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KLOS March 17Th 2013
1 1 2 PLAYLIST MARCH 17TH 2013 9AM Good morning Apple Scruffs! George Harrison – Apple Scruffs - All Things Must Pass ‘70 2 3 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles – Sun King - Abbey Road Recorded w/ Mean Mr. Mustard as one song on July 24th 1969. Lennon in Playboy interview of 1980…”That’s a piece of garbage I had around”. Many parts of Pink Floyd’s Dark Side of the Moon sound very much inspired by that piece of garbage. Lennon 1.00 The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969. Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00 The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. You & I The Stories We Tell Ourselves: Turning Trauma into Narrative in Anne Enright’s The Gathering, Niall Williams’ History of the Rain, and John Banville’s The Sea Florence Vincent PhD in Creative Writing The University of Edinburgh 2018 Signed Declaration This thesis has been composed by me, and the work is entirely my own. The work has not been submitted for any other degree or professional qualification. Signed, Florence Vincent 1 This thesis is dedicated to my parents, Martha and David, for their financial and emotional support, and for bolstering a lifelong interest in writing and the creative arts; to my husband Ian, for his love, encouragement and understanding, particularly during the final months of my PhD; and to my supervisor Allyson, who edited my work with kindness, clarity and honesty. -
The 400Th Anniversary of the Lancashire Witch-Trials: Commemoration and Its Meaning in 2012
The 400th Anniversary of the Lancashire Witch-Trials: Commemoration and its Meaning in 2012. Todd Andrew Bridges A thesis submitted for the degree of M.A.D. History 2016. Department of History The University of Essex 27 June 2016 1 Contents Abbreviations p. 3 Acknowledgements p. 4 Introduction: p. 5 Commemorating witch-trials: Lancashire 2012 Chapter One: p. 16 The 1612 Witch trials and the Potts Pamphlet Chapter Two: p. 31 Commemoration of the Lancashire witch-trials before 2012 Chapter Three: p. 56 Planning the events of 2012: key organisations and people Chapter Four: p. 81 Analysing the events of 2012 Conclusion: p. 140 Was 2012 a success? The Lancashire Witches: p. 150 Maps: p. 153 Primary Sources: p. 155 Bibliography: p. 159 2 Abbreviations GC Green Close Studios LCC Lancashire County Council LW 400 Lancashire Witches 400 Programme LW Walk Lancashire Witches Walk to Lancaster PBC Pendle Borough Council PST Pendle Sculpture Trail RPC Roughlee Parish Council 3 Acknowledgement Dr Alison Rowlands was my supervisor while completing my Masters by Dissertation for History and I am honoured to have such a dedicated person supervising me throughout my course of study. I gratefully acknowledge Dr Rowlands for her assistance, advice, and support in all matters of research and interpretation. Dr Rowland’s enthusiasm for her subject is extremely motivating and I am thankful to have such an encouraging person for a supervisor. I should also like to thank Lisa Willis for her kind support and guidance throughout my degree, and I appreciate her providing me with the materials that were needed in order to progress with my research and for realising how important this research project was for me. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Nagy Rock 'N' Roll Könyv
Szakács Gábor Nagy rock ʼnʼ roll könyv Szakács Gábor „Ahogy SzakácsSzakács GáborGábor mondjamondja aa műfajábanműfajában egyedülegyedülálló álló Nagy rock’n’rollOzzy Osbourne: c. könyvében: …el kell döntenünk, hogy zajt vagy zenét aka- runk„Amikor hallani.” fiam rehabilitációján megismertem a szerek mélységét, és ez hasonló a heroinhoz, teljesen ledöbbentem.Juhász Kristóf: 55 éves Magyar vagyok Idők és 2017/3/7.hátralé- vô életemben újra kell gondolnom sok mindent, mivel saját magamat is hihetetlenül hosszú ideig károsítottam.” Ozzy Osbourne: „Amikor fiam rehabilitációján megismertem a szerek mélységét, és ez hasonló a heroinhoz, teljesen ledöbbentem. 55 éves vagyok és hátralévő életemben újra kell gondolnom sok mindent, mivel saját magamat is hihetetlenül hosszú ideig károsítottam.” A szerző külünköszönetet köszönetet mond mondaz Attila az ifjúságaAttila ifjúsága lemez zenészeinek:zenészeinek: Kecskés együttes: L. Kecskés András, Kecskés Péter, Herczegh László, Lévai Péter, Nagyné Bartha Anna ifjúifj.© Szakács CsoóriCsoóri Gábor, SándorLászló 2004. június Rock:ISBN Bernáth 963 216 329Tibor, X Berkes Károly, Bóta Zsolt, Horváth János, Hor- váth Menyhért, Papp Gyula, Sárdy Barbara, Szász Ferenc A szerző köszönetet mond Valkóczi Józsefnek a könyv javításáért. © Szakács Gábor, 2004. június, 2021 ISBN© Szakács 963 216Gábor, 329 2004. X június, 2021. február ISBN 963 216 329 X FOTÓK: Antal Orsolya, Ágg Károly, Becskereki Dusi, Dávid Zsolt, Galambos Anita, Knapp Zoltán, Rásonyi Mária, Tóth Tibor BORÍTÓTERV, KÉPFELDOLGOZÁS: FortekFartek Zsolt KIADVÁNYSZERKESZTÔ: Székely-Magyari Hunor KIADÓ ÉS NYOMDA: Holoprint Kft. • 1163 Bp., Veres Péter út 37. Tel.: 403-4470, fax: 402-0229, www.holoprint.hu Nagy Rock ʼnʼ Roll Könyv Tartalomjegyzék Elôszó . 4 Így kezdôdött . 6 Írók, költôk, hangadók . 15 Családok, gyermekek, utódok . 24 Indulás, feltûnés, beérkezés . -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
Universi^ Aaicronlms Intemationêd
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Aes 143Rd Convention Program October 18–21, 2017
AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Die 1990Er 1208 Titel, 3,4 Tage, 7,72 GB
Seite 1 von 47 -Die 1990er 1208 Titel, 3,4 Tage, 7,72 GB Name Dauer Album Künstler 1 A winziger Funken 3:05 Jeder Tag Zählt - STS - 1990 (IT-320) S.T.S. 2 Abenteuerland (Single Version) 4:43 Bravo Hits 1995 - Comp 1995 (CD2-VBR) PUR 3 Aber niemals 4:24 Jeder Tag Zählt - STS - 1990 (IT-320) S.T.S. 4 Aber was soll's 3:55 Keine Angst - Georg Danzer - 1991 (IT-256) Danzer Georg 5 Absence of fear / This little bird 7:26 Spirit - Jewel - 1998 (RS-256) Jewel (Kilcher) 6 Absence of the heart 3:31 Everything's Gonna Be Alright - Deana Carter - 1998 (RS) Carter Deana 7 Acoustic dreams 4:30 The Collection - Paul Hardcastle - 2009 (RS) Hardcastle Paul 8 Addicted to you 4:16 Flame - Patti LaBelle - 1997 (VA) LaBelle Patti 9 Adia 4:02 Kuschelrock 21 CD1 - 2007 (CD) McLachlan Sarah 10 After the love has gone (ft Foster David) 4:04 A Touch Of - David Foster Kenny G. 11 After tonight 6:00 Rainbow - Mariah Carey - 1999 (VA-320) Carey Mariah 12 Against all odds (take a look at me now) 5:09 Rainbow - Mariah Carey - 1999 (VA-320) Carey Mariah 13 Against the wind 3:38 The Very Best Of - Bonnie Tyler - Comp 1993 (CD-VBR) Tyler Bonnie 14 Age of miracles 4:44 Heart Rock Vol.6 - Comp 1994 (CD1-VBR) Warwicke Dionne 15 Ain't i the lucky one 2:14 The Essential Marty Robbins: Robbins Marty 16 Ain't that just the way (Steve Antony R&B Edit) 4:02 My Side Of Town (US) - Lutricia McNeal - 1998 (CD-VBR) McNeal Lutricia 17 Alane 3:41 Bravo Super Show 1998 CD1 WES 18 All by myself 5:13 Falling Into You - Celine Dion - 1996 (CD-VBR) Dion Celine 19 All dressed up (with nowhere