Personal Favorite Movies

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Personal Favorite Movies Personal Favorite Movies Most movies by Hitchcock Bergman movies, especially Smiles of a Summer Night, The Devil's Eye, Persona, Scenes from a Marriage, but there are many good ones. Paths of Glory - Kubrick's best Babette's Feast Dangerous Liaisons City Lights Sullivan's Travels Stairway to Heaven (known as A Matter of Life and Death in the UK) Black Narcissus Close Encounters of the Third Kind (revised version) Blade Runner, Director's Cut A Hard Day's Night High Noon Top Hat Ran Ikiru Enter the Dragon John Woo movies, but only the Hong Kong ones Ringo Lam movies Children of Paradise The Passion of Joan of Arc Siegfried (Fritz Lang) The Maltese Falcon Double Indemnity Bringing Up Baby Pillow Talk Body Heat, other film noir White Heat Ernst Lubitsch movies Kaspar Hauser, Nosferatu (both by Werner Herzog) The Story of Qiu Ju Pathfinder Robert Flaherty documentaries, such as Nanook of the North, Louisiana Story Faster, Pussycat, Kill! Kill! Kill! Star Wars Trilogy The Last of Sheila Wayne's World Cable Guy, Ace Ventura My Best Friend's Wedding The Advocate A Little Princess Princess Mononoke, and all the other Miyazaki movies Map of the Human Heart William Shakespeare's Romeo and Juliet Stalker, The Sacrifice, all Takovsky movies are visually and conceptually brilliant. Donnie Brasco The Godfather Last Tango in Paris Monsters, Inc. Dumbo Some Like it Hot Proof Dead Ringers The White Balloon, The Circle Time of Drunken Horses Taste of Cherry and other Iranian movies The Hole Puppetmaster Celebration Goodbye, Lenin! Master and Commander The Host Oldboy The New World Amores Perros Y Tu Mama Tambien Satantango (very long) I am Cuba Grizzly Man Little Dieter Needs to Fly My Winnipeg Apocalypto Away from Her Two Syndromes and a Century Lebanon Waltz with Bashir Return to my personal home page .
Recommended publications
  • Silence Studies in the Cinema and the Case of Abbas Kiarostami
    SILENCE STUDIES IN THE CINEMA AND THE CASE OF ABBAS KIAROSTAMI by Babak Tabarraee M.A., Tehran University of Art, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) January 2013 © Babak Tabarraee, 2013 Abstract This thesis is an attempt to formulate a systematic framework for ‘silence studies’ in the cinema by defining silence in pragmatic terms and suggesting different forms of filmic silence. As an illustration of my model, I examine the variety of silences in the works of Abbas Kiarostami, a notable figure of Art Cinema. The analytical approach suggested here can further be applied to the works of many other Art Cinema auteurs, and, by extension, to other cinematic modes as well, for a better understanding of the functions, implications, and consequences of various forms of silence in the cinema. Chapter 1 provides a working and pragmatic description of silence, applicable to both film and other communicative forms of art. Chapter 2 represents a historical study of some of the major writings about silence in the cinema. Chapter 3 introduces, exemplifies, and analyzes the acoustic silences in the films of Kiarostami, including the five categories of complete , partial (uncovered; covered with noise, music, or perspective), character/dialogue , language , and music silences. Chapter 4 introduces the concept of meta-silence and its trans-sensorial perceptions in communication and in arts, and then defines the four categories of the visual , character/image , narrative , and political silences in Kiarostami’s oeuvre.
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  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
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  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
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