Piano Recital Prize and Arnold Schoenberg
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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Songs by Artist
Sunfly (All) Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Comic Relief) Vanessa Jenkins & Bryn West & Sir Tom Jones & 3OH!3 Robin Gibb Don't Trust Me SFKK033-10 (Barry) Islands In The Stream SF278-16 3OH!3 & Katy Perry £1 Fish Man Starstrukk SF286-11 One Pound Fish SF12476 Starstrukk SFKK038-10 10cc 3OH!3 & Kesha Dreadlock Holiday SF023-12 My First Kiss SFKK046-03 Dreadlock Holiday SFHT004-12 3SL I'm Mandy SF079-03 Take It Easy SF191-09 I'm Not In Love SF001-09 3T I'm Not In Love SFD701-6-05 Anything FLY032-07 Rubber Bullets SF071-01 Anything SF049-02 Things We Do For Love, The SFMW832-11 3T & Michael Jackson Wall Street Shuffle SFMW814-01 Why SF080-11 1910 Fruitgum Company 3T (Wvocal) Simon Says SF028-10 Anything FLY032-15 Simon Says SFG047-10 4 Non Blondes 1927 What's Up SF005-08 Compulsory Hero SFDU03-03 What's Up SFD901-3-14 Compulsory Hero SFHH02-05-10 What's Up SFHH02-09-15 If I Could SFDU09-11 What's Up SFHT006-04 That's When I Think Of You SFID009-04 411, The 1975, The Dumb SF221-12 Chocolate SF326-13 On My Knees SF219-04 City, The SF329-16 Teardrops SF225-06 Love Me SF358-13 5 Seconds Of Summer Robbers SF341-12 Amnesia SF342-12 Somebody Else SF367-13 Don't Stop SF340-17 Sound, The SF361-08 Girls Talk Boys SF366-16 TOOTIMETOOTIMETOOTIME SF390-09 Good Girls SF345-07 UGH SF360-09 She Looks So Perfect SF338-05 2 Eivissa She's Kinda Hot SF355-04 Oh La La La SF114-10 Youngblood SF388-08 2 Unlimited 50 Cent No Limit FLY027-05 Candy Shop SF230-10 No Limit SF006-05 Candy Shop SFKK002-09 No Limit SFD901-3-11 In Da -
Hasseltkunstencentrum Burg . Bo
. B . 1 2 / 7 4 1 3500.HASSELT.1 P BELGIE-BELGIQUE editie: juli 2010 BELGIEBELGIE KUNSTENCENTRUMKUNSTENCENTRUM BURG.BOLLENSTR.54BURG.BOLLENSTR.54 3500-HASSELT3500-HASSELT NEW RELEASES / 19’ jaargang 5X per jaar: jan-maart-mei-juli-okt / Afgiftekantoor: 3500 Hasselt 1 - P 206555 vr 1 okt 2010 SHELLAC (US) + THE EX (NL) V.U. JO LIJNEN, Burg. Bollenstraat 54, 3500 Hasselt V.U. O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Gouden Palm Nominatie Cannes 2009 O ENTER THE VOID(FR/DE/IT / 2009 / 35 mm / 154’) Cast Nathaniel Brown, Paz de la Huerta, Cyril Roy, Emily Alyn Lind, Jesse Kuhn, Olly Alexander... O Gouden Palm Nominatie Filmfestival van Cannes 2009 O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Sinds kort wonen Oscar (Nathaniel Brown) en zijn zus Linda (Paz de la Huerta) in Tokyo. Oscar leeft van de inkom- sten van kleine drugdeals en Linda werkt als stripper in een nachtclub. Tijdens een inval van de politie wordt Oscar Regie geraakt door een kogel. Hij ligt op sterven maar zijn geest, die gezworen heeft om zijn zuster nooit achter te laten, weigert de wereld van de levenden te verlaten. Tijdens de dwaaltocht van zijn geest door de stad worden de visioenen Gaspar Noé chaotischer en zijn ze een ware nachtmerrie. Het verleden, het heden en de toekomst vermengen zich in een hallucino- gene draaikolk. De in Argentinië geboren Franse regisseur Gaspar Noé schreef in 2002 filmgeschiedenis met de hondsbrutale maar uiterst vindingrijke prent Irréversible. -
Lee Scratch Perry &
Nr. 80 März/April 2013 16.Jahrgang Gratis im Fachhandel WWW.INMUSIC2000.DE LEE SCRATCH PERRY & ERM inHard_inMusic_S1_S16 18.03.2013 3:49 Uhr Seite 16 Seite Uhr 3:49 18.03.2013 inHard_inMusic_S1_S16 MONATS DES CD LEE SCRATCH PERRY HELENE BLUM DAISY CHAPMAN TRYO MYTHOS & ERM Men med abne ojne Shameless Winter Ladilafé Surround Sound Evolution Humanicity Westpark Music/Indigo Songs & Whispers/Cargo Sony Music Sireena/Broken Silence Rubis Manag./Broken Silence ###### ##### ##### ##### ###### Melancholischer & fragiler Die britische Sängerin, Pia- In Frankreich sind Tryo seit Alle Liebhaber eines elek- Was für eine gelungene Folkpop aus Dänemark: nistin und Songwriterin 15 Jahren eine feste Größe tronisch getränkten Spa- Scheibe legt denn Reggae- Helene Blum sieht nicht nur Daisy Chapman stellt mit und können auf eine große cerock/Psychedelic-Sounds Urgestein Lee Scratch Perry sehr gut aus, sondern ist „Shameless Winter“ ihr Fangemeinde verweisen. können sich über die neue- hier vor? Die 10 Tracks zu auch eine ausgezeichnete bereits drittes Album vor. Mehr als 3mio Alben gingen ste Veröffentlichung von seiner neuen Platte „Huma- Sängerin und Songwriterin, Eine sehr empfehlenswerte dort bereits über die Mythos, der legendären nicity“ entstanden im letzten die in ihre 11 Songs (alle- Scheibe, die ich allen Lesern Ladentheke. Mit großer Tour Band um Stephan Kaske Jahr im Straßburger „Studio samt in dänischer Sprache nur ans Herz legen kann! Ihr und neuem Album nehmen freuen. Für den Hörer heißt Grenat“ zusammen mit dem - ich liebe das!) unglaublich ausdrucksstarker, leicht die 4 Herren nun auch die das, tief eintauchen in einen bekannten französischen viel Wärme, Sehnsucht und dunkler und emotionaler deutschen Musikhörer ins elektronisch verwobenen Produzententeam ERM Glaubwürdigkeit legt. -
Guest Recital, Trios for Two, September 16, 2016 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-16-2016 8:00 PM Guest Recital, Trios for Two, September 16, 2016 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Guest Recital, Trios for Two, September 16, 2016" (2016). Conservatory of Music Concert Programs. Program 64. http://lux.lawrence.edu/concertprograms/64 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Trios for Two Molly Gebrian, viola Danny Holt, piano and percussion Friday, September 16, 2016 8:00 p.m. Harper Hall Theatric No. 8 (2010) Casey Cangelosi (b. 1982) Second Take (2010) Karl Blench The Beginning (b. 1981) Barbarism Familiar Terrain In Abstract The End Third Nature (2010) Christopher Goddard (b. 1986) – Short Pause – Nomentum (2010) Ingrid Lee (b. 1990) Black and White (2015) Chiayu Hsu White (b. 1975) Black PROGRAM NOTES Of the works on this concert, Casey Cangelosi’s Theatric No. 8 uses the most pared-down instrumentation: the piano is augmented with kick drum and hi-hat. With the composer’s blessing, Danny chose to add snare drum (played with a foot pedal). The piece is an obsessive minimalist exploration. In the composer’s own words: “The driving force and functionality behind Theatric No. -
Printmakers Presspack
THE PRINTMAKERS “In the old days, this band would have had the words “All-Stars” in their name. Every one of them is a leading figure in British contemporary jazz. Together, they create 10 evocative sound-pictures of places and times. It’s remarkable how just five instruments and voice can suggest space and depth as they do.” Dave Gelly, The Observer The word supergroup is common currency, especially in the rock world. Jazz, of course, has its fair share of supergroups too. Sometimes, one supergroup comes along that really is very special indeed. The Printmakers is such a group. The group formed at the instigation of Steve Mead at The Manchester Jazz Festival several years ago and since then has gone from strength to strength. Award winning Nikki Iles is one of the heroines of British jazz. She has made an invaluable contribution to the jazz scene in this country and beyond, while also making a very personal musical statement in many groups, not least her own superb Anglo-American trio with Rufus Reid and Jeff Williams. Grammy nominated and ECM recording artist Norma Winstone MBE, pioneering innovator of the voice, has been a leading light in European music for many years. She collaborated with Kenny Wheeler and John Taylor in Azimuth, described by Richard Williams as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. She has also worked with Fred Hersch, Steve Swallow, Jimmy Rowles, Mike Gibbs and Ralph Towner. She has had a resurgence recently, with three superb award winning ECM releases in collaboration with European musicians, Klaus Gesing and Glauco Venier. -
Edinburgh Eh8
EDINBURGH EH8 9JG BOOKING TICKETS ONLiNE www.thequeenshall.net OvER THE PHONE +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights iN PERSON 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5pm or until 15 mins after start on show nights Booking charge A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees The ticket price shown is the price you will pay. if you would like to know which tickets include a £2 booking fee, please ask the Box Office. Postage Tickets can be posted out to you second class up to seven days before the event for a cost of £1.00 per transaction. Alternatively you can collect tickets free of charge from the Box Office during opening hours. Concessions Concessionary priced tickets are available where indicated. if you book online, please bring proof of eligibility with you to the event. Doors open /start times For most events, the time shown is when the artist will begin their performance. Where we don’t have this information in advance, a ‘doors open’ time is given, with more precise details available on our social media channels, website and via the Box Office on the day of the event. Accessibility Our venue is fully accessible for wheelchair users and we welcome assistance animals. Wheelchair spaces can currently be booked over the phone and in person only. -
Dmitri Alexeevpiano
Schumann Liszt’s transcriptions Dmitri Alexeev piano SMCCD 0275-276 DDD/STEREO 104.55 CD 1 TT: 41.06 Robert Schumann (1810 – 1856) 1 Blumenstück, op. 19 ................................................... 8.21 Symphonic Etudes, op. 13 and op. posth. 2 Thema. Andante ..................................................... 1.27 3 Etude I (Variation I). Un poco più vivo .................................... 1.13 4 Etude II (Variation II) .................................................. 2.41 5 Etude III. Vivace .................................................... 1.28 6 Etude IV (Variation III) ................................................ 0.59 7 Etude V (Variation IV) ................................................. 1.00 8 Etude VI (Variation V). Agitato .......................................... 0.59 9 Etude VII (Variation VI). Allegro molto .................................... 1.26 10 Posthumous Variation 1 ............................................... 0.55 11 Posthumous Variation 2 ............................................... 2.08 12 Posthumous Variation 3 ............................................... 1.54 13 Posthumous Variation 4 ............................................... 2.13 14 Posthumous Variation 5 ............................................... 1.57 15 Etude VIII (Variation VII) ............................................... 1.18 16 Etude IX. Presto possible .............................................. 0.38 17 Etude X (Variation VIII) ................................................ 0.45 18 Etude XI (Variation -
The Menstrual Cramps / Kiss Me, Killer
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured). -
PRESS KIT Download
CONTENTS 2 Fri, Apr 29 / 9:30 PM / HART HOUSE Theatre TECHNICAL DATA / PRESS CONTACT / SALES CONTACT Sat, Apr 30 / 10:30 AM / TIFF Bell Lightbox 3 3 SYNOPSIS Sun, May 8 / 4:00 PM / TIFF Bell Lightbox 3 4 DIRECTOR’S NOTE / PRODUCTION NOTE 5 TEAMLIST 6 ABOUT URMILA CHAUDHARY 7 ABOUT THE CAMERAWOMAN, DIRECTOR AND PRODUCER SUSAN GLUTH 8 ABOUT THE PRODUCER MARTIN HAGEMANN 9 ABOUT DOMINIC MILLER 10 QUESTIONS TO SUSAN GLUTH TECHNICAL DATA COUNTRY OF ORIGIN Germany, 2016 LENGTH 87 Min. FORMAT 1:1,85 SOUND 5.1 digital LANGUAGE Nepali, EN subtitled PRESS CONTACT Clutch PR, Daniela Syrovy 555 Bloor St. West unit 6, Toronto M5S 1Y6 +1 416-588-9687 [email protected] SALES CONTACT gluthfilm zero fiction film GmbH susan gluth Martin Hagemann Milcherstrasse 2 Motzstraße 60 22607 Hamburg 10777 Berlin [email protected] [email protected] phone +49 177 717 1014 phone +49 178 399 6512 URMILA Press Kit 2016-04-11 graphic design by Bernd Müller / grafikcafe.de 2 SYNOPSIS Urmila wants to change Nepal. This young woman fights with admi- rable energy against centuries-old social structures. She has but one goal: the end of child slavery. Her political activities drive her to as- sume responsibility for others, but must also think of herself. “Children go to school. Adults go to work!” Urmila shouts angrily in a protest march on the streets of Kathmandu. Together with her fellow campaigners she frees girls from captivity, demands of the Prime Min- ister the end of slavery, holds press conferences, travels to Oslo and New York – and tries back at home in Ghorahi to complete the next year at school. -
Welcome to the Summer Season at the RNCM
Sonic art, laser beams and technology ignite our artistic programme, with the first-ever RNCM and Welcome FutureEverything collaboration, creating Tools for Unknown Futures – a festival combining innovative art and performance with new devices, insightful discussion and playful social to the experimentation (28 Mar – 1 Apr). Contrast, social debate and fast-changing Summer politics lie at the core of all of this, permeating our entire Summer programme with Zoe Trope (5 Apr), I Came and I Vanished (27 Apr), Youth Perform’s presentation of the post-WW1 season at socio-political Brecht/Weill collaboration, The Threepenny Opera (23 – 26 Apr), and culminating in the music of the salons and the RNCM concert halls between 1890 – 1900, in our Day of Song at the Royal Exchange Theatre (27 Apr). Opera Scenes are back (27, 29 May, 6, 13 Jun) covering a rich and diverse repertoire and RNCM Opera goes to the Capitol Theatre with a fantastic production of Stephen Sondheim’s Company (25 Jun – 4 Jul) Our International Artist Diploma recitals feature the beautiful tenor voice of Kang Wang in Ludwig van Beethoven’s An die ferne Geliebte (30 Apr), as well as the Zelkova Quartet (13 Jun) with Beethoven and Bartók String Quartets; while Chester Cathedral welcomes our International Artist Diploma Concerto Weekend (5 – 7 Jun) featuring Mozart’s glorious, yet wistful, Piano Concerto in E flat major (Yasmin Rowe), Rossini’s rarely performed Bassoon Concerto in B flat major (Alejandra Rojas), Ibert’s high-spirited, yet lyrical Flute Concerto (Helen Wilson) and Schumann’s spontaneously romantic Cello Concerto in A minor (Mikhail Nemstov). -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.