DOCSLIB.ORG

2019 Annual Report Bryn Mawr Film Institute

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2019 Annual Report Bryn Mawr Film Institute PLACEHOLDER 2019 ANNUAL REPORT BRYN MAWR FILM INSTITUTE 2019 1 CONTENTS LETTER FROM THE EXECUTIVE DIRECTOR 1 MISSION 2 2019 FILMS SCREENED 3 2019 STAGE ON SCREEN 6 SPECIAL EVENTS 7 2019 IN POSTERS 10 FINANCES 11 UNRESTRICTED GIFT DONORS 13 ENDOWMENT AND OPERATIONAL SUPPORT 17 EDUCATION DONORS 18 MEMBERSHIP LEADERS 19 COMMUNITY AND VOLUNTEERS 21 2019 BOARD OF DIRECTORS 23 2019 BMFI STAFF 24 LETTER FROM THE EXECUTIVE DIRECTOR YESTERDAY AND TODAY Given that this 2019 annual distinguished cinematic style, neighboring zip codes than in report is being written in 2020, our audiences, members and prior years. BMFI continues it becomes unique in that the non-members alike showed to be nationally recognized year covered represents one up in droves. Our courses and as a leader among art house of BMFI’s most successful seminars drew an ever-widening cinemas. We are very proud of in history, yet precedes a group of film enthusiasts, and this reputation, and we plan to period which has been most our data shows us that the maintain it. challenging, due to the more people participate in pandemic. I am confident that our educational offerings, the With your help and support we will be ready and able to more first run films they come through your memberships and welcome everyone back as soon to see together at the theater. generous donations, BMFI will as it is safe to do so. After all, We view this as the perfect continue to be a cultural mecca feature films, since the days reflection of our mission, for our entire area for many of nickelodeons, were always namely to “build community years to come—one that we will intended for group viewing. The through film culture”. In all be able to enjoy together artistic visions of most of our 2019, driven primarily by our again in the very near future. greatest filmmakers have been thoughtful film selection and Gratefully, brought to fruition on large special programming, including screens in theaters such as ours. our Stage on Screen offerings and the increasingly popular Throughout 2019, BMFI exhibition screenings, we consistently demonstrated attracted a growing group of that when presenting films patrons and members, covering Samuel R. Scott with compelling stories, an even greater number of Executive Director captivating performances, and LETTER FROM THE EXECUTIVE DIRECTOR 1 MISSION BMFI is dedicated to promoting shared experiences that entertain, engage, and educate audiences through a diverse range of independent-minded films, a full curriculum of courses, and an extensive program of special events. BMFI builds community through film culture, while maintaining strong connections to its historic venue’s cinematic past. MISSION 2 2019 FILMS SCREENED A TRIP TO THE MOVIES satisfies a very human need to gather with friends, family, and community. In 2019, that humanity was reflected in the movies themselves: films about families (March, Kim, and Crawley), films about human talent, human decency, human foibles, human resilience, human interdependence, and so much more. BECAUSE OF YOU, O THE 7TH VOYAGE OF SINBAD O BAND OF OUTSIDERS O COLD WAR BMFI is a place where humans O A BEAUTIFUL DAY IN THE NEIGHBORHOOD O THE BAREFOOT CONTESSA O COMPUTER CHESS O A LEAGUE OF THEIR OWN O THE BFG O CONTEMPT gather to share and celebrate O A LETTER TO THREE WIVES O THE BIGAMIST O THE DARJEELING LIMITED stories about humanity. With O A TUBA TO CUBA O THE BIGGEST LITTLE FARM O DAUGHTERS OF THE DUST 243 distinct titles, and over O ABSOLUTE BEGINNERS O THE BIRDS O THE DEAD DON’T DIE 6,000 screenings, classes, O AFTER HOURS O BOHEMIAN RHAPSODY O DEAF SHORT FILMS PROGRAM and discussions, BMFI had O AFTER THE WEDDING O BOMBSHELL O DECONSTRUCTING THE BEATLES: O THE AFTERMATH O BOOKSMART ABBEY ROAD SIDE 1 something for everyone in O ALL ABOUT EVE O BOTTLE ROCKET O DECONSTRUCTING THE BEATLES: ABBEY ROAD SIDE 2 2019—or at least something O ALL IS TRUE O BRITTANY RUNS A MARATHON O DIANE O ALL THAT HEAVEN ALLOWS O BURNING for the more than 180,000 O DIE HARD O ALL THAT JAZZ O BUTCH CASSIDY AND THE SUNDANCE KID audience members who visited O DO THE RIGHT THING O AMAZING GRACE O BYE BYE BIRDIE O DON’T LOOK NOW our theater. How many human O APOCALYPSE NOW: THE FINAL CUT O CAPERNAUM O DOWNTON ABBEY experiences did you share at O APOLLO 11 O CASABLANCA O ECHO IN THE CANYON BMFI in 2019? O ARSENIC AND OLD LACE O THE CHAPERONE O ELF O ASK DR. RUTH O CHARLOTTE’S WEB O EVERYBODY KNOWS O THE ATAXIAN O CLOSE-UP O THE FAREWELL O BAMBI O CLUELESS 2019 FILMS SCREENED 3 2019 FILMS SCREENED O THE FAVOURITE O HOW THE GRINCH STOLE CHRISTMAS O THE KING OF COMEDY O MEAN STREETS O THE FLAVOR OF GREEN TEA OVER RICE O I AM CUBA O THE LAST BLACK MAN IN SAN FRANCISCO O MOONSTRUCK O FLOATING WEEDS O IF BEALE STREET COULD TALK O THE LAST PICTURE SHOW O MUPPET TREASURE ISLAND O FRAMING JOHN DELOREAN O INSIDE OUT O THE LAST UNICORN O MUSIC GOT ME HERE O FREE SOLO O INVASION OF THE BODY SNATCHERS O LATE NIGHT O THE MUSTANG O FRUITVALE STATION O THE IRISHMAN O LAWRENCE OF ARABIA O THE MYSTERY OF PICASSO O GLORIA BELL O IT’S A WONDERFUL LIFE O LIKE SOMEONE IN LOVE O NATIONAL VELVET O GODZILLA O JAMES AND THE GIANT PEACH O LINDA RONSTADT: THE SOUND OF MY VOICE O NON-FICTION O THE GOLDFINCH O JAY SCHWARTZ PRESENTS ANDY O LITTLE WOMEN O NOT WANTED O GOOD MORNING WARHOL AND FRIENDS: ‘60S AND ‘70S O LOONEY TUNES SHORTS O OFFICIAL SECRETS ART DOCUMENTARIES O GOODFELLAS O LU OVER THE WALL O OKLAHOMA! O JAY SCHWARTZ PRESENTS O GREASE FROM PHILADELPHIA WITH LOVE: O LUCE O ON THE BASIS OF SEX O GREAT EXPECTATIONS INDUSTRIAL, EDUCATIONAL, O MAIDEN O OSCAR SHORTS: ANIMATED O GREEN BOOK AND OTHER LOST LOCAL FILMS O THE MAN WHO KNEW TOO MUCH O OSCAR SHORTS: DOCUMENTARY O HALSTON O JOJO RABBIT O THE MANY ADVENTURES OF O OSCAR SHORTS: LIVE ACTION O HARRIET O JUDY WINNIE THE POOH O THE OTHER STORY O HIGH LIFE O JURASSIC PARK O MARCH OF THE PENGUINS O OVER THE LIMIT O THE HITCH-HIKER O KIKI’S DELIVERY SERVICE O MARGARET ATWOOD: LIVE IN CINEMAS O PAIN AND GLORY O HONEY BOY O KILLER OF SHEEP O MARRIAGE STORY O PARASITE O HOTEL MUMBAI O KIND HEARTS AND CORONETS O MATILDA O PARIS IS BURNING 2019 FILMS SCREENED 4 2019 FILMS SCREENED O THE PASSION OF JOAN OF ARC O ROLL RED ROLL O TEN O WALKABOUT O PAVAROTTI O THE ROYAL TENENBAUMS O THE TERMINATOR O WAR AND PEACE O THE PEANUT BUTTER FALCON O RUSHMORE O TERMINATOR 2: JUDGEMENTJUDGMENT DAY DAY O WAYNE’S WORLD O PEE-WEE’S BIG ADVENTURE O SALAAM BOMBAY! O THEY SHALL NOT GROW OLD O WHERE’D YOU GO, BERNADETTE O PENNHURST O SCHOOL DAZE O THIS IS SPINAL TAP O WHERE’S MY ROY COHN? O THE PHILADELPHIA STORY O SCHOOL OF ROCK O THIS MAGNIFICENT CAKE! O THE WHITE CROW O PIERROT LE FOU O THE SECRET OF THE KELLS O TO DUST O WILD NIGHTS WITH EMILY O PSYCHO O THE SERENGETI RULES O TO SLEEP WITH ANGER O WILLY WONKA & THE CHOCOLATE FACTORY O QUEST O SHADOW OF A DOUBT O TOKYO STORY O WINGS OF DESIRE O RAISING ARIZONA O THE SHAWSHANK REDEMPTION O TOLKIEN O THE WIZ O RAN O THE SHINING O THE TOMORROW MAN O WOMAN AT WAR O RATATOUILLE O SOME LIKE IT HOT O TONI MORRISON: THE PIECES I AM O WOODSTOCK O REBEL WITHOUT A CAUSE O THE SOUND OF MUSIC O TRANSIT O WUTHERING HEIGHTS O RED JOAN O STAN & OLLIE O THE TWO POPES O WYETH O RED RIVER O STRAY DOG O THE UMBRELLAS OF CHERBOURG O THE YEAR WITHOUT SANTA CLAUS O REMEMBER THE TITANS O STYX O UNCUT GEMS O YESTERDAY O THE REPORTS ON SARAH AND SALEEM O SUDDENLY, LAST SUMMER O US O YOUNG PICASSO O RICHARD JEWELL O TASTE OF CHERRY O VICE 2019 FILMS SCREENED 5 2019 STAGE ON SCREEN O 42ND STREET O I’M NOT RUNNING O MADAMA BUTTERFLY O THE TAMING OF THE SHREW O ALL ABOUT EVE O THE IMPORTANCE OF BEING EARNEST O THE MADNESS OF GEORGE III O THE TEMPEST O ALLELUJAH! O THE KING AND I O MATTHEW BOURNE’S THE CAR MAN O TINTORETTO: A REBEL IN VENICE O ANTONY AND CLEOPATRA O KINKY BOOTS O NORMA O THE TRAGEDY OF KING RICHARD O THE AUDIENCE O KLIMT & SCHIELE: EROS AND PSYCHE O ORPHÉE ET EURIDICE THE SECOND O CARAVAGGIO: THE SOUL AND THE BLOOD O LA BAYADERE O RAYMONDA O EXHIBITION ON SCREEN: VAN GOGH & JAPAN O CARMEN SUITE/PETRUSHKA O LA TRAVIATA O RED O VAN GOGH: OF WHEAT FIELDS AND CLOUDED SKIES O DON GIOVANNI O THE LEHMAN TRILOGY O EXHIBITION ON SCREEN: REMBRANDT O WATER LILIES OF MONET O FAUST O EXHIBITION ON SCREEN: O ROMEO AND JULIET O THE WINTER’S TALE O FUNNY GIRL LEONARDO: THE WORKS O SLEEPING BEAUTY O EXHIBITION ON SCREEN: YOUNG PICASSO O GAUGIN IN TAHITI: PARADISE LOST O MACBETH 2019 STAGE ON SCREEN 6 SPECIAL EVENTS WAR AND PEACE At seven hours and two minutes (nine hours with intermissions!), Sergei Bondarchuk’s adaptation of WAR AND PEACE is the longest film ever shown at BMFI in a single screening.
Load more

Recommended publications
  • Table of Contents
    Table of Contents Welcome from the Dais ……………………………………………………………………… 1 Introduction …………………………………………………………………………………… 2 Background Information ……………………………………………………………………… 3 The Golden Age of Piracy ……………………………………………………………… 3 A Pirate’s Life for Me …………………………………………………………………… 4 The True Pirates ………………………………………………………………………… 4 Pirate Values …………………………………………………………………………… 5 A History of Nassau ……………………………………………………………………… 5 Woodes Rogers ………………………………………………………………………… 8 Outline of Topics ……………………………………………………………………………… 9 Topic One: Fortification of Nassau …………………………………………………… 9 Topic Two: Expulsion of the British Threat …………………………………………… 9 Topic Three: Ensuring the Future of Piracy in the Caribbean ………………………… 10 Character Guides …………………………………………………………………………… 11 Committee Mechanics ……………………………………………………………………… 16 Bibliography ………………………………………………………………………………… 18 1 Welcome from the Dais Dear delegates, My name is Elizabeth Bobbitt, and it is my pleasure to be serving as your director for The Republic of Pirates committee. In this committee, we will be looking at the Golden Age of Piracy, a period of history that has captured the imaginations of writers and filmmakers for decades. People have long been enthralled by the swashbuckling tales of pirates, their fame multiplied by famous books and movies such as Treasure Island, Pirates of the Caribbean, and Peter Pan. But more often than not, these portrayals have been misrepresentations, leading to a multitude of inaccuracies regarding pirates and their lifestyle. This committee seeks to change this. In the late 1710s, nearly all pirates in the Caribbean operated out of the town of Nassau, on the Bahamian island of New Providence. From there, they ravaged shipping lanes and terrorized the Caribbean’s law-abiding citizens, striking fear even into the hearts of the world’s most powerful empires. Eventually, the British had enough, and sent a man to rectify the situation — Woodes Rogers. In just a short while, Rogers was able to oust most of the pirates from Nassau, converting it back into a lawful British colony.
    [Show full text]
  • Donor Report Inside P R O F E S S O R J O H N W O O D I N Photography
    Non Profit Org THE UNIVERSITY OF THE ARTS US Postage 320 South Broad Street PAID Philadelphia, PA 19102 Philadelphia, PA UArts.edu Permit No. 1103 THE MAGAZINE OF THE UNIVERSITY OF THE ARTS edg e THE edge MAGAZINE OF T HE U NIVERSITY OF THE A RTS FALL FALL 2013 2013 NO . 11 Donor Report Inside PROFESSOR JOHN WOODIN photography S EAN T. B UFFING T ON PRESIDENT L UCI ll E H UG H E S PUBLISHER VICE PRESIDENT FOR ADVANCEMENT P AU L F. H EA LY EDITOR ASSOCIATE VICE PRESIDENT OF UNIVERSITY COMMUNICATIONS E LY ss E R ICCI B FA ’ 0 8 ART DIRECTOR & DESIGNER J AME S M AU R E R PRODUCTION MANAGER D ANA R O dr IGUEZ CONTRIBUTING EDITOR CONTRIBUTING PHOTOGRAPHERS S T EVE B E L KOWI T Z J A S ON C H EN B FA ’ 0 8 S AMUE L N AGE L M IC H AE L S P ING L E R S T EVE S tr EI S GU th B FA ’ 0 9 th EY B K LYN J O H N W OO D IN CONTRIBUTING WRITERS A NI S A H AI D A R Y P AU L F. H EA LY E L I S E J U S KA C A th E R INE G UN th E R K O D A T S A R A M AC D ONA ld D ANA R O dr IGUEZ J OANNA S UNG L AU R EN V I ll ANUEVA COVER IMAGE S T EVE B E L KOWI T Z , 2 0 1 1 POSTMASTER : SEND ADDRESS CHANGES TO edge c/o University Communications, The University of the Arts, 320 S.
    [Show full text]
  • Silence Studies in the Cinema and the Case of Abbas Kiarostami
    SILENCE STUDIES IN THE CINEMA AND THE CASE OF ABBAS KIAROSTAMI by Babak Tabarraee M.A., Tehran University of Art, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) January 2013 © Babak Tabarraee, 2013 Abstract This thesis is an attempt to formulate a systematic framework for ‘silence studies’ in the cinema by defining silence in pragmatic terms and suggesting different forms of filmic silence. As an illustration of my model, I examine the variety of silences in the works of Abbas Kiarostami, a notable figure of Art Cinema. The analytical approach suggested here can further be applied to the works of many other Art Cinema auteurs, and, by extension, to other cinematic modes as well, for a better understanding of the functions, implications, and consequences of various forms of silence in the cinema. Chapter 1 provides a working and pragmatic description of silence, applicable to both film and other communicative forms of art. Chapter 2 represents a historical study of some of the major writings about silence in the cinema. Chapter 3 introduces, exemplifies, and analyzes the acoustic silences in the films of Kiarostami, including the five categories of complete , partial (uncovered; covered with noise, music, or perspective), character/dialogue , language , and music silences. Chapter 4 introduces the concept of meta-silence and its trans-sensorial perceptions in communication and in arts, and then defines the four categories of the visual , character/image , narrative , and political silences in Kiarostami’s oeuvre.
    [Show full text]
  • 2020 Alexander Hamilton Award | Manhattan Institute
    5:00PM EDT The Alexander Hamilton Award was instituted to celebrateMANHATTAN and INSTITUTE’S honor TWENTIETH those ANNUAL individuals who have made exceptional contributions to the nation’s civic and intellectual life. We chose to name the award after Hamilton because he was a man of ideas and action. As aide-de-camp to Washington during PRESIDENT, MANHATTAN INSTITUTE the Revolution, the primary author of the Federalist Papers, and the nation’s first REMARKS Treasury secretary, Hamilton, perhaps more than anyone,The Alexander set Hamiltonthe course Award was forinstituted America’s to Paul E. Singer celebrate and honor those individuals who have bright future and prosperity over the net CHAIRMAN OF THE BOARD, MANHATTAN INSTITUTE two centuries.made exceptional Our contributions honorees to the nation’s this year have eachcivic madeand intellectual Hamiltonian life. We chose contributionsto name the to America,award after and Hamilton the because Manhattan he was a man Institute of is privilegedideas andto action. honor As aide-de-camp them tothis Washington evening. The Alexanderduring the HamiltonRevolution, the Awardprimary author was of instituted the to celebrateFederalist andPapers, honor and the nation’s those first Treasury individuals INTRODUCED BY MICHAEL B. MUKASEY & HEATHER R. HIGGINS who havesecretary, made Hamilton, exceptional perhaps more thancontributions anyone, to the nation’sset the course civic for America’s and bright intellectual future and life. We choseprosperity to name over the the next award two centuries. after Our Hamilton becausehonorees he was this yeara man have eachof made ideas Hamiltonian and action. As aide-de-campcontributions to America,to Washington and the Manhattan during INTRODUCED BY PAUL E.
    [Show full text]
  • A Pirate's Life for Me
    A Pirate’s Life for Me 1| Page April 13th Kutztown University of Pennsylvania Table of Contents Staff Introductions…………………………………………………………………………………..……....3-4 Crisis Overview………………………………………………………………………………………......…...5 Pirate History………………………………..……………………………………………….…………....….6-10 Features of the Caribbean……………...…………………………………………….……………....….11-13 Dangers of the Sea………………………………………………………………………………….………..13-14 Character List…………………….…………………………………………………………….…...…….......14-24 Citations/Resources………..…………………………………………………………………..…………...25-26 Disclaimers…………….…………………………………………………………...………………………......26-27 2| Page Staff Introductions Head Crisis Staff - Sarah Hlay Dear Delegates, Hello and welcome to the “It’s A Pirate’s Life For Me” Committee! I am very excited to have all of you as a part of my committee to learn and explore the era that is the Golden Era of Piracy. My name is Sarah Hlay and I will be your Crisis Director for this committee. I am a junior at Kutztown University and this is my fourth semester as a part of Kutztown Model UN. This is my second Kumunc but first time running my own crisis. I am excited for you all to be part of my first crisis and to use creative problem solving together over the course of our committee. Pirate history is something that has always fascinated me and is a topic I enjoy learning more about each day. I’m excited to share my love and knowledge of this topic within one of the best eras that have existed. I hope to learn as much from me as I will from you. At Kutztown, I am studying Art Education and although I am not part of the Political Science department does not mean that debating and creative thinking is something I’m passionate about.
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • FY19 Annual Report View Report
    Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut.
    [Show full text]
  • Pdf-Collections-.Pdf
    1 Directors p.3 Thematic Collections p.21 Charles Chaplin • Abbas Kiarostami p.4/5 Highlights from Lobster Films p.22 François Truffaut • David Lynch p.6/7 The RKO Collection p.23 Robert Bresson • Krzysztof Kieslowski p.8/9 The Kennedy Films of Robert Drew p.24 D.W. Griffith • Sergei Eisenstein p.10/11 Yiddish Collection p.25 Olivier Assayas • Alain Resnais p.12/13 Themes p.26 Jia Zhangke • Gus Van Sant p.14/15 — Michael Haneke • Xavier Dolan p.16/17 Buster Keaton • Claude Chabrol p.18/19 Actors p.31 Directors CHARLES CHAPLIN THE COMPLETE COLLECTION AVAILABLE IN 2K “A sort of Adam, from whom we are all descended...there were two aspects of — his personality: the vagabond, but also the solitary aristocrat, the prophet, the The Kid • Modern Times • A King in New York • City Lights • The Circus priest and the poet” The Gold Rush • Monsieur Verdoux • The Great Dictator • Limelight FEDERICO FELLINI A Woman of Paris • The Chaplin Revue — Also available: short films from the First National and Keystone collections (in 2k and HD respectively) • Documentaries Charles Chaplin: the Legend of a Century (90’ & 2 x 45’) • Chaplin Today series (10 x 26’) • Charlie Chaplin’s ABC (34’) 4 ABBas KIAROSTAMI NEWLY RESTORED In 2K OR 4K “Kiarostami represents the highest level of artistry in the cinema” — MARTIN SCORSESE Like Someone in Love (in 2k) • Certified Copy (in 2k) • Taste of Cherry (soon in 4k) Shirin (in 2k) • The Wind Will Carry Us (soon in 4k) • Through the Olive Trees (soon in 4k) Ten & 10 on Ten (soon in 4k) • Five (soon in 2k) • ABC Africa (soon
    [Show full text]
  • Chairman Jay Clayton, June 1, 2019 to June 30, 2019
    Chairman Jay Clayton Public Calendar June 1, 2019 to June 30, 2019 Monday, June 3, 2019 10:30 am Meeting with staff 11:00 am Meeting with staff 11:30 am Meeting with staff 12:00 pm Speaking engagement, SEC Roundtable on Mentorship at the SEC 1:30 pm Meeting with Susquehanna International Group, LLC, including: Jeff Yass, Managing Director; and Brian Sopinsky, Secretary 2:00 pm Speaking engagement, SEC 85th Anniversary 3:00 pm Meeting with Commissioner 4:00 pm Speaking engagement, SEC Historical Society Roundtable with former SEC Chairs, including: David Ruder; Richard Breeden; Arthur Levitt; Harvey Pitt; Christopher Cox; Mary Schapiro; Elisse Walter; and Mary Jo White 5:30 pm Speaking engagement, SEC Historical Society Dinner Tuesday, June 4, 2019 11:00 am Speaking engagement, SEC Mid-Atlantic Regional Conference 12:00 pm Meeting with Robert Hur, U.S. Attorney, District of Maryland; William McSwain, U.S. Attorney, Eastern District of Pennsylvania; and Craig Carpenito, U.S. Attorney, District of New Jersey 3:30 pm Meeting with staff 5:00 pm Meeting with Congresswoman Maxine Waters Wednesday, June 5, 2019 8:00 am Meeting with Senator Pat Toomey 10:00 am Commission Open Meeting 1:00 pm Speaking engagement, SEC Veterans Hall dedication 2:00 pm Meeting with staff 2:30 pm Meeting with staff 3:15 pm Phone call with Senator Mike Crapo 4:00 pm Meeting with staff 4:30 pm Phone call with Congressman Patrick McHenry 5:00 pm Phone call with Congresswoman Ann Wagner 5:30 pm Meeting with staff Thursday, June 6, 2019 7:25 am Interview with Andrew Sorkin,
    [Show full text]
  • Films Shown by Series
    Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films,
    [Show full text]
  • CC-Film-List
    CC’s (incomplete, constantly evolving) list of “must-see” filmmakers and their films Buster Keaton: The General; Sherlock, Jr.; Steamboat Bill, Jr.; The High Sign; Our Hospitality Lucretia Martel: The Swamp; The Holy Girl; The Headless Woman Hirokazu Kore-Eda: Maborosi; Afterlife; Nobody Knows; Still Walking Terence Davies: Distant Voices, Still Lives; The Long Day Closes, The House of Mirth, The Deep Blue Sea Charles Burnett: Killer of Sheep; To Sleep with Anger Agnes Varda: Cleo From Five to Seven, The Vagabond; The Beaches of Agnes; The Gleaners & I Douglas Sirk: Written on the Wind; All That Heaven Allows; The Tarnished Angels Todd Haynes: Safe; Superstar: The Karen Carpenter Story; Far From Heaven John Ford: Stagecoach: My Darling Clementine; The Searchers Vittorio de Sica: Bicycle Thieves; Shoeshine; Umberto D; Roberto Rossellini: Rome, Open City; Paisan; Journey to Italy Luis Buñuel: Un Chien Andalou (with Salvador Dali); Los Olvidados; Illusion Travels by Streetcar: That Obscure Object of Desire; Viridiana; Belle du Jour; The Exterminating Angel Kelly Reichardt: Old Joy; Wendy & Lucy; Meek’s Cut-off; Night Moves John Greyson: Zero Patience; Lillies Sally Potter: Orlando; Yes; Ginger and Rosa Theo Angelopoulos: The Suspended Step of the Stork; Landscape in the Midst Ousmane Sembene: Moolaadé; Faat Kiné; Guelwaar Orson Welles: Citizen Kane; The Magnificent Ambersons; Touch of Evil; The Lady from Shanghai; Chimes at Midnight Zhangke Jia: The World; Still Life; Platform Ken Loach: Riff-Raff; Kes; The Navigators, Raining Stones; My
    [Show full text]
  • Like Someone in Love
    1 MK2 & Eurospace present A film by Abbas Kiarostami INTERNATIONAL PRESS INTERNATIONAL SALES Vanessa Jerrom & Claire Vorger MK2 11 rue du Marché Saint-Honoré - 75001 Paris (France) 55 rue Traversière - 75012 Paris (France) Email: [email protected] Juliette Schrameck - [email protected] Cell: +33 6 14 83 88 82 (Vanessa Jerrom) Dorothée Pfistner - [email protected] Cell: +33 6 20 10 40 56 (Claire Vorger) Victoire Thevenin - [email protected] In Cannes : Five Hotel 1 rue Notre-Dame - 06400 Cannes France Photos and presskit can be downloaded on www.mk2pro.com 2 3 synopsis An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty-four hours bears no relation to the circumstances of their encounter. 4 5 new awakening Without doubt, there was an underlying sense of gnawing depravity that surfaced in Certified Copy and took me by surprise. I was sure that I already had a good understanding of the work of this film-maker that I have been lucky enough to come across so often in the past 25 years. So I was not expecting his latest film to outstrip the already high opinion I have of his work. Some people like to feel that they can describe and pigeonhole his films as ‘pseudo-simplistic modernism’. But Abbas’ films have never failed to surprise and now here, not for the first time, is a new wake-up call, for me, and I am sure many others.
    [Show full text]