Graham Fitkin Composer

Total Page：16

File Type：pdf, Size：1020Kb

GRAHAM FITKIN COMPOSER Graham Fitkin lives and works as a composer in Cornwall. He works with dance, film and digital media alongside concert orchestral and chamber music. He runs his own ensemble of 9 soloists which tours new material each year. Between 1994 and 1996 Graham was resident composer with the Royal Liverpool Philharmonic Orchestra producing five new works. Since then commissions have come from the Halle, BBC Philharmonic, Tokyo Symphony, RSNO, BBC Orchestra of Wales, Athens Camerata, BBC Symphony Orchestra, Nederlands Radio Orchestra etc. He has conducted orchestras in venues from Lincoln Center to South Bank to Aula Magna. Graham has collaborated with many of today’s foremost performers of new music including Powerplant, Nederlands Blazersensemble, Yo-Yo Ma, Kathryn Stott, Will Gregory, Smith Quartet, Piano Circus, Ensemble Bash and London Sinfonietta. A ‘Composer Award’ in 1990 led to a new work for David Massingham Dance. Ever since then Graham has worked frequently with choreographers with recent performances being given by Shobana Jeyasingh Dance Company, Wayne McGregor’s Random Dance, Pacific Northwest Ballet, New York City Ballet, San Francisco Ballet, Bi-Ma, Sidonie Rochon, Munich Ballet and National Ballet of Portugal. He won the International Grand Prix Music for Dance Award in 2000 and has since won two British Composer awards. Over the past 15 years Graham has directed educational and community projects including 3 UK PRS Composer residencies, 9 regional community projects, university seminars, masterclasses and directed workshops in UK, Japan, Italy and Soweto. Recent works include CIRCUIT, a double concerto for two pianos and orchestra for soloists Kathryn Stott and Noriko Ogawa, PAWN for the Duke Quartet, LENS for Janine Jansen at the Concertgebouw in Holland and TWENTY SIX DAYS for 10:10 at HCMF. Since 2007 he has been Composer in Residence with London Chamber Orchestra. His work KAPLAN, for Ruth Wall and himself, focused on the central yet non-existent character from Hitchcock’s film North By Northwest. A new 60 minute film accompanied this intercut with live video of the performers. Graham’s work has been released on CD by Decca’s Argo label, Factory Classical, Sanctuary’s Black Box, Sony, EMI and his own label. Circuit has just been released with Tokyo Symphony Orchestra on BIS record label. 2011 highlights included a new Cello Concerto for Yo-Yo Ma at the Proms, a Midi-Harp Concerto for Sioned Williams and the BBC Symphony Orchestra, and the premiere of a new production for the Royal Ballet. His ensemble toured the UK in 2011. 2012 sees a new commission for the London Olympics for his own band and the LCO, a new opera for the Royal Opera House in collaboration with Jasmin Vardimon and new work for Ockham’s Razor aerial theatre company..

Copy Link

Recommended publications

2018 WASO Ingrid Fliter Plays Mendelssohn
PROGRAM Tchaikovsky’s Fourth Symphony MORNING SYMPHONY SERIES Thu 5 Apr 2018, 11am Perth Concert Hall Ingrid Fliter Plays Mendelssohn MACA LIMITED CLASSICS SERIES Fri 6 & Sat 7 Apr 2018, 7.30pm Perth Concert Hall We Care We are Flexible We Deliver MACA is proud to be a leader in supporting a wide range of community initiatives, small and large. We value our position as a platinum sponsor of the West Australian Symphony Orchestra and their vision to touch souls and enrich lives through music. Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. Environment Health & Safety Quality ISO 14001 AS 4801 ISO 9001 www.maca.net.au Ph: (08) 6242 2600 MACA Ltd | 45 Division Street, Welshpool WA 6106 The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MORNING SYMPHONY SERIES We Care Tchaikovsky’s Fourth Symphony We are Flexible SHOSTAKOVICH Festive Overture (6 mins) We Deliver TCHAIKOVSKY Symphony No.4 (44 mins) MACA is proud to be a leader in supporting a wide Andante sostenuto – Moderato con anima – Moderato assai, range of community initiatives, small and large. quasi Andante – Allegro vivo Andantino in modo di canzona We value our position as a platinum sponsor of Scherzo (Pizzicato ostinato) – Allegro the West Australian Symphony Orchestra and Finale (Allegro con fuoco) their vision to touch souls and enrich lives through music. Dan Ettinger conductor Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil.
[Show full text]
Piano Recital Prize and Arnold Schoenberg
1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’).
[Show full text]
Guest Recital, Trios for Two, September 16, 2016 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-16-2016 8:00 PM Guest Recital, Trios for Two, September 16, 2016 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Guest Recital, Trios for Two, September 16, 2016" (2016). Conservatory of Music Concert Programs. Program 64. http://lux.lawrence.edu/concertprograms/64 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Trios for Two Molly Gebrian, viola Danny Holt, piano and percussion Friday, September 16, 2016 8:00 p.m. Harper Hall Theatric No. 8 (2010) Casey Cangelosi (b. 1982) Second Take (2010) Karl Blench The Beginning (b. 1981) Barbarism Familiar Terrain In Abstract The End Third Nature (2010) Christopher Goddard (b. 1986) – Short Pause – Nomentum (2010) Ingrid Lee (b. 1990) Black and White (2015) Chiayu Hsu White (b. 1975) Black PROGRAM NOTES Of the works on this concert, Casey Cangelosi’s Theatric No. 8 uses the most pared-down instrumentation: the piano is augmented with kick drum and hi-hat. With the composer’s blessing, Danny chose to add snare drum (played with a foot pedal). The piece is an obsessive minimalist exploration. In the composer’s own words: “The driving force and functionality behind Theatric No.
[Show full text]
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG
[Show full text]
Calefax Reed Quintet Oliver Boekhoorn Hautbois Ivar Berix Clarinette Raaf Hekkema Saxophone Jelte Althuis Clarinette Basse Alban Wesly Basson
Musiques d’aujourd’hui Jeudi / Donnerstag / Thursday 20.03.2014 20:00 Salle de Musique de Chambre Calefax Reed Quintet Oliver Boekhoorn hautbois Ivar Berix clarinette Raaf Hekkema saxophone Jelte Althuis clarinette basse Alban Wesly basson Backstage 19:45 Salle de Musique de Chambre Meet the composers: Pre-concert talk with Willem Jeths and Sander Germanus (E) Conlon Nancarrow (1912–1997) Studies for Player Piano N° 2, N° 15, N° 44 & N° 3c (1945–1990) (arr. Raaf Hekkema) 17’ Willem Jeths (*1959) Maktub for reed quintet (2013, création / Uraufführung) ~10’ Sander Germanus (*1972) Nur für Verrückte for reed quintet, tape and spotlights (2013–2014, création / Uraufführung) — Hans Abrahamsen (*1952) Walden. Woodwind Quintet N° 2 (1978/1995) 11’ Carola Bauckholt (*1959) Zugvögel (2012) 12’ Graham Fitkin (*1963) Compel (2010) 12’ Les compositeurs Samuel Conlon Nancarrow est né le 27 octobre 1912 à Texarkana, dans l’Arkansas. Très tôt «contaminé par le virus de la musique», il commence à jouer du jazz à la trompette. L’occasion lui est offerte d’entendre l’une des toutes premières interprétations du Sacre du printemps aux États-Unis, par le Cincinnati Symphony Orchestra – événement à l’origine de sa fascination profonde et durable pour Stravinsky et pour le rythme. Il s’installe ensuite à Boston, où il suit, en privé, l’enseignement de Roger Sessions, Walter Piston et Nicolas Slonimsky. Il est probable qu’il ait croi- sé la route d’Arnold Schoenberg qui avait fui l’Europe en proie au nazisme. Les sympathies communistes de Nancarrow le con- vainquent de participer à la Guerre civile d’Espagne en 1937– 1938 avec la Brigade Abraham Lincoln.
[Show full text]
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.
[Show full text]
Chamber Music Concerts Player and Chamber Musician with the Tempest Two Concerts Featuring Rounds for Brass Quintet, Flute Trio
We are Chamber Music We are Opera and Song We are Popular Music Our Chamber Music Festival goes to the city Again in Manchester Cathedral, we will be Following its success at the Royal Albert Hall and Welcome centre (10-12 Jan) using Manchester Cathedral taking the magic and mystery of Orpheus with here at the RNCM last term, the RNCM Session as our hub, and featuring the Academy of Gluck’s Orfeo ed Euridice (28 Mar), which Orchestra returns with an exciting eclectic Ancient Music, the Talich Quartet and The will also be performed alongside his witty programme (25 Apr). Staff-led Vulgar Display Band of Instruments together with our staff The Drunkard Cured (L’ivrogne corrigé) in our give us their take on extreme metal (12 Feb). to the and students, to explore ‘The Art of Bach’. exclusive double-bill in the intimacy of our Our faithful lunchtime concert followers need not worry about the temporary closure of our Studio Theatre (18, 20, 22 and 27 Mar). Opera We are Folk and World Spring Concert Hall. These concerts will be as frequent, Scenes are back (21, 24, 28 and 31 Jan), as Fusing Latin American and traditional Celtic diverse and delightful as ever, in fantastic venues entertaining as ever. Yet another exciting venture folk, Salsa Celtica appear on the RNCM stage such as the Holden Art Gallery, St Ann’s is the one with the Royal Exchange Theatre for (7 Mar), followed by loud, proud acoustic season at Church and the Martin Harris Centre, featuring an extra-indulgent Day of Song (27 Apr) where Bellowhead–founding members, Spiers & the RNCM Chamber Ensemble with Stravinsky’s we will be taking you with us through the lush Boden on their last tour as a duo (20 Mar), The Soldier’s Tale, as well as a feast of other atmosphere of the Secession and travelling from while the award-winning folk band Melrose ensembles: Harp, Saxophone, Percussion and country to country by song throughout the day.
[Show full text]
RNCM-Brochure-Summer-19-Web.Pdf
FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize.
[Show full text]
Yo-Yo Ma Kathryn Stott
YO-YO MA KATHRYN STOTT ERÖFFNUNGSFESTIVAL 24. JANUAR 2017 ELBPHILHARMONIE GROSSER SAAL Dienstag, 24. Januar 2017 | 20 Uhr | Elbphilharmonie Großer Saal YO-YO MA VIOLONCELLO KATHRYN STOTT KLAVIER DIRIGENT.DER NEUE BMW 7er MIT GESTIKSTEUERUNG. DER ANSPRUCH VON MORGEN. SUITE »ARC OF LIFE« Johann Sebastian Bach (1685–1750) / Charles Gounod (1818–1893) Méditation / Ave Maria (1722/1852) Jean Sibelius (1865–1957) Var det en dröm? (War es ein Traum?) op. 37/4 (1902) Jacob Gade (1879–1963) Tango Jalousie (1925) Claude Debussy (1862–1918) Beau soir (1880) Franz Schubert (1797–1828) Ellens Gesang D 839 »Ave Maria« (1825) Dmitri Schostakowitsch (1906–1975) Sonate d-Moll op. 40 für Violoncello und Klavier (1934) Moderato, Largo – Moderato con moto – Largo – Allegretto Pause Giovanni Sollima (*1962) Il bell’Antonio (Tema III) (2005) César Franck (1822–1890) Sonate A-Dur M 8 / Fassung für Violoncello und Klavier (1886) Allegretto ben moderato – Allegro – Recitativo – Fantasia – Allegretto poco mosso Principal Sponsor der Elbphilharmonie Förderer des Eröffnungsfestivals BMW BMW Hamburg Niederlassung www.bmw-hamburg.de Hamburg www.bmw- hamburg.de Freude am Fahren Abbildung zeigt Sonderausstattungen. 5978 BMW 7er Kultur Engagements DIRIGENT 2016 148x210 NL Hamburg Abendprogramm 20160812.indd 1 01.08.16 16:20 WILLKOMMEN Wir gratulieren der Mit gerade mal acht Jahren trat Yo-Yo Ma an der Seite von Leonard Bernstein zum ersten Mal im Stadt Hamburg, amerikanischen Fernsehen auf. Heute, mehr als ihren Bürgern und 50 Jahre später, ist er der erfolgreichste Cellist allen Beteiligten der Welt, mit nicht weniger als 18 Grammys im Regal und umjubelten Konzerten auf der ganzen Welt. Mit dem Programm »Arc of Life« zieht er im zur gelungenen großartigen Komposition der heutigen Konzert Bilanz seiner bewegten Musik- karriere, begleitet von seiner engen künstleri- schen Partnerin Kathryn Stott.
[Show full text]
Download Booklet
Digital Discoveries 2: On Shifting Ground British Music Collection | Sound and Music 1 RICHARD BAKER Angelus 5’25 2 PHILIP CASHIAN Stroke 4’11 3 MICHAEL ZEV GORDON Resolution 6’23 THREE STRANGE ANGELS 4 JOSEPH PHIBBS Ritual Songs and Blessings 16’38 5 JOHN COONEY On Shifting Ground 3'53 6 GRAHAM FITKIN Ardent 14’28 7 JOHN COONEY Chasing Shadows 7’28 8 JOSEPH PHIBBS Fanfares for Harry 3’24 CHROMA Total timing 61’52 THE MUSIC [1] RICHARD BAKER Angelus for percussion duo Richard Benjafield and Chris Brannick are two performers whom I have worked with many times in various ensembles, and I am always dazzled by their virtuosity, and amused by the air of pacific calm which surrounds them, even when confronted with the most heroic or extravagant parts to execute. In celebration of the founding of their new ensemble, Three Strange Angels, I wrote this little piece for tuned cowbells, crotales, tuned gongs and vibraphone. The title alludes not only to the name of the ensemble, but also to the insistent chiming and air of quiet reflection and meditation. Richard Baker Richard Baker is a leading figure on the British contemporary music scene as a composer-conductor. He studied composition in the Netherlands with Louis Andriessen and in London with John Woolrich, Hommagesquisse, was commissioned by BCMG to mark Pierre Boulez’s visit to that city in 2008. Richard’s compositions have been performed by the London Sinfonietta, BCMG, Britten Sinfonia, the Composers Ensemble, the Brunel Ensemble and the BBC Singers amongst many others. In 2010 his music was featured in the Philharmonia’s Music of Today series, and the same year he wrote Gaming, a substantial chamber work for cello, marimba and piano, to a commission from the New York-based trio Real Quiet.
[Show full text]
Classical Music
2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences.
[Show full text]
Disc A: Miniaturised Concertos (Total Duration 58:48)
disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45
[Show full text]