I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Piano Recital Prize and Arnold Schoenberg
1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’). -
Westfield, NJ
0C fi 2 •-•om < n _J cc _j THE WESTFIELD LEADER « UJ O >~i MLJU. The Leading and Moat Widely Circulated Weekly Newspaper In Union County -i t~ « in 1/1 3 (VI UJ 0- •* 3 USPS 6B0O2I) NINETY!- 10.40 Second CIB\S Potlupc I'uitl WESTFIELD, NEW JERSEY, THUKSDAY, MAY 5, 1983 Published u Wesiriclil. N. J. Every Thunday 26 Pages—25 Cents Bagger, Quinn Join GOP Slate, 403 Teachers Among 561 Democrats Name One Appointed by School Bd. Incumbents Harry Trenton and Washington, ment by drawing on my waste committee." Brown, first ward, and concern for our community background and ex- Capone, 39, is assistant The Westfield Board of staff and notify staff teaching staff members, 49 tain tenure with the Leo J. Senus. "This James Capone, third ward, based on lifelong perience, which includes professor of management Education appointed SGI members who will not be secretaries, 53 custodians 1983-1984 appointment. number includes all staff have been joined by residence, and thoughtful five years as township at- science at Kean College, a staff members for the offered a contract for next and maintenance "For a variety of members, including those newcomers Richard Bag- new ideas from the unique torney and four years ex- position he has held since 1963-1964 school term at a year at this time. Thus, the employees, 43 adminis- reasons, personnel holding whose salaries are con- ger, second ward, and Tom vantage point of youth. perience as planning board 1975, and teaches courses special meeting last week. special meeting was held trators, supervisors and 38 staff positions have been tingent upon federal or Quinn, fourth ward, in "Westfield is fortunate to attorney, as well as the ex- in business law, accoun- According to law, the last Wednesday. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Printmakers Presspack
THE PRINTMAKERS “In the old days, this band would have had the words “All-Stars” in their name. Every one of them is a leading figure in British contemporary jazz. Together, they create 10 evocative sound-pictures of places and times. It’s remarkable how just five instruments and voice can suggest space and depth as they do.” Dave Gelly, The Observer The word supergroup is common currency, especially in the rock world. Jazz, of course, has its fair share of supergroups too. Sometimes, one supergroup comes along that really is very special indeed. The Printmakers is such a group. The group formed at the instigation of Steve Mead at The Manchester Jazz Festival several years ago and since then has gone from strength to strength. Award winning Nikki Iles is one of the heroines of British jazz. She has made an invaluable contribution to the jazz scene in this country and beyond, while also making a very personal musical statement in many groups, not least her own superb Anglo-American trio with Rufus Reid and Jeff Williams. Grammy nominated and ECM recording artist Norma Winstone MBE, pioneering innovator of the voice, has been a leading light in European music for many years. She collaborated with Kenny Wheeler and John Taylor in Azimuth, described by Richard Williams as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. She has also worked with Fred Hersch, Steve Swallow, Jimmy Rowles, Mike Gibbs and Ralph Towner. She has had a resurgence recently, with three superb award winning ECM releases in collaboration with European musicians, Klaus Gesing and Glauco Venier. -
Montana Kaimin, September 10, 2009 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 9-10-2009 Montana Kaimin, September 10, 2009 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, September 10, 2009" (2009). Montana Kaimin, 1898-present. 5227. https://scholarworks.umt.edu/studentnewspaper/5227 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Page 2 Page 5 Page 7 The modern common Lady Griz face Montana filmmaker sense of things fierce competition focuses on Butte from UC Davis www.montanakaimin.com MKontana UM’s Independent Campus Newspaper Since 1898 aVolumeimin CXII Issue 6 Thursday, Sept. 10, 2009 PEAS Farm students glean yards around Missoula Carmen George Montana Kaimin A bright red windowless van pulls slowly out of the UM PEAS Farm gate, while its driver looks back for a moment over ten acres of veggies and thick rows of sky- reaching sunflowers. Four students sit inside holding large plastic tubs for collecting fruit as the rest of the fall PEAS Farm students stay on the grounds to harvest tomatoes and beans. They’re going gleaning: gather- ing left-over, unwanted fruit from around town to donate to the Mis- soula Food Bank, make cider and feed the goats and chickens at the PEAS Farm (UM’s Program in Ecological Agriculture and Soci- ety). -
Mixed Media December Online Supplement | Long Island Pulse
Mixed Media December Online Supplement | Long Island Pulse http://www.lipulse.com/blog/article/mixed-media-december-online-supp... currently 43°F and mostly cloudy on Long Island search advertise | subscribe | free issue Mixed Media December Online Supplement Published: Wednesday, December 09, 2009 U.K. Music Travelouge Get Yer Ya-Ya’s Out and Gimmie Shelter As a followup to our profile of rock photographer Ethan Russell in the November issue, we will now give a little more information on the just-released Rolling Stones projects we discussed with Russell. First up is the reissue of the Rolling Stones album Get Yer Ya-Ya’s Out!. What many consider the best live rock concert album of all time is now available from Abcko in a four-disc box set. Along with the original album there is a disc of five previously unreleased live performances and a DVD of those performances. There is a also a bonus CD of five live tracks from B.B. King and seven from Ike & Tina Turner, who were the opening acts on the tour. There is also a beautiful hardcover book with an essay by Russell, his photographs, fans’ notes and expanded liner notes, along with a lobby card-sized reproduction of the tour poster. Russell’s new book, Let It Bleed (Springboard), is now finally out and it’s a stunning visual look back on the infamous tour and the watershed Altamont concert. Russell doesn’t just provide his historic photos (which would be sufficient), but, like in his previous Dear Mr. Fantasy book, he serves as an insightful eyewitness of the greatest rock tour in history and rock music’s 60’s live Waterloo. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
Pizza Inn ~ Ree •Izza R··············~ R···············,• FREE PIZZA
Southern Illinois University Carbondale OpenSIUC October 1984 Daily Egyptian 1984 10-12-1984 The aiD ly Egyptian, October 12, 1984 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_October1984 Volume 70, Issue 40 Recommended Citation , . "The aiD ly Egyptian, October 12, 1984." (Oct 1984). This Article is brought to you for free and open access by the Daily Egyptian 1984 at OpenSIUC. It has been accepted for inclusion in October 1984 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Pepsi donates new Ii.lain scoreboard for Arena Ih Ed Fo!,.\ be<!n linE'!! up to loot three· W.. II scoreboards would also scoreboa rd for about a yea r Sia H\\rih';' fo urths of the b.1I for the sound need to be ,"stalled at each end Most scoreboard manufacturers s\'stem. accordlO ll to Bruce of the Arena. because the large help clienlS loca te sponsors to .\ gift of a new sroreboard and S"'inburne. \ 'Ice president for size of thc new maIO scoreboa rd buy the equipment. he said . and ~ound svslem for the Arena . student affairs . A sponsor (or would make it nearly impossible the Federal ign Company and \\ orth about $150 .000. has been the remaming one-fourth is for pl ayers and officials to s~ Harry Crisp of Pepsi-ColJ ap offered to the t'mversit\' bUI " expected to be .denllf.ed what's dIsplayed on it. sa id proached the niversity abou. a offiCia ls are not optimi lic that shortly:' according to a Swinburne. -
To Design and Development of a Cost Effective Electronic Drum Kit
International Journal of Engineering Research and Applications (IJERA) ISSN: 2248-9622 th International Conference on Industrial Automation and Computing (ICIAC- 12-13 April 2014) RESEARCH ARTICLE OPEN ACCESS To Design and Development of a Cost Effective Electronic Drum Kit Vikas Barai*, Prof. T.H.Nagrare** *(Department Of Computer Science, G H Raisoni College Of Engineering Nagpur, India Email: [email protected]) **(Assistant Professor, Department of Information Technology G H Raisoni College Of Engineering Nagpur, India Email: [email protected]) ABSTRACT The goal of the project is to create a Cost Effective electronic drum kit using piezoelectric sensors for various percussion instruments. The inputs to the kit are small drum pads, which house a piezoelectric transducer. The output voltage from this device is detected and its output is interfaced with microcontroller . This information is processed through a Drum sound controller module which controls audio playback. The background work focuses on the concepts of tracking the timing of musical signals, deriving information from them, and creating a musical accompaniment. The system will then generate an expressive drum beat to accompany the audio signal in real time. The system is intended as a practice tool as well as a means to observe the musical interaction that may occur between humans and machine. It would involve implementing on an EEPROM for additional sound storage. It will contain a single module which will carry all sound database and allow the player to make their own patches and it will make it independent from interfacing with a computer. Keywords - Arduino, Cost efficient drum kit, Electronic Drums, Home made percussion, Midi controllers, Piezo sensors. -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
Newsletter Art Barn and Finch Lane Gallery ǀ Newsletter of the Salt Lake City Arts Council
SUMMER 2013 NEWSLETTER ART BARN AND FINCH LANE GALLERY ǀ NEWSLETTER OF THE SALT LAKE CITY ARTS COUNCIL TABLE OF CONTENTS 2013 TWILIGHT CONCERT SERIES Click title below to go directly to story. The Salt Lake City Arts Council is pleased to announce the 2013 Twilight Concert Series, now in its 26th season, returning to Pioneer Park with another tremendous Twilight Concert Series lineup. The series will run July 18 through September 5 every Thursday evening, with special back-to-back shows scheduled for Wednesday, August 7 and Thursday, Oelerich & Somsen Exhibition August 8. Featured performing artists include Belle & Sebastian, Blitzen Trapper, Public Art Program The Flaming Lips, The National, Sharon Van Etten, Grizzly Bear, Youth Lagoon, Erykah Badu, Kid Cudi, Empire of the Sun, and MGMT. Twilight concerts are a Wheatley & Ashcraft Exhibition longtime staple of Salt Lake City‘s downtown landscape, recognized for inviting Brown Bag Concert Series some of today‘s most impressive names in music to perform on summer nights, when the air is slightly cooler and where the community can come together under New Visual Arts Season a canopy of stars. City Arts Grants Deadlines For 2013, tickets are still just $5 for each concert and $35 for season tickets. Arts Council Welcomes New Season tickets are on sale now via the local ticketing agency, www.24tix.com. Staff Member Additionally, individual tickets will go on sale June 1 at noon and will be available online at 24tix.com and all Graywhale locations throughout the valley. Day of Lifelong Learning Class show entry will be allowed at the gate for $5.