin pīrāta, from Greek peirātēs, from peirān, to attempt, from peira,trial; see per-3 in Indo-European roots.] 3/3 .
Recommended publications
  • Table of Contents
    Table of Contents Welcome from the Dais ……………………………………………………………………… 1 Introduction …………………………………………………………………………………… 2 Background Information ……………………………………………………………………… 3 The Golden Age of Piracy ……………………………………………………………… 3 A Pirate’s Life for Me …………………………………………………………………… 4 The True Pirates ………………………………………………………………………… 4 Pirate Values …………………………………………………………………………… 5 A History of Nassau ……………………………………………………………………… 5 Woodes Rogers ………………………………………………………………………… 8 Outline of Topics ……………………………………………………………………………… 9 Topic One: Fortification of Nassau …………………………………………………… 9 Topic Two: Expulsion of the British Threat …………………………………………… 9 Topic Three: Ensuring the Future of Piracy in the Caribbean ………………………… 10 Character Guides …………………………………………………………………………… 11 Committee Mechanics ……………………………………………………………………… 16 Bibliography ………………………………………………………………………………… 18 1 Welcome from the Dais Dear delegates, My name is Elizabeth Bobbitt, and it is my pleasure to be serving as your director for The Republic of Pirates committee. In this committee, we will be looking at the Golden Age of Piracy, a period of history that has captured the imaginations of writers and filmmakers for decades. People have long been enthralled by the swashbuckling tales of pirates, their fame multiplied by famous books and movies such as Treasure Island, Pirates of the Caribbean, and Peter Pan. But more often than not, these portrayals have been misrepresentations, leading to a multitude of inaccuracies regarding pirates and their lifestyle. This committee seeks to change this. In the late 1710s, nearly all pirates in the Caribbean operated out of the town of Nassau, on the Bahamian island of New Providence. From there, they ravaged shipping lanes and terrorized the Caribbean’s law-abiding citizens, striking fear even into the hearts of the world’s most powerful empires. Eventually, the British had enough, and sent a man to rectify the situation — Woodes Rogers. In just a short while, Rogers was able to oust most of the pirates from Nassau, converting it back into a lawful British colony.
    [Show full text]
  • Board of Directors Zoom Meeting Summary Safety Issues
    VOLUME XV, NO. 9 • SEPTEMBER 15, 2020 A PUBLICATION OF THE SOMERSET RUN CONDOMINIUM ASSOCIATION TABLE OF CONTENTS Board of Directors Zoom Meeting Summary Board of Directors Zoom Meeting Summary cover, 3 Safety Issues cover, 5 By Susan Gooen First Community Socially Distanced Event 4 [Editor’s Note: This article does not set forth the official minutes of the Resident Photographer Rick Fisher 4, 25 Association meeting. The official minutes are available on the Somerset Run Lifestyle Corner – Upcoming Events 5 website, once approved by the Board of Directors.] Weekly/Daily & Event Calendars 6, 7 Life on the Run 8 MONDAY, AUGUST 17, 2020 A Strange Segue: From Masks to Afghans 8, 9 The Open Board Meeting held on August 17 was streamed on Zoom due The Trivia Corner (Answers – 27) 9 to the COVID-19 epidemic. About 160 residents signed into the meeting. Board The Trivia Corner, Too (Answers – 27) 9 members Alan Blander, John Blazakis, Rick Blitz, Mike Goldman, Ed Gordon, Say Hello to Your New Neighbors 10 Fred Okun, and Danita Susi were present. Community Manager Monica Griffin and Assistant Community Manager Kaitlyn Brown also attended. The meeting Singles Club News 10 was called to order at 7 p.m. Somerset Run Seniors Bowling League 10 C&C News 10 MINUTES: Geology Tales 12 The minutes of the July 20, 2020 meeting were approved. Pool Countdown 12 TREASURER’S REPORT: Women’s Club News 12, 13 Ed Gordon reported that work on the 2021 budget has begun. The Budget Bocce in the Time of COVID-19 14 & Finance Committee, the team from First Service, Danita Susi, and Ed Gordon From the Frying Pan(s) into the Fire 14 were all involved in the process.
    [Show full text]
  • A Pirate's Life for Me
    A Pirate’s Life for Me 1| Page April 13th Kutztown University of Pennsylvania Table of Contents Staff Introductions…………………………………………………………………………………..……....3-4 Crisis Overview………………………………………………………………………………………......…...5 Pirate History………………………………..……………………………………………….…………....….6-10 Features of the Caribbean……………...…………………………………………….……………....….11-13 Dangers of the Sea………………………………………………………………………………….………..13-14 Character List…………………….…………………………………………………………….…...…….......14-24 Citations/Resources………..…………………………………………………………………..…………...25-26 Disclaimers…………….…………………………………………………………...………………………......26-27 2| Page Staff Introductions Head Crisis Staff - Sarah Hlay Dear Delegates, Hello and welcome to the “It’s A Pirate’s Life For Me” Committee! I am very excited to have all of you as a part of my committee to learn and explore the era that is the Golden Era of Piracy. My name is Sarah Hlay and I will be your Crisis Director for this committee. I am a junior at Kutztown University and this is my fourth semester as a part of Kutztown Model UN. This is my second Kumunc but first time running my own crisis. I am excited for you all to be part of my first crisis and to use creative problem solving together over the course of our committee. Pirate history is something that has always fascinated me and is a topic I enjoy learning more about each day. I’m excited to share my love and knowledge of this topic within one of the best eras that have existed. I hope to learn as much from me as I will from you. At Kutztown, I am studying Art Education and although I am not part of the Political Science department does not mean that debating and creative thinking is something I’m passionate about.
    [Show full text]
  • FY19 Annual Report View Report
    Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut.
    [Show full text]
  • Personnages Marins Historiques Importants
    PERSONNAGES MARINS HISTORIQUES IMPORTANTS Années Pays Nom Vie Commentaires d'activité d'origine Nicholas Alvel Début 1603 Angleterre Actif dans la mer Ionienne. XVIIe siècle Pedro Menéndez de 1519-1574 1565 Espagne Amiral espagnol et chasseur de pirates, de Avilés est connu Avilés pour la destruction de l'établissement français de Fort Caroline en 1565. Samuel Axe Début 1629-1645 Angleterre Corsaire anglais au service des Hollandais, Axe a servi les XVIIe siècle Anglais pendant la révolte des gueux contre les Habsbourgs. Sir Andrew Barton 1466-1511 Jusqu'en Écosse Bien que servant sous une lettre de marque écossaise, il est 1511 souvent considéré comme un pirate par les Anglais et les Portugais. Abraham Blauvelt Mort en 1663 1640-1663 Pays-Bas Un des derniers corsaires hollandais du milieu du XVIIe siècle, Blauvelt a cartographié une grande partie de l'Amérique du Sud. Nathaniel Butler Né en 1578 1639 Angleterre Malgré une infructueuse carrière de corsaire, Butler devint gouverneur colonial des Bermudes. Jan de Bouff Début 1602 Pays-Bas Corsaire dunkerquois au service des Habsbourgs durant la XVIIe siècle révolte des gueux. John Callis (Calles) 1558-1587? 1574-1587 Angleterre Pirate gallois actif la long des côtes Sud du Pays de Galles. Hendrik (Enrique) 1581-1643 1600, Pays-Bas Corsaire qui combattit les Habsbourgs durant la révolte des Brower 1643 gueux, il captura la ville de Castro au Chili et l'a conserva pendant deux mois[3]. Thomas Cavendish 1560-1592 1587-1592 Angleterre Pirate ayant attaqué de nombreuses villes et navires espagnols du Nouveau Monde[4],[5],[6],[7],[8].
    [Show full text]
  • When We Now Think of a Pirate's Flag We Think Of
    Pirates with Ely Museum Pirate Flags When we now think of a pirate's flag we think of the "Skull and Cross Bones", however many pirates had their own unique designs that in their day would have been well known and would strike fear in the crew of a merchant ship if they saw it. To start with, many pirate ships did not have flags with designs on, instead they used different colour flags to say different things. A plain black flag had been used in the past to show a ship had plague on it and to stay away, so pirates started flying this to cause fear. However it also usually meant that the pirate would accept surrender and spare lives. Others used plain red flags, which dated back to English privateers who used it to show they were not Royal Navy, in pirate use this flag meant no surrender was accepted and no mercy would be shown! Over time pirates started adding their own designs to these plain coloured flags, these unique flags would soon become well known as the pirates reputation increased. Favourite things for pirates to have on their flags were skull, bones or sometimes whole skeletons, all meaning death and aiming to cause fear. They also often used images of swords, daggers and other weapons to show that they were ready to fight. An hourglass would mean that your time is running out as death was coming and a heart was used to show life and death. Jolly Roger Flag A flag would often be made up of one or more of those items and would sometimes include the Captain's initials or a simple outline of a figure depicting the Captain.
    [Show full text]
  • Blood & Bounty
    A short life but a merry one! A 28mm “Golden Age of Piracy” Wargame by DonkusGaming Version 1.0 Contents: Setting up a Game pg. 2 A very special “Thank You” to my art resources: Sequence of Play pg. 3 http://www.eclipse.net/~darkness/sail-boat-01.png https://math8geometry.wikispaces.com/file/view/protractor.gif/3 3819765/protractor.gif Vessel Movement Details pg. 7 http://brethrencoast.com/ship/sloop.jpg, Vessel Weapon Details pg. 8 http://brethrencoast.com/ship/brig.jpg, Vessel Weapons & Tables pg. 9 http://brethrencoast.com/ship/frigate.jpg, http://brethrencoast.com/ship/manofwar.jpg, Vessel Classes & Statistics pg. 11 http://en.wikipedia.org/wiki/British_ensign, Vessel Actions pg. 16 http://www.crwflags.com/fotw/flags/fr~mon.html, http://www.crwflags.com/fotw/flags/es~c1762.html, Crew Actions pg. 22 http://www.crwflags.com/fotw/flags/es_brgdy.html, http://en.wikipedia.org/wiki/Jolly_Roger, Crew Weapons (Generic) pg. 26 http://www.juniorgeneral.org/donated/johnacar/napartTD.png Crew Statistics pg. 29 https://jonnydoodle.files.wordpress.com/2012/06/alp ha.jpg http://www.webweaver.nu/clipart/img/historical/pirates/xbones- Famous Characters & Crews pg. 34 black.png Running a Campaign pg. 42 http://www.imgkid.com/ http://animal-kid.com/pirate-silhouette-clip-art.html Legal: The contents of this strategy tabletop miniatures game “Blood & Bounty” (excluding art resources where listed) are the sole property of myself, Liam Thomas (DonkusGaming) and may not be reproduced in part or as a whole under any circumstances except for personal, private use. They may not be published within any website, blog, or magazine, etc., or otherwise distributed publically without advance written permission (see email address listed below.) Use of these documents as a part of any public display without permission is strictly prohibited, and a violation of the author’s rights.
    [Show full text]
  • British Flags Permission to Copy for Personal Gaming Use Granted GAME STUDIOS
    St AndrewsSt. Andrews Cross – CrossEnglish - Armada fl ag of the Era Armada Era St AndrewsSt. Andrews Cross – Cross English - Armada fl ag of the Era Armada Era St AndrewsSt. Andrews Cross – EnglishCross - flArmada ag of the Era Armada Era EnglishEnglish East IndianIndia Company Company - -pre pre 1707 1707 EnglishEnglish East East Indian India Company - pre 1707 EnglishEnglish EastEast IndianIndia Company Company - - pre pre 1707 1707 Standard Royal Navy Blue Squadron Ensign, Royal Navy White Ensign 1630 - 1707 Royal Navy Blue Ensign /Merchant Vessel 1620 - 1707 RoyalRoyal Navy Navy Red Red Ensign Ensign 1620 1620 - 1707 - 1707 1st Union Jack 1606 - 1801 St. Andrews Cross - Armada Era 1st1st UnionUnion fl Jackag, 1606 1606 - -1801 1801 1st1st Union Union Jack fl ag, 1606 1606 - 1801- 1801 1st1st Union Union fl Jackag, 1606 1606 - -1801 1801 English East Indian Company - 1701 - 1801 English East Indian Company - 1701 - 1801 English East Indian Company - 1701 - 1801 Royal Navy White Ensign 1707 - 1801 Royal Navy Blue Ensign 1707 - 1801 RoyalRed Navy Ensign Red as Ensignused by 1707 Royal - 1801Navy and ColonialSEA subjects DOG GAME STUDIOS British Flags Permission to copy for personal gaming use granted GAME STUDIOS . Dutch East India company fl ag Dutch East India company fl ag Dutch East India company fl ag Netherlands fl ag Netherlands fl ag Netherlands fl ag Netherlands Naval Jack Netherlands Naval Jack Netherlands Naval Jack Dutch East India company fl ag Dutch East India company fl ag Dutch East India company fl ag Netherlands fl ag Netherlands fl ag Netherlands fl ag SEA DOG Dutch Flags GAME STUDIOS Permission to copy for personal gaming use granted.
    [Show full text]
  • 2019 Annual Report Bryn Mawr Film Institute
    PLACEHOLDER 2019 ANNUAL REPORT BRYN MAWR FILM INSTITUTE 2019 1 CONTENTS LETTER FROM THE EXECUTIVE DIRECTOR 1 MISSION 2 2019 FILMS SCREENED 3 2019 STAGE ON SCREEN 6 SPECIAL EVENTS 7 2019 IN POSTERS 10 FINANCES 11 UNRESTRICTED GIFT DONORS 13 ENDOWMENT AND OPERATIONAL SUPPORT 17 EDUCATION DONORS 18 MEMBERSHIP LEADERS 19 COMMUNITY AND VOLUNTEERS 21 2019 BOARD OF DIRECTORS 23 2019 BMFI STAFF 24 LETTER FROM THE EXECUTIVE DIRECTOR YESTERDAY AND TODAY Given that this 2019 annual distinguished cinematic style, neighboring zip codes than in report is being written in 2020, our audiences, members and prior years. BMFI continues it becomes unique in that the non-members alike showed to be nationally recognized year covered represents one up in droves. Our courses and as a leader among art house of BMFI’s most successful seminars drew an ever-widening cinemas. We are very proud of in history, yet precedes a group of film enthusiasts, and this reputation, and we plan to period which has been most our data shows us that the maintain it. challenging, due to the more people participate in pandemic. I am confident that our educational offerings, the With your help and support we will be ready and able to more first run films they come through your memberships and welcome everyone back as soon to see together at the theater. generous donations, BMFI will as it is safe to do so. After all, We view this as the perfect continue to be a cultural mecca feature films, since the days reflection of our mission, for our entire area for many of nickelodeons, were always namely to “build community years to come—one that we will intended for group viewing.
    [Show full text]
  • 02 Battles of the Sevie Seas
    Crossroads Middle School Writing Lab Publications Fall 2013 Argh! What ye may not fathom, matey, be that this book ye be holdin’ in yer scurvy paws be a rare treasure indeed. It be a wealth o’ pirate tales stolen directly from the lice- infested blowfish at Crossroads Middle School. The scallywag sea dog 7th graders be once again singin’ their sagas ‘bout legendary battles an’ seasoned buccaneers from bygone times. Therefore, consider yerself lucky that ye stumbled upon these accounts o’ bravery, scuffle, and plunder. Now, sit back with yer favorite salty parrot an’ a mug o’ grog an’ enjoy the regalin’ that be scribbled here. If’n ye don’t, prepare yer pox-faced, mutinous hide to be keelhauled lengthwise off a jolly pirate cutter. Savvy? ~The Treasures Within~ Captain Ty By: Captain Ty “Where’s Me Gold” Howard ………. Page 1 Captain Maggie Joller By: Scurvy Sarah “The Saber” Stefani ………. Page 2 The Stories Begin ………. Page 3 Bloody Scallyway By: Captain Jackson “Jack the Gentleman” Perry ………. Page 4 The Ship Battle of Death By: Dastardly Dizzy Izzy “Shoot My” Bowen ………. Page 6 Jolly Roger of: Captain Nayha “The Venomous Vet” Sengmanyphet ………. Page 10 The Battle of the Crew By: Captain Ty “Where’s Me Gold” Howard ………. Page 11 Why Now By: Commander Wesley “I’ll Make Ye Hole-ly” St. George ………. Page 14 Jolly Roger of: Scurvy Sarah “The Saber” Stefani ………. Page 16 Knight Halk By: Master Gunner “No-Eyed” Johnny ………. Page 17 Vanderpohl Jolly Roger of: Admirable Gabe “The Gab” Stewart ………. Page 19 The Best Pirate Battle of All Time!!! ……….
    [Show full text]
  • Life Under the Jolly Roger: Reflections on Golden Age Piracy
    praise for life under the jolly roger In the golden age of piracy thousands plied the seas in egalitarian and com- munal alternatives to the piratical age of gold. The last gasps of the hundreds who were hanged and the blood-curdling cries of the thousands traded as slaves inflated the speculative financial bubbles of empire putting an end to these Robin Hood’s of the deep seas. In addition to history Gabriel Kuhn’s radical piratology brings philosophy, ethnography, and cultural studies to the stark question of the time: which were the criminals—bankers and brokers or sailors and slaves? By so doing he supplies us with another case where the history isn’t dead, it’s not even past! Onwards to health-care by eye-patch, peg-leg, and hook! Peter Linebaugh, author of The London Hanged, co-author of The Many-Headed Hydra This vital book provides a crucial and hardheaded look at the history and mythology of pirates, neither the demonization of pirates as bloodthirsty thieves, nor their romanticization as radical communitarians, but rather a radical revisioning of who they were, and most importantly, what their stories mean for radical movements today. Derrick Jensen, author of A Language Older Than Words and Endgame Stripping the veneers of reactionary denigration and revolutionary romanti- cism alike from the realities of “golden age” piracy, Gabriel Kuhn reveals the sociopolitical potentials bound up in the pirates’ legacy better than anyone who has dealt with the topic to date. Life Under the Jolly Roger is important reading for anyone already fascinated by the phenomena of pirates and piracy.
    [Show full text]
  • Fall 2020 Tributaries
    Tributaries A Publication of the North Carolina Maritime Letter from the Board History Council www.ncmaritimehistory.org Letter from the Editor Fall 2020 Number 18 “Who Pays for That?” The Steamship Twilight and the Tribulations of Post-Civil War Southern Enterprise By: Jeremy Borrelli A Pirate Haven? The Pirates and their Relationship with Colonial North Carolina By: Allyson Ropp Call for Student Representatives Tributaries A Publication of the North Carolina Maritime History Council www.ncmaritimehistory.org Fall 2020 Number 18 Contents Members of the Executive Board 3 Letter from the Board 4 Letter from the Editor 5 Jeremy Borrelli “Who Pays for That?” 7 The Steamship Twilight and the Tribulations of Post-Civil War SouthernEnterprise Allyson Ropp A Pirate Haven? 21 The Pirates and their Relationship with Colonial North Carolina Call for Submissions 32 Call for a Student Representative to the Executive Board 33 Style Appendix 34 Tributaries Fall 2020 1 Tributaries is published by the North Carolina Maritime History Council, Inc., 315 Front Street, Beaufort, North Carolina, 28516-2124, and is distributed for educational purposes www.ncmaritimehistory.org Chair Lynn B. Harris Editor Chelsea Rachelle Freeland Copyright © 2020 North Carolina Maritime History Council North Carolina Maritime History Council 2 Tributaries A Publication Members of the North Carolina Maritime Chair David Bennett Chelsea Rachelle Freeland Lynn B. Harris, Ph.D. Curator of Maritime History Senior Analyst, Cultural Property History Council Professor North Carolina Maritime Museum U.S. Department of State www.ncmaritimehistory.org Program in Maritime Studies (252) 504-7756 (Contractor) Department of History [email protected] Washington, DC 20037 East Carolina University (202) 632-6368 Admiral Eller House, Office 200 Jeremy Borrelli [email protected] Greenville, NC 27858 Staff Archaeologist (252) 328-1967 Program in Maritime Studies Frances D.
    [Show full text]