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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
ISSUE 1820 AUGUST 17, 1990 BREATHE "Say Aprayer"9-4: - the New Single
ISSUE 1820 AUGUST 17, 1990 BREATHE "say aprayer"9-4: - the new single. Your prayers are answered. Breathe's gold debut album All That Jazz delivered three Top 10 singles, two #1 AC tracks, and songwriters David Glasper and Marcus Lillington jumped onto Billboard's list of Top Songwriters of 1989. "Say A Prayer" is the first single from Breathe's much -anticipated new album Peace Of Mind. Produced by Bob Sargeant and Breathe Mixed by Julian Mendelsohn Additional Production and Remix by Daniel Abraham for White Falcon Productions Management: Jonny Too Bad and Paul King RECORDS I990 A&M Record, loc. All rights reserved_ the GAVIN REPORT GAVIN AT A GLANCE * Indicates Tie MOST ADDED MOST ADDED MOST ADDED MOST ADDED MICHAEL BOLTON JOHNNY GILL MICHAEL BOLTON MATRACA BERG Georgia On My Mind (Columbia) Fairweather Friend (Motown) Georgia On My Mind (Columbia) The Things You Left Undone (RCA) BREATHE QUINCY JONES featuring SIEDAH M.C. HAMMER MARTY STUART Say A Prayer (A&M) GARRETT Have You Seen Her (Capitol) Western Girls (MCA) LISA STANSFIELD I Don't Go For That ((west/ BASIA HANK WILLIAMS, JR. This Is The Right Time (Arista) Warner Bros.) Until You Come Back To Me (Epic) Man To Man (Warner Bros./Curb) TRACIE SPENCER Save Your Love (Capitol) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RIGHTEOUS BROTHERS SAMUELLE M.C. HAMMER MARTY STUART Unchained Melody (Verve/Polydor) So You Like What You See (Atlantic) Have You Seen Her (Capitol) Western Girls (MCA) 1IrPHIL COLLINS PEBBLES ePHIL COLLINS goGARTH BROOKS Something Happened 1 -
Gary Moore: Ohne Bluesrock Kein Erfolg
EUR 7,10 DIE WELTWEIT GRÖSSTE MONATLICHE 05/07 VINYL -/ CD-AUKTION Mai Gary Moore: Ohne Bluesrock kein Erfolg. 2 Oldie-Markt 5/07 Schallplattenbörsen Plattenbörsen 2007 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, dass sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeitschrift monatlich den aktuellen Börsenkalender. Folgende Termine wurden von den Veranstaltern bekannt gegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 28. April Mannheim Rosengarten Wolfgang W. Korte (061 01) 12 86 60 28. April Halle Händelhalle First & Last (03 41) 699 56 80 29. April Trier Europahalle Wolfgang W. Korte (061 01) 12 86 60 29. April Braunschweig Stadthalle First & Last (03 41) 699 56 80 29. April Ulm Donauhalle Robert Menzel (07 31) 605 65 29. April Innsbruck/Österreich Hütterheim Werner Stoschek (085 09) 26 09 5. Mai Passau X-Point Halle Werner Stoschek (085 09) 26 09 12. Mai Karlsruhe Badnerlandhalle Wolfgang W. Korte (061 01) 12 86 62 12. Mai Regensburg Antonius Halle Werner Stoschek (085 09) 26 09 13. Mai Leipzig Werk II First & Last (03 41) 699 56 80 13. Mai München Elserhalle Skull Concerts (089) 45 67 87 56 19. Mai Salzburg/Österreich Kleingmainer Saal Werner Stoschek (085 09) 26 09 20. Mai Köln Theater am Tanzbrunnen Wolfgang W. Korte (061 01) 12 86 62 27. Mai Neerkant/Holland De Moost Oldies Club (00 31) 774 65 35 69 Achtung! An Alle Leser! Einsendeschluss für die Aution 343 ist der 14. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
An Evening with Taxi's Michael Laskow
PRESENTS AN EVENING WITH TAXI’S MICHAEL LASKOW American Idol judge and Hit Songwriter Kara DioGuardi (L), during her interview with Michael Laskow (R), at TAXI’s free, members-only convention, the Road Rally. A Message From Diane Waters I met Michael Laskow in 1992 just before he founded Taxi and he’s as enthusiastic about discovering and promoting songwriters today as he was back then. When we spoke recently he was relating the whirlwind of activity he’s involved in to get ready for this year’s Taxi “Road Rally.” Each year he ups the ante and this time out he’s secured multi Grammy award winning songwriter Diane Warren as the keynote interview. Even with all of this, Michael is happily making time for the San Diego Songwriter’s Guild this month! He’ll spend the evening with us, share some of his vast knowledge and even listen to some members songs via Skype. What a great opportunity for us! The event will take place at 7PM on Monday, September 24th at the Country Inn & Suites (5975 Lusk Boulevard San Diego 92121). Members wishing to submit a song (limited spots available) will need to register in advance and submit a song online. But hurry! Registration deadline is 3PM on Thursday, September 20th . To submit online visit: www.sdsongwriters.org/laskow2012.php About Michael Laskow Michael Laskow has become one of the most well-connected people in the music business today. As President and CEO of TAXI, he is in daily contact with Directors and Vice Presidents of A&R at virtually all major record labels, many prominent independent labels, publishers, and music supervisors working on film and TV projects. -
Aes 143Rd Convention Program October 18–21, 2017
AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength. -
The Bee 1St Edition Pdf, Epub, Ebook
THE BEE 1ST EDITION PDF, EPUB, EBOOK Noah Wilson-Rich | 9781400852192 | | | | | The Bee 1st edition PDF Book More information about this seller Contact this seller 2. Previous owner's name on the front flyleaf. Archived from the original on 7 November Kenny later said that writing the song "Sweet Music Man" made him cut his hair and let it go gray, plus get rid of the earring. Inscription to the f. Searching for a new image, he soon developed a more middle-of-the-road, gravel-voiced style. The album cover was designed by Klaus Voormann , who had previously done the cover for Revolver by The Beatles , amongst others. Some discoloring to title page. Published by Bee- Line Books. Published by Candlewick Press MA He released one self-titled solo LP in which was reissued with one new song in , and also wrote commercial jingles. He was awarded the Nobel Prize in Literature in ]. Add to Basket Used Hardcover. Australian Chart Book — From Wikipedia, the free encyclopedia. From: Dale A. As he would continue to do in his solo career, Rogers cloaked some mature subject matter with a gentle delivery. Hung Medien. He is still listed as a working musician. Still a nice volume. This is the first printing. Covers a bit grubby. Very good. Dust Jacket Condition: Very Good. Seller Inventory aemo. Clair studio in on the Spicks and Specks sessions and was officially added first, accounting for some early photos with him and not Melouney, such as the one later used on the cover of Best of Bee Gees. -
5 Million Gift from the Building and Construction Trades Department, Afl-Cio
Diabetes Research Institute Foundation Summer 2010 / Volume 37 / Issue 2 Miami / New York / Long Island / California / Washington, D.C. DRI ocus fJoin us on social media sites! Diabetes Research Institute Foundation Receives $5 MILLION GIFT FROM THE BUILDING AND CONSTRUCTION TRADES DEPARTMENT, AFL-CIO The Diabetes Research Institute Foundation’s largest contributor, the Building and Construction Trades Department (BCTD) of the AFL-CIO, has pledged $5 million to be awarded over five years. This new gift brings the total dollars raised to more than $45 million over the last 25 years and firmly cements the unions’ commitment to help the Diabetes Research Institute find a cure for diabetes. According to Building and Construction Trades Department President Mark Ayers , the construction industry has been hit particularly hard by the decline in the economy, yet NEW Website, NEW Look, he attests that now is not the time to step away from the BCTD's commitment. MORE Features! “This dreadful disease continues to have a profound impact on people’s lives in Have you visited DiabetesResearch.org lately? If so, good times and in bad. Our members across the country subscribe to the belief that you’ve seen that we have completely redesigned ‘tough times never last – but tough people do,’ and our commitment to finding a our website to make it more dynamic and user- cure is enduring and unwavering,” said President Ayers. “We’ve come too far to friendly. After a year of development, the new site turn back now.” was launched with many new features and tools to offer a better experience and more information Continued on Page 3 for our visitors. -
7 41 F.2D 896 United States Court of Appeals, Seventh Circuit
7 41 F.2d 896 United States Court of Appeals, Seventh Circuit. Ronald H. SELLE, Plaintiff-Appellant, v. Barry GIBB, et al., Defendants-Appellants, and Ronald H. SELLE, Plaintiff-Appellee, v. Barry GIBB, et al., Defendants-Appellants. Nos. 83–2484, 83–2545. | Argued April 13, 1984. | Decided July 23, 1984. Opinion CUDAHY, Circuit Judge. The plaintiff, Ronald H. Selle, brought a suit against three brothers, Maurice, Robin and Barry Gibb, known collectively as the popular singing group, the Bee Gees, alleging that the Bee Gees, in their hit tune, “How Deep Is Your Love,” had infringed the copyright of his song, “Let It End.” The jury returned a verdict in plaintiff’s favor on the issue of liability in a bifurcated trial. The district court, Judge George N. Leighton, granted the defendants’ motion for judgment notwithstanding the verdict and, in the alternative, for a new trial. Selle v. Gibb, 567 F.Supp. 1173 (N.D.Ill.1983). We affirm the grant of the motion for judgment notwithstanding the verdict. I Selle composed his song, “Let It End,” in one day in the fall of 1975 and obtained a copyright for it on November 17, 1975. He played his song with his small band two or three times in the Chicago area and sent a tape and lead sheet of the music to eleven music recording and publishing companies. Eight of the companies returned the materials to Selle; three did not respond. This was the extent of the public dissemination of Selle’s song.1 Selle first became aware of the Bee Gees’ song, “How Deep Is Your Love,” in May 1978 and thought that he recognized the music as his own, although the lyrics were different. -
Mythos BEE GEES: Alle Gibb-Brüder in Einer 4CD-Box „MYTHOLOGY“
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] Mythos BEE GEES: Alle Gibb-Brüder in einer 4CD-Box „MYTHOLOGY“ Disc One (Barry) 1. SPIRITS (HAVING FLOWN) 2. YOU WIN AGAIN 3. JIVE TALKIN’ 4. TO LOVE SOMEBODY 5. TRAGEDY 6. TOO MUCH HEAVEN 7. FIRST OF MAY 8. MORE THAN A WOMAN 9. LOVE SO RIGHT 10. NIGHT FEVER 11. WORDS 12. DON’T FORGET TO REMEMBER 13. IF I CAN’T HAVE YOU 14. ALONE 15. HEARTBREAKER 16. HOW DEEP IS YOUR LOVE 17. LOVE YOU INSIDE AND OUT 18. STAYIN’ ALIVE 19. BARKER OF THE UFO 20. SWAN SONG 21. SPICKS AND SPECKS Disc Two (Robin) 1. I AM THE WORLD 2. NEW YORK MINING DISASTER 3. I CAN’T SEE NOBODY 4. HOLIDAY 5. MASSACHUSETTS 6. SIR GEOFFREY SAVED THE WORLD 7. AND THE SUN WILL SHINE 8. THE SINGER SANG HIS SONG 9. I’VE GOTTA GET A MESSAGE TO YOU 10. I STARTED A JOKE 11. ODESSA 12. SAVED BY THE BELL – Robin Gibb 13. MY WORLD 14. RUN TO ME 15. LOVE ME 16. JULIET – Robin Gibb 17. THE LONGEST NIGHT 18. FALLEN ANGEL 19. RINGS AROUND THE MOON 20. EMBRACE 21. ISLANDS IN THE STREAM Disc Three (Maurice) 1. MAN IN THE MIDDLE 2. CLOSER THAN CLOSE 3. DIMENSIONS 4. HOUSE OF SHAME 5. SUDDENLY 6. RAILROAD 7. OVERNIGHT 8. IT’S JUST THE WAY 9. LAY IT ON ME 10. TRAFALGAR 11. OMEGA MAN 12. WALKING ON AIR 13. COUNTRY WOMAN 14. -
Scoping Rogue River's Outstandingly Remarkable
SCOPING ROGUE RIVER’S OUTSTANDINGLY REMARKABLE VALUES Other Similar Values & Other River Values Mike Walker Hugo Neighborhood Association & Historical Society Rogue Advocates Goal One Coalition Preliminary December 8, 2014 SCOPING ROGUE RIVER’S OUTSTANDINGLY REMARKABLE VALUES1 Other Similar Values & Other River Values Outline EXECUTIVE SUMMARY INTRODUCTION PURPOSE I. HISTORICAL CHRONOLOGICAL ORV RECORD A. LEGISLATIVE INTENT 1958 Public Land Order (PLO) 1726 dated Sept 3, 1958. Oregon; 1959 PLO 1855 dated May 14, 1959 1961 Senate Select Committee on National Water Resources 1962 Outdoor Recreation for America by Outdoor Recreation Resources Review Commission 1963 Wild Rivers Study initiated by U.S. Secretary of Agriculture and U.S. Secretary of the Interior 1963 PLO 3165. July 31, 1963. Oregon; 1964 Draft Study Report of the Rogue River, Oregon, Pacific Southwest Reginal Task Force for Consideration of Wild Rivers Study Team. 1964 Wild Rivers Study 1965 Senate Bill S. 1446 by Interior and Insular Affairs Committee 1967 Senate Bill S. 119 by Interior and Insular Affairs Committee 1968 United States Congress. House. 1968. Report No. 1623. Providing for a National Scenic Rivers System and for Other Purposes. 1968 United States Congress. House. 1968. Report No. 1917. National Wild and Scenic Rivers System: Conference Report B. EARLY IMPLEMENTATION OF WILD & SCENIC RIVERS ACT 1968 The National Wild and Scenic Rivers System (Public Law 90-542; 16 U.S.C. 1271 et seq.) 1969 Master Plan For The Rogue River Component Of The National Wild & Scenic Rivers System October 1969. USDI, Office of the Secretary. Washington, D.C. 1972 Department of the Interior, Bureau of Land Management. -
"Authenticity" in Rap Music by Consumers."
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L.