Leuptittig Ral^I British Ports Close
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there). -
NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T. -
Raven Leilani the Novelist Makes a Shining Debut with Luster, a Mesmerizing Story of Race, Sex, and Power P
Featuring 417 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVIII, NO. 15 | 1 AUGUST 2020 REVIEWS Raven Leilani The novelist makes a shining debut with Luster, a mesmerizing story of race, sex, and power p. 14 Also in the issue: Raquel Vasquez Gilliland, Rebecca Giggs, Adrian Tomine, and more from the editor’s desk: The Dysfunctional Family Sweepstakes Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas # As this issue went to press, the nation was riveted by the publication of To o Chief Executive Officer Much and Never Enough: How My Family Created the World’s Most Dangerous Man MEG LABORDE KUEHN (Simon & Schuster, July 14), the scathing family memoir by the president’s niece. [email protected] Editor-in-Chief For the past four years, nearly every inhabitant of the planet has been affected TOM BEER by Donald Trump, from the impact of Trump administration policies—on [email protected] Vice President of Marketing climate change, immigration, policing, and more—to the continuous feed of SARAH KALINA Trump-related news that we never seem to escape. Now, thanks to Mary Trump, [email protected] Ph.D., a clinical psychologist, we understand the impact of Donald Trump up Managing/Nonfiction Editor ERIC LIEBETRAU close, on his family members. [email protected] It’s not a pretty picture. Fiction Editor LAURIE MUCHNICK The book describes the Trumps as a clan headed by a “high-functioning [email protected] Tom Beer sociopath,” patriarch Fred Trump Sr., father to Donald and the author’s own Young Readers’ Editor VICKY SMITH father, Fred Jr. -
Public Domain Children's Books
Public Domain Children’s Books By Tony Laidig Whenever I talk about the Public Domain (which is all the time), I often get questions about children’s books from the Public Domain and whether they’ll sell. So I decided to take a serious look into Children’s Books to see what I could discover about them. In this article, I will: ❍ Show you the results of my market research ❍ Provide the best sources online for finding Children’s Books and related items ❍ Offer suggestions for products that you may not have thought about before now Let’s get started. When researching Children’s Books, it’s really easy to get locked into a certain way of thinking about them…as you remember them from your youth…or simply as “books for kids.” But when I think about Children’s Books, my thought process extends MUCH further and consider the children’s niche from a lot of different perspectives. To research effectively, I like to begin with the end in mind, so I consider things like: ❍ Who is my target audience? ❍ What potential product ideas could be based on Children’s Books? © 2014 Tony Laidig 1 http://easybookillustrations.com ❍ Are there sub-niches within the Children’s Books niche that would be best to target? ❍ What are the best ways to sell these products? Dedicated website, eBay.com, Amazon.com, traditional bookstores, etc.? On the pages that follow, we will take a look at each of these points and determine whether children’s books are indeed a waste of time or an absolute goldmine. -
Heroes’ I Can Write About Are Phenomena.” — H.P
— HEROES — HEROES “Only the cosmic framework itself—or such individuals as symbolise principles (or defiances of principles) of the cosmic framework—can gain a deep grip on my imagination and set it to work creating. In other words, the only ‘heroes’ I can write about are phenomena.” — H.P. Lovecraft, letter to E. Hoffman Price, Aug. 15, 1934 (SELE ct ED LE tt ERS V, p. 19) or each hero, the first paragraph gives a quick summary of their origin and pow- Fers, and briefly discusses their mainstream Nedor Comics career. The second paragraph focuses on their appearance in the Lovecraft lines: Dream Master and Adventures Into Darkness. (For the Dream Master and Nodens, two heroes essentially restricted to the Lovecraft lines, the first paragraph simply discusses their pow- ers and origins.) It covers some of their particularly popular or iconic adventures, nemeses, etc. in those books, but is obviously far from complete. THE AMER ic AN EAGLE A strange “black light ray” struck government sci- entist Tom Standish and his youthful assistantSample Bud file Pierce, granting them both the ability to fly and fight like true American eagles. As the American Eagle and Eaglet, they battled the Axis, starting in Exciting Comics #22 (October 1942). The American Eagle THE AMER ic AN EAGLE debuted alone the month before, in America’s Best QUALITIES Comics #2. The American Eagle’s flight can easily keep pace with a car, and he is strong enough to lift and Good [+2] Athlete, Expert [+4] Keen Eyes, Good [+2] throw a heavy construction crane. -
HOW TERRORIST GROUPS END Lessons for Countering Al Qa’Ida
THE ARTS This PDF document was made available CHILD POLICY from www.rand.org as a public service of CIVIL JUSTICE the RAND Corporation. EDUCATION ENERGY AND ENVIRONMENT Jump down to document6 HEALTH AND HEALTH CARE INTERNATIONAL AFFAIRS The RAND Corporation is a nonprofit NATIONAL SECURITY research organization providing POPULATION AND AGING PUBLIC SAFETY objective analysis and effective SCIENCE AND TECHNOLOGY solutions that address the challenges SUBSTANCE ABUSE facing the public and private sectors TERRORISM AND HOMELAND SECURITY around the world. TRANSPORTATION AND INFRASTRUCTURE Support RAND WORKFORCE AND WORKPLACE Purchase this document Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND Corporation View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND PDFs to a non-RAND Web site is prohibited. RAND PDFs are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND mono- graphs undergo rigorous peer review to ensure high standards for research quality and objectivity. HOW TERRORIST GROUPS END Lessons for Countering al Qa’ida SETH G. -
THE SUPERHERO BOOK SH BM 9/29/04 4:16 PM Page 668
SH BM 9/29/04 4:16 PM Page 667 Index Miss Masque, Miss Acts of Vengeance, 390 Adventure Comics #253, A Victory, Nightveil, Owl, Acy Duecey, 4478 586 A Carnival of Comics, 229 Pyroman, Rio Rita, AD Vision, 21, 135, 156 Adventure Comics #432, “A Day in the Life,” 530 Rocketman, Scarlet Adam, 97 446 (ill.) A Distant Soil, 21 Scorpion, Shade, She- Adam, Allen, 117 Adventure Comics #482, A Touch of Silver (1997), 275 Cat, Yankee Girl Adam Strange, 3–4, 317, 441, 180 (ill.) AAA Pop Comics, 323 Academy X, 650 500, 573, 587 Adventurers’ Club, 181 Aardvark-Vanaheim, 105 Acclaim Entertainment, 563, Justice League of Ameri- Adventures in Babysitting, 525 Abba and Dabba, 385 613 ca, member of, 294 Adventures into the Unknown, Abbey, Lynn, 526 Ace, 42 Adamantium, 643 434 Abbott, Bruce, 147 Ace Comics, 160, 378 Adams, Art, 16, 44–45, 107, The Adventures of Aquaman ABC See America’s Best Ace Magazines, 427 254, 503 (1968–1969), 296 Comics (ABC) Ace of Space, 440 Adams, Arthur See Adams, Art Adventures of Batman (TV ABC News, 565 Ace Periodicals, 77 Adams, Jane, 62, 509 series), 491 ABC Warriors, 441 Ace the Bat-Hound, 59, 72, Adams, Lee, 545 The Adventures of Batman and Abhay (Indian superhero), 283 402, 562 Adams, Neal, 22, 25, 26, 32, Robin (1969–1970), 56, 64 Abin Sur, 240, 582 “Aces,” 527 47, 59, 60, 94, 104, 174, The Adventures of Batman and Abner Cadaver, 416 ACG, 42 177, 237, 240, 241, 334, Robin (1994–1997), 56, 67, Abomination, 259–260, 266, Achille le Heel, 342 325, 353, 366, 374, 435, 493 577 Acolytes, 658 445, 485, 502, 503, 519, The Adventures of Bob Hope, Aboriginie Stevie, 583 Acrata (Planet DC), 282 542, 582, 635, 642 103, 502 About Comics, 194 Acrobat, 578 Adapt (Australian superhero), Adventures of Captain Africa, Abra Kadabra, 220, 575 Action #23, 550 283 378 Abrams, J. -
Deconstructing Terror: the Political Theatre of Harold Pinter, Caryl Churchill, and Martin Crimp
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2015 Deconstructing Terror: The Political Theatre of Harold Pinter, Caryl Churchill, and Martin Crimp Beatrice Loayza Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Continental Philosophy Commons, Dramatic Literature, Criticism and Theory Commons, and the Literature in English, British Isles Commons Recommended Citation Loayza, Beatrice, "Deconstructing Terror: The Political Theatre of Harold Pinter, Caryl Churchill, and Martin Crimp" (2015). Undergraduate Honors Theses. Paper 204. https://scholarworks.wm.edu/honorstheses/204 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Loayza 1 Deconstructing Terror: The Political Theatre of Harold Pinter, Caryl Churchill, and Martin Crimp A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in English from The College of William and Mary by Beatrice Loayza Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________ Varun Begley ________________________________________ Christy Burns ________________________________________ Colleen Kennedy ________________________________________ Robert Leventhal Williamsburg, VA Loayza 2 Introductory Notes Throughout this paper, I will use the following citation abbreviations for frequently used texts: OG: Of Grammatology ST: The Spirit of Terrorism PT: Philosophy in a Time of Terror GW: The Gulf War Note: All American administration speeches on terrorism are available online through the White House archives: https://www.whitehouse.gov/briefing-room/speeches-and- remarks, the public archives of the U.S. -
1918: O Fim Do Século Xix, 100 Anos Depois
1918: O FIM DO SÉCULO XIX, 100 ANOS DEPOIS José Otaviano da Mata Machado Dulce et decorum est pro patria mori. (Horácio, Odes) But the past is just the same – and War’s a bloody game… Have you forgotten yet?… Look down, and swear by the slain of the War that you’ll never forget. (Siegfried Sassoon, “Aftermath: March 1919”) O conflito que varreu a Europa e grande parte dos países sob sua influência ou do- mínio político entre 1914 e 1918 recebeu uma miríade de epítetos: a “Grande Guerra”, a “Guerra de trincheiras”, a “Guerra para acabar com todas as guerras”. Nenhum destes é hiperbólico: as dimensões do conflito foram sem precedentes em todos os seus aspectos. Sob um ponto de vista geopolítico, foi de fato a primeira guerra de escala mundial; embora a Grã-Bretanha e a França tenham se envolvido em diversas guerras coloniais nos séculos XVIII e XIX, em campos de batalha tão diversos quanto a Índia, a Europa, e a América do Norte, raramente esses conflitos envolviam as outras potências europeias – muito menos todas elas. A Primeira Guerra Mundial envolveu não só Inglaterra e França, como trouxe para as trincheiras a Alemanha e os grandes impérios do século XIX – o Império Austro- -Húngaro e o Império Turco-Otomano –, soldados de países coloniais como Índia, Canadá, China e Senegal e, pela primeira vez na história, os Estados Unidos da América – em uma rejeição à célebre advertência de George Washington para que o país nunca se envolvesse em “complicações europeias”. (HOBSBAWM, 1994, p. 31) Sob uma perspectiva militar, a Primeira Guerra Mundial também foi de uma dimen- são inédita: antes mesmo da deflagração do conflito, entre 19 e 50 milhões de homens armados estavam a postos em ambos os lados das fronteiras. -
Patriotism to Skepticism: Captain America and The
PATRIOTISM TO SKEPTICISM: CAPTAIN AMERICA AND THE CHANGING CULTURAL LANDSCAPE by BRANDI MONTANA HODO LUKE NIILER, COMMITTEE CHAIR FREDERICK WHITING STACY MORGAN A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2011 Copyright Brandi Montana Hodo 2011 ALL RIGHTS RESERVED ABSTRACT Since the early 1930s, the genre of comic books have featured stories to amaze, to frighten, and to entertain readers. However, comic books are not just forms of entertainment, but cultural artifacts that mirror and, at times, analyze the attitudes of a particular period. In this thesis, I am using Captain America as a way to trace the changes in popular American culture, from the character’s inception in March of 1941 until the 2009 creation of a new Captain America. This study, using the framework of New Historicism, details the history of the character through the World War II, the Cold War, the Vietnam War, the Watergate Scandal, and the post- 9/11 eras. The purpose of this study is to see how the Captain’s attitudes and actions reflect those of his readers. ii ACKNOWLEDGMENTS I would like to thank Dr. Luke Niiler for giving me a chance to write a thesis with a topic that is outside of the norm. Dr. Niiler has supported me in this endeavor from the first panic filled email to the final product and patiently listened to me blather on about comic books. I want to thank my other committee members, Dr. -
Universidade Federal De Santa Catarina Pós-Gradução Em Letras / Inglês E Literatura Correspondente
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUÇÃO EM LETRAS / INGLÊS E LITERATURA CORRESPONDENTE US vs. THEM: A Criticai Analysis of Superman - Peace on Earth Por 03430743 Francisco Osvanilsom Dourado Veloso Dissertação submetida à Universidade Federal de Santa Catarina para obtenção do grau de Mestre em Letras Florianópolis Fevereiro, 2002 Esta dissertação de. Francisco Osvanilsom Dourado Veloso, intitulada US vs. THEM: A Criticai Analysis of Superman - Peace on Ecirth, foi julgada adequada e aprovada em sua forma final, pelo Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, da Universidade Federal de Santa Catarina, para fins de obtenção do grau de MESTRE EM LETRAS Área de concentração: Inglês e Literatura Correspondente Opção: Língua Inglesa e Lingüística Aplicada Lêda Maria Braga Tomitch Coordenadora BANCA EXAMINADORA: Prof. Dr. José Luiz Meurer Orientador e Presidente Profa. Dra. Viviane Maria Heberle Examinadora Florianópolis, 22 de fevereiro de 2002. Para meu irmão, com quem compartilhei as alegrias da minha infância. Também, à memória de José Magalhães Dourado e Carlos Freire Veloso, meus avós. ACKNOWLEDGEMENTS At certain circumstances, it is usually difficult to say “thanks”, and I guess this is one of them. There are people who really deserve it in capital letters, because they contributed directly to the outcome. Others, they could not help in such a way, either because they were too far or simply because they could not figure out how important it was for me, but their existence was enough to encourage me along the way. Anyway, names are necessary, definitely. So, here we go. First of all, I would like to thank Zé Luiz for accepting to advise me in this work. -
List of Superhero Debuts
List of SuperHero debuts The following is a list of the first known appearances of various superhero fictional characters and teams. A superhero (also known as a super hero) is a fictional character "of unprecedented physical prowess dedicated to acts of derring-do in the public interest."[1] Since the debut of the prototypal superhero Superman in 1938, stories of superheroes — ranging from brief episodic adventures to continuing years-long sagas — have dominated American comic books and crossed over into other media. A female superhero is sometimes called a superheroine or super heroine. By most definitions, characters need not have actual superhuman powers to be deemed superheroes, although sometimes terms such as costumed crimefighters[2] are used to refer to those without such powers who have many other common traits of superheroes. 1850-1900 Penny Dreadful Character / Team / Year Debuted Creator/s First Appearance Series George A. Sala or Spring-Heeled Jack, Spring Heeled Jack 1867 Alfred Burrage as the Terror of London "Charlton Lea" The folkloric Spring Heeled Jack came to be featured in a series of Penny Dreadfuls, first as a villain, then as a crime-fighter with a disguise, secret lair, and gadgets, hallmarks of superheroes.[3] 1900-1909 Play Character / Team / Year Debuted Creator/s First Appearance Series Baroness Emmuska The Scarlet Pimpernel 1903 The Scarlet Pimpernel Orczy The often cited as perhaps the earliest superhero akin to those to become popularized through American comic books.[4][5][6][7] 1910s Magazine Character / Team / Year Debuted Creator/s First Appearance Series Varick Vanardy[8] The Night Wind 1913 (Frederick Van Alias the Night Wind Rensselaer Dey) Doctor Syn: A Tale of The Scarecrow 1915 Russell Thorndike the Romney Marsh "The Curse of Zorro 1919 Johnston McCulley Capistrano" All Weekly Story 1920s Notable non-superhero characters that influenced the superhero genre Character Year Creator/s Media Comment / Team Debuted Adapted from the story Armageddon 2419 A.D.