DOCSLIB.ORG

AANWINSTE Saamgestel Deur Tessa Caroline, Assistentdirekteur Q 793.21 PAR BOOKS BOEKE Partytjies Is Pret.- Tafelberg, 362.293 FER Q 641.5 PAR 2005

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
AANWINSTE Saamgestel Deur Tessa Caroline, Assistentdirekteur Q 793.21 PAR BOOKS BOEKE Partytjies Is Pret.- Tafelberg, 362.293 FER Q 641.5 PAR 2005 AANWINSTE Saamgestel deur Tessa Caroline, Assistentdirekteur Q 793.21 PAR BOOKS BOEKE Partytjies is pret.- Tafelberg, 362.293 FER Q 641.5 PAR 2005. NON-FICTION Ferguson, Melinda. Smacked.- Parker, Shanaaz. Fusion.- 796.333 KRI Oshun, 2005. Anderson Pub., 2005. VAKLEKTUUR Krige, Corne. The right place at 363.61 AGE Q 641.5946 COO the wrong time.- Zebra, 2005. General The Age of commodity.- Earth- Cooking Spanish.- Murdoch Bks., 799.12 UYS Algemeen scan, 2005. 2005. Uys, Tim. Vir vis en vaderland.- 371.425 MAN 641.5954 NAR Lapa, 2005. 005.43 EZO Mannion, James. The everything Narshi, Parvati. The masala Ezolt, Phillip G. Optimizing alternative careers book.- cookbook.- Struik, 2005. Literature Linux performance.- Prentice Adams Media Corp., c2004. Letterkunde Hall PTR, 2005. 641.5968 LEK 372.41 WOO Die Lekkerste lekker.- Human, 821.914 PRE 005.43 FEH Wood, Tracey. Teaching kids to 2005. Press. Karen. The canary’s song- Fehily, Chris. Windows XP. 2nd read for dummies.- Wiley, c2004. book.- Carcanet, 2005. ed.- Peachpit P., c2005. 641.6384 DEW 384.8097 STE DeWitt, Dave. The spicy food 821.92 BAD Philosophy and Psychology Stewart, James B. Disneywar.- lover’s bible.- Stewart, Tabori, Baderoon, Gabeba. The dream Filosofie en Sielkunde Simon, 2005. 2005. in the next body.- Kwela, 2005. 391.09 CUM 649.123 RIC Travel 153 LEA Cumming, Valerie. Understand- Richardson, Ann. Koester jou Leaf, Caroline. Skakel jou brein ing fashion history.- Batsford, kleurter.- Metz P., 2005. Reisbeskrywing aan.- Tafelberg, 2005. 2004. 650.096 SHE 910.453 WIL 158.1 REA 391.09 EWI Shelley, Steve. Doing business in Willers, David. In search of the Ready, Romilla. Neuro-linguistic Ewing, Elizabeth. History of Africa.- Zebra, 2004. Waratah.- Highveld, 2005. programming for dummies.- J twentieth century fashion. 4th Wiley, c2004. 650.14 JAC 915.4792 MEH ed.- Batsford, 2005. Jackson, Tom. The perfect CV. Mehta, Suketu. Maximum city.- Religion 398.22 BAR Updated ed.- Piatkus, 2005. Review, 2005. Godsdiens Barber, Richard William. The 658.87 MIL 915.97 KEA Holy Grail.- Penguin, 2005. Miller, Michael. Absolute Keay, John. Mad about the 232.908 SEC beginner’s guide to launching an Mekong.- HarperCollins, 2005. Secrets of the code.- Orion, Science eBay business.- Que, c2004. 2005. Wetenskap Q 916.8712 WAR Warren-Brown, Gillian. Cape 248.8431 FUL Arts and Recreation 523.18 SIN Town uncovered.- Double Fuller, Cheri. Die ma wat jy Singh, Simon. Big bang.- Harper Kunste en Ontspanning Storey Bks., 2005. graag wil wees.- Lux Verbi. BM, Perennial, 2005. 2005. 741. 509 JON 918 GUE 573.3 STR Jones, Gerard. Men of tomor- Guevara, Ernesto. The motor- Social Science Stringer, Christopher. The com- row.- Heinemann, 2005. cycle diaries. [New ed].- Ocean Sosiale Wetenskap plete world of human evolu- 745.5941 COM P., c2004. tion.- Thames, 2005. Compendium of cardmaking 306.8742 MYD Biography techniques.- Search P., 2005. My dad - by South African Applied Science Lewensbeskrywing sons.- Two Dogs, 2006. Toegepaste Wetenskap 746.432 LOC Lochner, Martie. Brei.- Human, 920 DEB 306.8742 SLA 616.834 MUL 2005. De Blasi, Marlena. A thousand Slaan vir my ‘n masker, Vader.- Multiple sclerosis. 3rd ed.- Class days in Tuscany.- Virago, 2005. D Ferrus, c2006. Q 748 BEV Pub., 2005. Beveridge, Philippa. Warm 920 LAM 306.8743 LIN 616.8521 RET glass.- Lark Bks., c2005. Burton, Sarah. A double life.- Linde, Colinda. Kry balans in jou Retief, Yvonne. Healing for Penguin, 2004. lewe.- Metz P., 2005. 780.92 DAP trauma in the South African Holden, Anthony. The man who 920 NAU 326.968 VAN context.- Struik Christian Bks, wrote Mozart.- Weidenfeld, Ryan, Colleen. Beyers Naude. Van der Ross, Richard Ernest. c2005. 2006. 2nd ed.- D Philip, 2005. Up from slavery.- Ampersand Q 635.7 MCV P., 2005. 780.92 HEN 920 POO McVicar, Jekka. New book Lawrence, Sharon. Jimi Pool, Hannah. My father’s 337 ISA of herbs.- Dorling Kindersley, Hendrix.- Sidgwick, 2005. daughter.- H Hamilton, 2005. Isaak, Robert A. The global- c2004. 791.43 TAR 920 PRI ization gap.- Financial Times Q 636.108 HIL Prentice Hall, c2005. Smith, Jim. Tarantino.- Virgin, Treglown, Jeremy. VS Pritchett.- Hill, Cherry. Horsekeeping on a 2005. Pimlico, 2005. 362.1969 LEV small acreage. 2nd ed.- Storey, Levin, Adam. Aidsafari.- Zebra, c2005. 791.4309 WIL 920 SAM 2005. Wilder, Gene. Kiss me like a Shakib, Siba. Samira and Samir.- stranger.- HarperCollins, 2005. Century, 2004. Kaapse Bibl., Jan/Feb 2007 29 EZONGEZELELWEYO 920 SPA J 534 RIL Sparks, Nocholas. Three weeks Riley, Peter D. Sound and with my brother.- Time Warner Hardy, Justine. The Wonder Ragen, Naomi. The covenant.- vibrations.- F Watts, 2005. Bks., 2005. House.- Atlantic Bks., 2005. St. Martin’s Griffin, 2005. J 535 RIL Q 920.68 TUR Heller, Mandasue. The game.- Robotham, Michael. Lost.- Time Riley, Peter D. Light and colour. Turok, Karina. Life and soul.- Hodder, 2005. Warner Bks., 2005. F Watts, 2005. Double Storey, 2006. Horn, Shifra. Ode to joy.- Rushdie, Salman. Shalimar the J 551.576 MIL Piatkus, 2005. clown.- Cape, 2005. History Miles, Elizabeth. Clouds.- Horton, Lesley. Devils in the Sheldon, Jeremy. The smiling Heinemann, c2005. Geskiedenis mirror.- Orion, 2005. affair.- Cape, 2005. J 553.8 MER 940.5421 PLE Hyde, Elisabeth. The abortion- Sington, Philip. Zoia’s gold.- Mercer, Ian. Gemstones and the Pleshakov, Constatine. Stalin’s ist’s daughter.- Macmillan, 2006. Atlantic Bks., 2005. environment. New ed.- F Watts, folly.- Weidenfeld, 2005. 2004. Irving, John. Until I find you.- Sittenfeld, Curtis. Prep.- Picador, 940.5486 MIL Bloomsbury, 2005. 2005. J 598.0723 BUR Miller, Russell. Codename Burnie, David. Bird watcher.- Iweala, Uzodinma. Beasts of no Slot, Owen. The proposal.- Tricycle.- Seckcer, 2004. Dorling Kindersley, 2005. nation.- J. Murray, 2005. Hodder, 2005. 952.19 WAL JT 612 WIN James, Phyllis Dorothy. The Svit, Brina. Death of a prima Walker, Stephen. Shockwave.- Winston, Robert. What makes lighthouse.- Faber, 2005. donna.- Harvill, 2005. J Murray, 2005. me me?- Dorling Kindersley, Joss, Morag. Puccini’s ghosts.- Thompson, Harry. This thing of 967.304 PEA 2004. Sceptre, 2005. darkness.- Review, 2005. Pearce, Justin. An outbreak of J 759.972 KAH peace.- D Philip, 2005. Kalogridis, Jeanne. The Borgia Troyan, Sasha. The forgotten Winter, Jonah. Frida. - F Lincoln bride.- St Martin’s Griffin, 2005. island.- Bloomsbury, 2005. Children’s Bks, 2005. AFRIKAANSE Kelly, Jim. The moon tunnel.- Tucker, Lisa. Shout down the J 839.3615 BAR VERHALENDE LEKTUUR Joseph, 2005. moon.- Simon, 2005. Barker, Cicely, M. Die blomme- Kennedy, Douglas. State of the Tulloch, Jonathan. Give us this feetjies.- Human, 2005. Van der Vyver, Marita. Stiltetyd.- union.- Hutchinson, 2005. day.- Cape, 2005. J 839.3616 JAC Tafelberg, 2006. Kerley, Jack. The death collec- Van der Vyver, Marita. Short Jacobs, Jaco. Wurms met tors.- HarperCollins, 2005. circuits.- Tafelberg, 2005. tamatiesous, en ander lawwe ENGLISH FICTION Khoury, Raymond. The last Van der Vyver, Marita. Time rympies.- Lapa, 2005. templar.- Ziji, c2005. out.- Tafelberg, 2005. J 914.15 BAR Barclay, Alex. Darkhouse.- King, Jonathon. A killing night.- Wakefield, Lou. Sleeping part- Barnham, Kay. The changing face HarperCollins, 2005. Orion, 2005. ners.- Hodder, 2005. of Ireland.- Hodder Wayland, 2005. Becka, Elizabeth. Trace Kinsella, Sophie. The undomes- evidence.- Orion, 2005. tic goddess.- Bantam P., 2005. JUVENILE NON-FICTION Carver, Caroline. Beneath the Maisela, Letepe M. The empow- JEUGLEKTUUR snow.- Orion, 2005. ered native.- Sizwe, 2004. JEUGVAKLEKTUUR Doyle, Arthur Conan. Die Crawford, Kirsty. Other JT 294.5 PRI Mankell, Henning. The man who avonture van Sherlock Holmes.- women.- Orion, 2005. Prime, Ranchor. Hinduism.- smiled.- Harvill, 2005. Human, 2005. Crombie, Deborah. In a dark Chrysalis Children’s, 2005. Marias, Javier. The man of Rossouw, Kowie. Grootword house.- Macmillan, 2005. JT 364.1066 BRO felling.- Vintage, 2005. is nie vir sissies nie.- Protea Brook, Henry. True stories of Cusk, Rachel. In the fold.- Faber, McCall Smith, Alexander. Boekhuis, 2005. 2005. gangsters.- Usborne, 2004. Friends, lovers, chocolate.- Little, Schmidt, Troy. Flo, die vlieg wat J 372.34 VER Dewar, Isla. Getting out of the 2005. lieg.- Struik Christelike Boeke, Vermaak, Alida. Basic computer house.- Review, 2005. McDougall, Sophia. Romanitas.- 2005. skills for primary school children, Faulks, Sebastian. Human Orion, 2005. A. Vermaak, [2006?]. traces.- Hutchinson, 2005. McKeowen, David. Grip.- J 392.12 GOO JUVENILE FICTION Flint, Eric. The course of em- Hodder, 2005. Goodman, Polly. Births.- pire.- Baen, 2005. McMillan, Terry. The interruption Hodder Wayland, 2005. Adeney, Anne. Hannibal’s noisy Gale, Patrick. Friendly fire.- of everything.- Viking, 2005. day.- F. Watts, 2005. J 393 SEN Fourth Estate, 2005. Mosse, Kate. Labyrinth.- Orion, Senker, Cath. Life’s end.- Arrigan, Mary. Pa Jinglebob and Gardiner, Meg. Crosscut.- 2005. Hodder Wayland, 2005. the Grabble gang.- Egmont, Hodder, 2005. 2005. Patterson, Glenn. That which J 439.3632 WAL Hamilton, Denise. Last lullaby.- was.- Penguin, 2005. Walpole, Ellen Wales. My eerste Beck, Ian. Kitten Cat - rainy day Orion, 2005. Perry, Anne. Long Spoon Lane.- tweetalige woordeboek. 4de play.- Scholastic, 2005. Headline, 2005. uitg.- Human, 2005. Bedford, David. I’ve seen Santa!- Little Tiger P., 2005. Cape Libr., Jan/Feb 2007 30 AANWINSTE Blake, Jon. Dogsbottom School loses the plot.- Oxford UP., Ward, Nick. Don’t eat the babysitter!- Picture Corgi, 2005. 2005. Hall, Lynn Bedford. Hamlet and Morgan, Nicola. The passion Whybrow, Ian. Badness for Bloor, Thomas. Worm in the Kimberley.- Struik, 2005. flower massacre.- Hodder beginners.- HarperCollins, 2005. blood.- Faber, 2005. Hendry, Diana. The very snowy Children’s, 2005. Willis, Jeanne. I hate school.- Bradman, Tony. Shop till we Christmas.- Little Tiger P., 2005. Moss, Miriam. Jungle song.- F Andersen P., 2005. drop.- Scholastic, 2005. Hoving, Isabel. The dream mer- Lincoln, 2005. Wisdom, Jude. Miss Chicken Bright, Paul. Nobody laughs at a chant.- Walker Bks., 2005. Nokes, David. The Nightingale lion!- Little Tiger, P., 2005. and the hungry neighbour.- Hunt, Roderick. The old tree papers.- Hesperus P., 2005.
Load more

Recommended publications
  • Silence Studies in the Cinema and the Case of Abbas Kiarostami
    SILENCE STUDIES IN THE CINEMA AND THE CASE OF ABBAS KIAROSTAMI by Babak Tabarraee M.A., Tehran University of Art, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) January 2013 © Babak Tabarraee, 2013 Abstract This thesis is an attempt to formulate a systematic framework for ‘silence studies’ in the cinema by defining silence in pragmatic terms and suggesting different forms of filmic silence. As an illustration of my model, I examine the variety of silences in the works of Abbas Kiarostami, a notable figure of Art Cinema. The analytical approach suggested here can further be applied to the works of many other Art Cinema auteurs, and, by extension, to other cinematic modes as well, for a better understanding of the functions, implications, and consequences of various forms of silence in the cinema. Chapter 1 provides a working and pragmatic description of silence, applicable to both film and other communicative forms of art. Chapter 2 represents a historical study of some of the major writings about silence in the cinema. Chapter 3 introduces, exemplifies, and analyzes the acoustic silences in the films of Kiarostami, including the five categories of complete , partial (uncovered; covered with noise, music, or perspective), character/dialogue , language , and music silences. Chapter 4 introduces the concept of meta-silence and its trans-sensorial perceptions in communication and in arts, and then defines the four categories of the visual , character/image , narrative , and political silences in Kiarostami’s oeuvre.
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • Pdf-Collections-.Pdf
    1 Directors p.3 Thematic Collections p.21 Charles Chaplin • Abbas Kiarostami p.4/5 Highlights from Lobster Films p.22 François Truffaut • David Lynch p.6/7 The RKO Collection p.23 Robert Bresson • Krzysztof Kieslowski p.8/9 The Kennedy Films of Robert Drew p.24 D.W. Griffith • Sergei Eisenstein p.10/11 Yiddish Collection p.25 Olivier Assayas • Alain Resnais p.12/13 Themes p.26 Jia Zhangke • Gus Van Sant p.14/15 — Michael Haneke • Xavier Dolan p.16/17 Buster Keaton • Claude Chabrol p.18/19 Actors p.31 Directors CHARLES CHAPLIN THE COMPLETE COLLECTION AVAILABLE IN 2K “A sort of Adam, from whom we are all descended...there were two aspects of — his personality: the vagabond, but also the solitary aristocrat, the prophet, the The Kid • Modern Times • A King in New York • City Lights • The Circus priest and the poet” The Gold Rush • Monsieur Verdoux • The Great Dictator • Limelight FEDERICO FELLINI A Woman of Paris • The Chaplin Revue — Also available: short films from the First National and Keystone collections (in 2k and HD respectively) • Documentaries Charles Chaplin: the Legend of a Century (90’ & 2 x 45’) • Chaplin Today series (10 x 26’) • Charlie Chaplin’s ABC (34’) 4 ABBas KIAROSTAMI NEWLY RESTORED In 2K OR 4K “Kiarostami represents the highest level of artistry in the cinema” — MARTIN SCORSESE Like Someone in Love (in 2k) • Certified Copy (in 2k) • Taste of Cherry (soon in 4k) Shirin (in 2k) • The Wind Will Carry Us (soon in 4k) • Through the Olive Trees (soon in 4k) Ten & 10 on Ten (soon in 4k) • Five (soon in 2k) • ABC Africa (soon
    [Show full text]
  • Films Shown by Series
    Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films,
    [Show full text]
  • CC-Film-List
    CC’s (incomplete, constantly evolving) list of “must-see” filmmakers and their films Buster Keaton: The General; Sherlock, Jr.; Steamboat Bill, Jr.; The High Sign; Our Hospitality Lucretia Martel: The Swamp; The Holy Girl; The Headless Woman Hirokazu Kore-Eda: Maborosi; Afterlife; Nobody Knows; Still Walking Terence Davies: Distant Voices, Still Lives; The Long Day Closes, The House of Mirth, The Deep Blue Sea Charles Burnett: Killer of Sheep; To Sleep with Anger Agnes Varda: Cleo From Five to Seven, The Vagabond; The Beaches of Agnes; The Gleaners & I Douglas Sirk: Written on the Wind; All That Heaven Allows; The Tarnished Angels Todd Haynes: Safe; Superstar: The Karen Carpenter Story; Far From Heaven John Ford: Stagecoach: My Darling Clementine; The Searchers Vittorio de Sica: Bicycle Thieves; Shoeshine; Umberto D; Roberto Rossellini: Rome, Open City; Paisan; Journey to Italy Luis Buñuel: Un Chien Andalou (with Salvador Dali); Los Olvidados; Illusion Travels by Streetcar: That Obscure Object of Desire; Viridiana; Belle du Jour; The Exterminating Angel Kelly Reichardt: Old Joy; Wendy & Lucy; Meek’s Cut-off; Night Moves John Greyson: Zero Patience; Lillies Sally Potter: Orlando; Yes; Ginger and Rosa Theo Angelopoulos: The Suspended Step of the Stork; Landscape in the Midst Ousmane Sembene: Moolaadé; Faat Kiné; Guelwaar Orson Welles: Citizen Kane; The Magnificent Ambersons; Touch of Evil; The Lady from Shanghai; Chimes at Midnight Zhangke Jia: The World; Still Life; Platform Ken Loach: Riff-Raff; Kes; The Navigators, Raining Stones; My
    [Show full text]
  • Like Someone in Love
    1 MK2 & Eurospace present A film by Abbas Kiarostami INTERNATIONAL PRESS INTERNATIONAL SALES Vanessa Jerrom & Claire Vorger MK2 11 rue du Marché Saint-Honoré - 75001 Paris (France) 55 rue Traversière - 75012 Paris (France) Email: [email protected] Juliette Schrameck - [email protected] Cell: +33 6 14 83 88 82 (Vanessa Jerrom) Dorothée Pfistner - [email protected] Cell: +33 6 20 10 40 56 (Claire Vorger) Victoire Thevenin - [email protected] In Cannes : Five Hotel 1 rue Notre-Dame - 06400 Cannes France Photos and presskit can be downloaded on www.mk2pro.com 2 3 synopsis An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty-four hours bears no relation to the circumstances of their encounter. 4 5 new awakening Without doubt, there was an underlying sense of gnawing depravity that surfaced in Certified Copy and took me by surprise. I was sure that I already had a good understanding of the work of this film-maker that I have been lucky enough to come across so often in the past 25 years. So I was not expecting his latest film to outstrip the already high opinion I have of his work. Some people like to feel that they can describe and pigeonhole his films as ‘pseudo-simplistic modernism’. But Abbas’ films have never failed to surprise and now here, not for the first time, is a new wake-up call, for me, and I am sure many others.
    [Show full text]
  • Contemporary Neorealist Principles in Abbas Kiarostami’S Filmmaking (1997 – 2005)
    Contemporary Neorealist Principles in Abbas Kiarostami’s Filmmaking (1997 – 2005) L A Buckle MA by Research 2011 Contemporary Neorealist Principles in Abbas Kiarostami’s Filmmaking (1997 – 2005) Contemporary Neorealist Principles in Abbas Kiarostami’s Filmmaking (1997 – 2005) Luke Andrew Buckle December 2011 Submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of MA by Research 2 Contemporary Neorealist Principles in Abbas Kiarostami’s Filmmaking (1997 – 2005) Contents List of Screenshots 5 Abstract 7 Introduction 8 Chapter 1 – Abbas Kiarostami the Filmmaker 15 Neorealism and Iranian Cinema Origins of Neorealism 19 Neorealism: Theory and Filmmaking Traits 21 Kiarostami the Auteur 25 Censorship 26 Narrative and Narration 30 The Neorealist Narrative Agency of Children 30 The Camera and The Gaze 38 Seen and Unseen 40 Chapter 2 – Mise-en-scène 44 Actors/Acting Style 45 Setting 46 Sound 49 Natural Lighting 51 Colour and Costume 53 3 Contemporary Neorealist Principles in Abbas Kiarostami’s Filmmaking (1997 – 2005) Mise-en-scène and Meaningful Relationships 60 Chapter 3 – Themes and Technology Uncertainties 64 Modernity 66 Technology and Travel 71 Conclusion – Reworking the Directing Role 77 Bibliography 82 Filmography 87 4 Contemporary Neorealist Principles in Abbas Kiarostami’s Filmmaking (1997 – 2005) List of Screenshots 1.1 The Wind Will Carry Us 31 1.2 The Wind Will Carry Us 32 1.3 Ten 34 1.4 ABC Africa 36 1.5 ABC Africa 36 1.6 The Wind Will Carry Us 40 1.7 The Wind Will Carry Us 41 2.1 Taste
    [Show full text]
  • 2019 Annual Report Bryn Mawr Film Institute
    PLACEHOLDER 2019 ANNUAL REPORT BRYN MAWR FILM INSTITUTE 2019 1 CONTENTS LETTER FROM THE EXECUTIVE DIRECTOR 1 MISSION 2 2019 FILMS SCREENED 3 2019 STAGE ON SCREEN 6 SPECIAL EVENTS 7 2019 IN POSTERS 10 FINANCES 11 UNRESTRICTED GIFT DONORS 13 ENDOWMENT AND OPERATIONAL SUPPORT 17 EDUCATION DONORS 18 MEMBERSHIP LEADERS 19 COMMUNITY AND VOLUNTEERS 21 2019 BOARD OF DIRECTORS 23 2019 BMFI STAFF 24 LETTER FROM THE EXECUTIVE DIRECTOR YESTERDAY AND TODAY Given that this 2019 annual distinguished cinematic style, neighboring zip codes than in report is being written in 2020, our audiences, members and prior years. BMFI continues it becomes unique in that the non-members alike showed to be nationally recognized year covered represents one up in droves. Our courses and as a leader among art house of BMFI’s most successful seminars drew an ever-widening cinemas. We are very proud of in history, yet precedes a group of film enthusiasts, and this reputation, and we plan to period which has been most our data shows us that the maintain it. challenging, due to the more people participate in pandemic. I am confident that our educational offerings, the With your help and support we will be ready and able to more first run films they come through your memberships and welcome everyone back as soon to see together at the theater. generous donations, BMFI will as it is safe to do so. After all, We view this as the perfect continue to be a cultural mecca feature films, since the days reflection of our mission, for our entire area for many of nickelodeons, were always namely to “build community years to come—one that we will intended for group viewing.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • Personal Favorite Movies
    Personal Favorite Movies Most movies by Hitchcock Bergman movies, especially Smiles of a Summer Night, The Devil's Eye, Persona, Scenes from a Marriage, but there are many good ones. Paths of Glory - Kubrick's best Babette's Feast Dangerous Liaisons City Lights Sullivan's Travels Stairway to Heaven (known as A Matter of Life and Death in the UK) Black Narcissus Close Encounters of the Third Kind (revised version) Blade Runner, Director's Cut A Hard Day's Night High Noon Top Hat Ran Ikiru Enter the Dragon John Woo movies, but only the Hong Kong ones Ringo Lam movies Children of Paradise The Passion of Joan of Arc Siegfried (Fritz Lang) The Maltese Falcon Double Indemnity Bringing Up Baby Pillow Talk Body Heat, other film noir White Heat Ernst Lubitsch movies Kaspar Hauser, Nosferatu (both by Werner Herzog) The Story of Qiu Ju Pathfinder Robert Flaherty documentaries, such as Nanook of the North, Louisiana Story Faster, Pussycat, Kill! Kill! Kill! Star Wars Trilogy The Last of Sheila Wayne's World Cable Guy, Ace Ventura My Best Friend's Wedding The Advocate A Little Princess Princess Mononoke, and all the other Miyazaki movies Map of the Human Heart William Shakespeare's Romeo and Juliet Stalker, The Sacrifice, all Takovsky movies are visually and conceptually brilliant. Donnie Brasco The Godfather Last Tango in Paris Monsters, Inc. Dumbo Some Like it Hot Proof Dead Ringers The White Balloon, The Circle Time of Drunken Horses Taste of Cherry and other Iranian movies The Hole Puppetmaster Celebration Goodbye, Lenin! Master and Commander The Host Oldboy The New World Amores Perros Y Tu Mama Tambien Satantango (very long) I am Cuba Grizzly Man Little Dieter Needs to Fly My Winnipeg Apocalypto Away from Her Two Syndromes and a Century Lebanon Waltz with Bashir Return to my personal home page .
    [Show full text]
  • Cinema and Audience, Sociological
    Cinema and Audience, Sociological Debate Jak Şalom & (Guest lecturer: Hakkı Başgüney) 2016-2017 Week 1 – 2016-09-20 Introduction Week 2 – 2016-09-27 The first years of cinema and audience reactions Week 3 – 2016-10-04 Movie theaters Week 4 – 2016-10-11 Cinematheques, cinephilia - Turkish Cinematheque and its founder Onat Kutlar Week 5 – 2016-10-18 Cinema and countries, changing audience practices: Turkey Week 6 – 2016-10-25 Cinema and countries, changing audience practices: Other countries Week 7 – 2016-11-01 Paper exam or Take home Week 8 – 2016-11-08 Cinema movements trying to change audience habits Week 9 – 2016-11-15 Cinema and revolutionary activity Week 10 – 2016-11-22 Cinema and festivals Week 11 – 2016-11-29 Cinema and cultural studies 1 Week 12 – 2016-12-06 Cinema and cultural studies 2 Week 13 – 2016-12-13 Cinema and other artistic forms 1 Cinema and Audience, Sociological Debate Week 1 Introduction Course description: Perhaps the most important particularity of the cinema as an artistic field may Be its collective nature during its production process and at the same time it is also consumed in a collective way, many people come together as film audience to watch these movies1... This characteristic helps it to Became an agency for live dialogue Between human Beings. Directors aiming to transmit their Beliefs, ideas and sentiments to large masses thanks to their movies need the help of many people from different fields and people from different classes, ages, professions watch these films together in movie theaters2. This course would like to concentrate into relationship Between audience and artist, following the traces of main institutions of the history of cinema like cinematheques, cluBs and reviews3 4.
    [Show full text]
  • Nyff Official Selection Isabelle Huppert Will Blow Your Mind Again
    ANNOUNCEMENT OFFICIAL SELECTION COMPLETED AT WAR RADIANCE UNTIL THE BIRDS RETURN STÉPHANE BRIZÉ P. 05 NAOMI KAWASE P. 22 KARIM MOUSSAOUI P. 33 RAMEN SHOP APRIL’S DAUGHTER VR CONTENT ERIC KHOO P. 07 MICHEL FRANCO P. 23 MK2 VR P. 35 SORRY ANGEL CHATEAU CHRISTOPHE HONORÉ P. 09 MODI BARRY & CÉDRIC IDO P. 24 CATALOGUE FOCUS SHOOTING NOW FAITHFULL JACQUES DEMY P. 36 SANDRINE BONNAIRE P. 25 ASH IS PUREST WHITE AGNÈS VARDA P. 37 UPCOMING JIA ZHANGKE P. 10 ABBAS KIAROSTAMI P. 38 COLD WAR MARIA BY CALLAS DAVID LYNCH P. 39 PAWEL PAWLIKOWSKI P. 11 TOM VOLF P. 27 CHARLES CHAPLIN P. 40 OFFICIAL SELECTION AMANDA MIKHAËL HERS P. 28 CLASSIC US ANIMATION P. 41 A SEASON IN FRANCE MAHAMAT-SALEH HAROUN P. 13 THE TROUBLE WITH YOU PIERRE SALVADORI P.29 IF YOU SAW HIS HEART JOAN CHEMLA P. 15 P.E.A.R.L. ELSA AMIEL P. 30 THE HOUSE BY THE SEA PINK FLAMINGO ROBERT GUÉDIGUIAN P. 17 VIRGINIE SAUVEUR P. 31 M ERNESTO SARA FORESTIER P. 19 JUNJI SAKAMOTO P. 32 MRS. HYDE SERGE BOZON P. 21 ANNOUNCEMENT AT WAR STÉPHANE BRIZÉ After promising 1100 employees that they would protect their jobs, the managers of a factory decide to suddenly close up shop. Laurent takes the lead in a fight against this decision. VINCENT LINDON Delivery 2018 – France – Drama – French Production: Nord-Ouest Films Stéphane Brizé reteams with Vincent Lindon after Cannes award winning THE MEASURE OF A MAN, sold in 50+ territories. “HE WHO FIGHTS, CAN LOSE. HE WHO DOESN’T FIGHT, HAS ALREADY LOST” BERTOLT BRECHT 05 ANNOUNCEMENT RAMEN SHOP ERIC KHOO Masato, a young ramen chef, leaves his hometown in Japan to embark on a culinary journey to Singapore to find out the truth about his past.
    [Show full text]