DOCSLIB.ORG

Piano Recital Prize and Arnold Schoenberg

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Piano Recital Prize and Arnold Schoenberg 1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’). bring The Hot Sardines, Stuart McCallum, The Contemporary music forms an important part Pepper Street Orchestra and the Robert Glasper of the RNCM’s artistic programme, and we are Trio to Manchester. The RNCM Big Band works proud to partner BBC Radio 3 on a Young Artists’ with Colin Towns, our Jazz Collective goes to Day based on composition. The Summer season is Hollywood, and our Session Orchestra takes to peppered with works by composers such as Berio, the stage twice this term! Sciarrino and Boulez, and we also welcome Sir Looking at the music of various countries, we Harrison Birtwistle and Michael Finnissy to the explore the music of Poland with the works of College, while the RNCM Percussion Ensemble Lutosławski, Gorecki, Szymanowski, Zubel and creates an adventurous programme with John Penderecki; the music of France through Debussy, Cage, Varese and Hesketh. Milhaud, Ravel, Saint-Saëns and Poulenc; and the I look forward to welcoming you to our events music of Russia through our Keyboard Festival, and hope that you will join us for our Gold Medal presenting a very rich programme based on Competition showcasing ten of the RNCM’s most Russian fairytales and ballet music with works brilliant performers on 13 June. by Scriabin, Prokofiev, Rachmaninov, Stravinsky and Shostakovich. We are also very lucky to be welcoming Noriko Ogawa, Stephen Hough, Dr Michelle Castelletti – Artistic Director Jean-Efflam Bavouzet as well as Dmitri Alexeev this Summer. Dance and multimedia form an essential part of our focus this term as we collaborate with KSDance Ltd as well as the Manchester School of Art to present interactive and multi-sensory theatrical experiences. Film music takes centre stage once more, with the suite to the soundtrack of the film Ran by Takemitsu and live organ improvisation for the iconic horror film, Nosferatu. 2 3 Friday 17 April Sunday 19 April Tuesday 21 April 7.30pm RNCM Concert Hall From 9am Various venues 7.30pm Carole Nash Recital Room David Sanborn David Polar Bear National Youth Brass Band Masterclass Polar Bear have once again marked themselves Championships of Great with Noriko Ogawa as one of the most exciting and progressive Britain Christopher Rowland International bands of their generation with a recent second Masterclass nomination for a Mercury Music Prize. The Over 40 leading youth brass bands compete for band, led by three times Mercury nominee one of the four national titles. Continuing our focus on French piano music, Seb Rochford (Paul McCartney, Brian Eno, Tickets £10 from www.brassbandsengland.co.uk Noriko Ogawa works with RNCM pianists on Beck, Yoko Ono) on drums, has continued to Concessions available French repertoire ahead of the next recital in the Promoted by Brass Bands England innovate and transcend genres, connecting with Piano Series with Stephen Hough on 30 April. jazz, rock, hip-hop, electronic and mainstream Tickets £8 audiences alike. Saxophonists Pete Wareham Concessions available Supported by Christopher Rowland Masterclass Fund (Acoustic Ladyland) and Mark Lockheart Monday 20 April www.rncm.ac.uk/pianoseries (Django Bates) together possess a broad Promoted by RNCM emotional vocabulary, yet here they appear Doors 7pm RNCM Concert Hall translucent, elusive. Bassist Tom Herbert is irresistible when he plays inside the groove, but Villagers does so only occasionally, giving these moments Conor O’Brien returns with the third album from Monday 13 April rare power. All this is combined and melted Villagers. The follow-up to his début, Becoming Villagers 7.30pm RNCM Concert Hall together with the magic touch of electronic a Jackal, and its successor, Awayland – both wizard Leafcutter John. This Manchester show hugely acclaimed and Mercury-nominated – David Sanborn Band follows the release of their sixth album Same as Darling Arithmetic is a breathtakingly beautiful, David Sanborn’s soulful saxophone has been You on 30 March. intimate album about love and relationships. one of the signature sounds in contemporary Tickets £15 Tickets £14 jazz for some four decades, in a career that’s Concessions available No concessions travelled from James Brown and David Bowie to www.polarbearmusic.com www.wearevillagers.com Jaco Pastorius and Gil Evans, as well as a string Promoted by RNCM Promoted by DHP Family of landmark recordings of his own. Following 2013’s sold out London show – a terrific acoustic set with Bob James – this Tuesday 21 April concert is one of his first shows outside London 11.30am RNCM Concert Hall in many years, and sees him return to the Bear Polar fiercely grooving electric fusion that defined his A Concert to Celebrate the blistering live performances through the 80s and 90s, with a brand new album. Opening of the Ida Carroll Tickets £25 £20 Walkway Wednesday 22 April Concessions available Formal Opening www.davidsanborn.com 7.30pm RNCM Concert Hall Promoted by RNCM in association with Serious by Sir Harrison Birtwistle The newly-named Ida Carroll Walkway RNCM Brand New recognises the Ida Carroll Trust’s generous Orchestra Saturday 18 April donation to the Concert Hall campaign and Tuesday 14 April 7.30pm RNCM Concert Hall Piero Lombardi Iglesias, Harish Shankar, its longstanding support of the RNCM. In this 7.30pm RNCM Concert Hall Jan Wierzba conductors celebratory concert, artists including Anthony Taiko Meantime Hear newly composed music for symphony Christian Blackshaw with special guest Chieko Kojima Halstead (horn), Thomas Verity (clarinet), John Wilson and Peter Lawson (piano duo), John orchestra, as RNCM composers unveil their Piano Recital In a unique collaboration with the world- Turner (recorder), the Solem Quartet and the latest work. For Music in Hospitals renowned Chieko Kojima of Kodo, Taiko Manchester Chamber Ensemble perform works Free admission, no ticket required and East Cheshire Hospice drumming returns to the RNCM in a show that by Grieg and Schubert, and new works by a Promoted by RNCM tells the dramatic Japanese legend of ‘Dojoji’ host of eminent British composers. The British pianist performs works by Mozart, + through drums, flute and dance. Free admission, by ticket only Schubert, Liszt and Chopin. 6.30pm Carole Nash Recital Room Tickets £15 Promoted by Ida Carroll Trust and RNCM Tickets £18 Spotlight: Rhythmic Conjunction – Modern works for Concessions available saxophone quartet No concessions Promoted by Rhythmworks Ltd Promoted by Music in Hospitals Free admission, no ticket required 4 5 Thursday 23, Friday 24 and Saturday 25 April Thursday 23 April Saturday 25 April 7.30pm RNCM Theatre 7.30pm RNCM Concert Hall 7.30pm RNCM Concert Hall On the Town RNCM Percussion Ensemble Altrincham Choral Society RNCM Youth Perform Music to include: Handel’s Messiah Music by Leonard Bernstein Edgard Varèse Ionisation Lancashire Chamber Orchestra and organist Book and lyrics by Betty Comden and John Cage Third Construction Jeffrey Makinson join Altrincham Choral Society Adolph Green Kenneth Hesketh Polygon Windows in Handel’s masterpiece, over 250 years since Based on a concept by Jerome Robbins (after Aphex Twin) its first performance. Ionisation Caroline Clegg director Scored for 13 percussionists, was the Tickets £12.50 very first work to be composed for a stand-alone Concessions available musical director Stuart Overington Promoted by Altrincham Choral Society Stewart Bartles lighting designer percussion ensemble. Don’t miss the opportunity to hear this key work, plus a selection of works New York, New York, it’s a helluva town! So that followed it, performed by the RNCM’s says the most famous song from this award- virtuoso players. winning musical about the adventures of three Tickets £7 sailors in the city that never sleeps. With 24 Concessions available hours of shore leave they’re eager to experience Promoted by RNCM Andy Irvine Andy all the city has to offer…and hopefully find the girl of their dreams. Full of sharp dialogue, + electrifying dance and lush music, this 6.30pm RNCM Studio Theatre Broadway hit, set against the background of the Spotlight: The Happy Workshop – Strauss’ second war, now drops anchor in Manchester with the wind symphony Free admission, no ticket required RNCM’s talented Youth Perform. This amateur production is presented by arrangement with Boosey & Hawkes Music Publishers Limited.
Load more

Recommended publications
  • An N U Al R Ep O R T 2018 Annual Report
    ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1.
    [Show full text]
  • Songs by Artist
    Sunfly (All) Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Comic Relief) Vanessa Jenkins & Bryn West & Sir Tom Jones & 3OH!3 Robin Gibb Don't Trust Me SFKK033-10 (Barry) Islands In The Stream SF278-16 3OH!3 & Katy Perry £1 Fish Man Starstrukk SF286-11 One Pound Fish SF12476 Starstrukk SFKK038-10 10cc 3OH!3 & Kesha Dreadlock Holiday SF023-12 My First Kiss SFKK046-03 Dreadlock Holiday SFHT004-12 3SL I'm Mandy SF079-03 Take It Easy SF191-09 I'm Not In Love SF001-09 3T I'm Not In Love SFD701-6-05 Anything FLY032-07 Rubber Bullets SF071-01 Anything SF049-02 Things We Do For Love, The SFMW832-11 3T & Michael Jackson Wall Street Shuffle SFMW814-01 Why SF080-11 1910 Fruitgum Company 3T (Wvocal) Simon Says SF028-10 Anything FLY032-15 Simon Says SFG047-10 4 Non Blondes 1927 What's Up SF005-08 Compulsory Hero SFDU03-03 What's Up SFD901-3-14 Compulsory Hero SFHH02-05-10 What's Up SFHH02-09-15 If I Could SFDU09-11 What's Up SFHT006-04 That's When I Think Of You SFID009-04 411, The 1975, The Dumb SF221-12 Chocolate SF326-13 On My Knees SF219-04 City, The SF329-16 Teardrops SF225-06 Love Me SF358-13 5 Seconds Of Summer Robbers SF341-12 Amnesia SF342-12 Somebody Else SF367-13 Don't Stop SF340-17 Sound, The SF361-08 Girls Talk Boys SF366-16 TOOTIMETOOTIMETOOTIME SF390-09 Good Girls SF345-07 UGH SF360-09 She Looks So Perfect SF338-05 2 Eivissa She's Kinda Hot SF355-04 Oh La La La SF114-10 Youngblood SF388-08 2 Unlimited 50 Cent No Limit FLY027-05 Candy Shop SF230-10 No Limit SF006-05 Candy Shop SFKK002-09 No Limit SFD901-3-11 In Da
    [Show full text]
  • Hasseltkunstencentrum Burg . Bo
    . B . 1 2 / 7 4 1 3500.HASSELT.1 P BELGIE-BELGIQUE editie: juli 2010 BELGIEBELGIE KUNSTENCENTRUMKUNSTENCENTRUM BURG.BOLLENSTR.54BURG.BOLLENSTR.54 3500-HASSELT3500-HASSELT NEW RELEASES / 19’ jaargang 5X per jaar: jan-maart-mei-juli-okt / Afgiftekantoor: 3500 Hasselt 1 - P 206555 vr 1 okt 2010 SHELLAC (US) + THE EX (NL) V.U. JO LIJNEN, Burg. Bollenstraat 54, 3500 Hasselt V.U. O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Gouden Palm Nominatie Cannes 2009 O ENTER THE VOID(FR/DE/IT / 2009 / 35 mm / 154’) Cast Nathaniel Brown, Paz de la Huerta, Cyril Roy, Emily Alyn Lind, Jesse Kuhn, Olly Alexander... O Gouden Palm Nominatie Filmfestival van Cannes 2009 O Winnaar Beste Cinematografie en Speciale Prijs van de Jury Sitges Internationaal Filmfestival Sinds kort wonen Oscar (Nathaniel Brown) en zijn zus Linda (Paz de la Huerta) in Tokyo. Oscar leeft van de inkom- sten van kleine drugdeals en Linda werkt als stripper in een nachtclub. Tijdens een inval van de politie wordt Oscar Regie geraakt door een kogel. Hij ligt op sterven maar zijn geest, die gezworen heeft om zijn zuster nooit achter te laten, weigert de wereld van de levenden te verlaten. Tijdens de dwaaltocht van zijn geest door de stad worden de visioenen Gaspar Noé chaotischer en zijn ze een ware nachtmerrie. Het verleden, het heden en de toekomst vermengen zich in een hallucino- gene draaikolk. De in Argentinië geboren Franse regisseur Gaspar Noé schreef in 2002 filmgeschiedenis met de hondsbrutale maar uiterst vindingrijke prent Irréversible.
    [Show full text]
  • Lee Scratch Perry &
    Nr. 80 März/April 2013 16.Jahrgang Gratis im Fachhandel WWW.INMUSIC2000.DE LEE SCRATCH PERRY & ERM inHard_inMusic_S1_S16 18.03.2013 3:49 Uhr Seite 16 Seite Uhr 3:49 18.03.2013 inHard_inMusic_S1_S16 MONATS DES CD LEE SCRATCH PERRY HELENE BLUM DAISY CHAPMAN TRYO MYTHOS & ERM Men med abne ojne Shameless Winter Ladilafé Surround Sound Evolution Humanicity Westpark Music/Indigo Songs & Whispers/Cargo Sony Music Sireena/Broken Silence Rubis Manag./Broken Silence ###### ##### ##### ##### ###### Melancholischer & fragiler Die britische Sängerin, Pia- In Frankreich sind Tryo seit Alle Liebhaber eines elek- Was für eine gelungene Folkpop aus Dänemark: nistin und Songwriterin 15 Jahren eine feste Größe tronisch getränkten Spa- Scheibe legt denn Reggae- Helene Blum sieht nicht nur Daisy Chapman stellt mit und können auf eine große cerock/Psychedelic-Sounds Urgestein Lee Scratch Perry sehr gut aus, sondern ist „Shameless Winter“ ihr Fangemeinde verweisen. können sich über die neue- hier vor? Die 10 Tracks zu auch eine ausgezeichnete bereits drittes Album vor. Mehr als 3mio Alben gingen ste Veröffentlichung von seiner neuen Platte „Huma- Sängerin und Songwriterin, Eine sehr empfehlenswerte dort bereits über die Mythos, der legendären nicity“ entstanden im letzten die in ihre 11 Songs (alle- Scheibe, die ich allen Lesern Ladentheke. Mit großer Tour Band um Stephan Kaske Jahr im Straßburger „Studio samt in dänischer Sprache nur ans Herz legen kann! Ihr und neuem Album nehmen freuen. Für den Hörer heißt Grenat“ zusammen mit dem - ich liebe das!) unglaublich ausdrucksstarker, leicht die 4 Herren nun auch die das, tief eintauchen in einen bekannten französischen viel Wärme, Sehnsucht und dunkler und emotionaler deutschen Musikhörer ins elektronisch verwobenen Produzententeam ERM Glaubwürdigkeit legt.
    [Show full text]
  • Guest Recital, Trios for Two, September 16, 2016 Lawrence University
    Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-16-2016 8:00 PM Guest Recital, Trios for Two, September 16, 2016 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Guest Recital, Trios for Two, September 16, 2016" (2016). Conservatory of Music Concert Programs. Program 64. http://lux.lawrence.edu/concertprograms/64 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Trios for Two Molly Gebrian, viola Danny Holt, piano and percussion Friday, September 16, 2016 8:00 p.m. Harper Hall Theatric No. 8 (2010) Casey Cangelosi (b. 1982) Second Take (2010) Karl Blench The Beginning (b. 1981) Barbarism Familiar Terrain In Abstract The End Third Nature (2010) Christopher Goddard (b. 1986) – Short Pause – Nomentum (2010) Ingrid Lee (b. 1990) Black and White (2015) Chiayu Hsu White (b. 1975) Black PROGRAM NOTES Of the works on this concert, Casey Cangelosi’s Theatric No. 8 uses the most pared-down instrumentation: the piano is augmented with kick drum and hi-hat. With the composer’s blessing, Danny chose to add snare drum (played with a foot pedal). The piece is an obsessive minimalist exploration. In the composer’s own words: “The driving force and functionality behind Theatric No.
    [Show full text]
  • Printmakers Presspack
    THE PRINTMAKERS “In the old days, this band would have had the words “All-Stars” in their name. Every one of them is a leading figure in British contemporary jazz. Together, they create 10 evocative sound-pictures of places and times. It’s remarkable how just five instruments and voice can suggest space and depth as they do.” Dave Gelly, The Observer The word supergroup is common currency, especially in the rock world. Jazz, of course, has its fair share of supergroups too. Sometimes, one supergroup comes along that really is very special indeed. The Printmakers is such a group. The group formed at the instigation of Steve Mead at The Manchester Jazz Festival several years ago and since then has gone from strength to strength. Award winning Nikki Iles is one of the heroines of British jazz. She has made an invaluable contribution to the jazz scene in this country and beyond, while also making a very personal musical statement in many groups, not least her own superb Anglo-American trio with Rufus Reid and Jeff Williams. Grammy nominated and ECM recording artist Norma Winstone MBE, pioneering innovator of the voice, has been a leading light in European music for many years. She collaborated with Kenny Wheeler and John Taylor in Azimuth, described by Richard Williams as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. She has also worked with Fred Hersch, Steve Swallow, Jimmy Rowles, Mike Gibbs and Ralph Towner. She has had a resurgence recently, with three superb award winning ECM releases in collaboration with European musicians, Klaus Gesing and Glauco Venier.
    [Show full text]
  • Edinburgh Eh8
    EDINBURGH EH8 9JG BOOKING TICKETS ONLiNE www.thequeenshall.net OvER THE PHONE +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights iN PERSON 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5pm or until 15 mins after start on show nights Booking charge A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees The ticket price shown is the price you will pay. if you would like to know which tickets include a £2 booking fee, please ask the Box Office. Postage Tickets can be posted out to you second class up to seven days before the event for a cost of £1.00 per transaction. Alternatively you can collect tickets free of charge from the Box Office during opening hours. Concessions Concessionary priced tickets are available where indicated. if you book online, please bring proof of eligibility with you to the event. Doors open /start times For most events, the time shown is when the artist will begin their performance. Where we don’t have this information in advance, a ‘doors open’ time is given, with more precise details available on our social media channels, website and via the Box Office on the day of the event. Accessibility Our venue is fully accessible for wheelchair users and we welcome assistance animals. Wheelchair spaces can currently be booked over the phone and in person only.
    [Show full text]
  • Dmitri Alexeevpiano
    Schumann Liszt’s transcriptions Dmitri Alexeev piano SMCCD 0275-276 DDD/STEREO 104.55 CD 1 TT: 41.06 Robert Schumann (1810 – 1856) 1 Blumenstück, op. 19 ................................................... 8.21 Symphonic Etudes, op. 13 and op. posth. 2 Thema. Andante ..................................................... 1.27 3 Etude I (Variation I). Un poco più vivo .................................... 1.13 4 Etude II (Variation II) .................................................. 2.41 5 Etude III. Vivace .................................................... 1.28 6 Etude IV (Variation III) ................................................ 0.59 7 Etude V (Variation IV) ................................................. 1.00 8 Etude VI (Variation V). Agitato .......................................... 0.59 9 Etude VII (Variation VI). Allegro molto .................................... 1.26 10 Posthumous Variation 1 ............................................... 0.55 11 Posthumous Variation 2 ............................................... 2.08 12 Posthumous Variation 3 ............................................... 1.54 13 Posthumous Variation 4 ............................................... 2.13 14 Posthumous Variation 5 ............................................... 1.57 15 Etude VIII (Variation VII) ............................................... 1.18 16 Etude IX. Presto possible .............................................. 0.38 17 Etude X (Variation VIII) ................................................ 0.45 18 Etude XI (Variation
    [Show full text]
  • The Menstrual Cramps / Kiss Me, Killer
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured).
    [Show full text]
  • PRESS KIT Download
    CONTENTS 2 Fri, Apr 29 / 9:30 PM / HART HOUSE Theatre TECHNICAL DATA / PRESS CONTACT / SALES CONTACT Sat, Apr 30 / 10:30 AM / TIFF Bell Lightbox 3 3 SYNOPSIS Sun, May 8 / 4:00 PM / TIFF Bell Lightbox 3 4 DIRECTOR’S NOTE / PRODUCTION NOTE 5 TEAMLIST 6 ABOUT URMILA CHAUDHARY 7 ABOUT THE CAMERAWOMAN, DIRECTOR AND PRODUCER SUSAN GLUTH 8 ABOUT THE PRODUCER MARTIN HAGEMANN 9 ABOUT DOMINIC MILLER 10 QUESTIONS TO SUSAN GLUTH TECHNICAL DATA COUNTRY OF ORIGIN Germany, 2016 LENGTH 87 Min. FORMAT 1:1,85 SOUND 5.1 digital LANGUAGE Nepali, EN subtitled PRESS CONTACT Clutch PR, Daniela Syrovy 555 Bloor St. West unit 6, Toronto M5S 1Y6 +1 416-588-9687 [email protected] SALES CONTACT gluthfilm zero fiction film GmbH susan gluth Martin Hagemann Milcherstrasse 2 Motzstraße 60 22607 Hamburg 10777 Berlin [email protected] [email protected] phone +49 177 717 1014 phone +49 178 399 6512 URMILA Press Kit 2016-04-11 graphic design by Bernd Müller / grafikcafe.de 2 SYNOPSIS Urmila wants to change Nepal. This young woman fights with admi- rable energy against centuries-old social structures. She has but one goal: the end of child slavery. Her political activities drive her to as- sume responsibility for others, but must also think of herself. “Children go to school. Adults go to work!” Urmila shouts angrily in a protest march on the streets of Kathmandu. Together with her fellow campaigners she frees girls from captivity, demands of the Prime Min- ister the end of slavery, holds press conferences, travels to Oslo and New York – and tries back at home in Ghorahi to complete the next year at school.
    [Show full text]
  • Welcome to the Summer Season at the RNCM
    Sonic art, laser beams and technology ignite our artistic programme, with the first-ever RNCM and Welcome FutureEverything collaboration, creating Tools for Unknown Futures – a festival combining innovative art and performance with new devices, insightful discussion and playful social to the experimentation (28 Mar – 1 Apr). Contrast, social debate and fast-changing Summer politics lie at the core of all of this, permeating our entire Summer programme with Zoe Trope (5 Apr), I Came and I Vanished (27 Apr), Youth Perform’s presentation of the post-WW1 season at socio-political Brecht/Weill collaboration, The Threepenny Opera (23 – 26 Apr), and culminating in the music of the salons and the RNCM concert halls between 1890 – 1900, in our Day of Song at the Royal Exchange Theatre (27 Apr). Opera Scenes are back (27, 29 May, 6, 13 Jun) covering a rich and diverse repertoire and RNCM Opera goes to the Capitol Theatre with a fantastic production of Stephen Sondheim’s Company (25 Jun – 4 Jul) Our International Artist Diploma recitals feature the beautiful tenor voice of Kang Wang in Ludwig van Beethoven’s An die ferne Geliebte (30 Apr), as well as the Zelkova Quartet (13 Jun) with Beethoven and Bartók String Quartets; while Chester Cathedral welcomes our International Artist Diploma Concerto Weekend (5 – 7 Jun) featuring Mozart’s glorious, yet wistful, Piano Concerto in E flat major (Yasmin Rowe), Rossini’s rarely performed Bassoon Concerto in B flat major (Alejandra Rojas), Ibert’s high-spirited, yet lyrical Flute Concerto (Helen Wilson) and Schumann’s spontaneously romantic Cello Concerto in A minor (Mikhail Nemstov).
    [Show full text]
  • Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
    DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]