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PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Cover DRUMLAB.Ai
Presenting THE GEAR at A quick view to the gear available for you at DrumLab Studio 2 THE DRUMS DW DRUMS Collectors Series, Red Sparkle, Black Hardware (Year 2000 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x9”, 12”x10” • Floor Toms 13”x11”, 15” x 13” • Bass Drum 22”x18” • Hardware 9000 Series Tom/Cymbal stands (x3), Hi-Hat Stand, Snare Stand (x2), Boom Arms (x4), Dogbones (x4), Boom Cymbal stand (x2) YAMAHA DRUMS Recording Custom Series Cherry Wine Laquer (Year 1989 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x10”, 12”x10” • Floor Toms 14”x14”, 16” x 16” (both with legs) • Bass Drum 22”x16” • Yamaha CS 865 Boom Stand (x3), Yamaha YESS System for Rack Toms, SS 850 Snare Stand (x2) TAMA DRUMS Swingstar Classic Series Emerald Marble (Year 1986 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x8”, 12”x9” • Floor Toms 13”x11”, 16” x 16” • Bass Drum 22”x14” • Yamaha YESS System for Rack Toms, SS 850 Snare Stand, HC33 Boom Cymbal stand (x3) A quick view to the gear available for you at DStudio OTHER HARDWARE: • Roc&Soc Drum Throne Hydraullic • Roc&Soc Drum Throne Spinnable • AXIS XL-2 Longboard Bass Drum double pedal • DW Drums 5000 Delta Hi Hat Stand • PDP Boom Cymbal Stands (x4) • Mapex Boom Cymbal Stands (x3) 3 THE DRUMS SNARE DRUMS AVAILABLE: Remo Heads (CS Coated, Ambassador Coated, Emperor Coated, Vintage Emperor on batter side, Ambassador Snare on bottom), -
I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same. -
Edge8-Web.Pdf
stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only. -
Download Complete
CHUCK BURGI Drums & Percussion www.chuckburgi.com Chuck Burgi has been performing and recording internationally since teaming up with jazz- rock guitarist Al Di Meola for his first solo venture, theElegant Gypsy Tour. This opportunity led to his joining the English fusion group Brand-X. As a member of Brand-X, he replaced Phil Collins and recorded and toured for the classic album Masques. Returning to his rock and pop roots, Chuck joined Hall and Oates and recorded two platinum albums and did two world tours with the hit writing duo. Subsequent albums with Michael Bolton, Diana Ross, Balance and Bon Jovi followed. He next joined forces with Ritchie Blackmore’s Rainbow, recording two albums and hitting the road for another two world tours. After Rainbow, Chuck toured and recorded with various artists including Joe Lynn Turner, Glen Burtnick and the powerhouse vocalist Meat Loaf. Chuck toured extensively with Meat Loaf and recorded the Live at Wembley album. Directly after Meat Loaf, Chuck began working with Blue Oyster Cult, during which time he recorded the Cult Classics and Heaven Forbid albums, and began playing on national TV commercials. After Blue Oyster Cult, he was once again reunited with Ritchie Blackmore for sold out tours of Europe, South America and Japan for the album Stranger in Us All. In 2001, Chuck completed a three-year commitment to the Latin pop sensation Enrique Iglesias. Beginning with an extensive world tour for the album Vivir, he returned as musical director for the Cosas del Amour world tour and finished with a dense schedule of TV shows and concerts promoting Enrique’s first English album, Enrique. -
Pasic 14 Experiencing Ghana “Rubber” Rudimental Exercises
Vol. 1, No. 6, December 2014 PASIC 14 EXPERIENCING GHANA “RUBBER” RUDIMENTAL EXERCISES Incorporating Modes in Daily Warm-Ups • Scholarships & Assistantships Italy Percussion Competition and Days of Percussion • Product Showcase • Industry News DECEMBER 2014 2 RHYTHM! SCENE RHYTHM! SCENE THE NEWSLETTER OF THE PAS The Percussive Arts Society (PAS) is a music service organization promoting percussion education, research, performance and appreciation throughout the world. Rhythm! Scene is published six times a year: February, Cover Photo by Warren LaFever April, June, August, October and December by the Percussive Arts Society. IN THIS ISSUE RS STAFF PASIC 2014 Megan Arns, Rhythm! Scene Editor Society Update Rick Mattingly, Senior Editor PASIC14 Video Clips Hillary Henry, Publications Production Manager Behind the Scenes at PASIC14 Marianella Moreno, Publishing and Digital Media Operations PASIC 2014 Marching Percussion Festival 2014 Percussive Arts Society Awards RS ADVERTISING Arthur Hull’s Drum Circle Facilitation Staci Stokes-Waites [email protected] Workshop People and Places PAS EXECUTIVE COMMITTEE Social Beats 2014 NYU Broadway Percussion Seminar/ John R. Beck, President Summit Julie Hill, President-elect HotLicks: Incorporating Modes in Daily Jim Rupp, First Vice President Warm-Ups Brian Zator, Secretary PAS Marching Percussion Committee Lisa Rogers, Immediate Past President Industry News Jeff Hartsough, Executive Director Scholarships & Assistantships Product Showcase CONTACT PAS An Experience in the Music and Culture of Ghana 110 W. Washington Street, Suite A, Indianapolis, IN 46204 Upcoming Events Telephone: (317) 974-4488 • Fax (317) 974-4499 Italy Percussion Competition and Days of E-mail: [email protected] • Web: www.pas.org Percussion HotLicks: Kirby’s Rudiments: Rubber Exercises Ensemble and Recital Programs BECOME A MEMBER OF PAS PAS 2014 Scholarship Recipients Classifieds COPYRIGHT © 2014 by the Percussive Arts Society. -
Cymbal and Sound Guide 2010
WHAT’S YOUR SOUND? Cymbal and Sound Guide 2010 Modern and Innovative…4 Sameness and Difference This is a guide to the eleven SABIAN cymbal series and collections, as well as those models players tell us are the hottest of the lot… the main ones, the killer sounds. The vintage AA and HH series epitomize the best of the past… their sameness with the traditional art of cymbal making makes them very special. The innovative designs of AAX, HHX, and the Vault collection define the future… the difference. Plus there are more. See and hear them all at sabian.com. The Players Like you, the players on the following pages have a favorite series or sound… even a favorite cymbal. But their set-up will often be a mix of different series. So when you think cymbals, think sounds… and consider combining Modern with Vintage, Bright with Dark… After all, these cymbals are designed to be combined into whatever set-up you like… whatever you want your sound to be. WHAT’S YOUR SOUND? We play SABIAN. 4 CYMBAL AND SOUND GUIDE DAVE WECKLtVINNIE PAUL Hellyeah, PanteratHARVEY MASON FourplaytTOMAS HAAKE MeshuggahtDAVID GARIBALDI Tower of Power MIKE PORTNOY Dream TheatertSTEVE FERRONE Tom Petty & The HeartbreakerstBILL WARD Black SabbathtTERRY BOZZIOtNEIL PEART Rush VIRGIL DONATItCHESTER THOMPSON GenesistJEFF ‘TAIN’ WATTS Branford Marsalis Quartet, Tain & The EbonixtCHAD SMITH Red Hot Chili Peppers, Chickenfoot CYMBAL AND SOUND GUIDE 5 BERNARD PURDIE Steely Dan, Aretha Franklin, Jeff BecktRAY LUZIER KorntDANIEL ADAIR NickelbacktTODD SUCHERMAN Styx, Brian Wilson WHAT’S YOUR SOUND? Imagine standing in the SABIAN Vault, surrounded by thousands of cymbals. -
Call $439900 $469900
Sweetwater.com Electronic Drums & Percussion 241 FEATURES: • A new level of expressiveness • Prismatic Sound Modeling engine • New 14" digital snare pad • Larger 18" digital ride cymbal pad TD-50KV NEW! Roland Raises the Bar. Again. Roland’s new TD-50KV set raises the bar yet again for sonic realism and natural playability. At the heart of the kit is Roland’s flagshipTD-50 drum sound module (also available separately), with Prismatic Sound Modeling technology powering 100 all-new kit sounds that attain a new level of expressiveness. Tailor the size and composition of each individual cymbal and drum, or import your own library. Then season to taste with onboard effects and EQ. XLR and TRS jacks give the TD-50 professional output options. And an internal metronome and looper make this module an essential practice tool. The new 14" digital snare pad and 18" ride cymbal both include a digital connection to the TD-50 module and a multi-sensor system that gives acoustic players the kind of subtle tonal feedback they’re used to for playing in different zones on the drum or cymbal surface. TheTD-50K set also offers these cutting-edge features, but with a different selection of tom and crash cymbal pads. TD-50 module • 6 x Specs: TD-50KV $ 00 pad • 3 x cymbal • hi-hat • drum rack TD50KVset Elec Drum Kit ...............................List 7597 Call TD-50K TD-50 module • 5 x pad • 3 x TD50Kset Elec Drum Kit ...............................List $525200 $68200 cymbal • hi-hat • drum rack TD50 Drum Module ...............................List $279900 $239900 FEATURES: • Advanced sensing technology TD-30K Special Edition • Dedicated Ambience fader Sweetwater-exclusive Kit with Upgraded Hi-hat • USB-MIDI for computer connectivity • V-Edit mode for customizing sounds The Roland TD-30K Special Edition electronic drum kit gives you a whole new level of e-drum realism and expression. -
V-Drums Contest National Finals PR
FOR IMMEDIATE RELEASE Press Contact: Amanda Whiting Marketing Communications Manager (323) 890-3718 [email protected] GO-GO RAY WINS ROLAND U.S. V-DRUMS CONTEST Six Drummers Competed for National Title at Sam Ash Las Vegas Los Angeles, California—Roland recently held the first-ever V-Drums® Contest National Finals at Sam Ash Music in Las Vegas, Nevada. Co-sponsored by DRUM! magazine, REMO, Drum Workshop, and Blue Man Group, the V-Drums Contest gave drummers the chance to harness the power of electronic percussion by competing at the local, regional, and national levels for professional percussion gear and other prizes. On November 4, 2010, six talented drummers from around the country performed an original drum performance exclusively on the TD-20SX V-Pro® Series V-Drums and the OCTAPAD® SPD-30 Percussion Pad. The winner of the evening was Go-Go Ray from Kansas City, Missouri, who gave a fun and innovative performance that showcased a wide variety of electronic and acoustic sounds with a skillful,creative funk-inspired drumming technique. He will go home with his own TD-20SX V-Drums set and PM-30 Personal Monitor System, DW 9000-Series Hardware, REMO custom shell wraps, and a year’s subscription to DRUM! magazine. The runner-up was Robin Lopez of San Antonio, TX, whose heavy rock and metal influence could be felt through his aggressive rhythms and captivating showmanship. The other talented competitors included Dennis Dove from Oregon, Andrew Faletti from Georgia, JP Bouvet from Minnesota, and Didi Negron from Pennsylvania. The contestants all performed in front of a standing room only audience of 400 at Sam Ash Music in Las Vegas, who recently remodeled their performance stage leading up to the event. -
800-356-5844 Ludwig Classic Maple
ACOUSTIC DRUMS 281 LUDWIG CLASSIC MAPLE For over a century Ludwig has been crafting some of the most widely-used and oft- recorded drums in history. With a huge variety of shell types, sizes and configurations you can design the perfect kit for your playing style. Legacy Classic drums use the SKY-BLUE-PEARL 3-ply shell formula introduced in 1923. Legacy Exotic drums add a modern twist to the 1923 design by adding a thin veneer of exotic wood on the outer shell. The Classic Maple series is a 7-ply formula for optimum resonance and tonality. Ludwig's famous see-thru, Vistalite drums have been updated to provide greater stability to the shells. With so many options available please call your Full Compass sales pro for help designing your dream kit. Call for finish and custom options. ITEM DESCRIPTION PRICE Preconfigured Classic Maple Shell Packs L8323AX27WC........... FAB22 shell pack, 14x22", 9x13", 16x16" .....................................1899.95 L8424AX27 ................MOD22 shell pack, 18x22", 8x10", 9x12", 16x16" .........................2399.80 L8303AX27 ................Downbeat shell pack, 14x20", 8x12", 14x14" ................................1799.85 HARDWARE AND CYMBALS NOT INCLUDED LUDWIG CLUB DATE SE SHELL PACKS Originally created in 1962 as a lower-cost alternative to the Super RUBY-SPARKLE TURQ-OYSTER Classic Series, the Club Date kits became a classic among drum- mers for a generation. The new Special Edition re-issues take some of the same classic features and pair them with modern manufacturing techniques to create a vintage-style kit that is affordable, great-sounding and lives up to today's demands. Club Date drums feature center-mounted dual sided lugs, 6-ply cherry/gumwood shells, full roundover bearing edges, and are available in 4 classic sparkle finishes. -
Troška Histrorie
TROŠKA HISTORIE, NIKOHO NEZABIJE....... jak se říká "trocha historie nikoho nezabije" a je dobré vědět kdo nám ty kýble strouhá Leedy Drums Ulysses Grant Leedy začal svou kariéru počátkem devadesátých let devatenáctého století jako perkusionista v Indianapolis. Osobní založení a zájem vyrábět lepší nástroje ho však vedlo k tomu, že s podporou svých přátel a kolegů roku 1888 založil Leedy Drums Company a začal vyrábět své vlastní – nejprve stojany malých bubínku a posléze i samotné bubínky. Kredit mu vynesly zejména upravitelné malé bubínky (do té doby se SD pokládaly na židle nebo visely na popruhu. Rychlý úspěch vedl k výstavbě výrobny a k expanzi produktové linie zahrnující blány na bubny a rozmanité orchestrální perkusní nástroje a doplňky. Leedy rovněž začal prodávat své produkty ve velkém po celé zemi. V roce 1909, kdy svou společnost založili bratři Ludwigové, se právě oni stali agentem Leedy drums v Chicagu. Ludwigové později začali vyrábět své vlastní nástroje a Leedy drums přerostli. Ve dvacátých letech dvacátého století Leedy naplnil potřebu vlastního prodejního managementu a zaměstnal Georgie Waye, který měl svou vlastní společnost vyrábějící bicí v Kanadě. Mimo svých prodejních schopnosti měl Way i technické znalosti, které uplatnil při četných inovacích u Leedy drums, které jednou pro vždy změnily výrobu bicích. Zhoršující se zdravotní stav přinutil Leedyho svou společnost roku 1929 prodat. Novým majitelem se stal GC Bonn Manufacturing Co., jež později koupila i Ludwig drum company. Sled událostí, které odstartovala 2.světová válka vyústil v prodeji divize Leedy & Ludwig Drum zpět do rodiny Ludwigů. William F. Ludwig Jr. ze společnosti WFL drum a Bud Slingerland spojili své síly a odkoupili upadající Connův podnik. -
Crashes (Cont’D)
1 2 3 4 5 RIDES Thin Ride Finish N B Weight T Offers excellent crash-ability. Thinner, more complex and X-Plosion Ride Finish B Weight M slightly darker than typical AAX. At the same time, more A large, raw bell boosts the crash factor in a cymbal that’s highs are introduced. For drummers, that means brighter equally at home performing light ride or heavy highs and more complex lows. crash duty. 22010XC / 22010XCB 20" 22210XC / 22210XCB 22" 2201287XB 20" 2211287XB 21" 22110XC / 22110XCB 21" Medium Ride Finish N B Weight M Freq Ride Finish N Weight M Offers excellent crash-ability. Overall weight trends An intensely-cutting Ride that delivers quick bursts of thinner, with added darkness and complexity. At the same high-frequency tone. Offers excellent stick articulation with time, more highs are introduced. For drummers, that moderately dry tone. Sound is more open than typical means brighter highs and more complex lows. rock-weight Rides. 22012XC / 22012XCB 20" 22212XC / 22212XCB 22" 221XFR 21" 22112XC / 22112XCB 21" Omni Finish N Weight M XT Heavy Ride Finish N B Weight H Designed with Jojo Mayer, OMNI is a revolutionary new Offers excellent crash-ability for a heavy ride. Weight cymbal design – never has so much versatility existed in just trends thinner, with added darkness and complexity. At the one cymbal. (Medium Center/Extra-Thin Edge) same time, more highs are introduced. For drummers, that 218OMX 18" 222OMX 22" means brighter highs and more complex lows. 22014XC / 22014XCB 20" 22214XC / 22214XCB 22" 6 Indicates a new model N Natural B Brilliant R Raw XT Extra Thin T Thin MT Medium Thin M Medium MH Medium Heavy H Heavy XH Extra Heavy RIDES (CONT’D) CRASHES (CONT’D) Raw Bell Dry Ride Freq Crash Finish N Weight MT Finish N B Weight MH Exclusive dual lathing process results in this unique, A ride for every style, this RBDR delivers bright, crystal intensely-cutting cymbal that fills the stage with huge, open clear sticking at all volumes – low to loud – and solid sound.