DOCSLIB.ORG

Cover DRUMLAB.Ai

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cover DRUMLAB.Ai Presenting THE GEAR at A quick view to the gear available for you at DrumLab Studio 2 THE DRUMS DW DRUMS Collectors Series, Red Sparkle, Black Hardware (Year 2000 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x9”, 12”x10” • Floor Toms 13”x11”, 15” x 13” • Bass Drum 22”x18” • Hardware 9000 Series Tom/Cymbal stands (x3), Hi-Hat Stand, Snare Stand (x2), Boom Arms (x4), Dogbones (x4), Boom Cymbal stand (x2) YAMAHA DRUMS Recording Custom Series Cherry Wine Laquer (Year 1989 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x10”, 12”x10” • Floor Toms 14”x14”, 16” x 16” (both with legs) • Bass Drum 22”x16” • Yamaha CS 865 Boom Stand (x3), Yamaha YESS System for Rack Toms, SS 850 Snare Stand (x2) TAMA DRUMS Swingstar Classic Series Emerald Marble (Year 1986 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x8”, 12”x9” • Floor Toms 13”x11”, 16” x 16” • Bass Drum 22”x14” • Yamaha YESS System for Rack Toms, SS 850 Snare Stand, HC33 Boom Cymbal stand (x3) A quick view to the gear available for you at DStudio OTHER HARDWARE: • Roc&Soc Drum Throne Hydraullic • Roc&Soc Drum Throne Spinnable • AXIS XL-2 Longboard Bass Drum double pedal • DW Drums 5000 Delta Hi Hat Stand • PDP Boom Cymbal Stands (x4) • Mapex Boom Cymbal Stands (x3) 3 THE DRUMS SNARE DRUMS AVAILABLE: Remo Heads (CS Coated, Ambassador Coated, Emperor Coated, Vintage Emperor on batter side, Ambassador Snare on bottom), PureSound Snare Wires SIZES FROM THE BIGGEST TO THE SMALLEST… • Pearl Vinnie Paul Signature Maple Series 8”x14” • DW Drums Jazz Series 6.5”x14” (maple/gum) • Yamaha Recording Custom Series Brass 6.5”x14” • Gretsch USA Custom Series Maple 6.5”x14” • Slingerland Radio King, Genne Krupa Signature Series Brass 6.5”x14” • Noble & Cooley Alloy Classic Series 6.25”x14” • DW Drums Collectors Series EDGE 6”x14” • Trick Drums Alluminum Series 6”x14” • Tama Warlord Valkirie Series Maple 6”x14” • Ludwig Brass Edition Supraphonic 5.5”x14” • Tama Kenny Aronoff Signature Series Brass 5.5”x14” • Yamaha Recording Custom Series Brass 5.5”x14” • Gretsch USA Custom Vinnie Colaiuta Signature Series Maple 5”x14” • Jeff Okletree Solid Piece Shell Maple 5”x14” A quick view to the gear available • Yamaha Maple Custom Vinnie Colaiuta for you at DStudio Signature Series Maple 4”x14” • Mapex Brass Masters Series Black Panther 5.5”x13” • Taye Maple Series 6”x12” • PDP Maple Series Popcorn Snare 6”x10” 4 THE DRUMS CYMBALS AVAILABLE: Paiste Cymbals Signature Series / 2002 Series • 8” 2002 Series splash • 14” 2002 Sound Edge Hi Hats • 14” Signature Sound Edge Hi Hats • 14” Signature Dimmensions Med-Heavy Crunch Hats • 16” Signature Series Full Crash • 17” Signature Series Full Crash • 18” Signature Series Full Crash • 19” Signature Series Full Crash • 19” Signature Series Heavy Full Crash • 20” Signature Series Full Crash • 20” Signature Series Thin China • 20” 2002 Series Ride • 20” Signature Series Reflector Dry Ride • 21” Signature Series Dry Heavy Ride OTHER CYMBALS: A quick view to the gear available • 13” Zildjian K/Z Hi Hats for you at DStudio • 22” Zildjian Constantinople Ride • 22” Zildjian Avedis Ping Ride • 8” Sabian HH Splash 5 STUDIO GEAR MICROPHONES: SHURE SM / Beta Series • Beta 52a - Kick Drum • Beta 56a – Toms (x4) • Beta 57a – Snare Drum (x2) • SM 57 – Snare/Tom (x2) • SM 81 Condenser – Over Heads (x3) AUDIX D Series • Audix D6 - Kick Drum • Audix D2 – Toms (x4) • Audix D4 – Floor Toms (x2) • Audix i5 – Snare Drum (x2) SENNHEISER e Series • e602 - Kick Drum ELECTROVOICE Microphones • Cobalt Series CO4 - Snare Drum (x2) A quick view to the gear available AUDIO TECHNICA for you at DStudio Microphones • AT4030 Condenser Microphone (x2) • AT2050 Condenser Microphone (x2) 6 STUDIO GEAR SOFTWARE (all running on Mac platform): • Logic Pro 9.1 • ProTools 8.1 HARDWARE • Presonus StudioLive 16.4.2 Digital Mixer • Presonus FIRESTUDIO Proyect Interface (x2) A quick view to the gear available for you at DStudio 7 .
Load more

Recommended publications
  • Technical Rider
    TECHNICAL RIDER CONTACTS Mob.: +39 339 5807 378 / +39 347 4681 287 [email protected] https://www.wonderland-band.com WONDERLAND PERSONNEL (primary lineup) Andrew Xeniadis Lead vocals Carlotta De Lellis Backing vocals Veronica Pandini Backing vocals Luca Varisco Piano and keyboards Renato Odierna Viti Guitar Ivan Padovani Trumpet Ivan Rota Alto sax Tony Santelia Percussions Luca Moroni Bass and backing vocals Raffaele Pellino Drums BACKLINE RIDER The technical rider is formulated as a guideline and should be treated as such. This means that, in consultation with the band, it can be possible to deviate from this document. DRUMS Please provide a drumset of the following brands (professional series): Sonor, Tama, Yamaha, Pearl. Cymbals: Zildjan, Sabian, Paiste, Ufip. DRUMSET (1) bass drum 22X18” + kick pedal (1) snare 14” or 13” + snare stand (1) tom 10” (1) tom 12” (1) floor tom 16” (1) hi-hat 13” or 14” + stand (1) ride 20” + cymbal stand (1) crash 16” + cymbal stand (1) crash 17” or 18” + cymbal stand (1) drum throne (1) bass drum foot pedal (preferred yamaha) HEADS Snare: Remo Coated Ambassador Toms: double ply (Evans Ec2 clear, Remo Emperor clear, Remo Pinstripe clear) Bass drum: Remo Powerstroke 3 clear PERCUSSIONS (2) congas + stand (1) stand for cowbell, woodblock, tambourine (1) chimes + stand (2) splash + stand BASS Please provide equipment of the following brands (professional series): Mark Bass, Ampeg, SWR, Trace Elliott, Eden, Mesa, Gallien Krueger HEADS (1) professional head capable of 300-400 W output power CABINETS
    [Show full text]
  • THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
    ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d.
    [Show full text]
  • Arturo O'farrill and the Afro Latin Jazz Orchestra
    ARTURO O’FARRILL AND THE AFRO LATIN JAZZ ORCHESTRA HOSPITALITY and TECHNICAL RIDER Please read this rider carefully. It is an essential part of the attached contract for a performance by the Artist. By signing it, you are agreeing to supply the Artist(s) with certain equipment and working conditions, which are essential to their performance. Any breach of the terms of this rider is a breach of the contract and may cause the Artist to cancel the performance, without releasing you from obligation to pay them. This rider is an addendum to the attached contract. Any changes or substitutions must be approved by the Artist. Purchaser is to provide the following equipment necessary for the Artist’s performance. FOR ANY QUESTIONS PERTAINING TO THIS RIDER, PLEASE CONTACT: Eric Taller, Director Programming and Production, Afro Latin Jazz Alliance PH: (212) 368-8400 x359; Cell: (347) 781-9205; Email: [email protected] HOSPITALITY: DRESSING ROOMS: Purchaser will provide lockable dressing rooms and clean lavatories that shall not be used by the public or anyone other than the Artist. CATERING: A generous supply of bottled spring water is needed for both sound check/rehearsal and performance, assorted natural fruit juices, soft drinks, coffee and tea for all rehearsals and performances. Backstage food, ideally fresh fruit and other wholesome snack food should be available at least half-hour before scheduled sound check. Dinner for 25 should be provided before performance; the emphasis should be on healthy, natural food and a well-balanced menu with a vegetarian option. 1 TECHNICAL REQUIREMENTS to be provided at the expense of the Purchaser: NOTE: Instrumentation: 1 Piano, 1 Bass, 1 Drum kit, 1 set of Congas (3), 1 Percussion (bongos, cowbell, cajon, etc.), 4 Trumpets, 3 Tenor Trombones, 1 Bass Trombone, 2 Alto Saxophones (doubles on flute and clarinet), 2 Tenor Saxophones (doubles on flute and clarinet), and 1 Baritone Saxophone (doubles bass clarinet) 1.
    [Show full text]
  • Edge8-Web.Pdf
    stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only.
    [Show full text]
  • Ludwig-Musser 2012 Concert Percussion Catalog AV8084 2012
    T IMPANI AND C ON C ER T D RUMS P.O. Box 310 Elkhart, Indiana 46515-0310 U.S.A. www.ludwig-drums.com Ludwig products are available for sale through authorized Ludwig dealers. This catalog is intended as a source of general information only. Possession of this catalog does not constitute a contract, agreement or an offer to sell our products. Ludwig reserves the right to change prices or product specifications without prior notice. ©2005 Conn-Selmer, Inc. A division of Steinway Musical Instruments, Inc. P.O. Box 310, Elkhart, IN 46515 www.conn-selmer.com AV8084-1 As timpanist of the Pittsburgh Symphony, William F. Ludwig, Sr. shared a love for the classical works that was Not surprisingly, Ludwig’s earliest designs and models failed. Hydraulically operated hoses leaked. Cables stretched. But only equaled by his passion to perform them on-stage. Whether playing before a sold out symphony hall – or one he was determined and never lost heart – perfecting the music was far too important to him. Then, in 1921, after years nearly empty – Ludwig performed every note as if it were his final heartbeat. of disappointments, he struck perfection. The Balanced Action™ model he developed back then remains to this day the standard in timpani design and sound quality held around the world. You need only to hear the difference in a Ludwig In 1909, Ludwig, being the purist he was, grew rather frustrated when the hand-tuned timpani of the day made it Timpani to judge for yourself. Ludwig’s Timpani embody the heart and soul of everyone who plays or dedicates their lives difficult to play Wagnerian parts to his liking.
    [Show full text]
  • Drum Rental Rates
    Department: DRUMS Rental Rates April 2010 1 1 1 Model Description Day Wk Mth PACKAGE ---------------- ------------------------------------- --- --- ---------------- Group: CB PERCUSSION DRUMS CB-5BK CB 5PCE SET W/CYMBALS THRONE & HDRW - BLACK 7 13 25 P CB-5GL CB 5PCE SET W/CYMBALS THRONE & HDRW GLITER 7 13 25 P CB-5MWR CB 5PCE SET W/CYMBALS THRONE & HDRW- WINE RED 7 13 25 P CB-5SG CB 5PCE SET W/CYMBALS THRONE & HDRW STEEL GRE 7 13 25 P CB-5SLV CB 5PCE SET W/CYMBALS THRONE & HDRW - SILVER 7 13 25 P Group: SONOR DRUMS F1007STAGE1 BK SONOR F1007 22,12,13,16FT,SD,HW BLACK 18 35 70 P F1007STAGE2 SW SONOR F1007 22,10,12,14FT,SD,HW SNOW WHITE 18 35 70 P F2007ROCK BF SONOR 2007 ROCK 22,12,16FT,SD,HW BLUE FADE 19 38 75 P F3007STAGE2 RM SONOR F3007 22,10,12,14FT,SD,HW RED MAPLE 25 50 100 P Group: DRUM WORKSHOP DRUMS DRKT01FP DW FINISH PLY 22,10,12,14FT,16FT 74 148 295 P DRKT02FP DW FINISH PLY 22,10,12,16FT 69 138 275 P DRKT03FPJAZZ DW FINISH PLY JAZZ SET 18,12,14,14SD 60 120 240 P Group: GRETSCH DRUMS CC-J484-RSP GRETSCH CC JAZZ 4PC W/18 RSP 14 28 55 P CC-J484-WP GRETSCH CATALINA CLUB 18BD,12,14,SN WHITE PRL 14 28 55 P Group: CB SNARE DRUMS 3675CB CB WOOD SNARE KIT W/BACKPACK & ACCESSORIES 2 4 7 IS-678BP CB STUDENT SNARE KIT W/BACKPACK 3 6 11 V6705 VIC FIRTH SNARE KIT BACKPACK 4 7 14 Group: DRUM WORKSHOP SNARE DRUMS FP5X14SN DW 5X14 SNARE COLLECTOR SERIES FINISH PLY 8 15 30 Group: LUDWIG SNARE DRUMS LM400 B-STOCK LUDWIG 5X14" SUPRAPHONIC SNARE B-STOCK 7 13 25 Group: PEARL SNARE DRUMS CS-1450 PEARL 5" X 14" CHAD SMITH SNARE 5 10 20 Department: DRUMS
    [Show full text]
  • December 1984
    MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D.
    [Show full text]
  • Milkmen's Serenade
    e - ' ------------ ~ t . --=-==:7 "-~ '• Ahem, rock 'n' roll fans and practitioners. We hold this truth to be self-evident: That money can't buy you love, but it can certainly buy you ~--~~- . "=--~= .----=- ~ ---::-:....~ .-: :: a hit when applied in the right places. And a hit single, as we all know, is the apex of suc­ cess, the brick and mortar of fame, fortune and a fabulous sex life. But what if you've rejected that scenario for ~~--'-'"'- - - ~ - =--c_ - ~ - - ·•--'*"'.:""' "'" tr & &&'':.·;iiiisMi ~~!rt'-- one you think has more honor: the indepen­ dent label route, and all that that engenders? What if success to you consists of putting out your own records, playing hard-won gigs touring america for less than around the country, touring in a van, sleeping $12.06 a day, according to on floors, getting heard on college radio and camper van beethoven, the mentioned in the Village Voice? What kind of money does that sort of career accrue? Is it dead .milkmen and dag nasty even worth pursuing, in a purely monetary sense? by -gina arnold illustration by ju lie ross I --- I ·- - -----47'"~ ·.. \ , ---- \r J. ----- ------- - -t1' -··~ -.. -=-~=: - lli1 Well, on the indie-label front, you can make Truth is, the independent record industry money at it, if you are so inclined: enough to serves as an unorganized farm team system live on, enough to pay taxes on, enough to for the majors-a system whose players have appease your parents, enough-in some fewer allegiances and make less profit than cases-even to get your own Visa. But no those in the big leagues.
    [Show full text]
  • A Compact Drum Kit That's Great for Kids
    Shells ABD1520T ABD1522T ATT1510U ATT1512U ATT1513U AFT1516 AFT1518 ASD0545 Additional TB1030AA TB1230AA RMGW RMCW Hardware TH945A x2 HS1100 CS845 SS940 DFP9410 FP9410 CH745 x4 CH740 x3 TH904 WHS860S WS865 x2 AC910 CWH930 HSAT930 1 Lug Nut Lug Nut Holding Plate Bolt on Shell (Patent Pend) In taking an entirely fresh approach to lug design, our craftsmen have come up with an ideal design Air hole, YESS and that delivers greater sound performance and bolts on the shell side are all positioned convenience. These new lugs hook onto bolts that at the shell’s nodal are attached to the shell, which allows the lug point. casings themselves to "float" eliminating any direct contact between the lug and the shell. As this design reduces the amount of hardware actually attached to the drum shell, the shell is allowed to vibrate freely. On an 11-inch shell the lug bolts, as well as the YESS mounting system, are all attached to the shell at its nodal point to greatly minimize influence on shell resonance to deliver maximum tone. Another benefit these lugs provide is when it comes time to change the head, it is no longer necessary to remove the tuning bolts from the lugs to remove the hoop. Just loosen the bolts enough to slide the lugs off of the bolts and the hoop comes right off. No more lost washers, etc. and head changes can be done quicker and easier than before. * Nodal point mounting is patented by the Nobel & Cooley Drum Company. Nylon Ring * Beside the Absolute Nouveau Lugs, the Absolute lugs that were offered on O Ring earlier models are also available.
    [Show full text]
  • New NAMM Products Information and Pricing
    SALE New NAMM Products Information and Pricing HOT NEW TRUMPETS FROM YAMAHA The new Yamaha Custom Xeno Pro Bb Trumpets feature a revamped bell, providing a powerful tonal core and more precise slotting in the upper register, as well as a newly designed leadpipe. The lighter valve casing and pistons allow for enhanced response and optimal tone control. Yamaha YTR-8335IIGS (Yellow Brass Bell, ML Bore) MSRP: $3,423 Our price: $2,439.99 (IN STOCK!) Yamaha YTR-8335IIRS (Silver Bell, ML Bore) MSRP: $3,510 Our price: $2,535.99 (IN STOCK!) HOT NEW SAXOPHONES FROM CONN-SELMER SELMER AS42 PRO ALTO SAXOPHONE The 40 Series saxophones from Conn-Selmer, Inc. are a first ever collaboration between Henri Selmer Paris and Selmer USA. All the horns feature a custom designed and manufactured Henri Selmer Paris neck and mouthpiece, along with a feature filled body that responds at a top performance level.The black nickel and silver- plated versions both feature a silver-plated Henri Selmer Paris neck. Yellow brass, fully ribbed construction, hand engraved, genuine BAM case, genuine Selmer Paris neck and mouthpiece, Pisoni pro pads with metal resonators, High F# key, rocking table mechanism, adjustment screws. Selmer AS42 PRO MSRP: $4,043 Our Price: $2,779 (IN STOCK!) SELMER AS32 INTERMEDIATE ALTO SAXOPHONE Featuring a post to body construction, leather pads with metal resonators and hand engraving - the body for the AS32 is ready for the advancing player, but it also comes with a neck designed and manufactured by Selmer Paris for this instrument, as well as a mouthpiece from Selmer Paris specially made for the advancing player.
    [Show full text]
  • Legacy Exotic Black Limba Oliveburst 14X26” Bass Drum, Classic Lugs
    Cover Photo By Austin Swift Legacy Exotic Black Limba Oliveburst Courtesy of Ludwig Artist Al Wilson [Taylor Swift] 14x26” Bass Drum, Classic Lugs, Elite Spurs, No Mount [LLB446XXL4WC] 16x18” Floor Tom, Classic Lugs, Keystone Brackets [LLF468LXL4WC] 16x16” Floor Tom, Classic Lugs, Keystone Brackets [LLF466LXL4WC] 9x13" Tom, Vibraband with Keystone Bracket [LLT493XXL4WCR] 6.5x14" Snare, Millennium Strainer, Tube lugs [LLS464TDL4WM] 14x26” 9x13” 16x16” 6.5x14” 16x18” ©2011 Conn-Selmer, Inc. All models, pricing and specifications are subject to change without notice. All rights reserved. Reproduction, of whole or in part, of this catalog, or its contents, is strictly prohibited without prior expressed written permission of Conn-Selmer, Inc.Conn-Selmer is a division of Steinway Musical Instruments, Inc. (NYSE: LVB) AV8147 oin the Family J Looking back at over a century of Ludwig Percussion, the word “Family” continues to find its way into how we define what we are as a company. It’s certainly no secret that we bolster a rich history, originated by William F. and Theobald Ludwig in 1909. These pioneers laid a solid foundation of drummers and percussionists creating instruments for the needs of generations of players. That tradition continued with William F. Ludwig II (or “The Chief” as he has come to be known). The Chief’s dedication to the Ludwig Legacy went way beyond his name. It was his dedication to everyone from the craftsmen at the Ludwig factory, to the drummers who played his creations that established the feeling of a true Family. From Damen Avenue in Chicago to our current facility in Monroe, NC., The Ludwig Family continues on in its founders’ tradition as a notable American manufacturer.
    [Show full text]
  • Download Complete
    CHUCK BURGI Drums & Percussion www.chuckburgi.com Chuck Burgi has been performing and recording internationally since teaming up with jazz- rock guitarist Al Di Meola for his first solo venture, theElegant Gypsy Tour. This opportunity led to his joining the English fusion group Brand-X. As a member of Brand-X, he replaced Phil Collins and recorded and toured for the classic album Masques. Returning to his rock and pop roots, Chuck joined Hall and Oates and recorded two platinum albums and did two world tours with the hit writing duo. Subsequent albums with Michael Bolton, Diana Ross, Balance and Bon Jovi followed. He next joined forces with Ritchie Blackmore’s Rainbow, recording two albums and hitting the road for another two world tours. After Rainbow, Chuck toured and recorded with various artists including Joe Lynn Turner, Glen Burtnick and the powerhouse vocalist Meat Loaf. Chuck toured extensively with Meat Loaf and recorded the Live at Wembley album. Directly after Meat Loaf, Chuck began working with Blue Oyster Cult, during which time he recorded the Cult Classics and Heaven Forbid albums, and began playing on national TV commercials. After Blue Oyster Cult, he was once again reunited with Ritchie Blackmore for sold out tours of Europe, South America and Japan for the album Stranger in Us All. In 2001, Chuck completed a three-year commitment to the Latin pop sensation Enrique Iglesias. Beginning with an extensive world tour for the album Vivir, he returned as musical director for the Cosas del Amour world tour and finished with a dense schedule of TV shows and concerts promoting Enrique’s first English album, Enrique.
    [Show full text]